Nick Morales Kicks Off 2025 with Album Launch and New Single Malta’s beloved musician and songwriter, Nick Morales, is starting 2025 with a bang. The veteran artist took to social media to announce the release of his new single, State of Mind , and the upcoming launch of his debut solo album, Imħabbathabbat . The highly anticipated album will be celebrated with a launch event on January 18th, 2025, at Zion Bar & Restaurant, M’skala. The night promises to be a landmark moment in Morales’ 30-year career. Doors will open at 8 PM, and fans can look forward to a stellar lineup of supporting acts, including: Sean Borg, Aidan Sommers, Kodin Hill, Kriz Haze (DJ Set) and CLEIGH  (Hip Hop Set) Additionally, Morales will take the stage with special guests to deliver an unforgettable performance, featuring tracks from Imħabbathabbat  as well as hits from his iconic bands nosnow/noalps  and Dripht . In his post, Morales shared: " Hope you all had a great New Year! 2025 is already off to a start, and as you know I’m kicking it off with the celebration of my album launch on the 18th of January at Zion Bar & Restaurant. A new single, “State of Mind,” is out now and available for streaming and download on Bandcamp. https://nickmorales.bandcamp.com/album/im-abbat-abbat There are still a few early bird packages left, which include the vinyl, a digital download, and free entrance to the event. https://shop.trackagescheme.com/.../nick-morales-30.../ ? It would mean the world to me if you supported by buying the vinyl—. This set might not be performed too many more times, as I’ll be focusing on BILA for most of the year, so don’t miss out!” Known for his contributions to Malta’s music scene, Morales’ solo venture captures a unique blend of his experiences, influences, and personal stories. The album offers a fresh and deeply personal sound that stands apart from his previous work. For more details and to stream the new single, visit Nick Morales’ Bandcamp . Early bird packages, which include a vinyl copy, a digital download, and free event entry, are available through Track A Scheme’s online shop . With Morales hinting that this set may not see frequent performances as he shifts focus to his other project, BILA, the launch event at Zion Bar promises to be a once-in-a-lifetime experience for fans. Mark your calendars for January 18th, 2025, and prepare for a night of incredible music and celebration of one of Malta’s most enduring talents. Follow Nick Morales on social media for more updates. Sonic Storm Parts Ways with Guitarist Miguel Ángel Sarmiento photo: Rachel Mifsud Thrash metal band Sonic Storm has announced a major lineup change, parting ways with guitarist Miguel Ángel Sarmiento. The decision, shared in a heartfelt Facebook post on January 4, was described as “entirely amicable” and rooted in logistical challenges. In their statement, the band wrote: "After much thought, we have taken the difficult decision to part ways with our guitarist, Miguel Ángel Sarmiento. This is an entirely amicable split as it is mainly due to logistical reasons. Miguel has been an amazing part of our journey, bringing his unique energy to the stage and countless laughs to our rehearsals. We’re incredibly grateful for his contributions and the memories we’ve created together. Looking ahead, we’ve decided not to seek a replacement as instead, we’ll be returning to our roots as a three-piece thrash ensemble — the way we originally envisioned this band. We wish Miguel nothing but the best in his personal life and with his other bands. He’ll always be a part of the Sonic Storm family, and we’re excited to see what he accomplishes next. Gracias Miguelito, ha sido un placer!” Miguel Ángel Sarmiento also shared his thoughts on the transition via his own Facebook page, expressing pride in his time with Sonic Storm and gratitude toward the band and its fans. "As some of you may know, Sonic Storm and I have parted ways. I am incredibly proud of what we have achieved together and grateful for all the support that you guys have given me and the band. I am in eternal gratitude with Sonic Storm members, Paul, Karl, and Frans, who have been incredibly supportive in every aspect of my life. See you in the mosh, next time I’ll be joining you guys in the pit. Thank you, Sonic Storm! ” The decision marks a return to Sonic Storm’s origins as a three-piece thrash outfit, a direction the band says reflects their original vision. While the split brings the end of an era, both parties emphasized the enduring camaraderie and mutual respect between them. Fans of Sonic Storm and Miguel Ángel Sarmiento can look forward to seeing both continue to thrive, with the band evolving as a trio and Miguel remaining active in his musical pursuits. As Sonic Storm put it, Miguel will “always be a part of the Sonic Storm family.” In the meantime, both Sonic Storm and Miguel's other band, No Humano, have been announced to perform alongside Damaged & Co at their annual event, "Damaged & Co Present: Cirque Du Carnival," taking place at The Garage on Saturday, February 22nd. Myles Azzopardi Joins Kill The Action as Bassist Seasoned solo artist Myles Azzopardi, known for his dynamic contributions to Malta’s music scene, has been announced as the newest member of the band Kill The Action, taking over bass duties. The announcement was made via the band’s official Facebook page on Monday, January 6th, 2025. In their post, the band stated: " Let's give a warm welcome to our brother Myles Azzopardi. He will now be taking over bass duties, after featuring regularly in the band's live performances throughout the past year. We are forever indebted to Herman for his contribution to the band over the past 10 years. Looking forward to a jam-packed 2025 full of Action! Stay tuned for the release of our latest single in the coming weeks..." The announcement follows the release of Myles’ latest single, Lil Din l-Art Helwa , a collaboration with DJ Mac and produced by Simon Deguara. Azzopardi has long been established as a solo artist and continues to explore diverse musical avenues, making his new role in Kill The Action an exciting addition to an already prolific career. Myles steps into the role previously held by Herman, whose decade-long contributions were celebrated in the band’s post. Having regularly performed with Kill The Action over the past year, Myles is no stranger to the group’s sound and energy, making the transition seamless and highly anticipated by fans. Kill The Action has also teased the release of their latest single, set to debut in the coming weeks, promising that 2025 will be “jam-packed with Action.” Fans of both Kill The Action and Myles Azzopardi can look forward to a thrilling year of music, with the combination of Myles’ versatile talent and the band’s established sound poised to make waves in Malta’s music scene and beyond.

Haine Unleashes "Blood Moon" Music Video – A Thrashing Prelude to "Fertile Void" Prepare for an onslaught of unrelenting energy and bone-crushing intensity. Haine , Malta’s premier deathcore band, has dropped the music video for "Blood Moon," the second single from their upcoming full-length album, Fertile Void , following the release of "The Lake (feat. Ben Duerr of Shadow of Intent)." This visual feast and auditory storm set the stage for what promises to be one of the heaviest releases of the year. The music video for "Blood Moon" captures the raw energy and thrashy aggression that Haine is known for. A blistering combination of rapid-fire riffs, thunderous blast beats, and guttural vocals drive the song forward, matched by dynamic, frenetic visuals. The video’s relentless pace mirrors the song’s intensity, drawing viewers into a vortex of chaos and power. A standout moment occurs in the mid-section of the track, where the ferocity briefly subsides, unveiling a polyrhythmic passage with a strange yet irresistibly catchy pattern. This intricate section weaves hypnotic grooves into the sonic chaos, creating a mesmerizing contrast that pulls listeners deeper into the track. The calm interlude builds anticipation before the song detonates into a thunderous breakdown. Sub-bass drops reverberate through the mix, thanks to David Depasquale from SpineSplitter Studio, delivering an almost tangible shockwave that cements "Blood Moon" as a masterclass in deathcore dynamics. Visually, "Blood Moon" is a tour de force of cinematic artistry. The use of deep crimson, purple hues and shadowy blacks dominates the color palette, evoking a sense of dread and impending doom. Each frame is meticulously crafted, blending rapid cuts with lingering shots of the band’s intense performance. Flickering lights and glitch-like effects create a sense of disorientation, while subtle overlays of abstract imagery add a surreal, almost nightmarish quality. The video’s relentless energy is amplified by the camera’s movement, which oscillates between frantic and deliberate, mirroring the ebb and flow of the song’s intensity. Haine collaborated once again with videographer and director Nick Bonello of Bonello Media , whose craft and dedication have been instrumental in the band’s visual storytelling. Nick has directed all of Haine’s music videos to date, including the previously released "The Lake (feat. Ben Duerr of Shadow of Intent)." His ability to seamlessly translate the band’s vision into gripping visual narratives has made him an integral part of the Haine family. "Nick is just as much a part of this band as any of us," says Claudio, Bass. "He’s incredibly accommodating, easy to work with, and always delivers beyond our expectations. He really is an extension of the band at this stage." Additional live shots for the "Blood Moon" video were captured by Matthew Mercieca, adding dynamic energy and authenticity to the visual experience. “This track is pure energy,” shares Jack, Haine’s guitarist. “From the thrashy riffs to the crushing breakdown, we wanted every second of this video to feel like an adrenaline rush. The calm section was a chance to showcase something intricate and unique before we hit even harder.” The video release not only showcases Haine’s musical prowess but also highlights their ability to marry cinematic visuals with the raw power of their sound. Directed with a keen eye for drama and intensity, "Blood Moon" ensures viewers are left breathless and craving more. Album Launch Party: ●     Date:  February 1, 2025 ●     Location:  The Garage, Zebbug ●     Support Act:  Halcyon As "Blood Moon" paves the way, anticipation builds for the release of Fertile Void  on January 24, 2025. The album promises a deep dive into Haine’s unique blend of deathcore, with tracks that balance unrelenting aggression and moments of eerie calm. Fans can look forward to experiencing the full spectrum of Haine’s sound both on record and live at the album launch party. Watch "Blood Moon" here:   Follow Haine: ●     Website: https://www.hainemusic.com/ ●     Instagram: https://www.instagram.com/haine.music ●     Facebook: https://www.facebook.com/official.haine

