On behalf of Wacken Metal Battle Malta, I want to express my deepest and most heartfelt gratitude to everyone who helped make our journey to Wacken Open Air 2025  such a powerful and unforgettable milestone. Malta made history with its first-ever live performance on the sacred grounds of Wacken , and what a moment it was. 🔥 A massive thank you  to the Wacken Metal Battle international crew, the Wacken Open Air promoters and team, and the entire W:E:T Stage crew at Bullhead City. Your professionalism, dedication, and tireless work behind the scenes gave Morsrot the stage to showcase Maltese metal at its fiercest. 🔥 To Marton Saliba  – your unwavering support and guidance to Morsrot throughout every phase of this journey was absolutely vital. Your commitment was instrumental in pushing the band toward this incredible achievement. 🔥 To Gordon O’Reilly  – representing Malta as part of the International Jury was no small task, and your presence added true weight to our nation’s name on the global scene. Your insight and dedication helped cement Malta’s mark at Wacken. 🔥 To every single metal fan  who stood with us – whether you were in the crowd or cheering from afar – your energy, support, and belief made all the difference. 🔥 And to Morsrot  – what can I say? You brought the fire. You played with heart, fury, and conviction, embodying the raw power and soul of Maltese metal on one of the most prestigious stages in the world. We are beyond proud. This moment proves what can happen when passion, persistence, and unity drive us forward. Let this be the beginning of many more milestones to come. Here's to louder years ahead , and to keeping the metal flame burning bright for Malta on the global stage. Until the next battle… 🔥 Nick Grima MGT Official Promoter – WACKEN METAL BATTLE MALTA  🔥

On August 1st, PERSONAL RECORDS is proud to present ANCHORITE's highly anticipated second album, Realm of Ruin, on CD format. ANCHORITE was formed in late 2018 at the Malta Doom Metal Festival when vocalist Leo Stivala (Forsaken, ex-Reflection) and bassist Peter Svensson (Void Moon, Assassin’s Blade, ex-Goatess) decided to form a band together. Firmly based in the field of epic doom metal, they started outlining the overall concept of the band and began recruiting members. The first member to join the band was drummer Marcus Rosenkvist (Void Moon, Assassin’s Blade), and work on material for their first album started right away. After trying several guitarists, the perfect fit was found in Martin Jepsen Andersen (Blindstone, Meridian, ex-Reece) and the recording of that album, Further from Eternity, could be completed. This first album was mixed by Magnus "Devo" Andersson (ex-Marduk) at Endarker Studio. The album contained a heartfelt tribute to Mark "The Shark" Shelton, the late frontman of Manilla Road, called "Valhalla Awaits," featuring ex-Manilla Road members Randy Foxe (drums) and Bryan Patrick (vocals). After a break of a few years, ANCHORITE started writing new material for a second album. This time, compositions were done in a more of a band-collaborative manner, with everyone pulling in ideas. The new album was recorded 2024-2025, and mixing and mastering was again trusted in the hands of Endarker Studio. Titled Realm of Ruin, form fits contents, as ANCHORITE build towers of epic-ascending / descending emotion and heaviness. Truly, this is maniacal doom for doom metal maniacs - the band are forthright about their influences, namely Solitude Aeternus, Candlemass, and the aforementioned Manilla Road - but that takes nothing away from the poignancy and power of these eight equally weighty songs. Even for those well versed in epic doom, Realm of Ruin conveys ANCHORITE's own personality, indeed putting a unique twist on an otherwise-strictured idiom; one will find a plethora of dual-harmonic leads and tempos that pick up to a trad-metal gallop, among other tasteful details. What's more, the band cement their cultness by getting a guest appearance from legendary Mercyful Fate guitarist Michael Denner. Wander within this Realm of Ruin as the journey of the ANCHORITE continues!

Lyndsay Pace is making it big in Hollywood! Lyndsay Pace is a singer/songwriter hailing from the Mediterranean island of Malta. Her passion for music had always been evident from a very young age carrying her natural presence and self-confident abilities through each of her stage performances. She differs from the other acts in the local music industry by bringing about a certain aura, a professional one which incorporates stamina, attitude and pure energy. Lyndsay had also participated in a number of renowned festivals both local and international such as The Malta Eurovision Song Contest, X Factor Malta, Muzika Muzika, Britain’s Got Talent, The Hartbex Carpathia Festival and The Fan Vision Song Contest to mention a few. Following her latest achievements, Lyndsay Pace has been nominated at the World Entertainment Awards in the Best Pop Song Category with her single “Trippin’”, the top charting track from her debut album in collaboration with Highkey Music. Furthermore, the most anticipated ceremony shall be taking place in Hollywood, Los Angeles early next year amongst worldwide artists who are not only involved in the music business but also in the film, fashion and creative industry whilst shaping today’s culture. The mission of such a prestigious event is to honour, recognize and reward excellence towards the outstanding talents across the globe. www.lyndsaypace.com

