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Winter Moods, a cornerstone of Maltese rock, was formed in the mid-1980s and has since become one of the island's most revered bands. Over the past three decades, the group has produced five acclaimed albums and achieved record-breaking attendance at two monumental concerts, solidifying their place as a household name in Maltese music. Winter Moods emerged from humble beginnings, born out of jam sessions in a garage in Senglea during the cold, grey days of the mid-1980s. The band was founded by bassist Joseph Rizzo, guitarist Steve Caruana Smith and singer was Jesmond Attard, who was later replaced by a young Ivan Grech. The melancholic atmosphere of their early practice sessions inspired the name "Winter Moods," reflecting the mood they sought to convey through their music. Mark Doneo, the singer of Dream Valley, was asked to lead the band's emerging lineup after original vocalist Ivan Grech emigrated to Australia in 1987. This opportunity thrust Doneo into the spotlight, establishing him as one of the country's top rock singers. Unfortunately, the band faced a setback when they were invited to perform at an International Rock Festival organized by RAI TV but missed the opportunity due to a misunderstanding. This incident became a turning point for Doneo, who felt disillusioned and chose to leave the band in 1989 to pursue a solo career as a singer-songwriter. He went on to perform at various festivals and venues across the island, including Il-Festival tal-Kanzunetta Maltija and Il-Kanzunetta Maltija għall-Ewropa. Later, when Ivan returned to Malta, he resumed his role as the band's frontman. In their early years, Winter Moods were driven by a relentless passion for music, practicing tirelessly to carve out a space in Malta's vibrant yet competitive music scene. Their original compositions quickly gained a following, setting them apart from other local bands that came and went. The band's momentum began to build in the 1990s with the addition of keyboardist Etienne Robinich. Their first single, "Sarah," became an instant hit and remains one of their most beloved tracks. This success was followed by the release of their self-titled debut album, Winter Moods, in 1996. The album captured the band’s early influences and laid the groundwork for their future success. In 1997, guitarist Melvin Caruana joined the band, completing the lineup that would define Winter Moods’ sound. The turn of the millennium saw the release of their second album, Morning Ale (2000), which included hits like "Jamaica," "Ride," and "Everyday Song." The latter was later awarded the Best Song of All Time by the Bay Music Awards in 2005, a testament to its lasting impact on Maltese music. Winter Moods continued their ascent with the release of Butterfly House in 2003, featuring the hit single "Come To You." The album quickly topped local charts, reinforcing the band’s growing influence. Their fourth album, Ordinary Men (2006), marked a new peak in their career. Featuring the iconic track "Marigold," this album became their best-selling work and is often regarded as their magnum opus. However, the band faced changes during this period as guitarist Steve Caruana Smith and drummer James Vella departed. In 2009, Karl Fenech joined as the new drummer, completing the lineup that would take Winter Moods into their next chapter. The following year, they celebrated their 25th anniversary with the release of their fifth album, Argento (2010). To mark the occasion, Winter Moods held a monumental concert at The Granaries in Floriana on July 30, 2010, drawing over 10,000 fans—the largest crowd ever recorded for a Maltese band at a paying concert. This event broke their previous record set in 2008 when they performed in front of 7,500 people at the Valletta Waterfront. Winter Moods’ reputation extended beyond Malta, leading to performances at various international music festivals. In June 2000, they played at the Belfort Rock Festival in France, and in September 2002, they participated in the National Youth Rock Festival in Cyprus. By July 2003, they were invited to perform at the Hard Rock Café in Rome. Their success continued in 2004 when they won a competition on the German radio station WDR2, earning them a spot at the Ring Fest in Cologne, Germany. Throughout their career, Winter Moods shared the stage with global music icons, including Bryan Adams, Elton John, Roger Hodgson (formerly of Supertramp), Bob Geldof, and Deep Purple. A particularly memorable collaboration occurred when they performed alongside the SAS Band, featuring Queen’s Spike Edney, Paul Young, and Chris Thompson. Ivan Grech even had the opportunity to sing "Crazy Little Thing Called Love" with the band, a highlight in their storied career. Winter Moods also made their mark on the Isle of MTV Malta Special, performing alongside international stars like Maroon 5, Enrique Iglesias, and Akon. In 2007, they supported the CiaO’Scia concert in Malta, featuring Italian legends Claudio Baglioni, Gianni Morandi, and Riccardo Cocciante. Baglioni even joined Winter Moods on stage to sing their hit "Marigold," creating a historic moment in Maltese music. Over the years, Winter Moods have garnered numerous awards, including six Best Band titles at the Malta Music Awards (1997, 2001, 2003, 2007, 2008, 2010). Their iconic song "Marigold" won the Best Song award in 2007, and they received the same honor in 2010 for "My Neverland." Ivan Grech, the band's frontman, was recognized as Best Songwriter in 2007 and 2010. In 2008, Winter Moods received the prestigious Legends Award, marking the first time this honor was bestowed. The Bay Music Awards also recognized the band's significant contribution to Maltese music, awarding them the Icon Award in 2004. In 2005, they won Best Single of the Year for "Closer" and Best Single of All Time for "Everyday Song." Their dominance at the Bay Music Awards continued in 2007, when they took home awards for Best Band, Best Song ("Marigold"), and the Viewers' Choice. The legacy of Winter Moods was marked by a significant loss on October 9, 2012, with the passing of Steve Caruana Smith, one of the band’s founding members. Caruana Smith, who was instrumental in shaping the band's sound and success, passed away at the age of 51. His contributions to Winter Moods spanned two decades, during which he played on four albums— Winter Moods (1995), Morning Ale  (2000), Butterfly House  (2003), and Ordinary Men  (2006)—as well as two EPs, Fool For An Angel  (1998) and Closer (2005). He also performed with the band at major international venues, including in France, Germany, and Italy. In a heartfelt tribute, Winter Moods said, "Steve was a brother to us; he was one of a kind. He was an important part of Winter Moods' history, an icon to many, and loved by everyone who knew him. We will miss him, his music, and his humor. He may be far away, but he will forever remain close to us" Winter Moods' influence on Maltese music is profound and enduring. Their blend of heartfelt lyrics, melodic compositions, and compelling performances has resonated with audiences for decades. The band’s journey from a cold garage in Senglea to performing on international stages is a testament to their talent, dedication, and the strong connection they have with their fans In recent years, lead singer Ivan Grech has explored a solo career, releasing the single "Somebody Like You" in 2019, followed by "(Let’s Get) High On Love" in 2023. Despite these individual pursuits, the legacy of Winter Moods as a band remains unshakeable, their music continuing to inspire both new artists and long-time listeners in Malta and beyond. Bibliography Winter Moods . (n.d.). Winter Moods: Official Website . Retrieved from https://www.wintermoods.net/ . Times of Malta . (2012, October 10). Popular Bands Winter Moods Announced the Passing of Its Former Guitarist Steve Caruana Smith . Retrieved from Times of Malta . Bay Music Awards . (2005). Award for Best Single of All Time . Retrieved from Bay Music Awards Archive. M3P.com .

Released in 1998, Rockomotiv  was the crowning achievement of the Maltese hard rock band Blade, marking a pivotal moment in their 24-year journey. With a rich history rooted in the evolving Maltese music scene, Blade had risen from their early beginnings in Tigné, an area once synonymous with Malta’s thriving rock culture, to become one of the country’s most celebrated acts. Their debut album, Rockomotiv , not only showcased their musical prowess but also encapsulated the band’s resilience and evolution, earning them multiple accolades and cementing their place in Maltese rock history. From Passion Blade to Blade: A Shift in Identity Blade’s origins date back to the early 1980s when they first played under the name Passion Blade, initially known for their fast-paced speed and heavy metal sound. As the years progressed, however, the band began to shift toward a more refined hard rock style. By the mid-1990s, this musical transformation prompted the band to adopt the shorter and sharper name, Blade. This transition marked a new phase in their career, setting the stage for their eventual breakthrough album, Rockomotiv. During their early years as Passion Blade, they contributed original tracks like “Bang or Die,” “Violent Rage,” and “Passion Blade” to the Maltese metal scene, even appearing on notable compilations like Stepping Stones Part Two. These formative years helped solidify their presence on the island, leading to their eventual evolution as Blade, where they became known for their hard rock anthems. Blade’s Rise and the Making of Rockomotiv Blade quickly gained a reputation for their dynamic live performances, often headlining major concerts around the island. Their use of stage props and pyrotechnics brought something new to Maltese audiences, making their shows a must-see. However, as the Tigné music scene began to wane due to pressure on local bands to vacate their rehearsal spaces, Blade remained steadfast in their commitment to music. In fact, they were the last band to leave their rehearsal room in Tigné, a testament to their dedication. During this period, Blade’s lead guitarist, Toni Curmi, left Malta for a couple of years. Although they continued performing with a replacement guitarist, Toni’s eventual return rejuvenated the band, reuniting the original lineup. This comeback was marked by new creative energy, and within months, Blade recorded the track “Faith” for the Eruption compilation. Building on this momentum, they traveled to Blue World Studios in Germany to record their full-length debut album, Rockomotiv. Released under Storm Records, Rockomotiv was an instant success. The album not only resonated with fans but also earned Blade widespread recognition at the 1998 Malta Music Awards, where it won both Best Album and Best Cover. The album’s hard-hitting tracks, including "Burnout," "Breakin' the Ice," and the title track "Rockomotiv," demonstrated Blade’s ability to blend powerful riffs with melodic hooks, embodying the essence of 90s hard rock. International Success and Challenges The success of Rockomotiv opened doors for Blade on the international stage. In 1998, they performed at the FIMU Music Festival in France, playing two live dates in the festival’s Rock Arena. This marked a high point in their career, as Blade brought their Maltese hard rock sound to a wider European audience. However, despite this international recognition, Blade faced difficulties re-integrating into the local Maltese music scene upon their return. Coupled with issues over their rehearsal space, the band decided to take a break after this peak. Reformation and Evolution Despite the hiatus, the members of Blade remained close and eventually rekindled their passion for music. Years later, they reunited with new energy, welcoming Nox Scerri as their new keyboardist, which added a fresh dimension to their sound. Their style naturally evolved, but they stayed true to their hard rock roots. The band also expanded their lineup by recruiting a second guitarist, Matti Zammit, a promising young musician who contributed to Blade’s renewed sense of purpose. However, further changes came in 2009 when long-time vocalist Jez Saliba and bassist Dave Galea chose to part ways with the band. Their departure marked the end of an era, but their contributions to Blade’s legacy were undeniable. In their place, David Lowe stepped in as both the lead vocalist and bassist, continuing the band’s journey into a new chapter. Legacy of Rockomotiv Rockomotiv remains a landmark album in the history of Maltese rock music. Its fusion of hard rock energy with anthemic melodies resonated deeply with fans and critics alike, earning Blade their rightful place among Malta’s top rock bands. The album’s impact extended beyond the local scene, taking Blade to international stages and showing the world what Maltese rock was capable of. Tracks like "Head Over Heels," "Sandy," and "Love is Forever" continue to be celebrated as quintessential examples of Blade’s sound. Although Blade faced challenges and lineup changes over the years, Rockomotiv stands as a lasting testament to their creativity, resilience, and love for rock music. The band’s ability to evolve while staying true to their roots ensured their place in Maltese rock history, and Rockomotiv remains an iconic representation of their journey. Rockomotive Label: Storm Records– STM07 CD / Released: 1998 Track list: 1 Rockomotive 2 Burnout 3 Head Over Heels 4 Sandy 5 Live & Tell 6 Breakin' The Ice 7 Tears 8 In The Fire 9 Lost Souls 10 Back In The Hole 11 Love Is Forever 12 Straight Thru The Heart 13 Ain't Turnin' Back Bibliography M3P.com  – “Blade: Rockomotiv and the Band’s History.” Discogs.com  – “Blade – Rockomotive (1998 Album Details).” The Metal Archives  – “Passion Blade and the Stepping Stones Compilation.”