When John was exiled to Patmos and started to scribble down his annotations for what was to become the Book of Revelation or Apocalypse, little could he imagine that he was creating a thematic paradise for heavy metal lyrics. These are some of the topics he brought into being: whore of Babylon, Beast of Revelation, Abbadon, the four horsemen of the apocalypse, Jezebel, Balaam, destruction, Wormwood (the star), angels, elders, the chosen ones, the number of the beast, keys of death and hades, the book of life, new Jerusalem, scroll with seven seals, four living creatures, day of wrath, seven churches, seals, horns and eyes, dragons, serpents and all the rest. I bet you get the gist by now. These themes have been used and abused since heavy metal came into being as they make excellent themes. By all means, this is not an exhaustive list of songs or albums inspired by this book, but just the tip of the iceberg. “Woe to you, oh earth and sea For the Devil sends the beast with wrath Because he knows the time is short Let him who hath understanding reckon the number of the beast For it is a human number Its number is six hundred and sixty-six.” One of the most famous takes is centrally Iron Maiden’s song ‘The Number of the Beast’. The title track, penned by Steve Harris, from the album bearing the same name, was released in 1982 and is still one of the fan favourites. The song was inspired by a nightmare, Harris had, after watching the film Damien: Omen II. “Tam o’Shanter”, a poem by Robert Burns is also quoted as an inspiration. The lyrics open by quotes from Revelation 12:12 and 13:18, read out by English actor Barry Clayton. When released it stirred up a controversy due to the subject involved. Iron Maiden where falsely accused of being Satanic, like many other bands before and after them. This is not the only reference from the book in Iron Maiden songs. Another example is ‘Moonchild’, from their album ‘Seventh Son of the Seventh Son’ (1988). Another band inspired by Revelation were Metallica, who in their album Kill‘Em All (1984), included a track entitled ‘The Four Horseman.’ The riders are mentioned also in songs by Onslaught (‘Let There be Death’), Count Raven (‘The Coming’), Saracen (‘Horsemen of the Apocalypse’), Savatage (‘Devastation’), Tormentor (‘Apocalypse’), Cruel Force (‘Under the Sign of the Moon’) and many more. “And when the lamb opened the seventh seal There was in heaven a silence Seven angels, seven trumpets Preparing to sound God has sent his punishment over us We shall all perish in the blackest death” This is how the lyrics from ‘Seven Angels, Seven Trumpets’ by Marduk begin, inspired by Chapter 8 verses 1-2 and 6. This song can be found on their album ‘Plague Angel’ (2004), another reference from the book. In 1983, Manowar gave us ‘Revelation (Death’s Angel), as part of their album ‘Into Glory Ride.’ On their second album ‘Too Late to Pray’ (1987), Tyrant, hailing from the U.S.A. give us ‘Beginning of the End,’ with lyrics based on many apocalyptic themes. “A new time has come A new time is here “The one from the pit has risen And soon he'll make us fear This is the time, yeah, this is the time Now listen to this song I'm gonna tell You a little story Foretold by the prophet John.” Count Raven let us make no mistake on where they got the inspiration for their song ‘True Revelation.’ This is to be found in their album ‘Strom Warning,’ released in 1990. A reference to the four horsemen can also be found in ‘Standing on the Sun’ by Internal Void. This track form part of their album bearing the same name, released in 1993. Agent Steel, on their album ‘Skeptics Apocalypse’ (1985), give us another referral with their songs ‘Back to Reign’ and ‘144,000 Gone.’ A reference to the beast upon the earth can be found in Trouble’s ‘Revelation (Life or Death)’, from their album ‘Psalm 9’ (1984). Manilla Road gave us two related songs ‘Seven Trumpets’ and ‘War in Heaven.’ More songs are ‘Seven Gates’ by Grotesque, ‘Seven Churches’ by Possessed, ‘Wormwood’ by Callisto, ‘A Wormwood Star’ by World Burns to Death, ‘Towards Babylon (Apollyon)’ by Behemoth, ‘The Whores of Babylon’ by Tiamat and many, many more. There are hundreds of other direct and indirect influences that can be found in metal songs. Try your hand at finding some of those that are not mentioned here. Who knows? Maybe you can create your own awaiting apocalypse playlist. Time is short………enjoy life while it lasts.

In a recent article where I explored the brief history of some bands that played a significant role in the local rock scene of the 1980s (read here ), I mentioned how difficult it is to find documented information about that era and its protagonists. While some of us lived through those times, fading memories and the loss of key figures have made it increasingly challenging to piece together the full story. However, the article seems to have sparked interest, and several artists from that time have reached out to share valuable information. This has opened the door to further exploration, and this article is a continuation of that journey into the past, with more to follow. In the early 1980s, Malta’s music scene thrived in the AST (Associazzjoni Sportiva Tigne) in Sliema, a hub for burgeoning rock bands. This former British military barracks, converted into rehearsal spaces, witnessed the rise and fall of numerous groups. Out of this vibrant environment, Structure was born in the autumn of 1983. Emerging from the remnants of two other bands, Shaktonyx and Chi2, the group quickly distinguished itself with its progressive rock style and evocative themes. Drummer Joe “Dusty” Farrugia and bassist Mike Harrison from Shaktonyx joined forces with keyboardist Pierre Caruana, whose compositions became the cornerstone of the band’s sound. They were soon joined by Mike Bukouski of Chi2 and synth player George Falzon, completing the instrumental lineup. The group’s first composition, “3 Min to Midnight,” was an instrumental overture inspired by the nuclear clock, reflecting the existential fears of the era. With their debut piece, Structure established themselves as a progressive band, exploring themes of war and global tension. In December 1983, the band expanded with the addition of vocalist Toni Sant St. John, whose dynamic presence introduced funk elements into their repertoire. Tracks like “Into the Black Door” and “Off Key” demonstrated the band’s evolving style. By early 1984, Structure debuted live at the AST grounds, delivering a performance that resonated with audiences. Their set-list included the powerful “Personal Message” and the pop-rock anthem “Structure of My Mind.” By 1985, Structure underwent significant transformations. Vocalist Toni Sant St. John departed, and Giorgina Sammut briefly took over as lead singer before pursuing a solo career. Claudio Tonna, with his robust and husky voice, joined as the new frontman. The departure of guitarist Mike Bukouski and synth player George Falzon, who left to work abroad, necessitated a shift in the band’s style and roles. Keyboardist Pierre Caruana described this period: “With this came a change in music direction. Without a guitar and George Falzon also leaving the band to work abroad, I became a more important frontman, apart from the fact I composed practically all the compositions. Also, the music became more new wave style as that was the mid-80s, and a change in clothes and looks style.” As technology improved and electronic music gained popularity, Structure adapted their sound, drawing inspiration from artists like Visage, Howard Jones, and Gary Numan. Pierre’s expanded role in the band saw him using arpeggiators and synthesizers to create intricate melodies, compensating for the absence of a guitarist. “This 2nd version of Structure endured far longer,” Pierre recalled. “We also took part in Kanzunetta Maltija with ‘Windsurfer,’ a song penned by Alfred C. Sant and Ray Mahoney. We had various concerts, more singles out including ‘Shout’ and ‘Personal Message,’ and played with foreign acts like Dee D. Jackson at venues in Malta and Gozo.” The addition of Mark Tonna, Claudio’s brother, on guitar and backing vocals in the band’s final year added further depth to their sound, supported by session musicians during live performances. By 1987, Structure had achieved nearly everything a local Maltese band could aspire to. Their disbandment marked the end of an era, but their influence remained strong. Pierre Caruana ventured into new musical projects in the years that followed. In the early 1990s, he collaborated with singer Mark Tonna to form Megapulse, releasing one of the first CDs produced on the island. Together with David Cassar Torregiani, Pierre formed Scar in the late 1990s, contributing to the band’s first local success with the song “Calling Out.” Pierre then joined Earth, a band featuring drummer/percussionist Fish and vocalist Kathy Manuel. This collaboration deepened Pierre’s creative range and culminated in his evolution as a solo artist. Adopting the name My Freespirit, he released his debut CD, Real Life, in 2009. This album marked a shift toward intimate and personal songwriting, tackling themes such as societal outcasts, the terminally ill, and global tragedies like the tsunami disaster. “My Freespirit” allowed Pierre to explore freedom of expression in both music and lyrics, creating a deeply personal and evocative body of work. The album, recorded at Mandala Studios and produced by Kathy Manuel and Jewls Verse, featured collaborations with artists including Liam, Mark Tonna, and Mike and George Hersey. It was dedicated to Dave Goodman, producer for the Sex Pistols and a mentor to Pierre, and to Pierre’s late mother, Anne Caruana. Pierre followed Real Life with his double album Tnejn in 2015, further solidifying his reputation as a solo artist. Meanwhile, Mark Tonna pursued a flourishing solo career, winning local music festivals and exploring theatrical and choral avenues. Both Pierre and Mark ensured that Structure’s legacy endured through their continued contributions to Malta’s music scene. Structure with manager Vince Pisani ( Far Out Magazine) , showcasing the early lineup. From their origins in the rehearsal spaces of AST to their reinvention in the new wave era, Structure was a band that captured the essence of musical adaptability and innovation. Their legacy, rooted in powerful compositions and evocative themes, lives on through the artistic journeys of their former members. Bibliography “New Single by Pierre Caruana,” Malta Independent , May 2, 2010. https://www.independent.com.mt/articles/2010-05-02/news/new-single-by-pierre-caruana-273887/ “Megapulse – Chains of Love (Promo CD),” Discogs . https://www.discogs.com/release/13933666-Megapulse-Chains-Of-Love Structure Band Profile, ReverbNation . https://www.reverbnation.com/structure2 Facebook posts on Structure’s history and interviews with Pierre Caruana.