After more than 15 years of musical exploration behind the scenes, independent Maltese artist Johann Caruana  is stepping confidently into the music scene. Earlier this year, the 32-year-old musician released his debut single, “No Hope Left,”  a track that marks the beginning of what he calls “a long and meaningful musical journey.” Johann’s music is anything but conventional. His work is a fusion of rock, electronic, and worship influences—blending multiple sub-genres including blues rock, shoegaze, dance pop, trance, disco polo, and even rap. Each song is a sonic experiment, carefully crafted to reflect the emotional and spiritual layers of his identity as a composer, multi-instrumentalist, and man of faith. “I spent over ten years writing and experimenting with different genres, but I finally felt it was time to take the leap and start releasing my music to the world,” says Johann, who plays both drums and bass guitar. “‘No Hope Left’ was the first step, and it opened doors I didn’t expect.” Following the single’s release in March, Johann quickly gained momentum. His latest track, “Under the Pulse,”  brings a powerful, summer-inspired sound that showcases his flexibility as a producer. Then came “Midnight Blues” —a blues rock melody that recently received international airplay on WANT FM 98.9 in Tennessee, USA. For an independent artist from Malta, that kind of recognition is both rare and encouraging. What truly sets Johann apart, however, is his willingness to experiment with faith-based music  in ways that resonate with modern audiences. His track “Philippians 4”  takes a Bible verse and reimagines it as a rap song, complete with a beat that wouldn’t feel out of place on today’s hip-hop charts. “I believe the Bible can still be presented to present and future generations through the media we have at our disposal,” he says. “Music is one of the most powerful tools we have to do that.” Another standout track, “At the Edge,”  continues the theme of inspiration, carrying a message about perseverance and not giving up—something Johann himself has clearly embodied throughout his creative journey. With more releases planned and a steadily growing international reach, Johann is shaping up to be a bold and meaningful new voice from Malta . This evolution includes exploring opportunities to collaborate with local vocalists on future projects. Listeners can find Johann Caruana’s music on all major streaming platforms, including Spotify, Apple Music, Amazon Music,  and YouTube Music .

Two minutes of scrolling can undo hours of peace. Here’s why and how to stop the spiral. If you spend just two minutes scrolling on social media platforms these days, you can easily convince yourself that you’re falling behind either on your fitness , your career , your travel or even your musical capabilities. You see someone with perfect abs, another with a dream job, and yet another who seems to play their instrument with effortless mastery. It’s like the entire world is advancing while you’re standing still. That sinking feeling I should be there by now feeling? That’s comparison paralysis —and the scroll is designed to trigger it. The feeds we consume are not just showing life. They are curated, filtered, and often manipulated highlight reels. Which brings us to the Giacomo Turra saga . When the Reel Isn’t Real Turra, a guitarist who went viral for his stunning performances, later faced backlash for allegedly relying on editing tricks, borrowing others’ work, and over-polishing what was presented as live and authentic. For a while, he was the standard many aspiring players silently compared themselves to. Then the cracks showed, proving once again that not everything we scroll past is true. And this doesn’t just happen in music. For anyone , the same illusion applies: That traveller posting endless beach photos? They may have batched six months’ worth of content in one trip. The entrepreneur “making six figures overnight”? You’re not seeing the years of struggle or the smoke and mirrors. The fitness influencer flaunting their physique? It could be perfect lighting, filters, or even digital enhancement. We’re often comparing our raw, unedited life to someone else’s staged moment . Why It Freezes Us Comparison isn’t always bad—it can sometimes motivate. But when the comparison is based on distorted realities, it overwhelms. Instead of inspiring action, it makes you freeze. You scroll more. You doubt yourself more. You feel smaller. How to Disarm It Whether you’re a musician , a creative , or simply trying to stay sane online, here’s how to loosen comparison’s grip: Name it when it happens. Pause and say: This is comparison, not truth. Remember the Turra effect. You don’t know how many takes, edits, or embellishments lie behind that clip. Curate your feed. Follow creators who share the messy, real process, not just the polished results. Zoom out on time. Your career, health, or art has its timeline. Someone else’s pace isn’t your pace. Shift from consuming to creating. Play one riff, record one idea, write one sentence. Creation beats endless scrolling. Take one small step. Ten minutes of honest work, practice, learning, and movement gives more than ten minutes of envy. Your Turn Next time you catch yourself spiralling in the scroll, ask: If I put this same energy into building my craft or my life, what would I create right now? Then… go do that. Because you’re not late. You’re not behind. And most of what you’re comparing yourself to? It’s not the whole story. So tell me—how do you keep social media from making you feel “behind”? Do you have a way to stop comparison before it takes hold? Become a paid subscriber here . Thanks for reading — and keep grooving, Merch Cd’s and Vinyl My Website Stream my Music