Strummin' Foundation Hosts Successful Voice Mastery Class & Launches 20th Anniversary Concert On September 20th, the Strummin' Foundation hosted a highly successful voice mastery class at MCVS Valletta, led by renowned vocal coach Pamela Bezzina. The workshop brought together 20 singers, ranging from beginners to experienced vocalists, to collaborate on a song and refine their performance skills. The atmosphere was charged with enthusiasm, marking the session as a notable achievement for the foundation. Strummin' Foundation has already begun planning future sessions to provide more opportunities for aspiring singers. In addition to the workshop, the foundation has announced the launch of ticket sales for the 20th edition of Strummin', an annual concert that has become a staple of the Maltese music scene. This year’s concert, titled "Strummin' 20 Years of Gold," will take place at St. Agatha's Auditorium in Rabat and promises a spectacular lineup of performances. All proceeds from the event will go to Dr Klown , a charity dedicated to supporting hospitalised children. Tickets are selling rapidly, and music lovers are encouraged to secure theirs soon. Founded in January 2019, the Strummin' Foundation focuses on musical outreach, aiming to empower young people by helping them develop their musical talents. The foundation promotes creativity through music, offers educational programs, and fosters collaboration among musicians. A key initiative of the organisation is the Strummin’ Concert, which brings together guitarists and musicians of all levels. The foundation also works to create learning resources for aspiring musicians and collaborates with organisations that support youth development. Strummin’ Foundation was co-founded by Lorleen Farrugia, Jacqueline Grech, Luke Grech, Jean Claude Vancell, and Gwyneth Zammit, and is a registered Voluntary Organisation (VO/1588) in Malta. Vortex Fest 2024: Three Days of Music, Nature, and Family Fun Vincent’s Eco Estate in Mgarr, Malta, is set to host Vortex Fest 2024 , a three-day festival running from November 1st to 3rd, 2024. This unique event promises an immersive experience with live bands , DJ sets , workshops , camping , and family-friendly activities, all nestled in the tranquil surroundings of nature. Event Highlights Attendees can expect a diverse lineup of performances from local and international artists, including Krejon , Taxi Vaders , Cushion , Colourblind , Memphis Mac , Earth Rocker , and many more. In addition, the TAFARAI Stage , hosted by Back to the Roots Sound System , will feature top talents like DJ Loco , Salted Dread , and a special collaboration with Island Rockers Sound System . Music isn’t the only attraction— Vortex Fest  will offer workshops suitable for all ages, covering a variety of creative and educational topics. Families can also look forward to the new Bayeasy Family Park , complete with adventurous activities such as parkour, horse riding, and archery. Tickets and Camping Ticket prices start at €20 for a single-day adult pass, while a full weekend experience, including camping and two exclusive morning events, is available for €60. Children under 12  can join the fun for just €10 per day or €20 for the weekend. Full ticket details and links to purchase can be found below: 1-Day Adult Pass:   €20 per day 3-Day Adult Pass (No Camping):   €45 for the weekend 3-Day Camping Pass (Free for Kids):   €60 including camping 1-Day Kid Pass:   €10 per day Weekend Kids Area Pass:   €20 per weekend For those seeking a more luxurious experience, glamping options  are available with spacious bell tents and exclusive morning events. Supporting Sustainability All profits from Vortex Fest 2024  will contribute to the creation of a Permaculture Garden and Food Forest  at Vincent’s Eco Estate. This project aims to manage water runoff, prevent soil erosion, and foster a natural space filled with fruit trees for the community. How to Get There The festival will take place at Vincent’s Eco Farm , Żebbieħ, Mgarr. For directions, click here: Vincent's Eco Estate Location . With a variety of entertainment, workshops, and activities for all ages, Vortex Fest 2024  is shaping up to be an unmissable event. Get your tickets early, and prepare for three unforgettable days in nature! Kuraġġ: A Concert of Hope to Benefit Malta Community Chest Fund line-up update MCCF is set to host Kuraġġ , a powerful concert inspired by the real-life stories of courage and resilience from patients of the Malta Community Chest Fund (MCCF) . This special event will take place on November 8th and 10th  at Teatru Salesjan  in Sliema, offering a night of inspiration, music, and solidarity in support of a worthy cause. A Stellar Line-Up Kuraġġ  boasts an impressive roster of some of Malta’s most beloved performers. Leading the line-up is the renowned Ira Losco , along with popular artists like Daniel Cauchi , Gianluca Bezzina , The New Victorians , and Pamela Bezzina . Rising star MARA  will also take the stage, backed by the dynamic sounds of the Big Band Brothers , adding a rich musical backdrop to the evening. This concert is more than just a musical showcase—it’s a celebration of human strength, inspired by the courage and determination of MCCF patients. Each performance will be a tribute to the resilience of those who have faced immense challenges. Limited Tickets Available Tickets for Kuraġġ  are limited, and demand is expected to be high. Those interested are encouraged to secure their seats soon. Tickets can be purchased through the following link: Get your tickets for Kuraġġ  here . Supporting a Worthy Cause All proceeds from the concert will go directly to the Malta Community Chest Fund , an organisation that provides vital support to individuals and families facing serious medical challenges. By attending Kuraġġ , concertgoers will not only enjoy an unforgettable evening of music but also contribute to the ongoing efforts of the MCCF to assist those in need. Don’t miss this opportunity to experience a night of hope and music while making a difference in the lives of others. Save the dates: November 8th and 10th  at Teatru Salesjan , Sliema.

Ira Losco, born on July 31, 1981, in Sliema, has carved a remarkable path in the music industry, becoming one of the most successful Maltese artists of all time. With a career spanning over two decades, Losco has achieved numerous milestones, including representing Malta twice at the Eurovision Song Contest and releasing six studio albums. Known for her versatility, powerful vocals, and magnetic stage presence, Losco has firmly established herself as a pop icon both in Malta and internationally. Early Life and Career Beginnings Ira Losco's passion for music was evident from a young age. She performed in school events and participated in several local Maltese festivals, showcasing her talent with songs in her native language. One of her earliest achievements was performing with the college band Tiara, where she honed her performance skills, releasing an EP titled Hi-Infidelity in 2001. Losco's breakthrough moment came when she won the Maltese national selection for the Eurovision Song Contest 2002, representing her country with the song "7th Wonder," written by Philip Vella and Gerard James Borg. Eurovision Journey and International Fame In 2002, Losco's participation in the Eurovision Song Contest in Tallinn, Estonia, proved to be a turning point in her career. Her performance of "7th Wonder" captivated audiences across Europe, earning her second place in the competition, just 12 points behind the winner, Latvia's Marie N. This was Malta's highest placement in the Eurovision at the time, and it catapulted Losco into the spotlight, gaining her widespread recognition and admiration. Losco returned to Eurovision in 2016, representing Malta again with the song "Walk on Water." In preparation for the contest, a revamped version of the original song was selected by an international jury, aiming to enhance Malta's chances of success. Losco's powerful performance in Stockholm, Sweden, saw her advance to the grand finale, where she ultimately placed 12th out of 26 competing countries. Her return to the Eurovision stage after 14 years solidified her status as one of Malta's premier musical talents. Musical Success and Awards In addition to her Eurovision appearances, Ira Losco has enjoyed a prolific music career, releasing six studio albums that showcase her range as a singer and songwriter. Her debut album, Someone Else, was released in 2004 and included hit singles like "Love Me or Hate Me" and "Say Hey." This album marked the beginning of a series of chart-topping releases, including Accident Prone (2005), Unmasked (2006), Fortune Teller (2008), and The Fire (2013). Losco's albums have consistently dominated the Maltese music charts, with singles like "What I'd Give" and "Me Luv U Long Time" becoming fan favourites. Throughout her career, Losco has won over 20 prestigious music awards, both locally and internationally. In 2008, she was awarded the Midalja għall-Qadi tar-Repubblika (Medal for Service to the Republic) in recognition of her contributions to Maltese culture and music. She has also received multiple accolades at the Bay Music Awards and Malta Music Awards, including Best Solo Artist, Best Female Artist, and Best Album. X Factor Malta and Mentorship In 2018, Ira Losco expanded her influence in the Maltese music scene by becoming a judge on the inaugural season of X Factor Malta. Her role on the show allowed her to mentor aspiring artists, sharing her industry knowledge, and helping to shape the next generation of Maltese talent. Losco returned as a judge in next three editions, further solidifying her reputation as a respected figure in the local music industry. Performances with International Stars Losco's career has not been confined to Malta. She has performed in over 15 countries, appearing in front of audiences ranging from 1,000 to 80,000 people. Her international acclaim has led her to share the stage with renowned global artists, including Elton John, Katie Melua, Maroon 5, and many more. Her live performances, whether on grand stages like the Isle of MTV or intimate concerts, have earned her a reputation as an electrifying performer with a strong connection to her audience. Personal Life and Social Advocacy Beyond her musical career, Ira Losco has been an advocate for various social causes in Malta, particularly in support of LGBTQ+ rights and anti-bullying campaigns. Her public endorsement of equality and acceptance has made her a prominent voice in Malta's progressive social movements. In 2016, during her Eurovision participation, she organised an LGBTQ-friendly party in Stockholm, further demonstrating her commitment to inclusivity.   Losco's personal life has also garnered public attention. In 2016, she and her partner, chef Sean Gravina, welcomed their first child, a son named Harry. The couple married in December 2019, and in 2020, they announced the birth of their daughter, Gigi. Discography and Legacy Ira Losco's extensive discography includes hits that span a wide range of genres, from pop and rock to ballads and dance music. Her ability to reinvent herself musically while maintaining a connection with her fans has been a key factor in her enduring success. Some of her most memorable singles include "Everyday," "Driving One of Your Cars," "Chameleon," and "Walk on Water."   Her albums have consistently topped the charts, with Fortune Teller (2008) producing several number one singles, including "Something to Talk About" and "Idle Motion." Losco's 2018 double album, No Sinner No Saint, commemorated her 15 years in the music industry and showcased her evolution as an artist. Ira Losco's career is a testament to her talent, determination, and ability to break barriers in the Maltese and international music scenes. From her Eurovision success to her role as a mentor on X Factor Malta, Losco continues to inspire both established artists and emerging talents. With a career full of achievements, awards, and memorable performances, she remains one of Malta's most beloved and successful musicians. photos: Ira Losco - https://www.facebook.com/iraloscofanpage

Melodija.eu Radio Shows Impacted by Internet Archive DDoS Attack The Internet Archive, a vital resource for digital preservation, was brought down on Thursday in a distributed denial-of-service (DDoS) attack, leaving millions of users without access to its vast collection of free books, movies, audio files, and web page archives. The attack, which targeted the non-profit library, has caused significant disruption, including to melodija.eu , which stores and distributes all its radio shows through the platform. In a series of updates, Internet Archive founder Brewster Kahle reassured users that the attack did not corrupt any data. On Friday, October 11th, Kahle posted on bsky.app , stating, “@internetarchive’s data has not been corrupted. Services are currently stopped to upgrade internal systems.” He further expressed his apologies for the disruption, emphasizing that the technical team was working hard to restore services "as quickly and safely as possible." The following day, Kahle provided additional information, confirming that while the data remains safe, the team continues to examine and strengthen the platform’s internal systems. He estimated that services will be back online in a matter of days, not weeks. "The data is safe. Services are offline as we examine and strengthen them. Sorry, but needed. @internetarchive staff is working hard. Estimated Timeline: days, not weeks," Kahle wrote on Saturday, October 12th. Melodija.eu , which relies on the Internet Archive to store its weekly radio shows, was hit hard by the outage. The shows affected include Rock Moods  and Heatstrokes  presented by Noel Mifsud, Reverb  hosted by Tonio Pace, Xejn Ħlief Rock  presented by Maurice Cachia, and Whispering Mo’s Sound Garden  by Maurice Cachia. In a note to its listeners, melodija.eu acknowledged the disruption, stating, “This hack has disrupted the uploading of new radio shows and listening to the ones already uploaded. Please bear with us during this delay, but we can assure you that we’ll do our utmost to upload all the shows in due time, and when the archives are back to normality." As the Internet Archive team continues to resolve the issue, melodija.eu is committed to keeping its audience informed and ensuring that all radio shows will be restored as soon as the services are back online. Listeners are encouraged to stay tuned for updates as the Internet Archive works to recover from the attack.