Strummin' Foundation Celebrates 20 Years and Announces 2025 Events The Strummin' Foundation recently celebrated a significant milestone with their "Strummin’ 20 Years of Gold" concert, held on November 8th and 9th, 2024, at St. Agatha’s Theatre. The event attracted a record-breaking audience and featured over 100 guitarists, singers, band members, and volunteers, all dressed in their finest attire. Proceeds from the concert were donated to Dr. Klown, an organization dedicated to bringing joy to children in hospitals through clown doctor visits. Looking ahead, the foundation has announced the return of Akustika for their 10th concert, scheduled for March 7th and 8th, 2025, at Sala San Duminku in Valletta. This event will reunite the original lineup after a decade. Early bird tickets are expected to go on sale in mid-January 2025. For more information or to get in touch with the Strummin' Foundation, you can email them at foundation@strummin.mt  or send mail to their address: Strummin' Foundation, Santa Venera SVR 1580, Malta. Baroque Meets Rock with BaRock The Valletta Baroque Festival continues to break musical boundaries with the return of the much-anticipated BaRock concert. Scheduled for 25 January 2025 at 8:30 PM at Teatru Salesjan, this fusion of Baroque and rock classics promises to be an unforgettable highlight of the festival. Headlined by The Rock Troupers  and the ProMużika Ensemble , the performance will reimagine iconic works by musical titans such as Johann Sebastian Bach, Jon Lord, Antonio Vivaldi, and even Pink Floyd. Audiences can expect a thrilling blend of Baroque precision and rock’s raw energy in an evening that pays homage to the pioneering spirit of Baroque Rock. The BaRock programme draws on research by musicologist Sara Gulgass, exploring the Baroque Rock phenomenon that emerged in the 1960s. Combining the intricate counterpoint, fugues, and ostinato basslines of Baroque music with the electrifying beats and instrumentation of rock, this genre has produced unforgettable reinterpretations of classical works. Expect references to timeless pieces like Pachelbel’s Canon in D, used as the foundation for hits by artists ranging from Procol Harum to Aerosmith. This year’s performance goes a step further, incorporating elements of progressive rock, with its extended solos and multi-movement compositions, alongside tributes to rock legends such as Keith Emerson and The Beatles. The Rock Troupers , a powerhouse of Malta’s rock scene since 2014, will lead the charge with their dynamic lineup made up of Daryl Ebejer  (vocals), Patrick Camilleri  (drums), Robert Galea  (bass), Josef “Fofi” Farrugia  (keyboards), Sean Vukovic  and Marc Galea  (guitars). Joining them are the virtuosos of the ProMużika Ensemble , including Sarah Spiteri  and Tatjana Chircop (violins), J oseph Mallia  (viola), Simon Abdilla Joslin  (cello), Tom Armitage (piano/harpsichord) and Cliff Zammit Stevens  (tenor). Adding vocal depth to the event, KorMalta , Malta’s national choir, will enhance the Baroque-Rock fusion with their choral mastery. The collaboration between The Rock Troupers and ProMużika began in 2022, earning widespread acclaim during the Valletta Baroque Festival. Their ability to seamlessly blend the grandeur of Baroque with the intensity of rock has since become a festival highlight, captivating audiences both in Malta and abroad. The Rock Troupers, renowned for their electrifying performances at events like Rockestra and the Farsons Beer Festival, continue to push creative boundaries. Similarly, ProMużika has represented Malta on some of Europe’s most prestigious stages, including the Berliner Konzerthaus and Prague’s Estates Theatre, bringing their technical precision and artistic flair to every collaboration. Date:  Saturday, 25 January 2025 Time:  8:30 PM Location:  Teatru Salesjan, Sliema Tickets:  Available at Showshappening.com For music lovers, this is a rare chance to experience the best of two worlds in one electrifying performance. Don’t miss BaRock 2025—where history meets innovation, and Baroque meets rock. Haine and Thy Legion Bring Album Release Celebrations to The Garage The Garage is set to erupt this February with two electrifying album launch events featuring Maltese metal powerhouses Haine and Thy Legion. Fans of heavy music are in for an unforgettable month as both bands debut their latest projects at the iconic venue. Haine’s “Fertile Void” Album Launch On Saturday, February 1, 2025 , Haine will take the stage to unveil their highly anticipated first full-length album, Fertile Void . Known for their crushing riffs and raw intensity, Haine promises an evening of relentless energy and exclusive surprises for fans. The night will kick off with an opening set by Halcyon , a local death metal act renowned for their ferocious performances. Attendees will have the chance to purchase Haine’s latest merchandise, including exclusive album bundles and pre-ordered physical copies of Fertile Void . Event Details: Date:  Saturday, February 1, 2025 Time:  Doors open at 20:30 Location:  The Garage, Żebbuġ Tickets:  Available at the door Thy Legion’s “Grand Cosmic Funeral” Release Just weeks later, on Saturday, February 22, 2025 , metal veterans Thy Legion will celebrate the launch of their fourth full-length album, Grand Cosmic Funeral . With over a decade of experience crafting epic and brutal soundscapes, Thy Legion’s latest release promises to be another stellar addition to their discography. The event will feature support from Animamortua , ensuring an evening packed with ferocity and technical prowess. For €10, attendees will experience an unforgettable showcase of local talent, beginning with the first band at 21:00. Event Details: Date:  Saturday, February 22, 2025 Time:  Doors open at 20:30; first band begins at 21:00 Location:  The Garage, Żebbuġ Tickets:  €10 at the door Both events highlight the thriving Maltese metal scene and promise nights of unrelenting sound and community spirit. Whether you’re a devoted fan or new to the genre, The Garage is the place to be this February. Berne Launches 789 Album with Live Shows and Environmental Advocacy Events This Week Berne, the UK-based musical duo known for blending music with environmental advocacy, is set to captivate audiences with a series of meaningful events this week to celebrate the launch of their latest album, 789 . The album takes its name from the 789 species that have gone extinct in the past 400 years, offering a powerful reflection on humanity's relationship with the planet, animals, and each other. Created in collaboration with EarthPercent, the project channels a portion of its royalties to environmental organizations, turning music into a force for change. The album launch will be marked by two live performances at Offbeat Valletta , on Saturday, January 11 , and Sunday, January 12 , both starting at 8 PM. Fans can expect an immersive musical experience that brings 789 ’s themes to life, alongside Berne’s signature sound and heartfelt artistry. Tickets for the shows are available at https://shop.trackagescheme.com/event/berne-789-album-launch/ . Before these performances, Berne will join forces with Friends of the Earth Malta for the launch of Imagining a Fossil Free Malta , a creative zine envisioning a sustainable, fossil-free future for the island. The launch event takes place at Storeroom Ta' Xbiex  on Thursday, January 9, at 7 PM , and will feature contributions from artists, writers, musicians, and even children. Berne, who contributed to the zine, will perform a couple of songs to support this inspiring project. More information about this event can be found at https://fb.me/e/5WVNaxMzC . Berne invites fans to attend these events, share the message on social media, and join in celebrating the intersection of art and environmental responsibility. Whether in person or online, these moments promise to inspire action and reflection, showcasing how music can be a catalyst for positive change.

Miguel Debattista, a prominent figure in the Maltese and European punk scenes, has carved a remarkable path through music history. From pioneering punk rock in the Maltese language with Batteries Not Included (B.N.I.) to shaping melancholic post-punk landscapes with UltraNothing, his journey reflects a commitment to innovation and raw expression. BNI live at Zion B.N.I., co-founded by Debattista in the early 1990s, is celebrated for introducing punk rock in Maltese. Their 1999 debut album, Ilsien Pajjiżi (Native Tongue) , featured groundbreaking tracks like “L-Imġissem” and “Qrunha f'Butha.” These songs, written in Maltese, fused the raw energy of punk with ska, reggae, and rock influences, resonating deeply within their community. Inspired by the rebellious spirit of Sham 69’s If the Kids Are United , B.N.I. thrived on creating music that reflected Maltese angst while tackling everyday realities with a tongue-in-cheek approach. Their vibrant performances at venues like Dempsey’s Bar and The Edge rock bar became legendary, providing a platform for Malta’s burgeoning punk scene. Over the years, B.N.I. expanded their sound. Their second album, Force Majeur  (2004), embraced a more refined punk style infused with ska and reggae. This evolution continued with On and On…  (2006), combining raw energy with polished songwriting, and their 2022 release, Exponential Self-Destruction , which marked a triumphant return to their roots. UltraNothing In 2023, Debattista embarked on a new musical journey with UltraNothing, a post-punk trio based in Luxembourg. Formed with Mich and Pit, the band emerged from the ashes of their previous project, Office of Weird. UltraNothing’s sound is a distinctive blend of post-punk and noise rock, described by the band as “melancho-punk”—a raw, defiant ode to existential ennui and modern exhaustion. In July 2024, UltraNothing recorded their self-titled debut EP at Holtz Sound Studio, with mastering by Julien Rosenberger. Released on October 26, 2024, the EP features four tracks: “The Grace of Time,” “Fight It Out,” “Elation,” and “Animosity.” The launch event at Mix ‘n’ Kawa Bar in Esch/Alzette, Luxembourg, was a resounding success, supported by instrumental noise rock band TVESLA and rising stars FULVOUS. The EP, released on 10” vinyl, has garnered acclaim for its intricate soundscapes and thematic depth. The single “Fight It Out” was accompanied by a visually striking music video, earning attention from platforms like Metal Hammer and DIY Conspiracy. UltraNothing’s ethos rejects clichéd punk ideologies while maintaining a staunch opposition to racism, fascism, and sexism. Rather than relying on slogans, the band channels its defiance into music that critiques societal fallacies and human struggles with an understated intensity. Looking ahead, UltraNothing is set to perform at the prestigious Out of the Crowd Festival in 2025, joining an impressive lineup that includes Karate (USA) and Bambara (USA). This milestone highlights their growing influence within the European alternative music scene. From the Maltese punk revolution with B.N.I. to the melancholic depths of UltraNothing, Miguel Debattista’s musical journey is a testament to his artistic vision and passion. As 2024 concludes and a new year begins, his contributions continue to inspire fans and musicians alike, proving that punk’s spirit thrives in reinvention and resilience. Discover UltraNothing's debut EP tracks: The Grace Of Time Fight It Out Elation Animosity Stay updated on their journey through their social media platforms: Instagram Facebook SoundCloud Bandcamp

Maltese artist Myles has just released his latest single (03/01/25), Lil Din l-Art Helwa , a bold and raw take on the state of his homeland. Inspired by the Maltese national anthem, the song flips its original sentiment, turning a hymn to Malta's beauty into a reflection on the bitter realities of power, corruption, and societal struggles. "I grew up loving the anthem's message, but I can't ignore what's happening around me," says Myles. "This song is my way of expressing how it feels to see a place you love being taken advantage of. It's not just music; it's a callout." The track is a collaboration with DJ Mac, who brings his signature scratching artistry to the mix, and Simon Deguara from Kill The Action, adding depth to the song's production. Mixed and mastered at Valhalla Music Studio, the sound is polished but carries a raw emotional punch. The accompanying video, directed and produced by Myles himself, is as visceral as the song. "I wanted the visuals to reflect my feelings-abduction, helplessness, and the cold reality of what's happening to our land," he explains. Check out the video here: Lil Din l-Art Helwa - Stream the track on Spotify: Lil Din l-Art Helwa on Spotify For media inquiries or interviews, reach out to Myles at @theogmylow. Follow Myles on his journey as he continues to create music that speaks truth to power and resonates with those who care about the future of Malta.