Esoteric Ethiopia & Cultura Obscura Feature on Monumental 100-Track Compilation Released by Santa Sangre Magazine Santa Sangre Magazine has just released an ambitious and boundary-pushing 100-track compilation , now available via Bandcamp . Among the standout contributions are three atmospheric and genre-defying pieces from the project Devil’s Breath , a collaborative and solo venture between Esoteric Ethiopia  and Cultura Obscura . Featured Tracks: 1. “Hadza” – Devil’s Breath (Esoteric Ethiopia + Cultura Obscura) Genre:  Tribal Ambient / Drone / NoiseA hauntingly atmospheric track inspired by the Hadza people—an indigenous, non-hierarchical tribe from Tanzania. “Hadza” is a sonic reflection on harmony, resistance to hierarchical oppression, and the raw beauty of ancestral traditions.🎧 Listen: Hadza 2. “Sombrelight” – Cultura Obscura (Solo) Genre:  Experimental Drone Noise Ambient“Sombrelight” envelops the listener in textured drone layers and dense ambient noise. A solo effort from Cultura Obscura, this track deepens the compilation’s mood with stark emotional contrasts.🎧 Listen: Sombrelight 3. “I Did Not Ask For This, It Will End With Me” – Esoteric Ethiopia (Solo) Genre:  Drone / Tribal Dub Techno AmbientA deeply personal track rooted in Anti-Natalist philosophy , Esoteric Ethiopia offers a minimalist but powerful meditation born from a period of profound introspection. The track weaves subtle noise into a tribal-tinged ambient dubscape.🎧 Listen: I Did Not Ask For This... These contributions reflect the raw, experimental spirit of Devil’s Breath , highlighting music that challenges traditional genre boundaries while speaking to themes of human fragility, resistance, and philosophical questioning. Santa Sangre’s compilation  is now live and offers a vast sonic landscape for lovers of the underground, the obscure, and the deeply meaningful. We are forever grateful for this opportunity to be included in such an expansive and important release. More Info: 🔗 santasangremagazine.bandcamp.com

New Writers Critic Platform launched by Festivals Malta and Arts Council Malta Festivals Malta, in collaboration with Arts Council Malta, have launched a pilot project for a Writers Critic Platform designed to stimulate critical dialogue around dance, theatre, music and performance. This platform is aimed at developing and promoting high-quality arts journalism in the digital space through a pilot edition dedicated to dance writing. Writer's Critic Platform - Photo: Elisa von Brockdorff  This Writing Academy, will take place during Dance Festival Malta and is led by journalist, producer and director of Aerowave’s Springback Academy, Oonagh Duckworth. Five writers who applied through an open call, which was released earlier this month, will attend writing workshops designed to hone their skills and to help them gain confidence in producing compelling, timely, and thoughtful dance criticism for online publication.   Annabelle Stivala, Executive Head, International Cultural Relations & Events, Arts Council Malta, said, “This program, which is a collaboration between Arts Council Malta and Dance Festival Malta, is designed to cultivate a new generation of art writers and critics across all artistic disciplines, reinforcing the essential connection between performance, critique, and audience engagement. This initiative reaffirms our belief that critical writing is a vital extension of artistic practice, helping to build bridges between artists and audiences.”   Festivals Malta CEO, Frans Agius, said that “Through this platform and our festival, Dance Festival Malta, Festivals Malta is aiming to develop local talent even further, while contributing to cultivate more critical writers in the cultural sector, particularly in dance.”   “Art critics and writers play a vital role in translating the visual and the momentary into language,” says Dance Festival Malta Artistic Director, Francesca Tranter. “They help artists grow by offering insight and analysis, and they allow audiences who could not be physically present to connect with the work in a meaningful way. That is why such initiatives are pivotal for the culture sector” The Writer’s Critic Platform is happening in collaboration with Arts Council Malta and with the support of the Valletta Cultural Agency and Valletta Design Cluster. The Platform is taking place during Dance Festival Malta’s 4th edition between the 24 and 27 July. For tickets and more information about the festival visit www.dfm.mt

Myles Drops "Gratitude Song" - A Raw, Uplifting Anthem for a World That Needs It Gratitude Song (artwork) Maltese alt-rock artist Myles is back with a powerful new single, "Gratitude Song," releasing Saturday, 26th July. The track is a bold call to stay soft, kind, and grounded-especially when it feels hardest. Following the success of Lil Din l-Art Helwa and Issir Sinjur, Myles now pivots to personal resilience with Gratitude Song, the opening chapter of his upcoming album Bare Bones. The track begins as a quiet reflection and gradually builds into a rousing anthem about emotional survival, human connection, and the quiet rebellion of being grateful in a chaotic world. "I wanted to write something real - not overly polished, not fake happy. Just... human," says Myles. "We talk about gratitude like it's easy. But real gratitude? It's a fight. It's radical." will connect with instantly. Follow Myles

James Dratta Releases Emotional Song 'No Need To Be Alone' Singer-songwriter James Dratta has just released his latest single, “No Need To Be Alone” a heartfelt anthem blending modern pop production with a retro synthwave atmosphere. The track is now available on Spotify and all major streaming platforms.   “No Need To Be Alone” is a melodic journey through emotional isolation and rediscovery, a relatable song born from late-night thoughts and honest reflection. Built around various synth textures and a compelling vocal performance, the song offers comfort and hope in a world where connection often feels out of reach. “I wanted to write something that reminds people they’re not alone in how they feel - that there’s strength in vulnerability,” says James. This track was entirely produced by Dratta, including playing all the instruments and vocal recording as an experiment to create a track in less than 10 days as an indie artist to capture a very raw emotion.   With influences rooted in pop, rock, and retrowave, James Dratta delivers a track that feels as sincere as it is radio-ready. His background as a live performer in both solo and full-band formats informs the energy and polish of the recording, while the raw lyrics maintain an intimacy listeners will connect with instantly. You can listen to the track here