Interview with Rene ‘Hades’ Farrugia carried out by Keith Muscat For over twenty years, Rene Hades Farrugia, has strived to reshape the Maltese metal and alternative scene by events created through Hades Events.  Not everything seems to be running smoothly in the underworld, so we took it upon us to pay the ferryman and make our journey to Hades and see what’s bubbling in the cauldron.   This month you announced that Halloween Massacre – The Unholy Final Chapter, taking place at The Garage on November 2nd, 2024 will bring down the curtain on Hades Events involvement with the local metal scene after an endurance sprint of twenty years.  Do you care to share your thoughts on what led to you taking this decision? Yes, this is the last Halloween Massacre event and also the last metal event as Hades Events. It was a hard decision to take, but it was time for me to step aside. Everyone crying for support and not to clash, but then sometimes they are the ones not to do so and maybe I’m reaching a certain age where prioritizing has become important to me. Re Halloween while The Halloween Massacre will come to an end (We accomplished the mission to see Halloween now well established in Malta), another new project will start next year in the same period of the year – Malta Pagana. Apart from Hades Events you are also winding down Hades Management.  Your disillusion with the local metal scene seems to have festered long enough to make you distance yourself.  What has gone wrong in Malta and is it too late to turn back the tide? Unfortunately, how things are going locally, passion is fading out. Hopefully new blood will come in. Without going into the merit of the artist you are bringing to Malta for events such as Dark Malta Festival, you have managed to surprise us by bringing over huge names to play at The Garage, such as Covenant (2018), Combichrist (2019), Master class by Diego & Richard from Lacuna Coil (2021), Nanowar of Steel (2022), Pestilence (2022) and others that are eluding my memory.  How difficult is it to gain the trust of such artists and entice them to come and perform in a small club on an island in the middle of the Mediterranean Sea?   In the beginning it was not easy, to win their trust. But of course, having a long history in events and making sure that all the requirements of the artists are met is very important. Malta can be interesting for foreign alternative artists since this could be a new location where they never performed and the weather helps. But most important is for the promoter to make sure that all the artist riders are met and he/she can assure a great show. Unfortunately, in the past it occurred that this didn’t happen, and this made all Maltese promoters look bad. Last weekend of September 2024, The Garage hosted and other successful edition of the Malta Death Fest, an event you are co-organizing with David Cachia.  Will your involvement as an organizer of this event continue?   No, this was my last involvement with the Malta Death Fest too. It was a great way to end, since the festival was a great success and would like to thank David for this opportunity.   Rumor mill has been spinning that The Garage, an enterprise you run along with Darren Borg, will be closing its doors after struggling against the impossible to make a home for local metal scene.  What is the situation?   Just Rumors. But of course, it’s the people attendances who keep the venue open. Hades Events is not only about metal.  Dark Malta Festival 2025 (25/26/27 April) will host one of the strongest line ups to date.  Do you care to spice up our appetite?   Yes, as you all know the lineup has been nearly all announced and more to come. Keep yourselves updated on all our social media channels.   Another venture you started in 2023 is Dungeon Events.  Is Malta ready to explore its kinky side?  Did the flow of expatriates working in Malta bring with them a fresh alternative mentality?   Yes, Dungeon Events is a new concept for Malta. Well 20 years ago it was not ready for Halloween and 7 years ago no one thought that Malta will have it’s own Gothic International Festival. We started Dungeon with the idea of getting the Kink community together. We also organized Malta’s First Fetish Pool Party which was a great success and that will also be repeated next year. Also, in November we will have international acts and more. I believe also that Maltese people are becoming more open minded. Of course, the influence of the expatriates helps too. Not being one to stand still, you have unveiled a new venture for 2025, Malta Pagana.  What is this all about?  What are we to expect?   Well as the name says this will be Malta’s Frist Pagan Festival. At the moment I cannot disclose much information. But dates and first info are to be revealed soon.   Your calling as a DJ has taken you to some of the best clubs around Europe.  Any events planned for the near future?   Yes, will be djing in London in November and Bristol in December. Also, for 2025 already have some International gigs booked.   Any final comments?        Support the scene. Crocodile tears will be useless when all of this is gone.

LOST MY SKIN - Out October 10 For fans of: London Grammar, Art School Girlfriend, The xx, RY X and Björk Fresh from their performance at The National Gallery, Berne release Lost My Skin on October 10, 2024  - a creative expression of the eco-anxiety and burnout of living in a world where climate and social justice are not the priority . It presents an underlying atmosphere of frustration and hopelessness for the future, while knowing that we’re not in this alone. Lost My Skin is accompanied by a DIY music video filmed on iPhone .   Lost My Skin is the fourth track from debut album 789  out October 31, following Language , Waves , and You Never Get Enough . 789  is inspired by how we as humans interact with the planet, animals, and each other. All tracks are co-written with The Earth  via EarthPercent . Berne is recognised as  EU Climate Pact Ambassador for Malta . Berne explain: “Lost My Skin is our full-circle track. It encapsulates the journey we went on while making this record over a couple of really difficult years for the world. There’s pain, there’s sadness, there’s hopelessness, there’s hiding; but we hope that knowing that none of us are alone in dealing with this eases the pain, the sadness, the hopelessness, the hiding. It was recorded in our studio, mixed by Mercury Prize winner and Music Producer’s Guild winner Shuta Shinoda, and mastered by Music Producer’s Guild Mastering Engineer of the Year 2023 Cicely Balston.” “A duo addressing injustice through music and beyond.” BBC Introducing   “'Language' is a firm reminder of just how awe-inspiring they can be. Fresh and immersive at every turn, Berne already sound like they are entering the next phase within their musical evolution to date.” - Lock Magazine LOST MY SKIN - lyrics Lost my mind trying to stay alive Gave it all that I could and then some more I dream with my eyes shut burnt my heart out Living in the shadow of tragedy Yeah I'm falling Yeah I'm falling down Oh the outside is burning to the ground On the inside, well no one's looking round I curl up into a ball make myself small Cowered from the critical strangers' eyes Yeah I'm falling down I worked so hard that I lost my skin I've been so tired but I can't give in I dream with my eyes shut burnt my heart out Living in the shadow of tragedy I cannot be the only one Shedding my skin as I go on I cannot be the only one Shedding my skin as I go on I cannot be the only one Shedding my skin as I go on I worked so hard that I lost my skin I feel so tired but I can't give in

Grotium Members Shine in Separate Debuts Ahead of Notte Bianca Performance During this year’s Notte Bianca, Grotium made a strong return to the stage, just days after two of its members had debuted with other bands. The double debut occurred as guitarist Sean Anastasi and bassist Aidan Zarb showcased their musical versatility with two different groups. On Thursday, September 26th, Sean Anastasi delivered his first live performance with progressive band Viper Soup Complex, whom he joined earlier this summer. Despite being the newest member, Anastasi impressed the crowd with his remarkable skill and stage presence, playing with the ease and confidence of a seasoned band member. Viper Soup Complex is also gearing up for the release of a new EP, scheduled to drop early next year, adding even more excitement to their growing momentum. A day later, on Friday, Grotium’s vocalist Aidan Zarb stepped into a new role as Halcyon’s bassist, debuting with the band opening this year's Malta Death Fest. Zarb’s transition was seamless, as he tackled Halcyon’s intricate and challenging songs with precision and enthusiasm. The set reached its peak with the introduction of an untitled, brand-new track, simply referred to as "New Song." Both musicians managed to balance their commitments to Grotium and their new roles with grace and professionalism, making their upcoming performance at Notte Bianca even more highly anticipated. Thy Legion Announce Release of New Album "Grand Cosmic Funeral" On Thursday, October 3rd, blackened death metal band Thy Legion took to their social media pages to officially announce the release of their upcoming album, Grand Cosmic Funeral. The album, which is set to drop on November 29th, 2024, will be released under Art Gates Records, the label the band signed with in May this year. The band also shared the album's cover artwork, designed by their guitarist Elton Falzon, which captures the dark and melancholic atmosphere reflected in the music. In a statement, Thy Legion explained their vision behind the artwork: "Our goal was to convey the essence of the songs, both lyrically and musically, through the album cover. We wanted it to serve as a visual gateway, allowing listeners to instantly connect with the mood of the music." Grand Cosmic Funeral promises to deliver a blend of extreme sound and melancholic undertones. The band describes it as "a spiritual experience while retaining an extreme sound," staying true to their signature style. The track-list for the album includes seven songs, among them titles like “Black World Funeral,” “The Adoration of Omega,” and “From Flesh to Spirit,” which features Clint Aquilina as a guest musician. The album was recorded and produced at XIR Recording Studios and later mixed and mastered by Daniel Bezzina at RiverStone Studios. With their upcoming release, Thy Legion is poised to make yet another powerful impact on the metal scene, and fans are eagerly anticipating the arrival of Grand Cosmic Funeral. Kuraġġ: A Concert Inspired by True Stories The Malta Community Chest Fund is set to present Kuraġġ, a unique and emotional concert that promises to uplift audiences with stories of hope and resilience. Scheduled for November 8th and 10th at Teatru Salesjan, Kuraġġ will feature the renowned Big Band Brothers alongside a host of talented local artists, bringing to life the inspiring real-life experiences of individuals the organization seeks to support. This event is more than just a musical performance—it’s an emotional journey that celebrates the power of the human spirit through the magic of music. With limited tickets available, the concert is expected to attract an eager audience ready to experience a night of heartwarming stories and powerful performances. Tickets for the concert are available through Showshappening , with performances set for 8 PM on November 8th and 6 PM on November 10th. Don’t miss this special event that combines music with the impactful stories of those in need of support. Halloween Massacre: The Unholy Final Chapter Set for November 2nd On Saturday, November 2nd, the iconic Halloween Massacre  event, organized by Hades Events, The Garage, and Rene Hades Farrugia, will mark its final chapter. Dubbed "The Unholy Final Chapter," the event promises one last unforgettable celebration of heavy music at The Garage, which has been the event’s home for the past seven years. This long-running Halloween tradition in Malta, which began during the days of the Old Coconut, has been a staple of the local metal scene. Fans are invited to gather for "One Last Dance" and embark on the final journey of the event that originally introduced Halloween celebrations to the island. The lineup for the night includes some of Malta's most formidable metal acts: ClubMurder  – Active since 2005, this twisted metal band will deliver their signature sonic aggression, known for sending audiences into a wild frenzy with their groove-driven sound. Luciferi Regnum  – A five-piece melodic black metal band hailing from Malta, known for their dark, atmospheric performances. No Humano  – With their motto Organic Waste Turned Into Human Machines , this band, which gained popularity after winning Crowned Battle of the Bands , has become a fan favorite in the local scene. Niket  – A heavy post-rock/blackgaze band, who released their self-titled EP three years ago and are currently working on new material. Poster artwork for the event has been designed by Mark Casha, adding a visual dimension to the highly anticipated final edition of Halloween Massacre . Metal fans are encouraged to gear up for this final massacre and bid farewell to one of Malta's most cherished metal events, marking the end of an era in the local scene.