"Rockna Live and Unplugged," a unique compilation showcasing the vibrant Maltese music scene, was initially released as a digital album in November 2012 and later as a CD in a very limited number in the same year. Curated by Michael Bugeja, host of the weekly Rockna radio show on Net Radio, the album features 13 tracks recorded live and unplugged during the show. It serves as a tribute to the raw talent and diversity of Maltese artists, while also marking the 20th anniversary of the influential 1992 compilation Watching the Music . “ In truth, the album is officially a digital release – I made the CD only as a thank-you to the artists who gave me permission to use their work in the compilation (apart from some copies that I gave to people in the scene who appreciate it and who have been or are supportive of the scene, as well as helpful to me and the program)." Watching The Music 20th anniversary show 2012 "I only made 101 copies since, at the time, the station was called Radio 101, so the CD is somewhat of a collectable item also because it is not available in any store” Michael Bugeja explained when asked about this venture and, went on to elaborate: “ The idea for the compilation arose as the 20th anniversary of the compilation CD Watching the Music , which Radio 101 had released in 1992, was approaching. I had also prepared a program about Watching the Music , and since Rockna focuses on the local scene, I thought it would be a good idea to release another collection of tracks from local talent, with the difference being that all the tracks would be recorded live and unplugged during the program. There were many tracks to choose from, but I felt it was better to focus on emerging and/or lesser-known artists, and in fact, practically all the artists/groups were just starting out at the time. This includes The Shh , which, although made up of two members of the Beangrowers , was a new project at the time. It's also worth mentioning Alexandra Alden, now a well-known name in the scene, who was at the beginning of her career back then. The same goes for Claire Tonna, who, although we already knew her as part of the Particle Blue  project, was starting her solo career at the time. There is also a track by the English (of Maltese descent) singer-songwriter Victor Chetcuti, who was very active locally at the time. KulTural (top) and Errormantics (bottom) The Gozitan scene is also represented through the group Divine Sinners , Monobrow Musical Produce , and Joseph Portelli, an Australian/Gozitan singer-songwriter who was also starting to establish himself in the local scene at the time. And since I mentioned Australia, I'll mention Clayton Micallef, who was based in Malta at the time but now lives in Australia, and who performed a new song that he had just finished and spontaneously decided to dedicate to Rockna  during the interview itself. Victor Chetcuti The collection also includes two tracks in Maltese – one by KulTural , which is actually a poem by Kilin with a very original musical interpretation, and the other by Mistura , a group that is still active today. Here I take the opportunity to thank Antonio Olivari for the technical assistance in the final production of the tracks in this collection, Pierre Portelli for designing the CD cover, and NET FM (then Radio 101), MERC, M3P.com.mt , and Reciprocal Records for their help.” The album captures the intimate and unfiltered energy of live performances, recorded in the radio studio rather than a traditional studio setting. With unsullied post-production by Antonio Olivari and artwork designed by Pierre Portelli, and as Michael mentioned the project was a collaboration supported by the M3P Foundation, Reciprocal Records, MERC Clothing, and Radio 101. from top: Clayton Micallef, Claire Tonna, Divine Sinners, For Strings Inn and Alexandra Alden The 13-track album spans a variety of styles and artists, each offering a distinct flavour of Maltese music. Below is the complete track-list, along with links to stream or download each song: 1. Victor Chetcuti – “Nature's Child” (3:35) Listen here (Broadcast Date: January 7, 2011) 2. KulTural – “L-Għanja tal-Imgħallaq” (5:11) Listen here (Broadcast Date: May 27, 2011) 3. Alex Alden – “Dancing Alone” (3:44) Listen here (Broadcast Date: March 16, 2012) 4. For Strings Inn – “Tangerine Rock” (4:10) Listen here (Broadcast Date: March 16, 2012) 5. Errormantics – “Nothing Satisfies” (3:30) Listen here (Broadcast Date: April 27, 2012) 6. Mistura – “Isma’ Bilfors” (3:08) Listen here (Broadcast Date: May 11, 2012) 7. Divine Sinners – “Cactus Rose” (2:15) Listen here (Broadcast Date: May 18, 2012) 8. Monobrow Musical Produce – “Carmen” (2:45) Listen here (Broadcast Date: June 1, 2012) 9. The Shh – “All Things With Love” (3:41) Listen here (Broadcast Date: July 13, 2012) 10. Thingybob – “Girl in the Summer Dress” (3:06) Listen here (Broadcast Date: August 17, 2012) 11. Claire Tonna – “Your Mother Said” (3:24) Listen here (Broadcast Date: September 14, 2012) 12. Clayton Micallef – “Rockna” (5:19) Listen here (Broadcast Date: September 21, 2012) 13. Joseph Portelli – “Standing Still” (3:05) Listen here (Broadcast Date: October 12, 2012) Since its inception in July 2010, Rockna has become a cornerstone for Malta’s music scene, hosting hundreds of bands and solo artists, with many performing live and unplugged. Rockna Live and Unplugged offers a curated selection of these performances, providing listeners with a snapshot of the energy and creativity that defines the Maltese music landscape. Thingybob The album’s availability as a download from the M3P Foundation website  ensures that it reaches a wide audience. Meanwhile, the CD provides a lasting keepsake to any enthusiast and collector celebrating this milestone in Maltese music history. Questioned about a follow-up Michael responded: “ The idea for a follow-up is always there, but I still haven’t decided on what tracks to include, and there are other factors that need to be considered. Meanwhile, since in July of this year the program Rockna will celebrate 15 years since it first started broadcasting, I’d like to release something special for the occasion. Naturally, if there are any readers who would like to send suggestions, I ask them to do so by emailing me at rocknamalta@gmail.com . Needless to say, if there are any interested sponsors, they are most welcome! Before concluding, I’d like to thank Noel Mallia and Charles Saliba for believing in me, everyone who dedicates their time and effort to ensuring the local scene continues to grow, improve, and strengthen (a special thanks to you at Melodija.eu  for the valuable work you’re doing), and the program’s listeners, whose support has allowed Rockna  to continue broadcasting regularly since July 2010 to today. Lastly, but certainly not least, I pay tribute to the memory of Lito and Jon Lukas Woodenman, who were of great help to me, both in the broadcasting field, the music world, and in the sincerity of their friendship.” Top L to R: Monobrow Musical Produce and Mistura / Bottom L to R: Joseph Portelli and The Shh By blending the legacy of Watching the Music  with the raw energy of contemporary performances, Rockna Live and Unplugged  bridges past and present, celebrating the rich tapestry of Maltese music. Bibliography "Rockna Live and Unplugged - M3P." M3P Foundation. Accessed December 18, 2024. https://www.m3p.com.mt Bugeja, Michael. Rockna Live and Unplugged, Sleevenotes, November 2012. "Watching the Music - Radio 101." Temple Studios, 1992 .

Joe Grech, a revered figure in Maltese music and Malta’s first representative at the Eurovision Song Contest, has passed away at the age of 90. Born in Cospicua (Bormla) on February 9, 1934, Grech leaves behind a remarkable legacy that spanned over seven decades. Grech is best known for his 1971 Eurovision performance of Marija l-Maltija , a song that not only brought Malta to the international stage but also celebrated the Maltese language and culture. The track remains an enduring favorite and a testament to his contribution to Maltese music. Joe Grech began his career as a trumpeter with the Żejtun Band Club before transitioning to singing, where he quickly gained recognition for his vocal talent. His breakthrough came in 1960 when he won the inaugural Malta Song Festival with his self-composed song Vola Uccellino , a competition that marked the start of his meteoric rise in the local music scene. He repeated this success in 1962 and gained international acclaim in 1964, winning the Best Singer/Composer Trophy at the International Song Festival in Bari, Italy, with the song Dorina . In 1971, Grech made history as the first Maltese artist to participate in the Eurovision Song Contest, performing Marija l-Maltija  in Dublin. This achievement firmly established him as a pioneer in Maltese music, opening doors for future artists. Grech's music resonated far beyond Malta’s shores. He toured extensively in Canada, the United States, Australia, the United Kingdom, and Ireland, often performing for the Maltese diaspora. His albums, including Eviva l-Maltin  (1995) and Katarin  (2000), and hit singles such as Il-Kaċċatur  and Saħħa Malta , cemented his reputation as a beloved artist among Maltese communities worldwide. In addition to his musical accomplishments, Grech was deeply committed to philanthropy, frequently supporting Caritas Malta, an organization founded by his brother, Mgr. Victor Grech. Proceeds from his music sales often went toward charitable causes, and he actively contributed his time and talent to support those in need. Tributes to the iconic singer have poured in from across Malta and beyond. Culture Minister Owen Bonnici hailed Grech as a cultural trailblazer, emphasizing his historic achievements in Eurovision and the Malta Song Festival. The Żejtun Band, where Grech began his musical journey, honored him as a cherished member of their community. Eurovision fan club OGAE Malta expressed gratitude for his invaluable contributions to Maltese music, while radio host Alfie Fabri described Grech as “one of Malta’s best singers,” whose songs captured the spirit of the nation. The team at Melodija.eu  extends its heartfelt condolences to Joe Grech’s family, friends, and fans during this time of loss. His music and legacy will forever remain a part of Malta’s cultural heritage. Joe Grech is survived by his wife, Josephine, and their daughter, Marcelle, who follows in her father’s footsteps as a talented singer. His legacy endures not only through his music but also in the hearts of the countless fans who admired his passion and dedication to Maltese culture. As Malta bids farewell to one of its most cherished cultural icons, Joe Grech’s timeless melodies and pioneering spirit will continue to inspire generations to come. Bibliography M3P.com : "Joe Grech (1934-2024): Biography and Contributions to Maltese Music" Times of Malta : "Joe Grech, Malta's First Eurovision Singer, Dies Aged 90" TVM: "Maltese Singer Joe Grech Passes Away at Age 90" Rediffusion Malta Archives: Malta Song Festival 1960 and 1967 Eurovision Song Contest Records Rest in peace, Joe Grech. Your voice will echo in Malta’s history forever. 30/12/2024