Formed in Mellieħa, in 2006, Nomad Son quickly established themselves as a formidable force in the doom metal scene. Known for their brooding compositions and apocalyptic themes, their music delves into the depths of doom, death, and Christian-inspired reflections. Signed to Metal on Metal Records, the band first captured attention with two demo tracks—“Shallow Grave” and “Empyrean Fade”—included in a 2008 label compilation. However, they never officially released a standalone demo. July 16, 2025, marks the 15th anniversary of Nomad Son’s sophomore album, The Eternal Return, a cornerstone of Maltese doom metal that has left a profound impression on the global metal scene since its release in 2010. Issued under Metal on Metal Records (Catalog ID: MOMR10018), the album encapsulates a unique blend of traditional doom influences with a bold, progressive edge, solidifying Nomad Son’s place in the annals of the genre. Spanning nearly 54 minutes across eight tracks, The Eternal Return offers a dynamic range of tempos, tones, and atmospheres. From the energetic gallop of “The Vigil” and “Sigma Draconis” to the slow, mournful dirges of “Comatose Souls” and the epic 11-minute “Winds of Golgotha,” the album showcases both diversity and cohesion. The title track, with its haunting narration transitioning into Jordan Cutajar’s distinctive vocal style, highlights the band’s penchant for storytelling through music. The album’s texture owes much to Julian Grech’s commanding keyboard presence, which steps beyond mere accompaniment to become an essential melodic and atmospheric force. Tracks like “Comatose Souls” and “Winds of Golgotha” demonstrate this vividly, with organ solos that intertwine seamlessly with Chris Grech’s guitar leads. This interplay of instruments creates a sound that is at once vintage and innovative, honoring doom metal traditions while exploring new frontiers. Nomad Son at Doom Shall Rise - Germany 2010 photo: Metal On Metal The band’s lineup for The Eternal Return—Albert Bell (bass, additional vocals), Edward Magri (drums), Chris Grech (guitars), Julian Grech (keyboards, organ), and Jordan Cutajar (vocals)—delivers a performance steeped in synergy and precision. Produced, mixed, and mastered by David Vella at Temple Studios in Malta, the album reflects meticulous craftsmanship. The evocative cover art by Jowita Kamińska-Peruzzi and the thoughtful layout by Simone A. Peruzzi further enhance the album's aesthetic and thematic resonance. Nomad Son at Luxol Sports Club - July 17, 2010 To commemorate the album’s release, a launch party was held at Luxol Sports Club on July 17, 2010. The event took place on a sweltering summer night and featured Sicilian doom metal band Trinakrius as the supporting act, adding to the dark and immersive atmosphere of the evening. Upon release, The Eternal Return received widespread acclaim for its bold approach and richly layered sound. Critics lauded Cutajar’s vocal delivery, often described as a “raw, prophetic howl,” which ties the album’s diverse tracks together. The use of keyboards as a lead instrument drew comparisons to vintage rock and heavy metal legends, while the band’s integration of Christian and apocalyptic themes sparked intrigue and admiration. Setlist for Eternal Return album launch 17 July 2010 Fans and reviewers alike appreciated the maturity and depth evident in this album compared to its predecessor, First Light (2008). While First Light laid a solid foundation for Nomad Son’s sound, The Eternal Return showcased a band that had evolved significantly, embracing a darker, more intricate style of composition and lyricism. Their next album was released on August 30th, 2013 and was titled The Darkening. In 2018, drummer Edward Magri departed the band and was succeeded by Chris Galea, marking a new chapter in the group’s journey. Nomad Son live 2010 - photo: metalmaniacs.net Fifteen years later, The Eternal Return remains a hallmark of doom metal, celebrated for its originality and emotional depth. It stands as a testament to Malta’s vibrant yet understated contribution to the metal world and continues to resonate with listeners old and new. As fans revisit tracks like “Guilty as Sin” and “Throne of Judgement,” the album’s enduring relevance becomes clear. Whether through its evocative lyrics, masterful musicianship, or timeless atmosphere, The Eternal Return solidifies its place as a classic, embodying the spirit of doom metal while transcending its boundaries. This anniversary not only honors the album’s legacy but also reaffirms Nomad Son’s role in shaping the genre. The Eternal Return remains a vital and cherished piece of doom metal history, its echoes as powerful today as they were in 2010.   Bibliography Metal Archives. The Eternal Return album page. Accessed December 2024. https://www.metal-archives.com Orionmetalhead. “Impeccable Doom - 90%.” Metal Archives Review, January 29, 2014. Jessie117. “Nomad Son - The Eternal Return - 70%.” Destructive Music Webzine, September 28, 2012. Metantoine. “Malta's Doom is Nigh! - 82%.” Contaminated Tones Review, September 2, 2011. Metal on Metal Records. Nomad Son Artist Page. Accessed December 2024. http://metal-on-metal.com

