No rest for the wicked.  This year’s edition was hardly over when flashing on screen were the names of some of the acts who will be entertaining us during the 2026 edition.  Dark Malta Festival will return for it’s seventh edition at the Gianpula Village on 17, 18 and 19th April 2026.  The organisers of the gothic / industrial / metal festival have announced the participation of Das Ich, Dark, Leæther Strip, Then Comes Silence, [:SiTD:], Principe Valiente and Klutae.  More bands and DJs will be announced throughout the year.  Dark Malta Festival hosts the Malta Oskura Art Exhibition and an artisan market.      Keep abreast with the latest news on the recently launched website darkmaltafestival.com.  Tickets for 2026 are available.  Also, a selection of merch is available from the website.

Nine years ago, in September, I celebrated my fiftieth birthday and, as is tradition, invited friends to mark the occasion — in fact, more than just a few. Among the memorable gifts I received was a CD compilation by the band New Cuorey, lovingly put together by one of the group’s two founding members. This gift, from the Grech family, remains one of my most treasured possessions. The songs on the album hold a special place in my heart, as they take me back to my childhood, when New Cuorey’s music was a constant presence on the radio in my parents’ home. With this article, I hope to pay tribute to their timeless music and enduring legacy. Joe S. Grech 2015 In September 2016, Maltese music history received a heartfelt revival with the release of New Cuorey – L-Antiki, a CD compilation of eight original tracks recorded between 1972 and 1977. Curated and produced by Joe S. Grech, co-founder of New Cuorey, the album stands as both a personal and national homage—reawakening the golden era of Maltese pop and folk music while showcasing the powerful voice of the late Sammy Bartolo, the band’s iconic frontman. The CD, which includes hits like Vietnam, Il-Bajja tal-Mellieħa, and L-Aħħar Bidwi f’Wied il-Għasel, was remastered for contemporary audio systems without altering the raw charm of the original reel-to-reel tape recordings. These songs were a staple on Maltese radio stations in the 1970s and played a key role in the musical identity of a generation. As Joe S. Grech explains, "The recording technology was nothing like today's—it was limited and not easy, but still sufficient to document the atmosphere and energy we carried at the time." Grech’s production notes highlight a particularly endearing anecdote: during the recording of Riviera Blu, which took place partly at the Mellieħa Bay Hotel and partly in his own home, the sound of a passing car was inadvertently captured around the 1:28 mark—a small flaw that now stands as a testament to the authenticity and spontaneity of the band’s process. “We had no opportunity for editing or post-production,” he recalled. “These songs… are exactly how we first played and recorded them.” Each of the eight tracks on L-Antiki reflects the diverse musical talents of the band and the collaboration between lyricists like Anthony Fenech, Alfred C. Sant, and Paul Abela. The songwriting paints vivid scenes of Maltese life and emotion—whether it’s the poignant social commentary in Vietnam, the nostalgic beauty of Il-Bajja tal-Mellieħa, or the melancholic storytelling in L-Aħħar Bidwi f’Wied il-Għasel. Track Listing: album cover artwork by Alexia Baldacchino 1. Vietnam (A. Fenech / J.S. Grech) 2. The Girl I Had  (Joe Bartolo / J.S. Grech) 3. Il-Bajja tal-Mellieħa  (A. Fenech / P. Abela, J.S. Grech) 4. Bħal daż-Żmien Konna Flimkien  (Alf. C. Sant / P. Abela) 5. L-Aħħar Bidwi f’Wied il-Għasel  (Alf. C. Sant / P. Abela) 6. Riviera Blu  (A. Fenech / J.S. Grech) 7. Id-Dgħajsa tal-Latini  (A. Fenech / J.S. Grech) 8. Baby Where Are You Tonight  (Alf. C. Sant / P. Abela) These tracks were recorded across various studios—from Brittannia Studios in St. Julian’s to Smash Studios in Fgura—with many pressed under labels like Taurus, Deo Luck, and Sunshine Records. Notable collaborators included Charles ‘City’ Gatt on bongos and the ever-consistent support of the band’s core musicians: Joe Bartolo on drums, Paul Abela on organ and piano, and Joe S. Grech himself on guitar and bass. Noel D'Anastas article in Il-Mument 23-10-16 The 2016 release was not merely a reissue—it was a family endeavor that bridged generations. Joe S. Grech's sons, Julian and Chris Grech, musicians in their own right (Frenzy Mono and Nomad Son), were deeply involved in the album’s research, remastering, and digital conversion. The album artwork, designed by Alexia Baldacchino, evokes the classic aesthetic of 1970s Maltese vinyl, especially the group’s famed 1974 release Il-Bajja tal-Mellieħa. The project was supported by Grech’s wife Alice, to whom he dedicated the album: “To my wife Alice, for her constant contribution and patience throughout my musical life.” Her support, along with that of their children, is etched into the spirit of this compilation. At the heart of L-Antiki is the unforgettable voice of Sammy Bartolo, whose expressive tenor became a hallmark of New Cuorey’s sound. Bartolo passed away in 1997, yet his voice lives on—resonant, emotional, and unmistakably Maltese. The collection allows listeners to rediscover Bartolo’s rich vocals in their unedited glory, a true reflection of live musicianship and emotional connection. Founded in 1967 as I New Cuori by Sammy Bartolo and Joe S. Grech, the band was soon renamed New Cuorey in 1972 to enhance pronunciation abroad. Performing extensively at the Mellieħa Bay Hotel and in international venues across England and Canada, New Cuorey became synonymous with Maltese musical excellence. Their early years saw them backing international cabaret acts, further refining their style and cohesion. The group’s commitment to authentic Maltese songwriting—without pandering to commercial formulas—won them lasting admiration. Even decades later, songs like L-Aħħar Bidwi f’Wied il-Għasel were reinterpreted by artists such as Claudio Baglioni, confirming their cross-cultural and enduring relevance. L-Antiki is more than a compilation—it’s a carefully preserved cultural artifact, a labor of memory and devotion. It captures the pulse of a Malta on the cusp of modernity, told through melodies that echo with sea breezes, village squares, and voices raised in harmony. As Joe S. Grech so eloquently puts it, “These songs, besides being the originals, are exactly how we first played and recorded them.” And it is precisely in that unfiltered honesty that their magic endures.