This year’s Malta Death Fest wrapped up in the early hours of Sunday, September 29th, leaving attendees with a mix of emotions—exhilaration from the festival’s high-energy performances and bittersweet feelings knowing this might be the last edition, at least for a while. Having made a triumphant return last year after a long hiatus, the fifth edition built upon the momentum, delivering two days of unrelenting extreme metal. Featuring ten brutal bands, the lineup did not disappoint. While reviewing each performance would be a monumental task, I’ll focus on the Maltese bands that took part in this year’s festival, four in total, who each contributed to making this event a resounding success. Organisation: A Well-Oiled Machine Before we delve into the bands, it’s important to acknowledge the flawless organization behind this event. Organizing a festival of this scale is never easy, but two individuals with a boundless passion for music managed to pull it off seamlessly. David Cachia, the festival’s creator, has been the driving force behind Malta Death Fest since its inception in 2011, when the first edition took place at the now-defunct V-Gen. This year, (just like last year) his experience and meticulous planning together with the expertise of Rene Farrugia were clearly visible in every detail. From the smooth transitions between acts to the professional treatment of both artists and audience members, it was evident that this event was managed with care and dedication. The feedback from the musicians further underscored this point. Every artist I spoke with had nothing but praise for the festival's organisation. Of course, even with Cachia and Farrugia's expert leadership, such a massive event requires additional hands, particularly when it comes to managing the stage. In this regard, Emanuel Portelli and Dino Mifsud Lepre of Hemplifier handled stage management and logistics like seasoned professionals, ensuring that each performance went off without a hitch. Sound engineering was entrusted to none other than Steve Lombardo, a legend in the local music scene. Despite being fatigued from managing sound for a full orchestra performance just days earlier—an unprecedented event in Malta—he executed his duties flawlessly. Given the complexity of managing sound for ten extreme metal bands over two days, his achievement cannot be overstated. The lighting, often an overlooked element of any local event, was handled by Philip Taske Gerard, who once again provided an impeccable display that added to the overall atmosphere. This year, his efforts were especially recognized and appreciated by the community. Day One: A Brutal Start Kicking off the festival on the first day was Halcyon, a relatively new Maltese band that has made waves since their formation just over a year ago. This performance marked the debut of their new bassist, Aidan Zarb, a name more commonly associated with his vocal work in the thrash metal outfit Grotium. Despite this shift in roles, Zarb fit in seamlessly, performing Halcyon’s intricate songs with precision and enthusiasm. The highlight of their set was the debut of a brand-new track, still so fresh it hadn’t even been given a title yet simply presented as New Song. Despite being a new addition, the track was met with enthusiasm from the audience, setting high expectations for what’s to come from the band. Halcyon’s energetic set, led by the charismatic Zain, left no doubt that they are a force to be reckoned with in Malta’s metal scene. Next up among the Maltese bands was Angelcrypt, one of the island’s veteran metal acts. Positioned as the third band on the bill, Angelcrypt delivered a blistering set, continuing their Legacy of Valour tour, which will see them perform over 20 shows across Europe. Their performance was a masterclass in energy and precision, blending fan-favourite older tracks with newer songs that are rapidly gaining traction. Since guitarist and band founder Shawn Mizzi assumed vocal duties in addition to his guitar playing, the band’s music has evolved into a more energetic and intense sound, which I personally prefer over their earlier style. Angelcrypt’s set followed Dutch death metal band Caedere, who were a tough act to follow, but the Maltese veterans rose to the occasion and kept the energy high. The band, now approaching their 30th anniversary, demonstrated that their experience has only sharpened their edge, and they continue to prove why they remain one of the island’s top extreme metal acts. Their performance at Malta Death Fest added to the anticipation of seeing them again on local soil in the near future. Day Two: Anticipation and Speculation The second day of the festival kicked off at 6:30 PM, with doors opening to a crowd buzzing with anticipation. Leading the charge was Sacroment, another Maltese band that, despite their recent formation, has already made an impression. I first saw them at the Crowned Battle of the Bands earlier this year, which also marked their live debut. Sacroment’s set at the festival saw them perform their upcoming debut album New Age Aggression in its entirety, and the songs were met with enthusiasm from the crowd. The band’s aggressive and polished sound makes them one to watch, and the audience's response suggests that their album release is eagerly awaited. Much like Halcyon, Sacroment is poised for great things, and their future in the Maltese metal scene looks promising. The final Maltese band to perform was Martyrium, a staple of Malta’s extreme metal landscape. They took the stage amidst a swirl of rumours and speculation. Speculation intensified when the band took the stage without two of their original members, keyboardist David Pulis and guitarist Andrew Baldacchino, the latter of whom was in attendance to watch the rest of the band perform. Everyone present was aware of the speculation, but we are here to focus on the facts. Since nothing official has been announced by the band, we cannot make any assumptions. Nonetheless, Martyrium delivered a powerful set, playing most of the tracks from their 2021 album Lamia Satanica, except —A Knife Through All Poison Hearts, Thrice God’s Voice Denied, and Thy Bosom Serpent. These seemingly new tracks were commended by the audience. Closing the Curtain: A Hope for the Future Following Martyrium’s performance, the festival continued with performances by Inverecund, Sepiroth (one of my personal highlights of the festival), and, finally, Finnish black metal legends Impaled Nazarene, who closed the festival with a thunderous performance. The energy and intensity of the final acts left the audience on a high, a fitting conclusion to two days of extreme metal mayhem. In conclusion, the 5th edition of the Death Fest was a resounding success, both in terms of organisation and the quality of performances. The festival has become a crucial event for the local extreme metal scene, providing a platform for both emerging and established bands to showcase their talent. While the potential hiatus looms over the future of the festival, one can only hope that the break is a short one. Malta’s metal scene needs events like this to thrive, and festivals like the Death Fest are vital in keeping the community united and energised. Here’s hoping we won’t have to wait too long for its return.

In the mid-19th century, as opera began to gain popularity on the Maltese Islands, it became evident that the historic Manoel Theatre, opened in 1732, could no longer accommodate the growing audiences. The need for a larger and more modern venue became apparent, leading to the decision to construct a new opera house. In 1860, the Governor of Malta, Sir John Gaspard Le Marchand, formally approved the construction of a new theatre to be built at the entrance of Valletta. This project culminated in the Royal Opera House, a structure that would become one of Malta's most cherished cultural landmarks, though its history would later be marked by both triumph and tragedy. The Royal Opera House was designed in 1861 by the English architect Edward Middleton Barry, who had established his reputation by designing several prominent buildings in London, including Covent Garden and the National Gallery. Barry's design for the Royal Opera House followed the Neo-Classical style, and construction began on a 63-meter by 34-meter site that had previously been occupied by the Casa della Giornata, the residence of the Turcopilier of the Auberge d’Angleterre during the time of the Knights. The new theatre, with a seating capacity of 1,095 and standing room for 200 more, was completed after five years, significantly surpassing the capacity of the Manoel Theatre. The cost of construction amounted to £60,000, a substantial sum for the time, but the result was a building that rivalled some of the finest opera houses in Europe. The Royal Opera House was officially inaugurated on October 9, 1866, with a performance of Vincenzo Bellini’s opera I Puritani. However, just seven years later, on May 25, 1873, the theatre suffered its first disaster. During a rehearsal of Giuseppe Privitera’s opera La Vergine del Castello, a fire broke out, causing extensive damage to the interior. Though the exterior of the building remained intact, the fire calcified the stonework inside, rendering it unusable. Restoration work began swiftly under the supervision of architect Webster Poulson, with the repairs costing an additional £4,000. After nearly four and a half years of restoration, the theatre reopened on October 11, 1877, with a performance of Giuseppe Verdi’s Aida, marking a triumphant return to Malta's cultural scene. For decades, the Royal Opera House stood as the premier venue for opera and drama in Malta, attracting audiences from across the social spectrum, including military officers, British royalty, and Maltese enthusiasts. It was here that many aspiring opera singers launched their careers. Among the renowned artists who performed at the Royal Opera House were tenor Giovanni Zenatello, mezzo-soprano Giulietta Simionato, and soprano Bidu Sayão, all of whom went on to achieve international acclaim, particularly at the Metropolitan Opera in New York. Maltese singers like tenor Icilio Calleja and baritone Giuseppe Satariano also graced the stage, further enhancing the theatre’s reputation as a hub for both local and international talent. Composers of international repute, including Ottorino Respighi, Mons. Licinio Refice, and Riccardo Zandonai, were also invited to perform in Malta, solidifying the Royal Opera House’s status as a cultural beacon in the Mediterranean. The Royal Opera House’s reputation as one of the most beautiful and inspiring opera houses in Europe made it a symbol of Maltese cultural aspirations. However, this legacy was cut short by the ravages of World War II. On the evening of April 7, 1942, the theatre suffered its second and most devastating tragedy. During an aerial attack by German Stuka dive-bombers, the Royal Opera House was struck, and much of its interior and side walls were destroyed. The once-grand building was reduced to ruins, with only a few Corinthian columns and sections of its stone base surviving the destruction. The devastation of the theatre symbolised a significant cultural loss for Malta, as the island endured one of the most heavily bombed campaigns of the war. In the post-war years, several attempts were made to restore the theatre to its former glory. In 1953, six architects submitted designs for the reconstruction of the Royal Opera House, and the project designed by Italian architect Zavellani-Rossi was selected. However, the project was eventually shelved due to political disagreements and concerns over the cost, despite a provision of £280,000 in the national budget for the theatre's reconstruction. Over the following decades, successive governments struggled to prioritise the rebuilding of the opera house, as other reconstruction projects were deemed more urgent in post-war Malta. By the late 1950s, the ruins of the theatre had fallen into disuse, and for many years, the site was used as a parking lot for commuters entering Valletta. Throughout the 1980s and 1990s, various proposals to rebuild the Royal Opera House emerged, including plans by renowned Italian architect Renzo Piano, who had been contacted to design a new structure on the site. Piano’s plans, which included rehabilitating the entrance to the city and constructing a new building on the opera house site, were approved by the Maltese government in 1990. However, strong opposition from conservative elements of Maltese society led to the abandonment of this project as well. Similar attempts to create a cultural complex or an underground car park in the area also failed, and for decades, the site of the Royal Opera House remained a controversial and unfulfilled promise in Malta’s cultural landscape. It was not until 2006 that serious discussions about redeveloping the site gained momentum again, and once more, Renzo Piano was approached to provide a new design. This time, Piano proposed constructing a new Parliament building nearby and converting the Royal Opera House site into an open-air theatre. Despite some initial controversy surrounding the plan, the project proceeded, and in 2013, the site was officially inaugurated as Pjazza Teatru Rjal, an open-air performance venue that both commemorates the theatre’s storied past and serves as a symbol of Malta’s cultural resilience. Today, Pjazza Teatru Rjal stands as a testament to the indomitable spirit of the Maltese people. It honours the legacy of the original Royal Opera House while offering a modern space for artistic expression. Although the original theatre, with its grandeur and beauty, was lost to the destruction of war, its memory lives on through the performances and cultural events that now take place in the open-air venue. The transformation of the site from ruin to a vibrant cultural space reflects Malta's ongoing commitment to preserving its rich artistic heritage while looking towards the future with optimism. Bibliography: Borg, Malcolm. British Colonial Architecture: Malta, 1800-1900 . Publishers Enterprises Group, 2001. Denaro, Victor F. Houses in Kingsway and Old Bakery Street, Valletta . Melita Historica, Journal of the Malta Historical Society, 1959. Bonnici, Joseph, and Cassar, Michael. The Royal Opera House – Malta . Gutenberg Press, 1990. Rix, Juliet. Malta and Gozo . Bradt Travel Guides, 2015. "Valletta's Royal Opera House, from glamour to rubble". The Man Who Went To Malta . 12 December 2011. "Pjazza Teatru Rjal". Malta Ministry of Culture . Archived April 10, 2019. Squires, Nick. "Maltese anger at plans to rebuild Valletta". The Daily Telegraph , London, 8 May 2010.