The Invisible Skills That Make All the Difference When most people talk about learning bass, they focus on the visible stuff, finger strength, scales, speed, slap technique, and tone. And don’t get me wrong, those things matter. But if you’ve ever locked in with a drummer and felt the whole band start to levitate… or if you’ve seen a bass player completely transform a song without playing anything flashy… then you’ve seen what really makes a difference. There are certain skills, quiet, subtle, and often ignored, that separate the good bassists from the truly great ones. These aren’t usually taught in method books, and they don’t make for flashy YouTube videos. But they’re the reason people call you back for gigs. Here are five of the most powerful "invisible skills" I’ve come to rely on — and how you can start developing them. 1. Timing & Feel It’s not just about playing the notes on time . It’s about where within the beat you choose to sit. Laying slightly behind the beat can make a groove feel more relaxed and soulful. Sitting right on top can give it urgency. Great bassists don’t just keep time — they shape it. And the way you lock in with the drummer can change the entire energy of a track. Tip: Record yourself playing along to different grooves. Experiment with pushing or dragging just a hair. Listen back, the feel says everything. 2. Listening & Responsiveness You’re not playing in a vacuum. If the keyboardist suddenly adds syncopation, or the drummer shifts the hi-hat pattern, can you adjust your part on the fly ? The bass isn’t just about laying a foundation, it’s about conversation . The better you listen, the more musical and alive your playing becomes. Tip: Practice reacting. Put on backing tracks or jam with a friend and intentionally vary what you play each chorus based on what’s happening around you. 3. Note Choice in Context Knowing your modes and arpeggios is great. But great note choice often comes down to feel, not theory. Sometimes the right note is the one that holds tension. Sometimes it's the root, played simply and confidently. What matters is how the note fits with the moment. not whether it fits a scale. Tip: Try playing fewer notes during your next jam. Strip it down to roots and fifths, then slowly add colour, and listen to how each new note changes the feel. 4. Muting & Space Space is your secret weapon. One well-placed rest or muted note can groove harder than a flurry of 16ths. The ability to leave space, control note length, and mute effectively is what gives bass its percussive character. It also makes the notes you do play stand out more. Tip: Practice with a metronome and focus only on groove using ghost notes and rests. No fills. Just make it bounce. 5. Band Chemistry Here’s something you’ll never learn in a practice room: how to be the kind of bassist people want to play with. It’s not just about chops, it’s about presence, sensitivity, awareness, and generosity. Knowing when to step up, when to lay back, and how to serve the music. That’s what makes people trust you, and invite you back. Tip: Ask your bandmates what they appreciate most about other bass players. The answers might surprise you. Want to Go Deeper? In the next paid-only post , I’ll share: My personal Groove Builder warmup routine 3 practice exercises to develop these invisible skills Downloadable PDF with examples. If you found value in today’s article and want to support this kind of writing, consider becoming a paid subscriber. You’ll unlock exclusive content, lessons, and tools I use in real-world sessions. Become a paid subscriber here . Thanks for reading — and keep grooving, Merch Cd’s and Vinyl My Website Stream my Music

Maltese Rock Band EXPLICIT Releases New Satirical Track “FN” — Set to Perform at Farsons Beer Festival on July 12 Alternative rock band EXPLICIT  has just released their latest track, titled “FN” , a sharp and satirical piece that dives into the eccentric characters we often encounter in everyday life — from the workplace to social settings — and the curious ways their behavior leaves an impact. “FN” blends biting wit with the band’s signature alternative rock sound, offering listeners both a musical punch and a tongue-in-cheek look at society’s quirks. The song showcases EXPLICIT’s distinct energy and commitment to creating music that is as thought-provoking as it is entertaining. The band is fronted by Stephanie Chetcuti  on vocals, with Charles Buttigieg  on bass, Mario Saliba  on guitar, and Carlo Cranmer  on drums. Together, they bring a vibrant mix of influences and live chemistry to their performances. EXPLICIT will be bringing their raw, live energy to the Farsons Beer Festival  on Friday, July 12th at 9:00 PM  on the Rock Stage  — one of Malta’s most anticipated summer events. For updates, music releases, and more information, visit EXPLICIT’s official Facebook page

DRIPHT Dripht (S/T) / Global Warning / Paċifista Dripht are one of Malta’s most influential punk rock bands, known for their high-energy performances and sharp, socially conscious lyrics. Blending punk, reggae, and rock with a distinctly rebellious voice, Dripht carved a unique space in the local alternative scene from the early 2000s. Never before available digitally - you can now stream copies of Dripht (Self-titled EP), Global Warning and Paċifista. The release forms part of a wider rollout of Dripht’s back catalogue, with the three EPs scheduled for digital release in the coming weeks on streaming platforms, and available now via our bandcamp . Following a six-year hiatus, Dripht returned to the stage on Sunday, July 6th at the Farsons Beer Festival, marking a long-awaited comeback for one of Malta’s most influential punk acts. Copyright (C) 2025 Kewn Records. All rights reserved