The Maltese rock scene flourished in the 1980s, building on foundations laid in the 1960s and 70s. This decade marked an unprecedented evolution of rock music in Malta, thanks to the establishment of community hubs like Rokarja AST and improved accessibility for organizing concerts and festivals. Numerous bands left an indelible mark on the scene, and while articles on melodija.eu have already celebrated bands like X-Tend , Mirage , Atlam , V-Gile , Artwork , and High ‘N’ Dry , this article focuses on nine key bands that helped shape the future of Maltese rock music. Acid during the launch of 'Watching The Music' 1991 Acid Acid was a Maltese heavy rock band active from the early 1980s through the 1990s. They were a mainstay of the Rokarja AST scene in Tigne, regularly performing across Malta. The band included Mario Bonnici (vocals), Charles Camilleri (guitar), Roger Vella (drums), William Christie (bass), and Robert Cuschieri (keyboards). One of their landmark performances took place on 28 May 1983 at the Tigne Chapel alongside Overdose. Acid also contributed two tracks, Electric Lady  and Rock City Limits , to the 1992 compilation CD Watching the Music , recorded at Padded Cell Studio. Overdose 1983 Overdose Overdose was one of Malta's pioneering heavy metal bands, based in the Rokarja AST scene during the 1980s. The original lineup consisted of Miriam Spiteri (Miriam Gafa) on vocals, Andrew Zammit and Joe "Spider" Fenech on guitars, Stephen Spiteri on bass, and Joseph Buttigieg on drums. They performed alongside Acid at the Tigne Chapel in May 1983. Overdose saw significant lineup changes over the years, but unfortunately, they never recorded any tracks, leaving behind no studio or live recordings. Franky Camilleri playing with Fluid at MaltaSajf 1983 Fluid Fluid was a progressive rock band active in the early 1980s. Originating from the Rokarja AST hub, their initial lineup included Twanny Mifsud ic-Chimbillai (guitar and vocals), Saviour Bartolo (bass), Franky Camilleri (keyboards), and Dominic (drums). Although the band dissolved in 1984, they reunited briefly in 1986 to perform at the MaltaSajf concert organized by the YMCA. Mifsud later co-founded the band Artwork. Rough Trade Rough Trade was a short-lived band that emerged in the Rokarja AST compound in 1984 after guitarist John Borg left Subverts. The lineup included Ivan Vella (lead guitar), Simon Sammut (bass), John Borg (guitar), Joseph "Blackie" Farrugia (vocals), and Vince Abela (drums). Despite their brief existence, Rough Trade left a mark on the vibrant Tigne music scene. Rough Trade: L to R Ivan Vella (lead guitar) Simon Sammut (bass), John Borg (guitar), Joseph Blackie Farrugia (vocals), Vince Abela (drums). Subverts Subverts was one of Malta's first alternative rock bands, active throughout the 1980s. Founded by singer/guitarist Mike Bonnici and percussionist Sebastian Debono, the band later expanded to include John Borg (guitar), Pierre Portelli (Pete Portelli) on bass, and Charles Cutajar (Chalkie) on drums. Their notable gigs include a performance at the Tigne Chapel on 18 March 1983. Over the years, the band saw significant lineup changes and eventually disbanded in 1988. Subverts: photo Alfie Fabri Sphinx: photo Joe Demicoli Sphinx Formed on 13 September 1983, Sphinx consisted of Joe Demicoli (vocals), Adrian Mercieca (guitar), Bernard Scerri (bass), and Eric Schembri (drums), with later additions of Ivan Bonett on keyboards and Iman Schembri. The band faced tragic losses with the early deaths of Schembri in 2000 and Scerri in 2002. Abstrass Abstrass was Malta’s pioneering punk band, founded in 1980 by Erich Azzopardi. Inspired by punk icons like the Sex Pistols, Abstrass became a cornerstone of the Tigne punk scene. The band’s rehearsal space at Tigne Fortress became a hub for alternative bands of the time. Abstrass celebrated their 25th anniversary Erich Azzopardi with a special album release. Erich, affectionately known as Erich il-Punk, passed away in 2019, leaving behind a legacy of uncompromising dedication to punk ideals and a deep influence on the local music scene. He was remembered as a strong idealist and a caring, positive individual who shaped Malta's punk culture. The Unexplained Formed by Paul Borg (Pawlu tal-Pitrolju), The Unexplained’s lineup included John Sammut (lead and rhythm guitar), Saviour Pace (bass), and Anthony Cesare (drums). One of their significant performances was at the Radio City Theatre in Ħamrun on 20 April 1990, a recording of which can be found on Archive.org . Tragically, Paul Borg passed away in 1998, leaving behind a legacy not just as a musician but also as a community leader in Birkirkara, where he served as a councilor during the first and second Legislatures (1993 and 1997). The Unexplained - John Sammut, Saviour Pace, Tony Cesare and Paul Borg StratKast Stratkast 1988 Another prominent name in Malta’s 1980s rock scene was the hard rock band StratKast. With a diehard following, their gigs were high-energy experiences. Fronted by Joe Mizzi, StratKast was among the few local bands to release a single, So Sorry . The band featured Mark Vella, Jon Vella Zarb (later Mirage), Joe Mizzi (later High ‘N’ Dry), and Joe Vella Zarb (later Fire). Mizzi's musical journey later took him to Germany, where he joined High n’ Dry alongside former B3 bandmate Gino Micallef. Notable Gigs of the 1980s The 1980s witnessed several memorable gigs that defined the era's rock culture. These included the First Rock-A-Buzz Festival in 1987, hosted at Kennedy Grove and featuring acts like DJ Lito and Ivan Filletti’s project Filletti & Friends. Other standout performances included MaltaSajf ’86 , the Subverts and Hangover gig at Tigne Chapel on 18 March 1983, the Overdose and Acid concert at the same venue on 28 May 1983, and the Davy Jones, Tony Grimaud, and Atlam show on 9 July 1983. For sure, there were many more bands that were as important as any mentioned in this article, but unfortunately, information about their stories and achievements is very hard to come by. We encourage anyone who can come forward with information about any bands and artists from any era to help enrich the history of the island’s cultural scene. Additional Reading on Melodija.eu The Tigne Chapel Rokarja AST Mill-Garaxx TV Show DJ Lito 80’s Live Scene Joe Mizzi Bibliography M3P.com.mt "Pioneer of Maltese Punk Scene Eric il-Punk Passes Away," MaltaToday, https://www.maltatoday.com.mt/arts/music/93210/pioneer_of_maltese_punk_scene_eric_ilpunk_passes_away "Eric il-Punk Passes Away," Newsbook, https://newsbook.com.mt/en/eric-il-punk-passes-away/ Michael Bugeja, "The Sunday Times of Malta," May 15, 2011.

In 1994 Fondazzjoni Wirt Artna, a voluntary, non-profit organisation, dedicated to promote awareness, safeguard and restore Malta’s historical patrimony, launched the Fort Rinella Rehabilitation Project.  The restoration of the fort was estimated to cost Lm150,000 and a number of fund raising initiatives were organised for this aim. Fort Rinella Situated at Kalkara, the Victorian battery was constructed between 1878 and 1886 and covers an area of 6,300 square meters.  Though it is commonly referred to as Fort Rinella, it was officially a battery and was never classified as a fort.  The main attraction is an Armstrong 100-ton gun, which survives and still fires.  The battery was in use between 1886 and 1965.  The Rinella Battery was taken over by Fondazzjoni Wirt Artna in 1991, and after exhaustive restoration works opened its doors to the public as an open-air museum in 1996.  Rock for the Fort Bands from across the local rock and metal spectrum gathered together for a three day event to raise funds for the restoration of the fort.  Rock for the Fort took place inside the battery between Friday, 26 and Sunday, 28 August 1994.  Doors opened at 7p.m. and tickets, for the price of Lm1.50 (€3.49) per show or Lm3 (€6.99) for the three evenings, where sold from the Rock Shop in Old Theatre Street, Valletta and at the door.  Special public transport arrangements, to and from Kalkara, were made for the event. The groups entertaining the well attended event included:  Myth, Realida, Fatal Aggression, Beaheded, Granny, Forsaken, Trial by Fate, No Name Yet, Norm Rejection, Lithomancy, Oblique Visions, Sanity, Electric Blues, Disinterred, Manix, Masada, Jaipur, Eric il-Punk and the crowds were delighted by a guest appearance by the Gozitan Hard Rock Party Leader, Patrick Girma (Ħanfusa).  References: The Sunday Times, August 21, 1994 https://en.wikipedia.org/wiki/Fort_Rinella  ________________________________________________________________________ Note from the editor It appears that most, if not all, of the performances were recorded, yet only one has been made available for purchase over the past 30 years. Oblique Visions’ Live at Fort Rinella  was released exclusively on cassette sometime after the festival and includes the following tracks: "Deranged," "Burning the Heretic," "Feeding Death," "Eternal" (a Paradise Lost  cover), and "Oblique Visions" on side A. Side B features "Destroying Angels," "Dethroned," "Cathedral of Dreams," and "A Fallen World." The cassette has long been a sought-after collector's item.

On Saturday, December 7th, during the third edition of the annual event The Living Thrash , organised by Murdoc.104, a new band exploded onto the scene. Impertex, a four-piece outfit hailing from Malta, made their debut appearance on stage at The Garage. Like many young musicians stepping into the spotlight for the first time, their performance was fuelled by a mix of nervous anticipation and unrestrained enthusiasm. As the first notes reverberated off the walls, that energy transformed into raw power, signalling the arrival of a new contender in the thrash metal world. Impertex delivers a ferocious blend of heavy metal, the relentless drive of thrash, and the visceral grit of black metal vocals. Comprising Kieron Spiteri (guitarist and vocalist), Michael Vassallo (bassist), Marta Privitera (guitarist), and Ezra Grech (drummer), the band draws inspiration from metal legends while forging a sound uniquely their own. Kieron Spiteri’s musical journey began with his mother’s classical guitar, evolving into a passion that became a defining part of his identity. Self-taught and driven, he progressed from mastering Metallica's Ride the Lightning to forming Impertex in April 2023. Starting as a rock band, the group quickly found their niche in thrash metal, solidified by Kieron’s evolution into a formidable front-man with a vocal style influenced by black metal greats like Hellripper and Bathory. Bassist Michael Vassallo, who joined at just 13 years old, also brings a deep-rooted love for metal, shaped by childhood car rides sound-tracked by Iron Maiden and Metallica. His dedication to the bass and his commitment to Impertex have been instrumental in the band’s transition from casual jams to a focused thrash metal powerhouse. Guitarist Marta Privitera embodies the spirit of thrash metal with her relentless drive and technical skill. Inspired by Nirvana and Metallica in her early years, she quickly expanded her musical palette to include thrash and death metal icons like Megadeth and Carcass. Marta’s role in connecting band members and shaping their sound has been pivotal to Impertex’s rise. Drummer Ezra Grech brings dynamic energy and precision to the group, his craft honed through years of study and performance. Playing drums became not only a creative outlet for him but also a way to channel his energy constructively, allowing him to thrive as a musician. Ezra’s versatility and dedication add depth to the band’s sound, helping them push their limits as a unit. Impertex’s debut performance at The Living Thrash showcased their collaborative spirit and raw intensity. They even welcomed guest performer Zain Gauci on stage, amplifying an already electric set that left the crowd clamouring for more. Their blend of youthful vigour and technical prowess made them a standout act, hinting at a promising future in the metal scene. With their unique fusion of genres and a collective passion for music, Impertex is poised to carve their path in the world of heavy metal. For fans eager to experience the next wave of thrash, Impertex is a name to watch. band photos: Maria Baldacchino except Marta Privitera's photo: Zea Friggieri