Festivals Malta is once again bringing tradition to life with the highly anticipated Ritmu Roots Festival 2025 —a vibrant, four-day celebration of folk music, cultural heritage, and communal storytelling. Taking place across some of Malta’s most iconic cultural venues, this year’s festival boldly bridges the gap between ancestral roots and contemporary expression. With a powerful programme steeped in Maltese identity and enriched by international collaborations, Ritmu 2025  is more than a music festival—it’s an evolving archive of tradition. Described as a space “where heritage meets innovation,” Ritmu Roots Festival 2025  champions a wide spectrum of folk traditions with a strong emphasis on Malta’s own għana —the island’s soulful and improvisational musical style. Events throughout the festival showcase everything from traditional spirtu pront  duels to modern reinterpretations by women and international artists, ensuring that the oral traditions of the past are preserved, questioned, and transformed in the present. “The aim is not only to celebrate these traditions,” say festival organizers, “but to open them up—to conversation, reinterpretation, and new generations.” The festival opens on May 21 with a thought-provoking presentation by renowned filmmaker and ethnomusicologist Vincent Moon  at The Splendid . Known for his global exploration of ritual and sound, Moon will delve into how cinema and music intertwine across cultures. His lens, both literal and figurative, captures the unseen magic of folk practices worldwide. This sets the tone for a festival that respects the roots of tradition while inviting innovation. The Art of Għana: Raw, Poetic, and Alive Central to Ritmu 2025  is the deep dive into għana , Malta’s traditional form of sung poetry. Events such as Boċċi u Għana Spirtu Pront  (May 22) at the Floriana Boċċi Club pair the vocal duels of għannejja  with the communal joy of traditional boċċi games, inviting attendees to “not just listen to tradition, but live it.” Intimate sessions such as Wiċċ Imb Wiċċ mal-Għannej  (Face to Face with the Għannej) on May 23 and 24 feature masters of the genre like Jesmond Galea ‘Tal-Kalora’  and Joe Busuttil ‘Il-Bużu’ , offering rare insights into the improvisational process. “Għana is not just singing,” says Galea, “it is thinking in rhyme—it is life in verse.” Evenings at Argotti Gardens  pulse with energy as għannejja  and guitarists engage in live duelling sessions ( Għana Ġewwa L-Argotti ), blending quick wit with poignant commentary, rhythm with tradition. Expanding the Circle: Women, Dance, and the Mediterranean This year, Ritmu  also highlights the role of women in folk traditions. Nisa, Jgħannu  (May 23) presents an all-female reinterpretation of għana , combining voice, movement, and bold storytelling in a tribute to women’s often-silenced cultural contributions. Dance takes center stage in Il-Kumittiva – Stedina għaż-Żfin!  (Invitation to Dance), a lively performance-workshop held both on May 23 and 24. Rooted in ancient carnival traditions, this interactive experience revives the communal dance rituals of Gozo, offering participants a chance to learn nine traditional dances guided by live folk music. Mediterranean Dialogues: Rebetiko and Beyond Ritmu  also casts a Mediterranean net with featured guests like Greek ensemble Pliri Ntaxei . Their concert Rebétiko!  (May 23) immerses audiences in the haunting and rebellious sounds of 1930s Greece, revived through bouzouki, baglama, and heartfelt harmonies. The accompanying talk, “You Have Me Enchanted” , explores the life of rebetiko legend Dimitris Gkogos – ‘Bagianteras’ , drawing parallels between Greek and Maltese folk traditions. Spanish duo Tarta Relena  further expand the sonic landscape with their modern a cappella explorations of sacred and secular songs from across the Mediterranean. Their performance És Pregunta (May 24) and the workshop Exploring Vocal Musical Traditions  promise to deepen the festival’s focus on vocal heritage. A Poetic Finale As the festival draws to a close on May 24, attendees will be treated to Għana tal-Fatt —a deeply emotional tradition of narrative singing that weaves tales of love, loss, and legend through lyrical storytelling. This is followed by Vincent Moon’s Live Cinéma , an immersive audio-visual performance that combines global trance rituals with Maltese soundscapes. Here, Moon collaborates with local artists to craft a live, improvised cinematic experience—"a ritual of its own," as he describes it. A Festival for All Generations Whether you're an aficionado of folk music or a curious newcomer, Ritmu Roots Festival 2025  offers a space to connect with Malta’s musical soul. Through its dynamic blend of concerts, conversations, and participatory events, the festival not only preserves tradition but animates it—ensuring its resonance for future generations. For full programme details and ticket information, visit Festivals Malta – Ritmu Roots Festival . Contact info 2334 7301 Email info.fm@festivals.mt Websites and social links http://www.festivals.mt/ritmu Instagram ritmurootsfestival

Music becomes a different experience when you start to listen like a musician. Musicians hear music differently. It’s not just background sound—it’s a map of rhythm, harmony, emotion, and expression.   Whether you’re a performer or a music lover, learning how to listen actively can change the way you experience every note.    What Does It Mean to Listen Like a Musician?   Musicians don’t just hear songs—they dissect them subconsciously. With practice, their ears begin to notice: Patterns in rhythm and groove The role of each instrument How harmony shapes emotion How phrasing tells a story   The Layers of Listening Try focusing on these elements one at a time in your favorite songs:   Bassline & Groove – What’s the bass doing? Is it locked in with the drums? Syncopated? Leading or supporting? Harmony – Are the chords bright, moody, unexpected? How do they move the song forward? Rhythm – Is the groove straight or swung? What’s the feel—tight and snappy, or laid back? Melody & Phrasing – Are the vocal lines smooth or jagged? Do they rise and fall dramatically? Tone & Texture – What kind of instruments are used? What’s their character—warm, sharp, fuzzy? Dynamics – Where are the peaks and valleys? Does the song build tension or stay steady?     A Bassist’s Perspective As a bassist, I find that even when I’m simply listening to music—at home, in the car, or on a walk—my ear is naturally drawn to the lower frequencies. I tend to zero in on the bassline and how it interacts with the drums .   I often find myself noticing: Whether the bass is locked in with the kick or playing off it How the groove shapes the feel of the whole track The movement of the harmony , even if it's subtle beneath the surface The tone and phrasing of the bass—how it's played, not just what’s played Listening this way doesn’t take away from enjoying the music—it deepens it. You start to hear how the bass supports everything, often without drawing attention to itself. It’s like following the foundations of a building while still admiring the architecture.   A Composer’s Perspective As someone who also composes music, I listen through yet another lens—one that zooms out and looks at the architecture of a piece. While the performer in me may get drawn into tone or groove, the composer in me often starts asking:   How is the form structured? Verse, chorus, bridge… or something more unusual? What’s the development like? Are ideas introduced, varied, repeated, resolved? How are dynamics and contrast used to build tension or release? What role does silence or space play in the overall feel? Are the harmonic choices conventional, or do they subvert expectation? This kind of listening helps me stay inspired, identify tools other composers use, and spark ideas for my own writing. Sometimes a subtle modulation, a well-placed rhythmic change, or an unexpected melodic turn in someone else's music can unlock a new direction in my own.     Ear-Training for Everyone   You can sharpen your musical ear with a few simple exercises:   Solo Listening : Pick a track and follow only the bassline. Then repeat, isolating drums, vocals, guitar, or strings. Loop and Focus : Loop a short section (a few bars) and focus on timing or harmonic movement. Transcribe by Ear : Try to sing back or play a simple melody or bassline you hear.    These techniques improve your concentration and deepen your appreciation for what each musician is doing.   Why It Matters   Listening like a musician isn’t just for players—it’s for anyone who wants to connect more deeply with music.   You’ll start to notice subtleties in songs you've heard for years You’ll become more emotionally engaged with the music You’ll develop a greater understanding of musical storytelling   And maybe—just maybe—you’ll fall in love with a part of the music you never noticed before.   Final Thoughts  “The more you hear, the more you feel.” Active listening is a muscle—and like any muscle, it strengthens with use. Whether you’re practicing your instrument, going to a concert, or listening with headphones at home, train your ears to hear more. It’ll make every musical experience richer.   I’d love to hear from you: Do you listen differently now than you did a few years ago? What instrument or part do you follow most when listening? Has a single musical detail ever changed how you felt about a whole song?   Hit reply and let me know—I read every message! simonsammut.com Buy Simon Sammut's music here on melodija.eu

🔊 Echoes Beyond the Void: Win bands' merch & set the vibe for the big night! 🔊Weeping Silence, Typhus & Niket 🤘🔥 🎶 Set the mood before the chaos begins! The full lineup is locked in, and the bands have joined forces to create a Spotify playlist just for you. Dive into the sounds that will shape the atmosphere on May 17th at The Garage! 🎧 Tune in now and get hyped: ⚡ https:// open.spotify.com/playlist/4plbx2HblnQ4oC7CFMTLB0 💀 Win Exclusive Band Merch! 💀 Metalheads, here’s your chance to score killer merch from Niket, Typhus, and Weeping Silence!🎁 2 Typhus T-Shirts 🎁 1 Weeping Silence Album & T-Shirt 🎁 1 Niket Album & Long-Sleeve Shirt. How to enter: 1. Like the giveaway post 2. Follow all 3 bands' pages 3. Tag 2 friends you'd bring to the gig 4. Comment your favorite song from any of the bands 5. Share the post in your stories/feed & tag the bands! 📅 Deadline: Entries close the night before the concert 🎤 Winners Revealed: Live on stage during the gig!

Claire Cordina to Launch Debut EP Do Trees Get Tired of Standing Still?  at 97 Notes, Valletta on 30th May An evening of introspective melodies and raw sonic emotion awaits music lovers on Friday, 30th May, as Claire Cordina takes the stage at 97 Notes in Valletta to launch her debut EP, Do Trees Get Tired of Standing Still? . The event starts at 8:30PM and entrance is free. Described as “an artist who never shies away from sonically confronting visceral emotion,”  Claire Cordina's distinctive blend of art-pop and trip-hop draws listeners into a dreamy yet edgy soundscape shaped by personal experience and unfiltered honesty. The EP launch will feature a full band performance with Claire Cordina on vocals, accompanied by James Baldacchino on bass, Luke Briffa on drums and electronics, and Franco Tartaglia on guitar. Opening the night is supporting act Ben Mifsud Joslin, setting the tone for a powerful and evocative musical experience. Attendees will also have the opportunity to purchase the EP in CD format. Claire Cordina’s musical journey began early, rooted in a home where music—from Italian pop to 70s rock—was always playing. “Music has been my passion from a very young age,” Claire shares. “In my teens I fell in love with alternative rock and especially connected with female singer-songwriters like Tori Amos, PJ Harvey, and Fiona Apple.” Having trained in classical guitar and music theory from the age of 7, Claire has collaborated with a wide range of local artists throughout her musical development. After time spent abroad pursuing a medical career, Claire returned to Malta in 2015 with a renewed focus on songwriting, weaving themes such as motherhood, environmental concerns, social issues, and personal introspection into her lyrics. “My songs tend to be introspective and self-analytical,” Claire explains. “I write about experiences and emotions that are deeply personal to me—things that stir me up and compel me to create.” The EP was produced and recorded by James Baldacchino, with contributions from guitarist Franco Tartaglia and drummer Luke Briffa—each of whom bring their own dynamic energy and musical depth to Claire’s hauntingly expressive compositions. Join Claire Cordina on 30th May at 97 Notes for an unforgettable night celebrating the power of vulnerability, the richness of sound, and the courage of an artist finding her voice.