Malta's iconic music show Rockna celebrates 15 Years of championing the local music scene Rockna, Malta's premier hybrid music and talk show dedicated to promoting the local music scene, marks a significant milestone this week as it celebrates its 15th anniversary. The groundbreaking show, which first aired on 9th July 2010, has become an institution in Malta's musical landscape, providing a vital platform for local artists and music enthusiasts. To commemorate this remarkable achievement, host Michael Bugeja has prepared a special anniversary episode that revisits the very first Rockna broadcast from July 2010, including an interview with the first guest band Eve Ransom. This special episode will offer listeners a nostalgic journey back to the show's origins - the spirit of which remains intact, helping the show evolve and grow over the past decade and a half. "Fifteen years ago, encouraged by the station manager at the time, Charles Saliba, we set out to create something dedicated to comprehensively promoting Malta's music scene," Michael Bugeja said in a comment. "Looking back at that first show and seeing how far we've come – and how much the local music scene has grown – is incredibly rewarding. What started off as a radio show, has become more of a community." A Platform for Malta’s musical talent Since its inception, Rockna has distinguished itself through its comprehensive format, seamlessly blending in-depth interviews with carefully curated music selections that showcase the depth and diversity of Malta's musical talent. The show has evolved alongside Malta's broadcasting landscape, transitioning from its original home on Radio 101 Digital to its current platform on NET FM, while expanding its reach through internet streaming and DAB+ digital radio. Over the years, Rockna has become synonymous with musical exclusivity, hosting a number of album and single launches as well as intimate live unplugged sessions that have given listeners unprecedented access to their favorite local artists. Some of these special moments have been preserved for posterity in a compilation album featuring selected live sessions from the show's archives. The compilation, Rockna Live & Unplugged, is available as a free download. The show's impact extends beyond the airwaves, having staged memorable live concerts for its 5th and 6th anniversaries, both of which were broadcast live on radio, bringing the Rockna experience directly to audiences across Malta and Gozo. Anniversary Concert coming up Building on this tradition of live music celebration, Rockna will stage an anniversary concert later this year featuring three carefully selected acts, with more details to be announced in the coming weeks. The event will also include an open mic and jamming session in collaboration with the respected music collective Music Playground, ensuring that both established and emerging artists have the opportunity to participate in this milestone celebration. "This anniversary concert represents everything Rockna stands for – celebrating established talent while nurturing new voices in Malta's music scene," Michael Bugeja added. "The collaboration with Music Playground is particularly exciting as it embodies the community spirit that has always been at the heart of what we do." A Lasting Legacy Throughout its 15-year journey, Rockna has maintained its commitment to supporting Malta's music scene through both challenging and triumphant times. The show has provided a consistent platform for local artists to share their stories, launch new material, and connect with audiences in an intimate, authentic setting. As Malta's music scene continues to evolve and gain international recognition, Rockna remains a cornerstone of the local musical community, bridging the gap between artists and audiences while documenting the rich tapestry of Maltese musical expression. The special 15th anniversary episode of Rockna airs this Monday, 7th July 2025, on NET FM and is available via internet streaming and DAB+ digital radio. Details about the anniversary concert will be announced during upcoming shows and through the programme's social media channels. About Rockna:  Rockna is Malta's longest-running music and talk show dedicated exclusively to the local music scene. Broadcasting weekly, the show features interviews with local artists, exclusive live sessions, and music selections that highlight the diversity of Malta's musical landscape. The show airs on NET FM and is also available through internet streaming at netfm.com.mt  and DAB+ digital radio. Show Information:  Rockna - NET FM [Mondays at 7pm CET] Also available: Internet streaming at netfm.com.mt  and netondemand.mt  and DAB+ digital radio Media Contact:  Michael Bugeja ( bugeja.michael@gmail.com )

Different Strings, prog rock/metal project led by Chris Mallia recently announced the release of the new track entitled "Apathy symphony". The almost 7 minute piece will be part of the forthcoming 5th studio album. This is the second track from this album after the release of "Words unspoken" last year. "Apathy symphony" is quite a heavy track, compared to other DS music, influenced by fast, solid riffs in the Judas Priest style but still amalgamating melodic phrases with the traditional use of Hammond, Moog and mellotron among other synths. The song's theme revolves around a modern society focusing on individuals whom are unable to fit in due to considerable changes around us which doesn't necessarily fit to one's ideology. Once again, another vocalist was recruited for the recording and this time was Alex Granato from the Italian Dream Theater cover band, Enigmatic Chaos. The 5th album is still in the recording process and hopefully will be released early 2026. Apathy symphony and other DS music can be downloaded or purchased from the official band camp site here... https://differentstrings.bandcamp.com/ Also available on all streaming platforms with a lyric video available on Youtube