Christmas music in Malta has long served as a vessel for cultural expression, communal celebration, and spiritual reflection. Over the decades, local artists, choirs, and musicians have contributed to the festive soundscape, offering albums and songs that balance tradition and contemporary artistry. Among the noteworthy contributors, the group X-Tend occupies a special place with their innovative and heartfelt Christmas releases. Maltese Christmas Albums Over the Years One of the most significant contributions to Malta's Christmas music tradition was the 2013 release of Ħelu Bambin . This compilation featured 21 tracks, blending original songs with Maltese adaptations of international Christmas hits. Artists such as Chiara, Enzo Gusman, Ludwig Galea, Mary Spiteri, and Ivan Grech participated, creating a spiritually focused album. Its proceeds supported Dar tal-Providenza, a charitable institution, emphasizing the spirit of giving at the heart of Christmas. Similarly, Peter Calamatta’s Peter Calamatta Sings Your Favourite Christmas Songs , released the same year, showcased 19 well-loved carols, including a Maltese rendition. Produced by Elton Zarb, this album contributed to the Millennium Chapel in St Julian’s, reflecting Calamatta’s dedication to community causes. The Mary’s Angels Choir added to the festive spirit with Il-Kewkba li Ddiet . This album featured traditional Maltese carols and supported the Kampanja Familji fil-Bżonn, helping families in need while preserving the country's musical heritage. In a modern pop context, Emma Muscat’s Moments Christmas Edition  (2018) reimagined festive classics such as "All I Want For Christmas Is You" and "Let It Snow," alongside her earlier hits, introducing a youthful vibrancy to the Maltese Christmas music scene. The Enduring Charm of Maltese Carols Maltese traditional Christmas songs have stood the test of time. Ninni La Tibkix Iżjed , penned by Jesuit Indri Schembri in the 19th century, remains a cornerstone of Christmas celebrations in Malta. Songs like Ġesu Ħelwa Tarbija  and others evoke the intimate and spiritual essence of the holiday season, often performed in churches and family gatherings. X-Tend: Icons of Maltese Christmas Music X-Tend’s contributions to Maltese Christmas music have been both prolific and impactful. Their album Sbieħ il-Milied remains a hallmark of their artistry, featuring tracks like Tini Tini Zmien il-Milied , which blend heartfelt lyrics with contemporary arrangements. The group’s ability to infuse traditional Maltese sentiments with modern musical styles has made their work stand out in Malta’s festive music landscape. Another milestone for X-Tend was their album Ilwien il-Milied . This collection showcased the group’s versatility, offering a mix of festive joy and introspection. The album was characterized by its lush arrangements and evocative storytelling, which resonated deeply with audiences during the holiday season. Christmas Carols specially arranged by Daniel Vella were released in 2023 by the George Vella School Of Music X-Tend’s music exemplified the Maltese approach to Christmas—celebrating the joy of togetherness while reflecting on the deeper meanings of the season. Their albums have not only entertained but also nurtured a sense of cultural pride among listeners. The Maltese Christmas music tradition is a rich tapestry woven from the threads of community spirit, religious devotion, and artistic innovation. From charitable albums like Ħelu Bambin  to the dynamic contributions of X-Tend, Malta’s festive songs and albums have continually evolved while honoring their roots. As X-Tend’s work illustrates, Christmas music in Malta is more than entertainment—it is a celebration of identity, faith, and generosity. While X-tend entertained crowds with a jam-packed schedule of shows this year, The New Victorians released an album of Maltese carols. The album features 11 re-imagined Maltese carols, recorded live with the accompaniment of a six-piece band at the charming Bir Miftuh Chapel in Gudja. Including well-loved songs like Gesu Helwa Tarbija and Ninni La Tibkix Izjed , the recording blended Malta’s rich festive musical traditions with the warmth of a live performance, capturing the Christmas spirit with a refreshing twist. The album's release coincided with the duo’s Chapel Hop Concerts held between the 5th and 8th of December, which, for the first time, included a multicultural choir enhancing their magical live performances. I am certain there are many more songs and releases worthy of mention, such as Freddie Portelli’s Christmas contributions. However, as with many aspects of our local music culture, there is a significant lack of information and documentation. Over the past year, our team has worked diligently to unearth and highlight Malta's rich yet under-documented cultural heritage, and we are committed to continuing this effort in the years to come. I would like to take this moment to thank all our readers for your support and for engaging with the articles we publish. Your encouragement means so much to us and provides the motivation we need to keep going. On behalf of the entire Melodija team, I wish you and your loved ones a joyful Christmas and a prosperous New Year! Noel Mifsud 20th December 2024 Bibliography "Christmas songs." Malta Music Memory Project [M3P]. URL: http://www.m3p.com.mt/wiki/Christmas_songs "A Christmas CD for charity." Times of Malta , 2013. URL: https://timesofmalta.com/article/A-Christmas-CD-for-charity.498267 "Ħelu Bambin 2: A Christmas CD Compilation in Aid of Id-Dar tal-Providenza." Dar tal-Providenza . URL: https://www.dartalprovidenza.org/helu-bambin-2-a-christmas-cd-compilation-in-aid-of-id-dar-tal-providenza/?lang=mt "Launching of new album." GVSoM . URL: https://gvsom.org/launching-of-new-album/ "Peter Calamatta releases Christmas album." Times of Malta , 2013. URL: https://timesofmalta.com/article/Peter-Calamatta-releases-Christmas-album.499294 "Emma Muscat Is Releasing A Christmas Album Full Of Your Favourite Singalongs." Lovin Malta , 2018. URL: https://lovinmalta.com/lifestyle/emma-muscat-is-releasing-a-christmas-album-full-of-your-favourite-singalongs/ "Top 5 Most Popular Maltese Christmas Songs." Love Malta , 2023. URL: https://lovemalta.com/top-5-most-popular-maltese-christmas-songs/ Sbieħ il-Milied . Discogs . URL: https://www.discogs.com/release/13776029-X-Tend-Sbie%C4%A7-il-Milied Ilwien il-Milied . Discogs . URL: https://www.discogs.com/master/3147123-X-Tend-Ilwien-Il-Milied Christmas comes early! The New Victorians release their album of Maltese carols by Francesca Vella . GuideMeMalta.com URL: https://www.guidememalta.com/en/christmas-comes-early-the-new-victorians-release-their-album-of-maltese-carols

Weeping Silence Welcomes New Drummer Amid Recovery Challenges In a heartfelt announcement on their Facebook page, Maltese doom metal band Weeping Silence shared major updates regarding their drummer lineup and the health struggles of long-time member Julian Mallia. The saga began in January, just three weeks after the release of their latest album, Isles of Lore. Julian Mallia, the band's powerhouse drummer, was diagnosed with a knee ligament injury following a jogging mishap. While not life-threatening, the injury significantly affected his ability to handle the double-bass drumming style integral to Weeping Silence’s sound. Despite maintaining light drum practice and physiotherapy sessions, Julian faced a long road to recovery. By early 2024, it became clear that the healing process would take longer than anticipated. Recognizing the band’s need to continue their musical journey, Julian made the difficult decision to step back, allowing Weeping Silence to seek a replacement drummer. After months of searching and weathering a challenging period of uncertainty, the band announced on December 13th that Daniel Aquilina has officially joined as their new drummer. In their post, the band described Daniel as a “remarkable talent” whose energy perfectly complements their vision. While Daniel has been rehearsing with the band for a couple of months, the announcement was delayed out of respect for Julian’s recovery and the delicate nature of the transition. The band acknowledged the emotional toll of the past year, stating that morale had reached an all-time low as they faced the possibility of disbanding. Ultimately, the decision to move forward with Daniel was seen as essential to sustaining the band’s momentum for their next album and future performances. Weeping Silence expressed deep gratitude to Julian Mallia for his dedication and contributions over the years, emphasising that he remains a vital part of their story. Fans also received a compilation of Julian’s standout drumming performances, showcasing his immense talent and legacy within the band. As they turn the page to this new chapter, Weeping Silence thanked their supporters for standing by them during a turbulent year. With Daniel Aquilina on board and new material in the works, the band is ready to forge ahead with renewed inspiration and energy. Stay tuned for updates as Weeping Silence prepares to unleash the next phase of their musical evolution. New Music from Maltese Artists: Matthew James and The Crowns Drop Singles and Videos Two major Maltese music releases have captured the spotlight this week, with Matthew James and The Crowns each unveiling new projects that highlight their evolving artistry and passion for storytelling through music. Matthew James: "People" Singer-songwriter Matthew James  released his latest single, People , on December 12th. The track, featuring the Malta Philharmonic Orchestra, marks a poignant moment in his career. In a Facebook post, Matthew expressed his deep appreciation for the orchestra, stating, “Their artistry elevated this song to a whole new level.” The inspiration for People  stems from a personal journey of reflection and empathy. “A few years ago, I found myself fearing people—focusing only on their flaws after going through a rough time,” he shared. “But I had a moment of clarity that reminded me we all face struggles, no matter who we are. People  is about hope. It’s about looking beyond our differences and seeing beyond what divides us, finding common ground.” Accompanying the heartfelt single, the music video  for People  was launched on Wednesday, December 17th, at 10 a.m., capturing the song’s message of unity and resilience. Fans can stream the single here . The Crowns: "Out of Our Minds" Pop-rock band The Crowns  also treated fans to new music this week, unveiling the official music video for their single Out of Our Minds  on December 13th. This track is the lead single from their upcoming five-track EP, breakupbeard . In a Facebook announcement, the band shared their excitement about the collaboration with producer Jimmy Tyrrell , emphasizing the emotional core of the song. “This song captures the raw emotion and energy we’ve poured into our music,” they wrote. The new single, described as a bold exploration of love, heartbreak, and self-discovery, showcases the band’s signature blend of dynamic vocals and vibrant instrumentation. Fans can listen to Out of Our Minds   here . Young Maltese Musicians Shine on European Stage Two young Maltese musicians, Isaac Azzopardi and Bettina Farrugia, have been making waves in the European music scene, representing the island with extraordinary talent and passion at prestigious international events. Isaac Azzopardi: Rising Star in Electric Guitar At just 15 years old, Isaac Azzopardi emerged as a European finalist in the Tour Music Fest, a renowned music competition held in San Marino, Italy, on November 28th. Performing Jimi Hendrix’s iconic Voodoo Child in front of a panel of esteemed international judges, Isaac showcased the guitar prowess that has been earning him recognition across the continent. Isaac’s journey began with inspiration close to home—his father’s guitar—and grew under the influence of musical legends such as Slash of Guns N’ Roses, Bon Jovi, and Carlos Santana. Last year, he stunned audiences at San Remo, representing Malta with pride and describing the experience as a “highly enjoyable musical journey.” Isaac recalls the challenge of following the winners’ announcement in Italian but cherishes the pride of standing on an international stage. Isaac also captivated audiences closer to home at an event hosted by X-Vandals last December, where his band, Electric Echoes, performed alongside Animamortua, Oblique Visions, Delirium MT, and Valiantis. Reflecting on the event at The Garage, Isaac highlighted the support from the crowd and described the performance as a “cool, new experience.” On January 5, 2024, Melodija.eu  published an article titled Electric Echoes: Malta's Youngest Rock Band - From San Remo to Sharing the Stage with Delirium MT and X-Vandals . The full article is available here . This year, Isaac continues to grow musically with the band Freefall, a soft electric ensemble that includes his brother Jake, Carlos Pulis, and Nicole Magro. Looking ahead, Isaac dreams of furthering his music studies abroad while continuing to perfect his craft on the guitar. Bettina Farrugia: A Composer with Star Power Also making a name for herself at the Tour Music Fest was 18-year-old Bettina Farrugia, who competed in the Musicians Category with her original composition, Waltz of the Stars. Bettina’s smooth melody enchanted both judges and the audience, further solidifying her reputation as an extraordinary young composer. Bettina first captured national attention in 2022 when she earned the golden buzzer on Malta’s Got Talent at just 16 years old, performing another of her original compositions. Her ability to craft intricate, emotive pieces has set her apart as one of Malta’s most promising musicians. A Promising Future for Maltese Music Isaac and Bettina’s achievements highlight the wealth of young talent in Malta and their ability to compete on an international level. Their performances at the Tour Music Fest are not only a testament to their skill but also an inspiration to other aspiring Maltese artists. As these young musicians continue to develop their craft, the future of Maltese music looks brighter than ever.