Local singer-songwriter Dean Muscat to release his debut EP LAZARENE on May 16, 2025. The five-track EP features original, lyric-driven songs that draw from personal experiences, Maltese and Mediterranean themes, and a strong sense of storytelling, all woven together through Americana,folk, and rock influences. The full track listing includes: Darkness, My Muse Is Gone, Heart of the Med, Her Odyssey, and Night’s End. Produced by Jimmy Bartolo at Ultralow HQ, the EP is largely performed by the pair, with mixing by UKengineer Dan Cox (Laura Marling, Pete Doherty). Speaking about the EP, Dean says: “I’ve worked in music for many years, mostly behind the scenes, writing and producing for others. But a few years ago, I hit pause on all of it and I almost stepped away from music completely. That’s why the title LAZARENE felt right. It’s about bringing that part of me back to life." “The writing process took its time. I spent hours fine-tuning the lyrics, trying to get them to say exactly what I meant. But once the songs were ready, the recording came together fairly quickly, especially with Jimmy, who just got what I was trying to achieve and was instrumental in bringing the arrangements to life." “These songs are personal, some drawn from things I’ve lived through, others shaped by how I see life in Malta and around me today. I see them as little musical stories. I hope people connect with them,and maybe even find a bit of their own story in there too.” The EP artwork, created by Maltese illustrator Ed Dingli, weaves together the mythological and Maltese themes found in the songs. It draws inspiration from the legend of Calypso’s Cave —believed by some to be in Gozo — where Odysseus was held, longing for home. The imagery reflects the emotional thread of LAZARENE, of finding your way back to yourself after being lost. To mark the release, Dean will host a special acoustic launch gig at Offbeat Bar in Valletta on May 16. He will be joined by Jimmy, performing a selection of original songs and closing the evening with a full performance of the EP, sharing reflections and stories behind the songs. LAZARENE will be available for purchase on Bandcamp and streaming on all major platforms from May 16. Follow Dean MuscatFB: facebook.com/dsmuscatmusicBandcamp: deanmuscat.bandcamp.comContact: dsmuscat@gmail.com

Exploring the Inner World of the Performer    More goes on than meets the ear. What really goes on in a musician’s mind during a performance? Are they thinking about technique, feeling the groove, reacting to the audience, or just trying not to mess up? And how does this differ from what actors or dancers experience on stage? This week, we’re diving into the fascinating inner landscape of live performance across music, theatre, and everything in between. The Mental Balancing Act of Musicians   Flow vs focus – both have a place on stage. Studies show that during improvisation, musicians often enter a flow state —where self-monitoring fades and expression takes over. Jazz musicians, in particular, exhibit decreased activity in brain regions tied to critical thinking and increased activation in areas linked to creativity and spontaneity.   But beyond flow, musicians are constantly navigating:   Technical control Memory recall Emotional expression Interaction with fellow players It’s a complex interplay between conscious thought and muscle memory. Are Musicians’ Thoughts Different from Actors’?   Different crafts, different minds at work. While musicians remain rooted in self-expression, actors often step into entirely different identities . A study from University College London showed that actors suppress their sense of self when performing in character. They activate brain areas linked to empathy and theory of mind—essentially, becoming someone else. The Inner Critic: Doubts Behind the Curtain      Even the most confident performers face doubt. No matter the experience level, self-doubt is common among artists. A 2018 study in Europe’s Journal of Psychology found that musicians who perceive a gap between their current ability and their “ideal musical self” often experience performance anxiety. Actors, too, frequently battle impostor syndrome —the feeling that they’re undeserving of success, or one mistake away from failure. These doubts aren’t signs of weakness. They’re part of the human side of performance—the emotional tightrope walked in front of every audience. From Thought to Presence    At some point, the thinking stops and the music takes over. Great performers learn to let go of conscious control and trust the moment . Presence doesn’t mean perfection—it means connection: to the music, the character, the audience, and yourself. Some of my most memorable performances came not from thinking hard, but from feeling deeply . Final Thoughts Performance is part thought, part instinct—and always part emotion. Musicians, actors, and dancers may walk different artistic paths, but what unites them is this:A willingness to be seen, to be heard, and to be felt . I’d love to hear from you: What do you think about when you perform? Do you relate more to the mindset of a musician or an actor? Hit reply and let’s start a conversation. Reference Reading:   Flow in Musicians: An fMRI Study   Acting and Identity Suppression   Musicians’ Ideal Self and Performance Anxiety   simonsammut.com Buy Simon Sammut's music here on melodija.eu

Freddie Portelli’s Rare Vinyl Auctioned for Charity photo: Anthony D'Amato Records In a unique celebration of Maltese music and generosity, D’Amato Records has announced the auction of a rare test pressing of L-Aqwa Suċċessi , the new vinyl release by legendary artist Freddie Portelli. The auction is being held in aid of the children’s cancer support foundation, Puttinu Cares. Test pressing #1 , signed by Portelli himself, is now open for bids, with all proceeds going directly to the charity. Interested supporters are encouraged to submit their offers by email to info@puttinucares.org . “This is more than just a record – it’s a piece of Maltese cultural history,” said a spokesperson from D’Amato Records. “Only five copies of this vinyl were produced, and every single one is signed by Freddie. We’re proud to be using this moment to support such an important cause.” The vinyl compilation, L-Aqwa Suċċessi , brings together some of Portelli’s most beloved hits, including the anthemic “Viva Malta” and the enduring favorite “Mur Ħallini.” The release is being hailed as a must-have collector’s item for fans of the iconic Maltese singer-songwriter. Freddie Portelli, whose music has shaped generations, expressed his support for the initiative. “I’m honored to be part of something that not only celebrates Maltese music but also helps children and families who truly need it,” he said. The auction marks a meaningful intersection of music and charity, offering fans a rare opportunity to own a unique piece of local music history while contributing to a vital cause. Lady Lizard Announce Limited Edition Cassette Drop on May 17 Malta’s underground sludge punk force Lady Lizard  are set to unleash a limited edition cassette release  that promises to bring raw, heavy distortion straight into the hands of the boldest fans. With only 50 copies  being produced, the cassette will launch exclusively at Storeroom , one of Malta’s key alternative venues, on May 17 . “This tape is absolutely filthy,” the band said in a statement. “It’s our first-ever cassette release and we wanted to make it count — ugly, heavy, and full of fuzz.” The cassette features two tracks: the crushing “Bloat Drone” , already a cult hit among their fanbase, and a previously unheard slab of sludge titled “Swallowed by the Swamp” , described by the band as “an unreleased sonic sludge storm.” “There’s no digital release, no streaming — this is a one-time physical drop,” said a representative for Lady Lizard. “Once these 50 tapes are gone, they’re gone. First come, first crushed.” Fans attending the launch event at Storeroom on May 17  will also get a chance to check out brand new merch , available for the first time on the night. Entry is expected to be packed with die-hard followers eager to get their hands on one of the limited cassettes — and feel the full force of Lady Lizard’s signature swampy sound. “This is about keeping it raw and real,” the band added. “We’re inviting everyone to roll up, grab a copy, and feel the swamp rise .” ‘Gig Għal Gżira’ at Storeroom to Raise Funds for Manoel Island National Park Campaign Music, activism, and community will collide this month at ‘Gig Għal Gżira – Manoel Island Post Għalina’ , a one-night fundraising concert held at Storeroom in Ta’ Xbiex  on Sunday, May 18 , aimed at reigniting public attention on the future of Manoel Island . Organised by the grassroots movement Manoel Island Post Għalina , the event will feature performances by three of Malta’s beloved alternative acts: Eyes to Argus , Karmaġenn (solo) , and Marie Claire  — all of whom are offering their talents voluntarily in support of the campaign. “This isn’t just a gig — it’s a call to action,” said a campaign spokesperson. “The current concession on Manoel Island is under renegotiation, and we believe this is the right moment to push for a different vision: one that serves the public, not private developers.” The Manoel Island Post Għalina  campaign is calling for the transformation of the island into a national park , instead of the originally proposed private luxury development. The renegotiation of the concession between the Maltese government and MIDI plc  has reopened the door for meaningful public input. “All proceeds from this event will go directly back into the campaign,” organisers confirmed. “This includes materials, outreach, and legal efforts — all essential to making sure the people’s voice is heard.” Tickets for the event are priced at €10  and can be purchased through Fienta . Entry is open to all, with the first notes kicking off around 9 PM . Storeroom, a familiar space to fans of Malta’s alternative music scene, has long supported grassroots movements. “It’s an honour to once again host musicians and audiences united by a common cause,” said a venue representative. “This is what community spaces are for.” For more information about the campaign and how to support, visit www.manoelislandcampaign.com .