Charlie Koryn’s journey through the world of extreme music is rooted in his Maltese heritage. Born to a family of Maltese immigrants in San Diego, California, Charlie’s recent visit to Malta marked a poignant connection to his ancestry. It was his first time in the homeland of his grandfather, where he not only reconnected with family but also made his debut appearance on Maltese radio. From a young boy influenced by his cultural roots to a renowned drummer and studio engineer, Charlie's story is one of passion, dedication, and a deep appreciation for his Maltese lineage. Charlie Koryn, a name that has become synonymous with extreme music, recently visited Malta for the first time, to visit his Maltese relatives. His visit was marked by his first appearance in a Maltese radio studio, where he shared the story of his fascinating journey—from a young boy banging on pots and pans in San Diego to a renowned drummer, studio engineer, and instructor in the extreme metal genre. Charlie Koryn, born and raised in San Diego, California, to a family of Maltese immigrants, developed a passion for drumming at an exceptionally young age. He vividly remembers being just two or three years old when he first experienced live music. The sounds of a band playing beneath his apartment would mesmerize him, even as he sat in the kitchen sink during baths. Sensing his early interest, his mother gifted him a toy drum set, paving the way for a lifelong connection to percussion. Though his memories of those early days are hazy, their influence was undeniably profound. As Charlie describes it, drumming "found him," rather than the other way around. Charlie's professional journey began in his teenage years with the formation of the death metal band Ascended Dead in 2011. At just 17, still in high school, he joined the band, which would become the cornerstone of his career. This was the first group where he felt truly challenged, playing alongside musicians who were either on his level or more advanced. Ascended Dead wasn't just another local band; it was where Charlie honed his skills, recorded albums, and embarked on tours that would take him across the United States and eventually the world. His time with Ascended Dead was a turning point, leading to opportunities to play with other prominent bands in the extreme metal scene. Charlie's ability to adapt and bring his unique drumming style to various groups made him a sought-after musician. Charlie's love for extreme music was a natural progression from his early influences. His first drum teacher introduced him to classic rock bands like Led Zeppelin and Black Sabbath, but as Charlie grew, so did his appetite for more aggressive, high-energy music. Skateboarding, another of his passions, played a role in this, providing an outlet for his boundless energy and naturally drawing him toward the fast-paced rhythms of extreme metal. Each band Charlie has played with, from Ascended Dead to Bloodsoaked and Funebrarum, has allowed him to explore different facets of his musical personality. While his own bands give him the freedom to express himself fully, playing with other groups requires him to step into different roles, akin to an actor taking on diverse characters. This versatility has been key to his success across multiple projects. In addition to his career as a performer, Charlie has built a reputation as a skilled studio engineer and drum instructor. His interest in audio engineering began out of necessity; early recording sessions with Ascended Dead often left him dissatisfied with the results. Determined to take control of his sound, Charlie delved into the technical side of music production, eventually establishing his own studio where he now records and mixes for bands worldwide. Teaching is another passion for Charlie. When he's not on tour, he dedicates time to passing on his knowledge to the next generation of drummers. He credits much of his own development to the drummers he studied with and sees teaching as a way to give back to the community that shaped him. Despite his busy schedule, which includes extensive touring, recording, and teaching, Charlie understands the importance of balance. While he thrives on being productive, he also recognizes the potential for burnout and strives to find time for his other passions, such as skateboarding, surfing, and paragliding. Charlie’s extensive touring has played a significant role in his growth as a musician. From small dive bars to massive festivals like Wacken Open Air, each performance is a stepping stone in his journey. He views every show, regardless of size, as equally important, knowing that each opportunity could lead to the next big break. Charlie Koryn's journey is far from over. With upcoming tours in Europe with Ascended Dead and in the U.S. with Morbid Angel, along with plans to continue teaching and possibly conducting master classes, his schedule remains as packed as ever. Yet, he remains committed to his craft, always seeking new challenges and opportunities to grow. As Charlie reflects on his career, his advice to young musicians is clear: take every opportunity seriously but ensure that you're passionate about what you do. His life is a testament to the rewards of hard work, dedication, and a genuine love for music. And with any luck, he might soon be back in Malta—not just for a visit, but to perform on stage, sharing his extraordinary talent with new audiences. Links to listen to Charlie Koryn's interview and selective music: Heatstrokes Rock Moods

On Thursday 26th September, audiences were transported into an extraordinary realm of musical innovation - the Rockit Experience, an event that promised to blend the worlds of metal and orchestral music into one unforgettable evening. What unfolded exceeded all expectations, delivering a performance that was not just unique but profoundly trans-formative for everyone present. The event demonstrated the power of musical fusion, shattering preconceived notions and bringing together two traditionally disparate audiences under one roof. This was more than just a concert—it was a historic moment that will be talked about in the local music scene for years to come. The night began with an energetic performance by Viper Soup Complex, whose set-list artfully mixed both well-loved classics and fresh new tracks. The band’s front-woman, Annemarie, was at her best,combining her impeccable choreography with dynamic stage presence which only served to enhance the audience’s connection to the music. The evening marked the first major performance for the band's new guitarist, Sean Anastasi, who joined earlier in the summer. His performance was nothing short of remarkable; despite being a new addition, he played with such confidence and skill that it seemed as though he had been with the band for years. Anastasi, known for his aggressive guitar work with Grotium, transitioned seamlessly into the more intricate and melodic style of progressive rock, blending perfectly with the rest of the band. The entire group, from the rhythm section to the intricate leads, executed every note with precision and passion, setting a high bar for the evening’s main act. After a brief intermission, the audience returned, filled with anticipation and curiosity about the forthcoming fusion of metal and orchestral music. From the very first note, they were captivated. The St. Paul Metropolitan Orchestra, conducted by the distinguished Maestro Mark Agius, delivered a breathtaking performance, seamlessly merging with the metal sounds of Oblique Visions. The collaboration was nothing short of awe-inspiring, proving that the fusion of these two genres was not only possible but could create something truly magical. The orchestra, which has grown significantly since its inception, demonstrated its versatility and technical prowess throughout the night. Under the baton of Maestro Agius, the musicians brought Stefano Vagnini’s complex arrangements to life, filling the hall with a powerful and moving sound. Vagnini, an accomplished composer, and organist, brought a wealth of experience to the project, drawing from his deep understanding of both classical and contemporary music. His innovative ModulArt methodology, which allows for dynamic and adaptive compositions, was on full display, creating a seamless integration between the orchestra and the metal band. While the entire orchestra performed brilliantly, there were moments where the horn section seemed slightly stretched, a testament to the ambitious nature of the arrangements. Yet, even in these challenging moments, the musicians rose to the occasion, their professionalism and skill shining through. The string sections, in particular, blended beautifully with the guitars and bass of Oblique Visions, creating a rich, layered sound that resonated with the audience. The decision to perform Oblique Visions’ entire Out of Darkness album—a bold move in itself—added another layer of complexity to the evening. This was not a night of familiar rock or metal classics; instead, it was an exploration of new musical territories, with every arrangement carefully crafted to highlight the strengths of both the orchestra and the band. The result was a performance that was as challenging as it was rewarding, both for the musicians and for the audience. One of the standout tracks on the album, though it often doesn't receive the recognition it deserves, is "Crepuscolo." This piece was originally composed by guitarist Frank Pizzo for a very special occasion—his wedding. Given the deep personal connection to the song, I had the opportunity to ask Frank a few questions about it. What were your feelings and thoughts when you heard Crepuscolo's arrangement and execution last night? Frank:  "Crepuscolo is a part of a song I wrote for my wedding, the most important day of my life, so it already starts as very emotional for me. Crepuscolo, in Italian, refers to the period when the sun is just behind the horizon, a time of light that symbolises 'change,' whether it's dawn or dusk. I felt and embraced this symbolism during the orchestra's introduction. I entered a state of no thoughts—just heartbeat and breath, waiting. As the introduction ended and my original composition began, a high sense of awareness and concentration took over. This was my moment, inevitable, and it couldn’t be missed. I stared at the conductor without blinking—it started. I felt a sense of relief when the guitar engaged with the cello (thank you, Maestros). My consciousness wasn’t guiding my fingers anymore; I was just flowing with the music. I could fully express my emotions, letting them flow through my fingers, and I enjoyed the glory of the moment. Then, when the violins entered, I felt overwhelmed by waves of emotion—nerves surging from my stomach to my heart and up to my face, calling for tears. But in the middle of that storm, the strong rhythm of the cellos and contra-basses rescued me, bringing me back to awareness and leading to those dissonant flamenco chords. It all culminated in a final blaze of glory. I will never be grateful enough for this. Thank you all, from the bottom of my heart—Oblique Visions, Surmast Mark Agius, Maestro Vagnini, all the Maestros. It was an honour." What's your overall view on last night's experience? Frank: " I am amazed, flattered, and proud of the result. The venue was nearly full. However, I noticed a common challenge faced by all strongly innovative ideas—the audience seemed suspicious, perhaps because of the metal elements? But in the end, we brought everything together beautifully. It was unforgettable. ” The significance of this event cannot be overstated. It marked a new chapter in the Maltese music scene, proving that such ambitious collaborations are not only possible but can also be profoundly successful. The audience, many of whom had come with no clear expectations, were left mesmerised by the performance. As they mingled after the show, the air was filled with enthusiastic conversations, with many expressing their amazement at what they had just witnessed. This event, without a doubt, set a new standard for live performances in Malta and will be a reference point for future collaborations of this nature. Oblique Visions took to social media the following day to express their gratitude and excitement. They reflected on the night as a dream come true, celebrating what they described as an unprecedented event in Malta—where an orchestra fused with metal to create something entirely original. Their enthusiasm was echoed by the orchestra, who also acknowledged the significant milestone they had achieved. The success of the Rockit Experience was the result of meticulous planning and a deep commitment to musical excellence from all involved. The project, which had been in development for two years, required extensive rehearsals, with the orchestra and the band only coming together a week before the performance. Despite this limited preparation time, the level of cohesion and musicality achieved was extraordinary, highlighting the dedication and talent of everyone involved.   No review of this event would be complete without acknowledging the sound engineers, whose impeccable skill was evident throughout the night. Despite the immense pressure of their task—a strain clearly visible on Steve Lombardo's face even after the show concluded—they executed their work with remarkable precision and professionalism. In conclusion, the Rockit Experience was more than just a concert—it was a celebration of musical innovation, collaboration, and artistic bravery. It challenged norms, bridged cultural gaps, and left an indelible mark on everyone who attended. This performance will undoubtedly be remembered as a milestone in Malta’s musical history, setting a new benchmark for what can be achieved when different musical worlds come together. The event not only entertained but also inspired, leaving audiences and musicians alike eager to see what future collaborations might bring. As fellow presenter Michael Bugeja aptly summarised, "This was a truly enjoyable evening, from the engaging opening act Viper Soup Complex to the last notes of Oblique Visions' ambitious collaboration with the Orchestra. Some arrangements worked better than others, but overall, it hit the mark. Well done to all involved!"