You might remember that Damaged & Co. had to pull out of the gig at 97 Notes on December 13th.  Performing live is our passion and this was not done out of capricious reasons.  Due to personal reasons, which we fully understand and appreciate, Ismael Bonello had to take a step back and the drum stool was once again vacant.  We wish to thank Ismael for his contribution and wish him luck for future endeavours.  He will always be part of this damaged family. But worry not, we have a more than suitable replacement and an announcement in that respect will be out shortly.  In the process the band have kept their creative juices flowing and are writing new material for future recording. We already have announced a gig at The Garage with some very special friends.  Cirque du Carnival is scheduled for February 22nd, 2025.  It will be a fun event just before carnival.  There might be other gigs before Cirque.  Follow our page for announcements.  We are ready to rumble, are you? 17.12.2024

Jubilate: Exploring Hope and Joy at Schola Cantorum Jubilate’s Christmas Concert Schola Cantorum Jubilate (SCJ)’s Christmas concerts are a fixture in Gozo’s Christmas calendar, with the choir having organised trailblazing and widely attended choral evenings since the year 2000. On Saturday 28 December 2024 at 19.30, SCJ will be sharing with the audience another unforgettable choral experience with Jubilate. Set within the magnificent Ta’ Pinu National Shrine in Gozo, Jubilate’s repertoire includes popular traditional pieces by Holst, the ‘Christmas Composer’ John Rutter, and musical arrangements by David Willcocks. The audience will also be treated to pieces from contemporary composers, including Dan Forrest, Malcolm Archer, and Terre Roche. One of the highlights of the evening will be a captivating arrangement for male voices by SCJ composer-in-residence Paul Portelli. In this piece, Portelli weaves a dialogue between the organ and piano, bringing St. Alphonse M. De Liguori’s text Tu Scendi delle Stelle, profoundly to life. The concert features the SCJ Adults Choir, joined at times by the SCJ Teenage Boys, with pianist Anna Magrin and organist Joseph Camilleri, all under the direction of Marouska Attard. “Our selection of songs for this evening includes both the timeless and the new,” explains Marouska, the choir’s conductor and herself a soprano. “We added familiar carols alongside fresh arrangements and new contemporary choral pieces, all of which reflect the beauty and diversity of the Christmas season. We hope that each note brings warmth in our audience’s heart and helps them experience the true meaning of Christmas: peace, joy, and goodwill toward all.” Jubilate - meaning rejoice - will explore the realms of joy and hope. The audience will get to experience the essence of the Christmas season as well as explore the Roman Catholic Church’s Jubilee Year call for the faithful to be Pilgrims of Hope. These themes will come together through an expertly curated musical repertoire, projections and literature, giving a contemporary feel to the traditional Christmas concert. “Hundreds of concerts are organised in December, but at SCJ, we try to give something unique to the attendees that reboots moods and perspectives towards life,” observes Artistic Director, Stefan Attard. “The notes on the scores are given a tonality to convey a message that gives a new breath to the actual story of humanity. The lights, projections and literature embellish the whole event and facilitate a real journey within the inner self, in this special time of the year,” he continues. Through Jubilate, SCJ will pay homage to the late Mro Stephen Attard, SCJ’s first accompanist, composer and poet who supported the choir’s musical endeavours from the choir’s first days. The concert also marks the opening of SCJ’s 25th anniversary and will be succeeded by a year of events that celebrate the choir, its role in the development of Malta’s choral landscape, and the diverse interpretations and artistic expressions that bring choral music to life. The title, Jubilate, is in fact a nod to the choir’s name and its beginnings in the Great Jubilee 2000. Jubilate is a must-attend event for those looking for an ethereal choral experience this Christmas. Jubilate is supported by the Directorate Cultural Heritage within the Ministry for Gozo and Planning. Entrance to the concert is free of charge and no booking is required. For more information please visit www.scjchoir.com . Follow the choir on Facebook and Instagram for updates.

You cannot attend a metal concert and not hear the phrase ‘let me see those horns in the air.’  All of a sudden the air is filled with hands reaching towards the sky, making the sign of the horns.......... la mano cornuta .  Singer Ronnie James Dio is often credited as being the one to make this sign popular with metalheads, but what does it mean and was he the first to introduce the gesture to the masses?   Symbolism The sign of the horns is very popular gesture in Mediterranean cultures, especially Italy.  It is mainly given to ward off bad luck or the evil eye ( malocchio ).  Hors in Italian are corna , thus the phrase mano cornuta  – horned hand.  For a good measure the Italians accompany the gesture by the phrase “Tèee! ”, derived from the tieni (hold it).  The gesture can also come to mean that you are referring to someone as cuckold.  Migrants from the Mediterranian region to other parts of the world carried with them their traditions, including superstition such as the mano cornuta .       This sign is not confined only to the Mediterranean region.  In neo-pagan religions, such as Wicca, the gesture might symbolise the Horned God and it is considered as a traditional salutation in LaVeyan Satanism.    In Hatha Yoga, a similar gesture is believed to rejuvenate the body, whilst in Buddihism this gesture is used to expel demons, ward off evil and remove negative energy.  Use by musicians One of the first references is a recording by the New Orleans Owls, ‘Throwin’ the Horns’, released by Colombia Records in 1927.   In the series Rock n Roll Renegades (aired during 1995), Ike Turner, while being invterviewd stated that back in1951, he used the sign of the horns while performing Howlin’ Wolf’s blues song ‘How Many More Years’. In 1969, Chicago-based psychedelic-occult rock band Coven, released their album Witchcraft Destroys Minds & Reaps Souls, through Mercury Records.  On the back album cover, band members standing behind singer Jinx Dawson, are pictured giving the sign of the horns.   According to Dawson, she used the sign as far back as 1967.   The sign of the horns in heavy metal When in 1979 Ronnie James Dio replaced Ozzy Osbourne in Black Sabbath he had very large shoes to fill.  Some might argue that technically Dio is a far better singer than Ozzy, but the latter has a charisma that is hard to match.  Apart from the constant bantering around the stage, Ozzy would raise his hands in the air making the peace or victory sign.  On the first tour fronting Black Sabbath, maybe to connect better with the fans, Dio opted to use the sign of the horns as his hand gesture of choice.  According to Dio, his grandmother, who was of Italian descent, used it to ward off evil eye ( malocchio ).     Interestingly enough this was not the first association of Black Sabbath with the sign.  There is a photo dating back to 1969, ten years before Dio joined the band, showing founder Geezer Butler raising the horns.  This rare photo was included in the cd booklet of ‘Symptom of the Universe: The Original Black Sabbath 1970-1978’ compilation album.  This shows that the association of the mano cornuta with metal goes even further than the Dio association, though it was he who popularized it and now it is a uniting symbol for the metal masses.    During an interview in 2001 he had the following to say: “ I doubt very much if I would be the first one who ever did that. That's like saying I invented the wheel, I'm sure someone did that at some other point. I think you'd have to say that I made it fashionable .” Taking it one step back, though the Beatles are not assosciated directly to heavy metal, in 1967 John Lennon was photographed making the sign of the horns during a photoshoot for their upcoming cartoon movie Yellow Submarine.  Even on the official movie poster for the movie, issued in 1968, the cartoon character depicting Lennon is making the same gesture. According to CBS News, Gene Simmons, of KISS fame, made an attempt to patent the ‘devils horns’ as his own through an application filed with the United States Patent and Trademark Office on June 16, 2017.  The version Simmons was alluding to was the ‘I Love You’ gesture in American sign language, with the thumb, index, and pinky finger extended.  Seeing that this was a mission impossible, Simmons abandoned his application on June 21st of the same year. Irrispective of what it means and who ever introduced it to the metal circles the gesture has become part of who we are and what we feel comforatble doing at metal concerts.  A hand gesture that unites us against the evil that tries to destroy the music we live for and what we love most dearly.  “Tèee!”