🎸 Rock for a Cause: “Pawsome Sunday” Charity Gig to Shake Up The Garage, Żebbuġ! 🐾 Get ready to turn up the volume for a worthy cause! On Sunday, 18th May , The Garage in Żebbuġ will host “Pawsome Sunday” , a high-energy charity rock and metal gig dedicated to raising funds for two incredible local animal sanctuaries. Doors open at 2:30 PM , with live performances kicking off at 3:00 PM sharp . The event will showcase an electrifying lineup of three Maltese bands, each bringing their unique sound to the stage: 🎤 Sad Pancake  – Kicking off the show with their signature blend of heavy riffs and heartfelt lyrics ⚡ Rankin  – Dialing up the intensity with a powerhouse set 🔥 Ever Obscure  – Making their debut performance  and closing out the event with a bang Entrance is a €10 donation , with 100% of the proceeds  going directly to support the incredible work of: 🐶 Association for Abandoned Animals (AAA) 🐱 Carers for Stray and Abandoned Felines (CSAF) “Pawsome Sunday”  is more than just a gig – it’s a call to action for the local rock and metal community to come together in support of animal welfare. Whether you're a fan of gritty guitars, killer vocals, or just want to spend your Sunday doing something meaningful, this event promises big sound, good vibes, and a whole lot of heart . Don’t miss out on this chance to rock out and help out.See you at The Garage on May 18th! For the latest updates and information visit the event page on Facebook

Greek Metal Titans TYPHUS Unleash New Single “Only Ashes Remain” Ahead of Echoes Beyond the Void  Performance Greek speed/thrash metal outfit Typhus  have released their scorching new single “Only Ashes Remain” , available now on all major streaming platforms. The track marks the second single from the band’s forthcoming sophomore album, and its release arrives just ahead of their highly anticipated appearance at Echoes Beyond the Void , set for Saturday 17th May  at The Garage . Melding traditional metal power with sweeping orchestral layers, “Only Ashes Remain”  dives deep into dark fantasy themes inspired by The Witcher  universe—delivering a sound that’s heavier, more melodic, and more epic than ever. The song follows their March 2025 comeback single and showcases Typhus’s creative evolution since their explosive debut Mass Produced Perfection  (Punishment 18 Records, 2020). “We are very proud to unveil our second single ‘Only Ashes Remain’—and it’s more menacing than ever,” says guitarist Kostas Foukarakis . “We channelled our love of classic heavy metal and The Witcher ’s storytelling into something heavier, more melodic, and truly epic.” “Only Ashes Remain”  marks a significant milestone in Typhus’s artistic evolution, expanding the lore-driven direction of their upcoming album with richly thematic storytelling. The track blends symphonic grandeur with their trademark thrash-speed aggression, introducing a new orchestral edge to their sound. As the band’s first major release since their 2020 debut, it offers a tantalizing glimpse of what fans can expect from their long-awaited sophomore record. Listeners will also get a chance to experience the new material live when Typhus takes the stage at Echoes Beyond the Void  on 17th May. Watch the official visualiser here . Pre-save the track:   https://found.ee/typhus_onlyashesremain Typhus joins Weeping Silence  and Niket  for Echoes Beyond the Void , where Weeping Silence will also debut new drummer Daniel Aquilina . The event promises a night of dark energy and heavy catharsis—an essential stop for fans of the genre.

I've often been asked which I prefer to play: the double bass or the electric bass. My answer is simple—but often surprising. I don’t have a preference. These are two distinct instruments with different histories, techniques, and even physical demands—but they share one powerful role: “ to link harmony with rhythm” . That core function remains the same across genres and settings. But how we achieve it—how we learn, play, and interact with the music—is very different on each instrument. In this article, I’ll share some thoughts from my own experience, and draw inspiration from Massimo Cavalli’s excellent study, Double Bass and Electric Bass: The Case Study of John Patitucci . A Brief History The double bass  dates back to the 16th century, born into the world of orchestras and chamber ensembles. It was originally played without amplification, often with a bow, and tuned in fourths. Its size and acoustic nature make it both majestic and demanding. The electric bass , by contrast, was created in the 1950s to address practical limitations. It’s easier to transport, easier to amplify, and more forgiving when it comes to intonation. Leo Fender’s Precision Bass changed the game, making bass playing more accessible and defining the sound of popular music for decades to come. As Cavalli notes, although both instruments serve the same function in a musical ensemble, “ the capacity of a bassist to fully support an ensemble... can be achieved individually playing electric or double bass .” Some, like John Patitucci, master both—and that mastery is what Cavalli’s study explores. Technique and Approach One of the biggest differences between the two instruments lies in how we physically approach them. Left Hand Technique : On the electric bass, we typically use a one-finger-per-fret approach, similar to guitar. On double bass, because of the longer scale and string tension, players use a 1-2-4 fingering system. Classical methods like Simandl and Rabbath differ even more in fingerboard navigation. Right Hand Technique : The electric bass allows for a wide range of styles—fingerstyle, slap, pick, tapping. On the double bass, pizzicato is a fine art, especially in jazz, and bowing (arco) adds another layer of complexity not found in electric playing. These differences mean that learning the two instruments is not simply a matter of translation. As Cavalli points out, each has its own set of pedagogies, histories, and physical demands. Different Contexts, Different Voices In many cases, the choice between electric and double bass comes down to musical setting . Jazz standards, orchestral works, and acoustic ensembles often call for the double bass. Rock, funk, pop, and fusion lean toward the electric. That said, there are crossover artists who bring both to the table—like John Patitucci. In his recordings and performances, he switches between the two effortlessly, letting the music dictate the voice . My Personal Take For me, the joy is in the contrast. The upright’s resonance and physicality make it feel like a dance. The electric’s speed and precision unlock different musical instincts. I never see them as interchangeable—but complementary. Each expands my musical vocabulary and keeps me growing as a bassist. Most of the time, it’s the music itself —whether through the arrangement , the genre , or simply the sound  being sought—that dictates which instrument I bring to a gig. Some songs cry out for the woody depth of the upright, while others demand the punch and clarity of the electric. When I choose, I consider: The genre  and style the band is playing. The space  (is it acoustic-friendly? Will I be heard?). The vibe  I want to contribute—earthy warmth, or tight articulation? Final Thoughts The double bass and electric bass are not  just two versions of the same instrument. They are different beasts entirely—but both powerful in their own way. As Cavalli puts it, they may be “ two different instruments sharing a common function: to link harmony with rhythm .” If you're a beginner bassist reading this, don’t feel pressured to master both right away. Start with what suits your goals and your hands best. But over time, if you're curious, explore the other. Every tool you add to your kit increases your adaptability—and your chances of getting called for a wider range of gigs. Reference: Massimo Cavalli – Double Bass and Electric Bass: The Case Study of John Patitucci (University of Évora, 2016) simonsammut.com Buy Simon Sammut's music here on melodija.eu