Devil's Breath Releases New Track: "Dusk of Innocence, Dawn of Moral Corruption" On Sunday, September 22, 2024, dark ambient music collective Devil's Breath announced the release of their latest track, "Dusk of Innocence, Dawn of Moral Corruption." The track marks their 11th contribution to Dark Ambient , a sprawling 23-track compilation launched by UK-based label Sombre Soniks. This latest volume, featuring a dystopian theme, was released to coincide with the Autumn Equinox. "Dusk of Innocence, Dawn of Moral Corruption" shares much in common with the group's previous release, "Sound of Freedom," which debuted last month. Both tracks fall under the dark drone tribal ambient genre, with significant noise influences. However, the new track is described as less uplifting, leaning into a more rhythmic and atmospheric approach compared to its predecessor. The tracklist for Dark Ambient Vol. 28  invites listeners to explore dystopian soundscapes crafted by an array of artists. Each composition was created to reflect the overarching theme, supported by distinct background artwork from Madguten and cover art by Fabian van der Meer. The album has been compiled and mastered by P23 of Sombre Soniks Studios. With Devil's Breath's reputation for evocative, dark soundscapes, the release of "Dusk of Innocence, Dawn of Moral Corruption" adds another haunting layer to their ever-evolving discography, building on the momentum generated by their earlier track "Sound of Freedom," which was also highlighted by melodija.eu . The Dark Ambient  series, released biannually by Sombre Soniks, continues to provide a platform for cutting-edge experimental artists, with each volume offering a glimpse into darker, more introspective realms of ambient music. The latest compilation is available for streaming and download via Bandcamp. For more information, visit: sombresoniks.bandcamp.com . Nebular Festival 2024: Pre-Sale Tickets Available Now! The highly anticipated Nebular Festival 2024  has officially opened pre-sale ticket sales, with a limited number of tickets available ahead of the event. Music lovers can secure their spot for €12 by sending payment through Revolut to 79094220. To ensure a smooth process, ticket buyers are reminded to include the ticket holder's name in the payment description. Once the pre-sale tickets sell out, tickets will only be available at the door on the day of the festival. Please note that tickets are non-refundable and non-transferable. Set to be one of the standout events of 2024, the festival’s headliner will be the Italian band Oreyeon , known for their eclectic mix of 70s hard rock, prog, 60s psychedelia, 80s extreme metal, and grunge. Formed in 2014 by members of Woodwall , Mexican Mud , and Army of Angry Youth , Oreyeon has established themselves as a leading force in the heavy music genre, blending diverse influences for an intense live experience. Joining Oreyeon on stage will be an exciting lineup of local talent, including Eyes to Argus , Lady Lizard , and Geistmaschine , ensuring a varied and dynamic musical showcase that caters to a wide array of rock and metal enthusiasts. As one of the premier music events of the year, Nebular Festival 2024 promises an evening filled with electrifying performances and unforgettable moments. Fans are encouraged to act fast to secure their pre-sale tickets before they’re gone. For more information and ticket booking, visit the official Nebular Festival social media channels. Claire Tonna to Collaborate with Grammy-Winning Producer Jon John Robinson on New EP Maltese singer-songwriter Claire Tonna has announced a significant milestone in her music career: a collaboration with Grammy Award-winning producer Jon John Robinson. Robinson, renowned for his work with music legends such as Diana Ross, Lady Gaga, and Pink, will be producing Tonna’s upcoming EP. The recording sessions are set to begin this October at Arcadia Music Studios in Dallas, Texas, with a release planned for January on international platforms. Expressing her excitement for the project, Tonna shared, "I’m thrilled to announce that Jon John Robinson, known for his iconic collaborations with legends, will be producing my upcoming EP. This is a pivotal moment for my lifetime work, as it will be weaved by Robinson’s unique production." She added, "These songs encapsulate the strength and resilience that have fuelled and held me through my human journey, and I’m so thrilled to share these powerful narratives with the world." This collaboration marks a major achievement for Tonna, who has spent years developing her distinctive contralto voice and refining her emotionally charged songwriting. Her music often explores themes of human resilience, and this new EP is set to reflect that deeply personal artistic journey. Tonna sees this opportunity as a celebration for all Maltese artists striving to make an impact on the international stage. The project is supported by the Malta Arts Council through its International Cultural Exposure Scheme, a testament to the country’s commitment to showcasing Maltese talent worldwide. Tonna hopes her journey will inspire other artists to persist through challenges and continue pursuing their passions. Tonna, a prominent figure in Malta’s music scene, is known for her captivating performances, both as a solo artist and in collaborations. One of her notable projects includes O. , a dance-theatre production inspired by the works of Maltese poet Oliver Friggieri, where she performed alongside Jamie Cardona and the acclaimed dance troupe The MVMT. Her international accolades include being named ‘Best European Singer/Songwriter’ in 2019 by the Tour Music Fest, in partnership with Sony Italy and Berklee College of Music in Boston. Fans can look forward to behind-the-scenes updates and glimpses of the recording process as Tonna embarks on this exciting new chapter in her career. With Robinson’s expert touch, the upcoming EP promises to be a powerful artistic statement from one of Malta’s rising stars. More Exciting New Releases Unveiled The music scene is buzzing this week with a variety of new releases, highlighting diverse styles and contributions On September 25 , the highly anticipated compilation album X-tend Compilation 1984-2024  was released, featuring a rich selection of tracks that celebrate the band's illustrious career. Available in multiple formats, including vinyl, CD, and pen-drive, this collection also offers a limited-edition version, which quickly sold out during pre-orders. Many tracks, such as “I Can Feel,” “Midnight Sun,” “Boys Of Tomorrow,” “Nightmares,” “Maybe For You,” and “Let’s Have A Party,” have been meticulously re-recorded from scratch, revitalizing these fan favorites. Other tracks, including “Hide Your Shame,” “Big Boys Don’t Cry,” “Everybody Wants To Have Fun,” and “Eternal Kiss,” received minor enhancements to elevate their sound. The compilation also includes four remixed tracks— “I Can Feel (X-tended remix),” “Nightmares (Dub Mix),” “Boys Of Tomorrow (The Re-mix),” and “Midnight Sun (Sun over Saigon mix),” which stay true to the spirit of the originals while adding a modern twist. The band, known for receiving a Lifetime Achievement Award in 1998, has certainly brought new energy to their classic hits. In a separate release on the same day, The Rifffs  debuted their second single, titled “Oh No,” from their forthcoming album. The song is accompanied by an engaging music video directed by the talented Matthew James. The Rifffs expressed their excitement on social media, describing the project as “a visual and auditory feast!” “Oh No” follows the release of their earlier single “Modern Society” from last August, continuing to build anticipation for their upcoming album. The video, directed and edited by Matthew James with graphics by Pierre Portelli, features music and lyrics by Ray Mercieca. It was produced by The Rifffs MT and Howard Keith, with mixing done by Howard Keith at Jagged House Studio. You can watch it here . The following day, Geistmaschine  made headlines with the announcement of their latest live audio release, Transmission from the Outer Realms . Captured during their performance at the MSA Malta show, the live recording is now available on all major streaming platforms. Fans are encouraged to check it out on Bandcamp  and Spotify . Additionally, Geistmaschine is set to perform at the Nebular Festival on November 16, 2024. This week’s new music offerings reflect the dynamic nature of the contemporary music scene, providing fans with exciting content to enjoy.

Silvio Schembri, born on January 29, 1958, in Pietà, Malta, has enjoyed a long and vibrant career as a singer, musician, and band leader. Best known as the frontman of the band Misty, Silvio's journey in music began at a young age, and his contributions to the Maltese music scene have earned him a place in the country’s cultural history. At just 14 years old, Silvio learned to play the guitar, guided by his cousin, also named Silvio. His passion for music grew, and by 1975, he formed his first band, Cycopad. The group, which included Frankie Ebejer, Alex Vassallo, and Joe Faccetti, played together for two years before disbanding in 1977. Cycopad marked the beginning of Silvio's music career, and although the group had a brief existence, it paved the way for greater things. In 1977, Silvio formed Misty, a band that would go on to define much of his career. The original lineup consisted of Silvio, Reno, Mario, and Joe Debattista. Over the years, Misty played at popular venues like the Caribbean Night Club in Ħal Far and the Riviera Martinique Hotel in Golden Bay, bringing their unique sound to enthusiastic audiences. While the band’s lineup changed multiple times throughout its existence, Silvio remained the constant driving force behind the group. Notable musicians who joined Misty at different points included Dominic Vella, David Xuereb, Donald Cini, and the late Joe McKeon, among others. Despite their local popularity, Misty never had the opportunity to tour abroad. However, they did release several songs in Malta that left a lasting impact. Their first vinyl record, released as Silvio & The Misty, featured Misty as the A-side, and Tfajla as the B-side. They followed this success with the hits Xewqa and Imħabbti. In 1983, they released Crazy Lady, with Sunshine on the B-side. Their music resonated with Maltese audiences, blending both English and Maltese lyrics, a reflection of the island’s unique cultural landscape. In 1982, Misty also released their first cassette album, One, which contained eight tracks, including the Maltese song Futur. Misty continued to perform until 1998, when the group officially disbanded. It was at this point that Silvio took a bold step and relocated to Tenerife. There, he established himself as a solo artist, entertaining audiences in various bars and clubs across the island. To this day, Silvio works tirelessly, performing twice a day, seven nights a week, all year round. Throughout his career, Silvio had the opportunity to play alongside notable musicians, including Rick Wills, the bass player of Foreigner, who also collaborated with the Small Faces, Roxy Music, Peter Frampton, Spooky Tooth, David Gilmour, and Bad Company. He also played beside Brian May, the legendary guitarist of Queen. While May was enjoying a meal in a local pub in Tenerife, Silvio had the chance of Brian in joining him for a single blues number—an unforgettable moment in his musical journey. Silvio Schembri’s enduring passion for music has led him from Malta to Tenerife, where he continues to share his talent and love for music with new audiences. His journey, from his humble beginnings with Cycopad and Misty to playing alongside international stars, speaks to his dedication, resilience, and unrelenting passion for his craft. Today, Silvio remains a beloved figure both in Malta and Tenerife, a testament to his long and successful career in the world of music.

Aurora International Folk Festival Returns Showcasing Maltese and European Traditions Gozo's rich cultural heritage will once again take center stage from October 18th to 20th, 2024, with the return of the Aurora International Folk Festival. Now in its fifth edition, the festival celebrates the folkloristic traditions of the Maltese islands and five other European countries. Held in the picturesque setting of Pjazza Katidral, the event coincides with the Feast of St. Ursula, the Patron Saint of Gozo, and promises to immerse attendees in the vibrant customs of the past. The Aurora International Folk Festival highlights traditional aspects of dance, music, and celebrations that were once commonplace across Europe. From intricate Maltese folk dances to lively musical performances, the event showcases an array of cultural expressions that have been passed down through generations. In addition to Malta, the festival will feature performances from various European countries, offering a unique cultural exchange and fostering a sense of unity among participants. Organised by the Aurora Folk Group, a branch of Soċjetà Filarmonika Leone AD 1863, the festival aims to preserve and promote these traditional art forms while providing an entertaining experience for locals and visitors alike. Pjazza Katidral, located in the heart of Gozo, provides a fitting backdrop for this celebration of heritage, as the square is steeped in the island's own history and traditions. With its strong emphasis on the authenticity of folkloristic expressions, the Aurora International Folk Festival continues to grow in prominence, drawing enthusiasts of cultural heritage from all corners of Europe. For more information, interested parties are encouraged to contact the organisers via email at info@leone.org.mt . Marking a significant cultural highlight on the island's calendar, the festival promises to be a colourful and spirited event, perfect for all those looking to explore the traditions of the Maltese islands and beyond. ConTempo Concert n.4 : "Last Night When We Were Young" to Showcase Iconic American Songbook at Malta Society of Arts On October 17, 2024, the Malta Society of Arts will host the fourth instalment of its ConTempo Concert Series with a special performance titled Last Night When We Were Young . This concert, part of the organisation's Performing Arts Programme for 2024, will feature a captivating dialogue between piano and guitar, celebrating timeless classics from the Great American Songbook. Maltese guitarist Sandro Zerafa and French pianist Vincent Bourgeyx will lead the evening’s tribute, performing well-loved standards such as You Do Something to Me , Young at Heart , Pure Imagination , Love Is a Many-Splendored Thing , and Secret Love . Their piano-guitar duet will evoke the magic of an era when these songs formed the soundtrack of American life. The concert promises a nostalgic journey through iconic compositions by legendary songwriters like Cole Porter, Richard Rodgers, and George Gershwin. The performance will also include lesser-known gems, offering the audience a rich and varied experience. Songs like If I Had You , Never Will I Marry , The Folks Who Live on the Hill , and It’s De-Lovely  will be brought to life with the unique interpretations of Zerafa and Bourgeyx, blending their jazz expertise with an intimate and refined sound. Hosted by the Malta Society of Arts, the ConTempo Concert Series continues its mission of bringing high-quality performances to the island’s cultural landscape. This latest concert is set to attract lovers of jazz, classical music, and the golden era of American songwriting. The venue itself, housed in the prestigious Malta Society of Arts building, adds an elegant and historical backdrop to this exceptional musical evening. For those who appreciate the brilliance of the Great American Songbook and the artistry of live musical dialogue, Last Night When We Were Young  is not to be missed. New Music Releases from Airport Impressions, Mark Anthony Bartolo & Charlie Busuttil Airport Impressions recently announced the release of their sultry new single "Bobcat," which became available on September 20th across all major digital platforms. The alt-rock band from Malta, known for their melodic and emotionally driven sound, has been active since 2008. Frontman Errol Sammut explained the inspiration behind "Bobcat," stating, "The song stems from certain feelings within our society toward the excessive speed with which some tackle their days, resulting in a lack of emotion among us nowadays." Fans can follow Airport Impressions on their social media platforms: Twitter: @Air_Impressions Facebook: Airport Impressions Official Instagram: @AIBandMalta Singer-songwriter and music teacher Mark Anthony Bartolo recently released his latest single, "Blinded By The Sun," on September 6, 2024. The track, a fresh take on alternative pop-rock, features heartfelt lyrics paired with melodic guitar work, reflecting Bartolo’s signature style. "Blinded By The Sun" delves into the theme of finding balance and clarity amid life’s challenges. Through simple yet profound observations, the song explores how to navigate negative flashbacks or criticism, whether from others or personal experiences, by staying present and aware of one's surroundings. Bartolo highlights everyday contrasts, such as the difference between kindness and cruelty, as guiding truths that can help individuals stay grounded and overcome frustrations. The track encourages listeners to acknowledge these overlooked aspects of life as tools to regain inner strength and move past negativity. Charlie Busuttil’s new single, "Silly Working Mule," was launched on September 21st, 2024, at the end of summer. The song originated from a poem he had written, reflecting on the irony of modern life, where the "silly working mule" toils hard for an honest living, contrasting with those higher up the ladder. Busuttil collaborated with producer Fabrizio Fedele to develop the lyrics and music, and together they recorded the track. The single features backing vocals from Miss Sara and Fedele and was released under the Cellar Studios label.