The final days of June proved to be eventful for atmospheric doom metal band Pilgrimage , with a series of exciting announcements surrounding their highly anticipated sophomore release, From Amber to Sun . The band shared updates on their new label partnership, album artwork and details, guest musician collaborations, and an upcoming festival performance. A New Chapter with Meuse Music Records On June 23, Pilgrimage announced their official collaboration with renowned doom metal label Meuse Music Records . The label, known for its dedication to high-quality physical releases and strong community roots in the underground metal scene, will release the band's next album. “We are pleased to announce our collaboration with Meuse Music Records!” the band stated in a public announcement. “The team behind Meuse Music Records has been deeply involved in the metal scene for decades... Pilgrimage is honored to be part of this ever-growing and passionate family.” Album Announcement: From Amber to Sun Just three days later, on June 26, the band unveiled the title, artwork, and release details of their new full-length record, From Amber to Sun . The album will be released on August 29, 2025 , in a 6-panel CD Digipack format , accompanied by an 8-page booklet. The album comprises eight tracks  and runs 47 minutes  in total, continuing the band's sonic journey from their debut Sigil of the Pilgrim Sun , but promising an even wider emotional and musical range. “It is a natural evolution from our debut... listeners can expect a broader spectrum of music and overall mood,” the band shared. The album's cover artwork was created by Johnny Doe Art . Notable Collaborations Elevate the New Release On June 28, Pilgrimage revealed special guest appearances on From Amber to Sun , highlighting two acclaimed artists in the doom and dark ambient music realms. The album features Elianne Anemaat  ( Celestial Season ) on cello, and Heike Langhans  (formerly of Draconian , ISON ) contributing vocals on three tracks. “Elianne played cello on two songs, creating a seamless undertone of sorrow from start to finish,” said the band. “Heike lent her voice to three songs. Her iconic melancholic timbre captured beautifully the band's vision for these songs. Our collaboration... was truly fantastic and characterized by their talent and humble professionalism!” Live Performance at Darken the Moon Festival Rounding off the month, Pilgrimage confirmed their return to the stage this September  at Darken the Moon Festival  in Belgium — a key event in the European doom and gothic metal calendar. “Looking forward to play this event again,” the band shared, expressing enthusiasm about reconnecting with the festival audience. With From Amber to Sun  set for release in late August and the first single announcement imminent, fans are encouraged to follow Pilgrimage and Meuse Music Records  for pre-order details and further updates.

When We Are Legion arrived on December 1st, 2017, via Mighty Music (Catalog ID: PMZ238CD), it marked a long-awaited milestone for Chaotic Remains—a band that had been simmering in Malta’s underground since 2008. Known for their aggressive blend of symphonic death and black metal, the group’s debut full-length release showcased both their musical ambition and the scars of a turbulent past. 'We Are Legion' artwork The lineup on We Are Legion brought together a formidable cast of musicians: Sean Baldacchino, known by his moniker ‘Storm,’ on vocals, Andrew Grech on bass, Mark Andrew on drums, Julian Bacon and Roderick Sciberras on guitars, and William Debattista on keyboards. The album’s polished sound was brought to life through the mixing and mastering work at SpineSplitter Studio. Despite being their first official release, We Are Legion was anything but the product of a fledgling band. As longtime follower and reviewer Robert Zuriaake noted in his 2021 retrospective, “We Are Legion is an agglomeration of ideas accumulated throughout several years and months… not their first experience creating music.” He praised the record for being “very entertaining and captivating,” with particular emphasis on its standout tracks like “Fate in the Abyss” and “In Need of an Angel.” The album was officially released during a launch party at Kickstart on Sunday 4th December 2017 Zuriaake’s review shines a light on the band’s internal growth, especially their ability to finally stabilize their lineup after years of instability. He commended the guitar work and the “perfectly crafted symphonic passages,” as well as Debattista’s tasteful keyboard presence. “One fact which I completely respect Chaotic Remains for is that they are extremely competent at what they do,” he wrote. “The drummer is a fucking beast… and the vocalist is a complete beast on this release.” Still, Zuriaake pointed out imperfections in the album’s production, particularly the underwhelming presence of the bass guitar in the mix. “It is mixed too low and most of the time gets overshadowed by the growls and the guitars,” he observed, while still praising the consistency and cohesion of the band’s performance. Storm during the album recording sessions 2017 Dead Rhetoric’s David E. Gehlke, writing shortly before the album’s release, provided a contrasting yet equally thoughtful critique. He identified Chaotic Remains as part of a newer generation stepping into a genre that has, in many ways, lost its prominence. “The lack of any new, fresh, high-ranking symphonic black metal bands leaves a void for younger acts, like Malta’s Chaotic Remains,” he wrote, calling the band’s sound “keyboard-happy BM.” Gehlke found William Debattista’s keyboard work to be the central pillar of the band’s sound. “He gets top billing in the mix,” he noted, adding that the band’s orchestration leaned into the “keyboard-versus-guitar push and pull that came to prominence roughly 20 years ago.” Though he described the album’s mix as “chaotic,” he still acknowledged its potency: “You’re going to get a lot out of what Chaotic Remains have to offer… it’s a whirling, wild ride from a group of dudes who sound larger than life.” 'We Are Legion' was recorded mixed and masterered by David Depasquale at SpineSplitter Studio At just seven tracks, We Are Legion doesn’t overstay its welcome. It serves instead as a bold, if imperfect, introduction to a band with grand sonic ambitions and deep genre roots. Though the group currently seeks a new bassist and has been absent from the live circuit, fans can hold out hope for new material. After nearly a decade of formation, lineup changes, and refinement, We Are Legion stands as a testament to Chaotic Remains’ endurance and dedication to their craft. As Zuriaake aptly concluded: “These guys do not reinvent the wheel, however, their interpretation and execution of such ideas is something to behold.” Listen to the album here Chaotic Remains 2016