First-Ever Death Metal Album Written in Maltese to Be Released July 25 via Agonia Records Malta’s extreme metal torchbearers Beheaded  are set to break new ground with the release of their seventh studio album, "Għadam,"  arriving July 25th, 2025  via Agonia Records . Accompanying this announcement, the band has unveiled a cinematic trailer for the forthcoming music video “Il-Kittieb,”  directed by Raul Noise . ► Watch the trailer here Marking a milestone in both Beheaded’s legacy and the broader metal landscape, "Għadam"  is the first-ever death metal album written entirely in Maltese , deeply rooted in the island’s native folklore, horror, and literature . The album draws heavy inspiration from the works of renowned Maltese horror author Anton Grasso , whose macabre storytelling helped shape the album's conceptual core. While remaining true to their signature brutal sound, Beheaded inject "Għadam"  with an unsettling atmosphere, fusing the haunting sonorities of traditional religious hymns and funeral marches  into a visceral death metal experience. "Għadam"  was recorded and mixed by drummer Davide Billia  (Antropofagus, Coffin Birth) at MK2 Recording Studio , and mastered by Wojtek Wiesławski  at Hertz Studio . The evocative album artwork features a striking photograph by Raffaele Montepaone . Tracklisting: Għadam Xtrajt l-Infern B’niket Inħabbru l-Mewt Iħirsa Il-Kittieb Ix-Xjaten ta’ Moħħi Iljieli Bla Qamar Jidħaq il-Lejl Irmied The music video for “Il-Kittieb” —a chilling visual encapsulation of the album’s themes—will premiere soon. Stay tuned for more updates as Beheaded  prepare to unleash a landmark in both Maltese and extreme metal history. Follow Beheaded for more on “Għadam”: Facebook: @beheadedmt Instagram: @beheaded_since_1991 Spotify: Beheaded on Spotify

Eyes to Argus is a Maltese band crafting an immersive blend of atmospheric indie, post-rock, shoegaze, and ambient influences. Their music is a delicate balance of the familiar and the experimental—melancholic yet uplifting, introspective yet expansive. Over the years, they've carved a distinct sonic identity that resonates deeply with both local and international listeners. Eyes to Argus Debut Gig - Django Jazz Bar 26th February 2016 / photos Facebook The band is made up of Samwel Mallia on guitar and vocals, Ben Mifsud Joslin on bass and vocals, Robert Farrugia on synthesizers and piano, and Samuel Attard on drums and percussion. Since their formation, Eyes to Argus has evolved steadily, using each release as a chance to explore new emotional and sonic terrain. Their journey began with VEER  (2017), a debut album composed of songs written between 2012 and 2016. It served as a foundation for the band to explore different sonic paths while striving for thematic cohesion. This was followed by Microcosm  (2019), a standalone single that introduced a grittier, more charged direction, while still preserving the band’s signature atmospheric textures. photo: Elisa von Brockdorff In 2021, they released in habit  via Post. Recordings. This concept album delved into the meaning of shared spaces and the stories they hold. Each of the six tracks symbolised a different room in a house and was paired with an artwork created by a local visual artist, further deepening the album’s emotional and spatial exploration. Two years later, the band invited reinterpretation with habit_at  (2023), a remix album featuring seven collaborators who re-imagined tracks from in habit , highlighting the band’s openness to experimentation and community-driven creativity. With Reroot  (2024), their third full-length album, Eyes to Argus reflected on the threshold of a new decade in their lives. Written and recorded as the members approached their thirties, the album grapples with the balance between youthful drive and the onset of burnout. The release was marked by a celebratory launch show on October 19, 2024, at The British Legion in Valletta—a moment of both reflection and re-invigoration. Live performance has always been central to the band’s identity. Eyes to Argus has graced many of Malta’s most notable alternative festivals and has shared the stage with acclaimed international acts like Mokadelic, Staghorn, and Yndi Halda. In 2018, they partnered with fellow Maltese band Fuzzhoneys for a UK mini-tour titled "Eyes On The Hive," with stops in Manchester, Bristol, London, and Sheffield. Their growing international presence also took them to the US, where they played a string of shows that tested their resilience and adaptability. Reflecting on the experience, the band noted the contrast between the excitement of new audiences and the unpredictability of unfamiliar venues and logistics. Despite the challenges, they found the experience profoundly rewarding, underscoring the importance of trust, flexibility, and connection in live performance. Around and about the USA / photo: Samwel Mallia Back home, they continue to foster their relationship with fans through regular social media engagement and traditions such as their annual End-of-Year playlist. In December 2024, they reflected on the creative process behind Reroot  and shared a playlist of their favourite releases of the year, inviting fans into their sonic world beyond their own music. As they gear up to perform at the 12th edition of Rock The South Malta, one of the country’s premier alternative music festivals, Eyes to Argus reaffirm their role as a staple of the Maltese indie and post-rock scene. With each project and performance, they continue to challenge themselves and expand their creative horizons, offering music that is as emotionally resonant as it is sonically adventurous. photo: Sam Falzon For more updates, follow Eyes to Argus on Facebook: https://www.facebook.com/eyestoargus

I've recently been asked to write about bass-related subjects, and I thought a great place to start would be with gear. Over the years, I’ve learned that being a gigging bassist means more than just showing up with your instrument—it's about being ready for anything. Whether it's a pub gig, a wedding, or a festival stage, the gear you bring can make or break the experience. A well-prepared bassist not only plays well but also inspires confidence in bandmates and organisers alike.   Key Items to Have:   Reliable Bass – Your main instrument should be dependable and comfortable to play for long periods. Make sure it’s properly set up with fresh strings and functioning electronics. A backup bass is wise in case of string breaks, battery failure, or unexpected issues mid-gig.   Amp or DI Solution – Depending on the venue, you might need a portable amp, a DI box, or both. Many modern bassists use preamp/DI pedals that provide tone shaping and a clean signal to the front of house. Know your setup and have it ready to go. My go-to preamp/DI is the Aguilar Tone Hammer.   Pedals – A good tuner pedal or clip-on tuner is non-negotiable. Add a compressor for dynamic control, and perhaps an overdrive or envelope filter to shape your tone. Bring only what you need, and make sure your pedalboard is clean and functional.   Cables & Power – Faulty cables can ruin a gig. Bring high-quality cables, patch leads, and spares. Don’t forget extension cords, a power strip, and power supplies for your pedals.   Strap & Strap Locks – A padded strap helps reduce fatigue during long sets. Strap locks are a small investment that can prevent your bass from falling mid-song.   IEMs or Earplugs – Protecting your hearing is essential. If you don’t use in-ear monitors, use high-fidelity earplugs to reduce stage volume while maintaining clarity.   Spare Strings/Batteries – Keep a set of spare strings and fresh batteries for active pickups or pedals. Store them in your gig bag so they’re always on hand.   Setlists/Charts – Whether on a tablet, phone, or printed, having access to your music helps avoid mental blanks. Apps like forScore or iReal Pro are useful tools.   Tool Kit – A basic kit should include a multi-tool (with screwdrivers and hex keys) zip ties, string winder, and a microfiber cloth.   Sturdy Gig Bag – A well-padded gig bag or hard case protects your bass in transit. Look for one with compartments for accessories and shoulder straps for easy carrying.   Final Thoughts   If you're just starting out, don’t feel pressured to own everything on this list. Build your gear inventory gradually, as your playing situations and experience grow. Even owning just the basics shows that you’re serious and dependable. The more tools you have at your disposal, the better prepared you'll be—and the more likely you'll land the gig. simonsammut.com Buy Simon Sammut's music here on melodija.eu