Ramires Sciberras to Represent Malta at Junior Eurovision Song Contest in Madrid Ramires Sciberras has won the 2024 Malta Junior Eurovision Song Contest with his heartfelt performance of Stilla Ċkejkna. The song, written by Lon Kirkop with music by Aleandro Spiteri Monsigneur and Peter Borg, will represent Malta in the 22nd edition of the Junior Eurovision Song Contest, set to take place in Madrid, Spain, on November 16. In an interview with TVM News, Ramires shared the deep personal significance of the song, revealing that it reflects his journey from being adopted to finding a loving home in Malta. "The song represents my life when my parents adopted me from darkness and opened the doors to a beautiful future," he explained. With its angelic melodies and poignant lyrics, Stilla Ċkejkna has struck a chord not only with the judges but also with audiences. His decision to sing in Maltese was inspired by the diversity of languages showcased in the Eurovision contest. "We watch Eurovision each year, and every country proudly uses its own language," Ramires said. "My team and I thought, 'Let's give it a go,' and we sang in our beautiful language." The Sciberras family is understandably emotional about the song's success. His mother, Maria, described Stilla Ċkejkna as a reminder of their 11-year journey toward adopting Ramires, while his father, Renaldo, emphasized the importance of the song’s message: that adoption can unite families and bring positive outcomes. The Malta Junior Eurovision Song Contest took place at the PBS studios in Gwardamanġa, with 14 finalists competing. The winner was determined through a combination of 80% jury votes and 20% public televoting. GRRLZ, performed by Enrik Tala, Remy Borsboom, Leila Borg, and Muxu, placed second, while Emma Farrugia's Summertime came in third. Ramires will now prepare to take the stage in Madrid on November 16, where he will showcase Malta’s talent on the international stage. Everyone at Melodija.eu wishes Ramires the best of luck! From Sheep To Wolves Introduce New Drummer at SoundArt Festival At this year's SoundArt Festival, held on September 14th at The Garage, Maltese rock band From Sheep To Wolves officially introduced their new drummer, Julio Quintero. Quintero, who is also known for his work with Lucid Cream and other local bands, made his debut with the group during the festival. The event marked an exciting chapter for From Sheep To Wolves, as they showcased their new lineup in front of an enthusiastic audience, setting the stage for future performances with Quintero behind the kit. Malta Death Fest Announces Schedule for Two-Day Event This Weekend Malta Death Fest has unveiled the timetable for its highly anticipated two-day festival taking place this weekend. Tickets will be available at the door, with prices set at €55 for both Friday and Saturday, €25 for Friday only, and €35 for Saturday. Doors open at 20:00 on Friday and 18:00 on Saturday. Among the many excited performers is Shawn Mizzi of Angelcrypt, who shared his enthusiasm for the festival: “We're excited to hit the road again after a brief summer break! In just two weeks, Angelcrypt will be performing at Malta Death Fest, part of our Legacy of Valour tour. After that, we’re off to Romania, Luxembourg, the Netherlands, and Germany for some incredible headlining shows. Metal forever!” The festival promises a weekend packed with intense performances from local and international metal bands. TEATRU ROCK to Bring 70s Hits to Life at Teatru Salesjan, Amélie The Musical Coming to Teatru Manoel in 2026 Teatru Salesjan is set to host an exciting night of 70s nostalgia with TEATRU ROCK , a concert packed with iconic hits from the era. The event, scheduled for Saturday, November 2nd, will feature a lineup of talented performers guaranteed to get the audience rocking and singing along. This concert promises to be an unforgettable celebration of classic tunes, all happening at the newly refurbished Teatru Salesjan. Tickets are available at this link . Organized by Festivals Malta, Rock 'N Malta, and Teatru Salesjan, the event is a must for fans of retro music. In addition to TEATRU ROCK , it was also announced that Amélie The Musical  will make its way to Teatru Manoel in May 2026. This actor-musician production, based on the beloved film, is expected to captivate audiences with its enchanting story and vibrant score. With music by Daniel Messé, lyrics by Daniel Messé and Nathan Tysen, and a book by Craig Lucas, the show promises to bring a touch of magic from screen to stage.

In the vibrant and eclectic backdrop of the 1980s, a time when music was evolving and redefining itself, the formation of X-Tend marked a significant chapter in the Maltese music scene. The story begins in 1984, a year synonymous with the rise of New Romanticism, when two young and ambitious individuals, Chris Cassar (ex-Abstrass) and Godwin de Bono, crossed paths. Cassar, a drummer with a passion for rock, and de Bono, a talented DJ who later became a renowned sound producer, found themselves in the same social circle, sharing similar musical inclinations. Their chance meeting, however, was more than just a stroke of fate; it was the beginning of a journey that would leave an indelible mark on Malta's music history. Chris, driven by a vision, brought together a small group of like-minded musicians, including his then-girlfriend Sandra, who took on the bass duties with a Yamaha duo-phonic synth. The ensemble was soon joined by guitarist Eric Ace (Eric Calleja, ex-Black Jacks), who would become a pivotal member of the group and thus, the first iteration of X-Tend was born. The band’s name, inspired by a sign outside a local hardware store, was a nod to their desire to "extend" their reach beyond the local scene. The early days of X-Tend were characterized by intense rehearsals, as the band honed their sound. Encouraged by their progress, they decided to record their first tracks, which led to an introduction to Charlie Dalli, a studio owner who would become a crucial figure in their development. Dalli’s critical feedback on their vocal delivery prompted a lineup change, with him stepping in as the lead vocalist and Eric providing backing vocals. This configuration would become a mainstay in X-Tend's performances. Their first public performance was a modest gig at the Ħamrun Boys Scouts in September 1984, but it wasn’t long before they were making waves on a larger scale. A guest appearance on the popular TV show Arzella catapulted them into the national spotlight. Their unique sound and style quickly resonated with audiences, and within just a few months, they were representing Malta in international competitions. By December 1984, X-Tend was on the stage of the prestigious Ariston Theatre in San Remo, Italy, participating in Passaporto per San Remo. Their performance of "I Can Feel," a dynamic new wave track, earned them the top prize, and soon after, they were signed by the modest Italian label San Remo Holidays. This victory marked the beginning of their ascent in the music industry, both locally and internationally. Back in Malta, X-Tend’s momentum continued with a performance at the Festival Internazzjonali tal-Kanzunetta Maltija in March 1985 with the song “Gmiel”. Despite their disappointment in not securing a top spot, the exposure was invaluable. August of that year saw the release of their debut single, "I Can Feel" paired with "Love Me," which quickly climbed to the top of the Maltese charts. The single's success was bolstered by a professionally produced music video, a rarity in Malta at the time, which showcased the band’s commitment to a polished, professional image. The following years were a whirlwind of activity for X-Tend. They became a staple on Maltese television, performed in numerous concerts, and embarked on international tours. Their growing popularity necessitated the establishment of a fan club in Valletta, which further cemented their status as Malta's leading band. However, internal challenges soon arose, with Sandra’s departure from the band being a particularly difficult moment. Nevertheless, the remaining members pushed forward, channelling their energy into the production of their debut album, Extend, which was released in December 1985 to widespread acclaim. The album featured several tracks that would become fan favourites, including “I Can Feel,” "Midnight Sun," "Glittering," and "Deadly Dreams," and It dominated the Maltese charts for weeks, solidifying X-Tend's place in the local music scene. Their success continued into 1986, with high-profile performances at festivals and a mini tour of Europe that included stops in Italy, Monaco, Monte Carlo, Paris and Val D’Aosta. In October 1986, the double A-side single "Boys of Tomorrow/Nightmares" was released, along with the music video for "Boys of Tomorrow." This video marked a milestone as the first music video by a Maltese band to be filmed in multiple countries abroad. The release of their second album, Boys of Tomorrow, in January 1987 marked another milestone, as the band began to experiment with new sounds and styles. X-Tend’s willingness to evolve was evident in their third album, Bits from the Scrapyard, released in February 1988. The album showcased a shift from their early new wave influences to a more mature sound that incorporated elements of 60s rock and harmonies. This evolution kept the band relevant in a rapidly changing music landscape and highlighted their ability to adapt while maintaining their core identity. Their musical journey continued with the release of the Christmas album Sbieħ il-Milied in 1988, which became a top seller in Malta. The inclusion of the track "Tini Tini Żmien il-Milied" helped the album achieve iconic status. As the 90s approached, X-Tend became the first Maltese band to release an album on CD with Social Dancing in 1991, a project that further expanded their sound by incorporating modern rhythmic beats and sequencers. This album featured two outstanding songs “I've Been Missing You” and “Hide Your Shame”. The Christmas album Sbieh Il-Milied followed Social Dancing, becoming the band's best-selling record as well as the top-selling album overall on the island, and not just for that year. Throughout the 90s, X-Tend continued to innovate, releasing a series of successful albums and singles, including Let’s Have a Party in 1993, which held the #1 spot on the Maltese charts for an unprecedented 15 weeks. Their tenth anniversary in 1994 was marked by the release of Chapter VIII: Collage, an album that blended dance music with retro-80s influences, operatic elements, and classical motifs. This period of creativity culminated in the release of Powerpl@y in 1997, an album that earned them the Best Album Award at the Malta Music Awards. As the 90s came to a close, X-Tend continued to break new ground with the release of Big Boys Don’t Cry on an interactive CD in 1998. The project was praised for its innovation and marked the band’s commitment to pushing the boundaries of what was possible in the music industry. The release of The Collection 1984–1999 in 1999 served as a retrospective of their remarkable career, capturing the highs and lows of their journey. Although the early 2000s saw a lull in new releases, X-Tend remained active on the live circuit, performing both in Malta and abroad. In 2006, they released "Conclusion" as a single, along with an extended version and a remix. In the following years X-tend participated five times in the L-Ghanja Tal-Poplu. In 2008, they competed with the song "Ahwa Lkoll," winning the award for Best Theme Lyrics. The following year, in 2009, they competed with two songs, "Int dak li int" and "Niccelebraw il Festa Taghna," with the latter earning them the Best Interpretation trophy. Their participation continued in 2010, reaching the final for the third consecutive year with "Qabzitli c-Cinga." In 2012, they returned with the song "Facli" and made a special guest appearance at an 80s retro party organized by Alex Grech. In 2013, they came closest to winning the festival with "Kuluri Lwien," but once again secured the Best Interpretation trophy. In 2015, they launched the album Aħna l-Maltin u Ħutna l-Għawdxin in Australia, a project that was later released in Malta in 2017. The band’s legacy was further cemented with the release of the Christmas album Ilwien l-Milied in 2021, a double album that showcased their versatility across different musical genres. Today, X-Tend’s lineup is made up of original members Charlie Dalli, Eric Calleja, and Godwin Debono, with a discography, spanning four decades, reflecting a band that has continually evolved while staying true to their roots. This year, the band is celebrating 40 years of music with the release of X-tend 1984-2024, a special compilation that captures their most iconic songs from their impressive career. Set for release on the 25th of September, the album will be available in multiple formats, including vinyl, CD, pen-drive, and a limited-edition version, which is already nearly sold out through pre-orders. Many of the tracks on this compilation, such as “I Can Feel,” “Midnight Sun,” “Boys Of Tomorrow,” “Nightmares,” “Maybe For You,” and “Let’s Have A Party” have been re-recorded from scratch, breathing new life into these fan-favourites while  “Hide Your Shame,” “Big Boys Don’t Cry,” “Everybody Wants To Have Fun” and “Eternal Kiss,” underwent minor touches for enhancement. In addition to these re-recordings, the band, recipients of the Lifetime Achievement Award in 1998, has included four remixed tracks— “I Can Feel (X-tended remix),” “Nightmares (Dub Mix),” “Boys Of Tomorrow (The Re-mix),” and “Midnight Sun (Sun over Saigon mix)”—which stay true to the spirit of the originals while adding a fresh twist. As X-Tend celebrates 40 years of music with the release of X-tend 1984-2024, their journey comes full circle. From humble beginnings to international recognition, the band's evolution reflects their enduring passion and innovation. This latest compilation is not only a testament to their legacy but also a fresh reimagining of their timeless hits, offering both nostalgia and new energy for fans. With decades of success behind them and an unwavering commitment to their craft, X-Tend continues to inspire and leave an indelible mark on Malta's musical landscape. all photos: Eric Calleja