Atmospheric and progressive metal project Erased by Time , founded by multi-instrumentalist Andrea Sacco-Baldacchino , is set to release its debut single "Breathing Shadows"  on July 11th, 2025  across all major streaming platforms. "Breathing Shadows" delivers a deeply emotional and cinematic sonic experience, blending haunting textures, progressive structures, and raw human emotion. The track explores themes of isolation, internal struggle, and the hidden truths we carry within, a powerful anthem for those who have ever felt voiceless in the shadows. “‘Breathing Shadows’ is a reflection on the parts of ourselves we often silence,”  says Andrea. “It’s about confronting the emotional debris we leave behind and rediscovering what makes us human.” The track features Andrea on guitars, synths and overall arrangement, with production handled by Anthony Micallef . Additional guest contributions include the intense and evocative vocals of Kyle Farrugia , and a stirring spoken-word performance by Mark Doneo , whose narration brings an added layer of depth to the song’s introspective tone. "Breathing Shadows" will be available worldwide on Spotify, Apple Music, YouTube, and all major streaming services starting July 11th, 2025. Facebook: www.facebook.com/erasedbytime1 Instagram: https://www.instagram.com/erased.by.time/

Staying Motivated in the Music Industry If you’ve spent any time chasing a career, or even a serious hobby, in music, you know the feeling. One day, you’re flying high after nailing a gig or writing something special. Next, you’re wondering if anyone out there is really listening. Motivation isn’t a constant. It ebbs and flows. And in this industry, you have to learn how to nurture it , sometimes daily. Why Motivation Wavers Let’s be honest, the music world isn’t just about talent. It’s about persistence. You’ll face creative slumps, missed opportunities, financial uncertainty, and the creeping self-doubt that social media tends to amplify. Everyone looks like they’re winning while you’re stuck in place, but trust me, every musician (yes, even the ones with sold-out shows and six-figure streams) has been there. I know I have. What keeps me going? It always comes back to the music itself. When I lose sight of why I started, I strip it all back to the basics: the groove, the melody, the thrill of discovering something new on the bass. Sometimes, just picking up the instrument with no agenda brings everything back into focus. 5 Practical Ways to Stay Motivated (Especially When It Gets Tough) Set small, achievable goals. Learn a new lick. Improve your timing. Record a 30-second idea. Progress, even tiny bits, fuels momentum. Connect with other musicians. A quick jam, feedback exchange, or even a message can reignite your energy. Music was never meant to be made in isolation. Celebrate the small wins. Don’t wait for the “big break.” A kind word after a gig or finally nailing that tricky phrase. That counts. Take breaks without guilt. Burnout is real. Sometimes the best move is to step away, reset, and return with fresh ears and a clearer purpose. Revisit your "why." Go back to the music and artists that lit the fire in the first place. Let that passion remind you of your own. My Own Journey There have been moments, especially early on, when I seriously questioned whether it was all worth it. But every album I’ve released, including the latest one, Visions of Transcendence , was shaped in part by those doubts. Staying the course, even when the path wasn’t clear, made all the difference. Because music is also who I am. That’s what keeps me coming back to the bass and music, day after day. Let the Music Lead If you’re struggling to stay motivated right now, know that you’re not alone. The road isn’t always straight, but every step, even the hard ones, becomes part of your story. Whether you’re gigging every weekend or quietly practising in your room, you are building something real. And when you need a spark, revisit your favourite records. Keep playing. Keep moving. Keep listening. Merch Cd’s and Vinyl My Website Stream my Music

The Mammoths Have Returned – Celebrating Five Monumental Years of Heavy Riffs in Malta Until today, humankind believed that the ancient relatives of elephants were long extinct—only the fossilized remains of dwarf elephants at Għar Dalam stood as proof that such beasts once roamed our island... until today. REEFERFEST returns for its 5th anniversary with a roar that will echo across the underground music scene in Malta and beyond. Building on the massive success of last year’s edition—featuring international heavyweights WITCH PISS  (Belgium), DITCH  (Netherlands), and headliners BELZEBONG  (Poland)—this year’s lineup takes things to an even more monstrous level. In the words of the festival organizers, Hemplifier , “This year we raise the bar again. Two mastodontic beasts— ACID MAMMOTH  and UFOMAMMUT —are lumbering to Malta for what will be a once-in-a-lifetime ritual of heaviness.” REEFERFEST 2025 LINE-UP: Hemplifier  (Malta) Rankin  (Malta) Acid Mammoth  (Greece) UFOMAMMUT  (Italy) In addition to the live music, the event will feature DJ sets from Noel Mifsud , an art exhibition by Maria Baldacchino , and merchandise & stalls from Sigritwal , Kewn Records , and the performing bands. Event Details: Date:  [Event Date] Venue:  The Garage, Ħaż Żebbuġ, Malta Doors Open:  19:30 First Band On Stage:  20:00 sharp Tickets:  €25 How to Get Tickets: Contact Hemplifier , Emanuel Portelli , or pay via Revolut at 99802413 . IMPORTANT:  Include the ticket holder’s full name and ID card number in the payment description. NOTE:  Tickets are non-refundable and non-transferable. Merch and tickets at the door can be paid via Revolut. Bar accepts cash only . With doom giants ACID MAMMOTH  and the cosmic sludge masters UFOMAMMUT  leading the charge, REEFERFEST 2025 promises to be an earth-shaking celebration. “Be sure to be at The Garage this year,” organizers urge. “Join the stampede these mammoths will initiate... let’s lumber together towards the celestial portal!” GET YOUR TICKETS NOW – AVOID DISAPPOINTMENT! Stay Hemplified.