Rock the South Malta is set to roar back to Zion in Marsascala for its electrifying 12th edition on May 2, 3, and 4, 2025, powered by Converse and Urban Jungle. Known as Malta’s premier alternative music festival, Rock the South promises another unforgettable weekend with an eclectic mix of local and international acts, two main stages, and a pulsating after-hours Silent Disco powered by White Noise Malta. Brodu Kicking off on Friday, May 2, doors open at 7 PM with a lineup featuring Brodu, Djun, JOON accompanied by her full band, Italy’s vibrant indie group cólgate, and the second-ever performance by alternative rock supergroup Motherknives. This rising outfit blends 90s underground vibes with 80s goth, heavy rock riffs, pop sensibilities, and trip-hop atmosphere. The band is fronted by Francesca Mercieca on vocals, synth, and percussion, alongside Tony Bartolo on guitar, Steve Shaw on bass, and Quentin Falzon on drums. Friday night concludes with a nostalgic twist at "Lithium VS DJ Bob Presents Indie Sleaze." Beangrowers Saturday, May 3, opens at 6 PM and continues the sonic journey with performances from The Violent Violets, Dolls for Idols, Beangrowers, Beesqueeze, Eyes to Argus, German surf-punk rockers Bikini Beach, Shostakovich’s Nightmare, and Bark Bark Disco. The night also features a live session from Radju ĦAJ, promising a dose of eccentric energy and underground flair. Xtruppaw Sunday, May 4, starts early at 2 PM and is headlined by the legendary Xtruppaw, making their long-awaited Rock the South debut. The show coincides with the band’s 20th anniversary, making it a landmark moment for Maltese music fans. The band reunited in 2024 after a five year hiatus. The lineup also includes ClubMurder, BNI, Haine, BILA, Dalam, The Ranch, The Velts, Ara Lil Yoon (DE), Double Standard, Hemplifier, Ferret, Five Years From Now, and From Sheep to Wolves. Once the bands wrap up, Michael Bugeja will keep the vibe alive by DJing the Sunday after-hours. Festival artwork is created by local visual artist Samwel Mallia from Eyes To Argus, adding a bold aesthetic layer to the event’s already immersive atmosphere. Early bird tickets have already sold out, but weekend passes and single-day tickets are currently available from here . With a diverse lineup that bridges indie, rock, experimental, and electronic music, Rock the South 2025 continues its legacy as Malta’s definitive alternative music gathering—a celebration of sound, creativity, and community. Rock the South 2025 is proudly supported by a dynamic roster of sponsors who help bring the festival’s vibrant vision to life. Alongside main partners Converse and Urban Jungle, the event is backed by Festivals Malta, Visit Malta, Cisk, Jägermeister, Amrita, Calypso, Amazonica, the German Embassy in Valletta, Besteam, Yuva by Clinton, Kewn Records, White Noise, and Zion.

DARK MALTA FESTIVAL  returns with a bang for its sixth edition.  Don’t miss out three days jam-packed with the best Gothic, industrial and metal acts, happening between the 25th and 27th April 2025  at the Gianpula Main Room, Żebbuġ, Malta.  23 bands from 14 different countries.  But Dark Malta Festival is not just about the music.  It’s much more than that.  A gathering of like minded people who come together without prejudice to enjoy three amazing days together.       Apart from the bands and DJ’s, this year’s event will once more include the Rooftop Pool Party  on Saturday and Sunday, between noon and 6pm (weather permitting).  Rocking the first pool party (Saturday, April 26th) will be DJ MD75  and The Lecter  (both of Super Schwarzes Mannheim / Helter Skelter fame).  On Sunday 27th, Thenia Af  (Nachtmahr) and Android.964  (Black Room – Mexico) will keep the music going. Miss Fortune  will delight the audience with her fire and burlesque shows during the pool parties and on the main stage.   At the Alternative Market will be set up in the upper part of the Gianpula Main Room, featuring stands by Steamretro, Fata Morgana, The Cult Asylum, Furban Malti and toysforplay.com .  There will also be space for bands to sell their merch.  Do not miss out on Dark Malta Festival official merchandise .   Keeping the crowd going, between and after the bands, will be world renowned DJ in the Dark Scene Vlade Retro (from the Reptile Club, London), DJ The Black Widow , DJ Vanonoise and others .     Don’t miss out on the Official After Party on Saturday, April 26th. DJ Hades  will keep you dancing until the early hours.    Malta Oskura Art Exhibition  will be back with four talented artists, namely Sara Pace, Joseph Bugeja, Franco Navarro  and Jennings Falzon .  For the three days of the festival artworks will be displayed at the Gianpula Main Room.  After the festival the exhibition will be extended till May 2nd, at Galea’s Art Gallery, Valletta.  Friday, April 25th, 2025   Mal di Luna Make an early start on Friday and make sure not to miss out on Mal di Luna, a Gothic industrial rock band hailing from Trieste, Italy.  The band comprises Chris Glenn, the founder, on vocals; guitarist Giovanni Bertossi and drummer Michael Bonanno.   All the lovers of the romantic dark are invited to the ball.  This will be Mal di Luna’s second appearance at Dark Malta Festival as they were part of the 2023 line up.         Damaged & Co. Maltese alternative metal band Damaged & Co. will be returning to Dark Malta Festival after opening the 2023 edition.  Having their debut album ‘Life’s Grand Delusion’ re-released by Italian label WormHoleDeath in 2024, the band is now focusing on writing material for an upcoming project.  New songs will be played alongside highlights from the album.      Her Own World All the way from Poland, nu-goth music act Her Own World will be hitting the stage on Friday 25th.  Since their formation the band has given us two albums namely ‘A Different Kind of Reality’ (2020), and ‘Tales from Another Life’ (2023), plus a number of singles.  This bewitching band is fronted by Yu on vocals, accompanied by ad-x (synths), Shai (guitars) and performer Louve.   Nel Buio Nel Buio, Italian for In the Dark, is a black wave project born by Clod "the Ripper" De Rosa (Blasphemer, ex-Septycal Gorge) in the Autumn of 2023 to combine black metal and 80s darkwave. The Line up was completed by Neil Grotti on guitars and Francesco Vellacifer on drums (both of Electrocution and Blasphemer's fame, among the many).  Uncompromising, dark and sorrowful, Nel Buio will leave a mark on all those looking for something more than mere fury in black metal.   Ashbury Heights Swedish electronic synthpop band, Ashbury Heights, formed in 2005, originally as a duo, consisting of Andres Hadgstrom and Yasmine Uhlin.  After several line up changes and several collaborations, the line up is now formed by Adnreas Hadgstrom, Yasmine Uhlin and Johan Andersson.   During their twenty-year career Ashbury Heights have released several albums and singles, giving us popular tracks such as ‘SmAlLer’, ‘Phantasmagoria’, ‘Headlights’ and many more.   Selofan Formed back in 2012, the Athens-based Dark Wave duo will get you on the dance-floor.  Joanna and Dimitris have worked tirelessly and today Selofan are considered to be among the protagonists of the dark electronic music scene.     Clan of Xymox Returning to the Dark Malta Festival stage are Clan of Xymox.  The Dutch rock band, formed in 1981, are considered to be pioneers of dark-wave music.  The band, then featuring singer-songwriters Ronny Moorings, Anka Wolbert and Pieter Nooten, had a very good start back in the 1980’s.  Still much sought after for their hits the band continues to tour and release new material.   The current line-up consists of Mooring (the only remaining original member), Mojca Zugna, Mario Usai, Sean Göbel and Daniel Hoffmann. Diary of Dreams German dark-wave band Diary of Dreams is the brainchild of Adrian Hates (vocals, guitar), a classically trained guitarist and pianist.  The project goes back to the 1980’s and takes its name from one of his early classical guitar compositions, “Tagebuch der Träume.”  Since the launch of their first album, ‘Cholymelan’, in 1994, Hates never looked back and has since issued sixteen albums/eps, the last being “Under a Timeless Spell” (2024).  The rest of the lineup is formed by Guan:A (guitar, backing vocals), Torben Wendt (keyboard, backing vocals) and DNS (drums).  Diary of Dreams will be Friday’s headliners. Saturday, April 26th, 2025   genCAB Electro-industrial act genCab hail from Philadelphia (U.S.A.).  The brainchild of David Dutton, renowned for collaborations with various artists, this project started back in 2003.  genCab draws influence from EBM, IDM, trip hop and other genres.  genCAB signed with Metropolis Records in 2023 Their appearance at Dark Malta Festival 2025 will be genCAB’s first on European soil.        Star Crusaders Hailing from Turin, Italy, Star Crusaders are an electronic band whose music combines elements of synthpop, futurepop and electronic body music (EBM).  The project was founded in 2013 and is inspired by the world of science fiction.   Liebknecht Electro/EBM project Liebknecht is a musical creation of Daniel Myer (Covenant).  Liebnecht is cutting edge techno, dancefloor elements mixed with dark textures, cryptic messages, eclectic experimental sounds and straight forward beats, always on the edge between old-school electro and club culture.   SynthAttack SynthAttack is a dark electro project from Germany founded in 2015 to produce powerful music for the clubs. The sound is influenced by the genres Dark Electro, Industrial, Aggrotech, Harsh to EBM and combines hard beats with sweeping synths and strong vocals.   Aesthetic Perfection The American-Austrian electronic musical project was created by Daniel Graves (vocals, keyboards, programming) in 2000.  Current lineup includes Joe Letz (live drums), who joined in 2018, and since 2021, Constance Antoinette Day (live keyboards, guitars bass).  The band has released eight albums so far, the most recent being MMXXI, on June 3, 2022.  Amongst the favourite tracks released by Aesthetic Perfection one can mention Gods & Gold, SEX, Spit it Out, The Ones, Love Like This, Under Your Skin and many more.  Aesthetic Perfection are promising us an old school electro set to remember.   Solitary Experiments The German melodic electro act Solitary Experiments need no introduction.  After a humble beginning in Frankfurt way back in 1994, they have been giving us many releases and hits for the past thirty years.  This will be their first time in Malta, courtesy of Dark Malta Festival.  Come and be moved by their intoxicating melodies and powerful danceable beats. Nachtmahr After co-headlining Dark Malta Festival 2023 with L’Ame Immortelle, Thomas Rainer will return with his other solo project Nachtmahr.  Get ready to the dance to the tune of techno body music.  Nachtmahr have been delivering hits since 2007. Front Line Assembly Headlining Saturday night are electro-industrial giants Front Line Assembly (FLA).  The Canadian band was formed by Bill Leeb in 1986 after leaving Skinny Puppy.  FLA has developed its own sound incorporating elements of electronic body music and electro-industrial.  After several lineup changes today the band is formed by Bill Leeb (vocals, keyboards, percussion) and Rhys Fulber (keyboards, programming, percussion).  When playing live sometimes they are accompanied by Joe Siren on drums and Mattjew Setzer on guitars. Since 1987 FLA have released seventeen studio albums so get ready to dance to the hits. Sunday, April 27th, 2025   No Humano A relatively new band on Maltese soil, having originally started plying their trade in Columbia, No Humano, have taken the Maltese alternative scene by storm.  The band that had a previous existence and recording history, is now based in Malta and form Columbian, Chilean and Maltese musicians.  They emerged victorious in the first edition of Crowned Battle of the Bands, held at the Garage on July 5th & 6th, 2024.  Apart from landing themselves a recording session at Spinesplitter Studio and a distribution deal with Kewn Records, the band participated at the Farsons Beer Festival as winners of this event.  With their energetic stage presence, these masked bandits are sure to steal your attention.    Corlyx Originally from Los Angeles (U.S.A), now based in the U.K., Corlyx are a darkwave/gothwave/post punk band with 90’s influences.  Their music has evolved slowly with each album they released, the last being ‘Out of Line’ (2024).  On this album they collaborated with many artists such as Ashbury Heights and Suzi Sabotage.  Corlyx have toured extensively across Europe, U.K. and U.S.A., opening for acts such as Blutengel, Twin Tribes, Unzucht and Double Echo.  They have left their mark on important festivals such as Absolution Festival, Autumn Moon, Plage Noire etc.     Ambassador21 Known for their explosive live performances and relentless sound, industrial duo from Belarus, Ambassador21, will be hitting the stage on Sunday.  The duo formed by Nataliya Protasova aka Natasha A Twentyone and Alexey Protasov, have given us many hits, like We are Legion, Light My Fire, Human Rage and  Alien Overdrive, to name a few.   Priest Containing ex-members from the band Ghost, the mysterious synth-band Priest from Sweden will throw you into the neon lights of 80´s sci-fi mixed with Gothic soundscapes.  Since their first single in 2017, Priest have gained millions of streams, an ever-growing fan-base and worldwide praise.  Get ready to move to hits such as ‘Vaudeville’, ‘The Cross’, ‘History in Black’ and many more.    EGGVN Hailing all the way from Mexico, this duo performs a unique blend of experimental music consisting mainly of EDM, distorted guitars and harsh vocals.  EGGVN have a very strong image consisting of ram’s skull headwear.  The band is not shy in digging deep into the occult and blasphemy.  Those lucky enough to have witnessed this band at Dark Malta Festival 2023 know what I am writing about.  If you missed them the first time, don’t repeat your mistake.       Dawn of Ashes All the way from Los Angeles, California (U.S.A.), Dawn of Ashes will be hitting us hard with their brand of industrial melodic black metal.  Founded in 2000, this band is renowned for their horror-based lyrical content, accompanied by visual themes and a wall of dark sound.  After a short break between 2014 and 2016, Dawn of Ashes came back more brutal than before.  Current line up consists of Kristof Bathory (vocals), Bahemoth (keyboards, electronics), Krz Souls (electronic drums), Angel Nightmare (guitars, keyboards), Krock (drums) and Dracul Grotesque (bass). Combichrist The band headlining Sunday requires no introduction.  Formed by Norwegian vocalist Andy LaPlegua (also of Icon of Coil, Panzer AG etc) in 2003, and based in America, Combichrist are an aggrotech/industrial metal band that has taken the world by storm.  Whilst all studio work is carried out by LaPlegua (lead vocals), on stage he is accompanied by an array of musicians that vary from time to time.  The current lineup includes Eric 13 (guitars, backing vocals), Eliott Belin (keyboards, percussion, bass, backing vocals), Dane White (drums) and Jamie Cronander (guitars, keyboards, percussion, backing vocals).  Your world will not be the same after Combichrist.