FERRET ‘Swamp Thing’ from the upcoming EP ‘For The Love Of Pizza’ Ferret precede upcoming EP ‘For The Love Of Pizza’ with new track ‘Swamp Thing’ – A groovy track inspired by 80s monster movies - Out 26th September! Kewn Records | KWN019 | DIG | 25th October 2024 About Swamp Thing Ferret's new single, ‘Swamp Thing,’ serves up a hearty helping of heavy riffs and an 80s horror-inspired vibe, capturing the thrill of monster-hunting in a murky swamp. The track was cooked up from a jam session between Anthony and Mark, who crafted the signature riff as the base ingredient. Owen then added a funky bass line, seasoning the song with a nostalgic twist that pays homage to classic scary-monster cartoons. Each section of the track unfolds like a classic horror movie, with story beats that simmer and boil over into a deliciously retro experience. As one of the last tracks added to the album, ‘Swamp Thing’ is the ultimate "pizza slice" single, embodying the band’s inventive flavour and serving up a unique experience that Ferret can't wait for the world to taste. About For The Love Of Pizza Ferret’s EP, ‘For The Love Of Pizza’, is a flavourful tribute to the bond the band shares over food, reflecting how their unique influences blend together to create their distinctive sound. The title pays homage to what drives and inspires the band, likening their creative process to crafting the perfect pizza—where each member adds their own "toppings" to the base of Ferret’s core sound. This instrumental EP showcases their ability to craft engaging music that stands strong without vocals, featuring dynamic peaks, valleys, and climaxes. Tracks like ‘Cheeki Breeki’ playfully evoke cartoon chases reminiscent of Tom and Jerry, while ‘Big Machine’ depicts a machine's gradual breakdown and ‘Galactose Intolerant’ humorously explores IBS in space. Drawing from a rich palette of influences—from the playful vibe of The Aristocrats and modern prog fusion bands like Plini and Intervals, to classic prog icons such as Genesis — Ferret infuses their music with a mix of jazz funk, progressive elements, and inventive twists. About Ferret Ferret have been cooking up their unique blend of prog rock since 2016, and currently dishing out sonic goodness with Anthony on guitar, Mark Andrew on drums and Owen on bass. Known for their energetic live shows, Ferret first hit the stage at Sickfest 2016, where they served up their signature sound. Their flavorful performances continued at events like Prog the Islands, Rock the South, and Farsons Beerfest, each gig a feast for the ears. In 2019, Ferret had the opportunity to support Dream Theater, showcasing their ability to hold their own alongside one of the genre's greats. With a sound that combines heavy riffs, intricate rhythms, and a pinch of improvisation, Ferret has solidified their place in the local music scene. Whether they're cooking in the studio or serving it on stage, Ferret is a band that knows how to keep their audience coming back for seconds. After a brief hiatus due to the pandemic, Ferret reunited in 2022, simmering their old recipes and cooking up new ones. Now, with a flavourful EP on the horizon, they're ready to serve the world once again. Ferret - For The Love Of Pizza Kewn Records | KWN0019 | DIG | 25th October 2024 Tracklist: 1. Cheeki Breeki 2. Big Machine 3. Galactose Intolerant 4. Praxis 5. Swamp Thing About Kewn Records Established in 2017, Kewn Records, led by Nick Morales with mentorship from James Vella (of Phantom Limb), fills a void in Malta's music scene. With a goal of elevating local talent professionally, the label, coordinated by Nicholas Bonello , has since released alternative music from the likes of BILA, The Areola Treat, Krishna, Niket and more. With multiple albums, EPs and single releases, Kewn Records acts as a one-stop shop for musicians, amplifying Malta's musical impact globally.

'Laudete Dominum' Concert to Illuminate St. John’s Co-Cathedral in Support of Children in Need Foundation On October 4th, 2024, the breathtaking St. John’s Co-Cathedral in Malta will be the venue for an extraordinary evening of music and philanthropy, as the Laudete Dominum  concert brings together some of the island’s finest musical talents. This special event, featuring renowned soprano Nicola Said and celebrated tenor Cliff Zammit Stevens, along with a captivating performance by the Children’s Choir, promises to be a moving celebration of hope, prayer, and gratitude. Set against the majestic backdrop of one of Malta's most iconic landmarks, the concert will offer a profound musical experience, filled with uplifting melodies and heartfelt performances. The event is not only a showcase of artistic brilliance but also a philanthropic effort, supporting the Children in Need Foundation , an organization dedicated to improving the lives of vulnerable children in the community. The concert’s title, Laudete Dominum , was carefully chosen to reflect the spirit of the evening—a tribute to the blessings and joys that unite us through the universal language of music. Organizers describe it as "more than a concert," but rather "a celebration of gratitude and unity," inviting attendees to experience an evening of praise and harmony. Soprano Nicola Said, lauded for her refined yet spontaneous vocal artistry, is expected to deliver a mesmerizing performance. Said, a luminary in the opera world, has captivated audiences with her emotional depth and technical excellence, and her participation in Laudete Dominum  adds a special dimension to the evening. Joining her is tenor Cliff Zammit Stevens, whose powerful and dynamic voice has earned him acclaim both in Malta and abroad. Zammit Stevens is not only known for his operatic brilliance but also for his dedication to using music as a tool for community engagement and positive impact. His performance at St. John’s Co-Cathedral will be a highlight of the evening, blending storytelling and music in a way that promises to touch hearts. All proceeds from the concert will go to the Children in Need Foundation , further amplifying the concert's impact beyond the music. Attendees will have the opportunity to not only enjoy an unforgettable evening of musical excellence but also contribute to a meaningful cause. Tickets for the event are available now and can be purchased through the official website: Laudete Dominum Tickets . This concert is generously supported by Malta Enterprise, with additional backing from esteemed partners such as HSBC, V&C Group, Torrent Pharma, Trust Stamp, Mediterranean Insurance Brokers, Malta International Airport, KM Malta Airlines, and the Malta Tourism Authority. Don’t miss this unique opportunity to witness a night of musical splendor and philanthropy at St. John’s Co-Cathedral. Join the community on October 4th for an evening that promises to inspire and uplift. Currant Daze Unveils Highly Anticipated Album "Celestial Rhymes of Conviction" The wait is finally over for fans of Currant Daze, as the band has officially launched their long-anticipated album Celestial Rhymes of Conviction  on all major digital streaming platforms. The release marks a significant milestone for the group, offering listeners a collection of thought-provoking tracks filled with profound messages and powerful lyrical delivery. The album, which has been highly anticipated by fans and critics alike, is being praised for its celestial rhymes and the conviction carried through each song. Currant Daze invites listeners to delve deep into this artistic piece, which explores themes of self-reflection, faith, and resilience, brought to life through a blend of poetic lyricism and rich soundscapes. The band has also announced that Celestial Rhymes of Conviction  will soon be available in physical format on CD, with pre-orders now open. Fans can secure their copy by sending a message to the band through their social media channels. A special thanks from Currant Daze goes out to Francois Galea for his stunning artwork design, Jessica Farrugia for the CD and booklet design, and Dr. Mirko Galea, who served as the album’s studio engineer, ensuring that each track resonates with its intended impact. Currant Daze expressed their gratitude to their fans, stating, “Thanks for sticking by—we hope you enjoy listening to this piece as much as we did making it.” Fans can access the album through the band’s official Linktree: https://linktr.ee/currantdaze  and immerse themselves in Celestial Rhymes of Conviction , now live on all streaming platforms. Maltese Culture Showcased in Cairo to Mark 60 Years of Independence On September 17, 2024, Malta’s rich cultural heritage was proudly displayed at Cairo’s historic Prince Taz Palace as part of the celebrations marking the 60th anniversary of Malta’s independence. The event, organized by the Embassy of the Republic of Malta in Cairo, featured a blend of art, film, and music, offering attendees a unique glimpse into Malta’s artistic and cultural history. The evening began with an exhibition curated by Magna Żmien, a grassroots project dedicated to preserving and digitizing Maltese analogue memories. The exhibit included 22 photographs by Maltese amateur photographer Guido Stilon, showcasing 20th-century life in Malta. The stills, meticulously scanned and restored by Magna Żmien archivists, formed part of the project’s larger archive, which gained widespread recognition during Valletta’s tenure as the European Capital of Culture in 2018. Following the exhibition, attendees viewed the short film Bejn is-Sema u l-Art, directed by Maltese anthropologist Adrian Camilleri. Originally commissioned by the Ritmu Roots Festival and produced by Festivals Malta, the film reflects on the life and legacy of Frans Baldacchino, also known as ‘il-Budaj’, one of Malta’s most revered folk singers. The film, which included previously unreleased footage, explored Malta’s indigenous music tradition, highlighting the island’s rich post-Independence folk music heritage. The event’s highlight was a live performance by Etnika, one of Malta’s most renowned bands. Founded in 2000, Etnika has been at the forefront of reviving Malta’s traditional musical instruments and forgotten genres. The band's captivating performance, which drew upon archival and field research, resonated with the audience, offering a rare exploration of Malta’s musical past brought into the modern day. The cultural celebration, supported by Investia, Marmonil, Methode Electronics, the Malta Tourism Authority, and the Ministry of Culture of the Arab Republic of Egypt, was a resounding success. It not only commemorated Malta’s 60 years of independence but also served as a platform for showcasing the island’s unique cultural identity to an international audience.

Celestial Rhymes of Conviction! - Debut Album by Currant Daze Currant Daze, the rising force in the indie/alternative rock scene, is thrilled to announce the release of their debut album, Celestial Rhymes of Conviction. After the success of their earlier singles, Out of Outlaws and Synthetic Panic, the band is ready to deliver a powerful, genre-bending collection of tracks that delve deep into the human condition with a signature blend of atmospheric rock and irresistible groove. Celestial Rhymes of Conviction is a piece brought to life from a series of events from our collective past. Frontman Braden Sultana (Vocals) and guitarist Bernard-James Vella are the dynamic duo behind each track, weaving a sonic tapestry of gritty guitars, emotive vocals, and thought-provoking lyrics. Every song resonates with raw energy, offering listeners an evocative journey through themes of existentialism, mental illness, crises, defiance and inner truth. Produced and recorded by the renowned Mirko Galea at his state-of-the-art studio, the album boasts a pristine yet gritty sound that captures the band’s live intensity. Galea’s expertise in mixing and mastering has amplified the distinct identity of Currant Daze, positioning Celestial Rhymes of Conviction as one of the most anticipated indie rock releases of the year. The band first gained attention with their debut single, Out of Outlaws, which garnered over 3,000 streams thanks to its bold storytelling and anthemic hooks. However, it was their follow-up track, Synthetic Panic, that really struck a chord with fans, introducing a unique fusion of funk rock elements and cryptic, lyrical intrigue. Both singles hinted at the expansive sound Currant Daze has now fully realized in their debut album. Speaking about the album, Braden Sultana shared: "This album reflects our journey as musicians and as people trying to make sense of the chaos around us. It’s a mix of high-energy rock and moments of deep introspection where allignment sort of takes place. We hope it connects with everyone who listens." Bernard-James Vella added: "Working on Celestial Rhymes of Conviction was about pushing the boundaries of our sound. We wanted to create something bold, something that would stay with people long after the music stopped." The album is available on all major streaming platforms - CD Pre-orders can be made by contacting the band directly on their social platforms.