The Malta Spring Festival returns for its 19th edition from April 22 to 26, 2025, offering a vibrant programme of classical and contemporary music in venues across Valletta. Conceived and founded in 2005 by Artistic Director Karl Fiorini, the festival has earned a reputation for its daring programming, emotional depth, and commitment to both new compositions and rarely heard repertoire in Malta. This year’s theme, A Radiant Future , sets the tone for a week of performances that aim to challenge, inspire, and uplift audiences, with a strong educational component and a forward-looking emphasis on youth and innovation. Festival Highlights: Opening Night – Quíron Quartet St Paul’s Anglican Pro-Cathedral Tuesday, April 22, 20:00 €20 | 50% off for students/seniors Free for under-15s The festival opens with a compelling recital by the Quíron Quartet. Formed in 2020 and composed of alumni from leading European conservatoires, the ensemble brings fresh interpretation to Shostakovich’s emotionally charged String Quartets Nos. 8 and 15—meditations on suffering, memory, and mortality. Fragments in Flux – Contemporary Dance with Live Music Teatru Manoel Thursday, April 24, 20:00 €30 & €20 | 50% off for students/seniors Free for under-15s This innovative performance unites Moveo Dance Company with live musicians in a choreographic response to the avant-garde sound worlds of Berio and Boulez. Dorian Mallia’s choreography breathes kinetic life into these complex scores, blurring the lines between physical and musical expression. Sandro Zerafa Quartet Teatru Manoel Friday, April 25, 20:00 €30 & €20 | 50% off for students/seniors Free for under-15s Celebrated Maltese guitarist Sandro Zerafa returns with a brand-new quartet, premiering material from his sixth album, released in 2024. Known for his stylistic breadth, Zerafa brings together elements of Brazilian, modern jazz, and European musical traditions in a fresh and dynamic set. Rising Stars Spotlight – Chico Zerafa A special recital highlighting emerging pianist Chico Zerafa features works by Ravel, Beethoven, Fauré, and Scriabin. Part of the festival’s Rising Stars initiative, this platform supports young Maltese artists in developing international musical careers. A Landmark Finale – Closing Concert T eatru Manoel Saturday, April 26, 20:00 Malta Spring Festival Academy Orchestra Soloist: Dmitry Sitkovetsky Conductor: Brian Schembri €30 & €20 | 50% off for students/seniors Free for under-15s This year’s grand finale introduces a milestone for the festival—the debut of the Malta Spring Festival Academy Orchestra , uniting emerging European talents with expert mentors. Conducted by the esteemed Brian Schembri and featuring world-renowned violinist Dmitry Sitkovetsky, the programme spans the meditative serenity of Arvo Pärt to the lyrical beauty of Tchaikovsky, and includes festival founder Karl Fiorini’s own Pentimenti . Brian Schembri on His Return to the Maltese Stage Ahead of his much-anticipated return, conductor Brian Schembri shared his thoughts in a heartfelt message on social media: “I have been a very keen supporter of the Malta Spring Festival since 2007-2008, so it is with immense pleasure that after many years of absence from the podium in my native country, I accepted to collaborate once again with composer Carl Fiorini, the Artistic Director of this splendid festival. For many years, together with Carl, we discussed so many programmes for different editions of the festival, but one recurrent theme was always the possibility of the festival having its own orchestra.” “So, I'm immensely excited and happy that Carl has managed to launch this new project in which all the highly talented young musicians that are coming to Malta, from all over Europe to work with a wonderful team of tutors during a week of masterclasses, will join forces to form the festival orchestra. The birth of a new orchestra project is always an exceptional event. The choice of repertoire is exceptional... and of course, the participation of this year's guest of honour, the eminent violinist and musical personality Dmitry Sitkovetsky, makes this a truly special occasion.” “I hope the public will come and support all the musicians performing throughout the week—not just during my concert—because in doing so they will be supporting the younger generation that represents the future of our music profession.” Educational Focus: International Strings Academy This edition also sees the launch of the Malta Spring Festival International Strings Academy , offering intensive training to young string players. With masterclasses led by distinguished artists including Sitkovetsky and Charles Sewart (Purcell School, UK), the academy reflects the festival’s long-term commitment to nurturing future musical excellence. Supported by the HSBC Malta Foundation, this new educational initiative complements the festival’s long-running Rising Stars  series, creating a bridge between early talent and professional artistry. Tickets & Info All events offer discounts for students and senior citizens, and free entry for children under 15 when accompanied by an adult. Tickets can be purchased via the Teatru Manoel website  or by calling the box office at +356 2124 6389. Full programme details are available on maltaspringfestival.com . With its bold vision and a rich tapestry of music and education, the 2025 Malta Spring Festival promises a moving celebration of artistic spirit, resilience, and hope for the future.

Having recently performed at Mużika Mużika , the Maltese Song Festival, I was once again reminded of the intense yet deeply rewarding process that goes into preparing for a major event. Whether it’s a festival, a concert, or a special collaboration, every performance brings its own set of challenges and demands a level of preparation that goes beyond just knowing the music. The journey to the stage starts long before the first note is played in front of an audience. It begins with countless hours of practice—refining technique, memorizing arrangements, and ensuring that every musical phrase is not just executed, but felt. As a bass player, this also means locking in with the rhythm section, adapting to different arrangements, and making sure my tone and dynamics support the overall sound of the performance. But technical preparation is only one piece of the puzzle. Physical and mental endurance play a huge role, especially when rehearsals stretch for hours. Staying focused, maintaining energy levels, and keeping a clear mind under pressure are just as important as mastering the music itself. Many musicians, myself included, develop routines to handle the adrenaline of live performance—some rely on meditation or deep breathing exercises, while others thrive on the ritual of pre-show warm-ups. Then, of course, there’s the live setting itself. Every venue has its own acoustics, and soundchecks are crucial in making last-minute adjustments. Whether it’s tweaking amplifier settings, adjusting in-ear monitor levels, or simply getting used to the stage layout, these final moments before a show can make all the difference. Despite all the preparation, live performance always carries an element of unpredictability. A sudden technical issue, a last-minute change in the arrangement, or even the unexpected energy of the audience can shift the experience in real time. But that’s what makes performing so exhilarating—when everything comes together, when the hard work transforms into music that connects with people, the feeling is unmatched. With Mużika Mużika  now behind me, I’m already looking ahead to upcoming performances, each bringing new challenges and new opportunities to grow as a musician. No matter the stage, the process remains the same: practice, refine, adapt, and, most importantly, enjoy every moment of making music. Until next time, Simon simonsammut.com Buy Simon Sammut's music here on melodija.eu

Nomad Son Tease Long-Awaited Return with New Album in the Works Doom metal band Nomad Son appear to be stirring once more, igniting speculation among fans about an impending return with a new studio album. On April 6, 2023, keyboardist Julian Grech posted a photo of himself alongside his brother, guitarist Chris Grech, in a recording studio. The caption read: “Up to no good… Nomad Son’s 4th, in the making,”  a statement that quickly caught the attention of long-time followers of the band. The image and words sparked renewed hope that the group was gearing up to release their much-anticipated fourth album. photo: Julian Grech Following that announcement, the band made a gradual return to the live music scene, performing at select shows over the past two years, further fuelling speculation of a full-scale comeback. Now, exactly two years after the original post, Julian Grech once again turned to social media on April 6, 2025, to give fans an update. “Getting there… Slowly but surely… In our old fashioned Doomed way…”  he wrote, hinting at steady progress on the new record and staying true to the band’s signature doom-laden ethos. While no official release date has been announced, the band's activity suggests that Nomad Son’s fourth album is slowly materializing. Their last full-length, “The Darkening,”  was released in 2013, leaving a significant gap that fans have long hoped would be bridged. With cryptic updates and renewed live performances, the Maltese doom pioneers appear to be charting their return — on their own terms, and in their own time. Nomad Son's lineup is made up of Julian Grech on keyboards, Chris Grech on guitar, Albert Bell on bass, Jordan Cutajar on vocals, and Chris Galea behind the drums. ‘Pawsome Sunday’ to Rock The Garage in Aid of Animal Sanctuaries Animal lovers and rock enthusiasts are in for a treat as Ever Obscure and The Garage present the very first edition of Pawsome Sunday, a live rock concert in support of local animal sanctuaries. The event will take place on the afternoon of Sunday, May 18 at The Garage in Żebbuġ. Organisers have lined up three local bands for the occasion, promising an energetic and heartfelt afternoon of music — all for a good cause. The lineup includes Sad Pancake, Rankin, and Ever Obscure, who will be marking their debut performance with a full set of original songs. “This is something really close to our hearts,” the organisers shared in a statement. “We REALLY want to help these amazing people out for all their pawsome work!”  Proceeds from the event will go directly to AAA (Association for Abandoned Animals Malta) and CSAF (Carers for Stray and Abandoned Felines Malta). Doors open after lunch, inviting attendees to “enjoy a drinky pou together”  while taking in live performances and supporting a meaningful cause. Entrance is set at just €10, with every cent donated to the sanctuaries. In addition to ticket proceeds, guests are also encouraged to bring along donations of dog and cat food, which will be collected into a hamper for the two organisations. The organisers promise an afternoon that combines “great music, good vibes, and real support for those who care for our furry friends.” More information is available on the official event page: Pawsome Sunday on Facebook . Pjazza Teatru Rjal Unveils a Spectacular Summer 2025 Artistic Programme Pjazza Teatru Rjal has officially released its exciting summer 2025 line-up, packed with dazzling performances, open-air magic, orchestral spectacles, dance premieres, and more. Nestled in the heart of Valletta, this iconic venue once again promises a season that blends culture, creativity, and community under the stars. Street Culture Meets Stage: Buskerfest Returns Back by popular demand, Buskerfest returns on May 30  and May 31 , transforming the theatre podium into a celebration of live street performance that connects elite theatre with grassroots artistry. Chamber Nights & Beat Vibes Part of the Iljieli fit-Teatru  series, these curated performances offer more intimate music experiences: May 18  – Chamberfest: Voice & Piano June 2  – Chamberfest: Violin Duo June 10  – Beatfest: LordAdder Contemporary Dance Premiere: Monotonija On July 4 , Pjazza debuts Monotonija , a powerful new dance work by choreographer Cheryl Lofreda  and Concept of Movement (THE MVMT) . This 75-minute performance explores the rhythm and repetition of modern life through evocative movement. Malta Concert Orchestra Summer Series The Malta Concert Orchestra (MCO) returns with a lineup that traverses genres and decades: June 20  – Noche Latina  | Latin rhythms under Ryan Paul Abela July 11  – Baroque Fantasy  | A fusion of Baroque and rock with Maurizio Colasanti July 25  – A Tribute to ABBA  | Iconic hits with Matthew Bugeja August 8  – Notte Napoletana  | Neapolitan classics led by Dario Salvi August 21–23  – Notte Italiana con PUPO  | Legendary Italian pop icon Pupo  opens his world tour over three nights  ( Night 3 ) September 12  – 80’s Night  | A retro journey with hits by Queen, Elton John, and more September 26  – A Night at the Movies  | Film soundtrack favourites under Joe Brown Celebrating Eurovision: Malta's Musical Legacy For Eurovision fans, Malta Eurovision Highlights  brings back Malta’s biggest hits from the beloved song contest. With its bold blend of tradition and innovation, the 2025 summer programme at Pjazza Teatru Rjal cements its status as a cultural hub at the heart of Valletta. Tickets and further details are available via pjazzateatrurjal.mt  and the theatre’s official social media pages.