Beangrowers, an indie rock trio that emerged in the 1990s with a sound that brought a refreshing blend of indie rock, punk, and gothic tones to both local and the European music scene. The group consists of Alison Galea on vocals and guitar, Mark Sansone on bass, and Ian Schranz on drums and electronic effects. Known for their unique blend of guitar-heavy indie rock combined with electronic and punk elements, Beangrowers became one of Malta's most celebrated bands with a fanbase extending across Germany, New Zealand, and other parts of Europe. Early Beginnings and Formation The roots of Beangrowers trace back to the childhood friendship of Schranz and Sansone, who met at church and later pursued music together. The duo was soon joined by Galea, whose vocal style—with its distinctive, vaguely British-accented tone—added a layer of sophistication to the group’s evolving sound. Despite initially experimenting with a number of fourth members, the trio ultimately solidified as a three-piece band. Their name, "Beangrowers," came from a fan’s suggestion after a promoter demanded they provide a title for an event—a whimsical origin that matched the quirky spirit of their music and band ethos. Musical Evolution and Early Success Beangrowers quickly gained traction by recording demo tapes filled with sounds from 1950s science fiction movies and computer-generated noise, reflecting their experimental approach. In 1996, when the band members were only 18, they travelled to Germany to perform, sparking a robust reception that paved the way for their later success in Europe. Their debut single in 1999 gained traction on the Deutsche Alternative Charts, and that year, their track "José Clemente" even reached No. 7 on New Zealand charts, securing them steady rotation on Juice TV, New Zealand’s equivalent of MTV. European Presence and Major Releases Throughout the 2000s, Beangrowers found a foothold in Europe, particularly Germany, where they built a loyal fanbase while signed to Rough Trade's German division. They toured alongside notable bands like Elbow, Stereophonics, and dEUS, further solidifying their reputation. Their albums, including 48K  (1999), Beangrowers (2001), Dance Dance Baby  (2004), and Not in a Million Lovers (2008), showcased the band’s evolution from lo-fi indie rock to more polished productions while retaining their signature sound. Songs like "Teen Titans" encapsulated their outsider stance in the music industry, a sentiment further echoed in their lyrics, "We never listen to the radio." Film Collaborations and Critical Recognition The band's music caught the attention of acclaimed director Wim Wenders, who included their song "The Priest" from the Dance Dance Baby  album in his 2004 film Land of Plenty . This recognition contributed to their international profile and led to further cinematic collaborations. Galea later contributed her voice to the soundtrack of Wenders’ 2011 Academy Award-nominated documentary Pina , a tribute to dancer and choreographer Pina Bausch. In 2012, Beangrowers also worked on the soundtrack for Rick Bota's film Love Me . Recent Work and "Dystopia" After a period of reduced public activity, Beangrowers released their single "Dystopia" in 2019. The track presented a melancholic reflection on urbanization and societal change, mirroring contemporary concerns in Malta. Accompanied by a retro-styled music video with vintage footage of buildings being destroyed in reverse, "Dystopia" added a socio-political edge to the band’s discography. The song’s lyrics, "The past is gone, To dust you go, And on and on, The plan it goes," conveyed a lament for lost autonomy amid relentless development, resonating with Maltese listeners amid Malta's rapid infrastructural changes. Legacy and Influence Beangrowers' musical style has been shaped by a broad spectrum of influences, including alternative rock and post-punk icons like Violent Femmes, Joy Division, and Pixies. The band openly acknowledged their admiration for these groups, drawing from the raw, pop-oriented songwriting that characterized bands like The Cure, Nirvana, and Depeche Mode. Galea's diverse influences also include 1960s and 1970s rock, 1980s new wave, and 1990s grunge, creating a nuanced approach to Beangrowers’ indie rock foundation. Over the years, they have remained a beloved part of the Maltese music scene, celebrated for their contributions to Malta’s cultural landscape and for expanding the country’s presence in alternative rock. Despite their relatively niche following in mainstream English-speaking markets, Beangrowers’ innovative sound and dynamic live performances have made them pioneers of Malta's indie rock export. Their ability to weave elements of indie, punk, and electronic soundscapes, along with their cinematic contributions, has cemented their legacy as one of Malta's most significant and enduring musical acts. Bibliography "Beangrowers." Wikipedia, The Free Encyclopedia . "Beangrowers." Maltese Music Project (M3P) . "Music Talk: Beangrowers Back with a Bang." Times of Malta , 14 Sept. 2011. Azzopardi, Jean Paul. "Maltese Indie Rock Legends Beangrowers Drop New Single 'Dystopia'." Lovin Malta , 30 July 2019.

Robert Farrugia Releases New Single Robert Farrugia Releases ‘Qabru’ Ahead of upcoming soundtrack album ‘Natura Maltija’ Maltese ambient artist Robert Farrugia releases ‘Qabru ahead of new soundtrack album ‘Natura Maltija’, providing a playful, ambient-inspired score of hardware synthesis and orchestral instrumentation to beautiful multi-part Maltese nature documentary. Check out ' Qabru ' Photo Credit: Eliza Von Brockdorff About 'Qabru' ”Qabru" [Eng: Maltese Freshwater Crab] is a deeply atmospheric and emotional track, designed to reflect the vulnerability of the Maltese freshwater crab and the broader theme of environmental destruction. With its drone-like soundscapes, layered synthesisers, and delicate piano motifs, the piece creates a somber, reflective atmosphere. The sparse, minimalistic structure and slow pacing evoke a sense of stillness, fragility, and time passing, emphasising the irreversible impact of habitat loss and potential extinction. As one of the more emotional tracks on the Natura Maltija soundtrack, "Qabru" encourages listeners to pause and reflect on humanity’s effect on nature. About 'Natura Maltija' [Official Soundtrack] Farrugia’s ‘Natura Maltija’ score marries traditional and organic orchestration with contemporary ambient-aligned sound design to support the narrative of the documentary series - itself a rare and deeply engaging longform experience, unique to the tiny Mediterranean archipelago Just as the series, Farrugia’s soundtrack captures the breadth and beauty of Malta's diverse wildlife. Each track corresponds a specific lifeform, both fauna and flora, while recurring motifs and instrumentation bind the album and series into an overarching narrative. Recorded, as usual, in his home studio, Farrugia worked closely with the series producers to offer both celebratory and wistful storytelling. 1. Bugeddum 2. Bufula 3. Fkieren 4. Lhudi 5. Qabru 6. Merill 7. Gamiem 8. Ballottra 9. Qarnita 10. Tema Pre-save the album Here! Series producer and director Saviour Bonnici's inspiration to create Natura Maltija [Eng: Maltese Nature] stems from a young age, largely influenced by his father, who shared his knowledge and passion for the natural world. Bonnici came to understand  that Maltese nature, rich in biodiversity - there are over 11,000 species, 130 of which endemic - was under threat. Sensing a want of environmental education in the Maltese school system, he took action. Natura Maltija, a beautifully shot and directed, entirely Maltese-language documentary series showcasing the island’s unique flora and fauna, was broadcast on One, a key terrestrial channel on Maltese television. Bonnici met Robert Farrugia through mutual friend in Malta’s small but fraternal music scene, proposing that  Farrugia’s ambient prodcution matched the tone envisioned for the series. The soundtrack became essential in conveying each species’ story: wonderment for the rare weasel (‘“Ballottra’”) and sadness for the endangered Maltese freshwater crab (“Qabru”).  The first series, now completed, and already domestically broadcast, Natura Maltija is to expand its reach., with plans to make the series internationally available across online media platforms, with newly added English language subtitles.  The second series of Natura Maltija will be integrated into the local education system via the Maltese Ministry of Education, helping to promote nature education among students and foster a long lasting awareness of Malta's biodiversity. About Robert Farrugia Robert Farrugia is a dynamic and continually evolving ambient artist whose palette has, over years of releasing solo music, grown to touch on  drone, neoclassical, downtempo, and IDM. Drawn to acoustic instrumentation with significant personal value,  such as his family’s Weinbach piano,  these instruments become more than just tools for his compositional practice, they act as unique characters, each adding its own voice and depth. Milestones in his career include the releases of Tines in 2016 and Slow Morning in 2017, both on Spain’s Archives Records. He has also collaborated with Dylan Henner for one-off track "Xochitlatcan", and reworked Past Inside the Present boss zakè's "New Dawn" for the latter’s remix collection. ‘Ballottra’ Visualiser Check out the visualiser for the track on our Youtube Channel. Footage provided by series producer and director Saviour Bonnici. Watch Here! All Our Releases Want to help both the artists and the label, plus get some killer music in return? Check out our store to purchase some limited edition cassettes, vinyl and more! Kewn Records on Bandcamp Kewn Records on Facebook Kewn Records Website Copyright (C) 2024 Kewn Records. All rights reserved.

Get ready to rock your holiday season with a night of relentless metal!  Following the resounding success of last year’s debut edition, Haine is back with Haine and Friends – Second Edition : a celebration of local talent, earth rattling breakdowns, and the unmatched camaraderie of the Maltese metal scene. Mark your calendars for Saturday, December 21st , and head to The Garage, Żebbuġ , as Haine takes the stage alongside a lineup that promises to shake the walls and set the perfect tone for your metal holiday spirit. Doors open at 8:30 PM , and you won’t want to miss a moment of this monumental night. What Makes Haine and Friends – Second Edition Unmissable? This year’s edition is not just another gig—it’s a collaborative celebration of Malta’s vibrant metal scene. Haine will be joined by a killer roster of guest artists, each adding their unique touch to the show. Expect fresh takes on Haine’s signature sound and a setlist packed with surprises, including a live debut  of their brand-new single, "The Lake" , set for release on December 13th. This event is about more than music—it's about unity . "We want this event to be an opportunity for musicians to come together and enjoy playing alongside one another in ways that might not usually happen," says Haine. "It's a celebration of friendships and the sheer talent in the local metal scene." Special Guests & Surprises Await So far, Haine has announced yet another incredible lineup of guest bassists and drummers, with more surprises still to come: Bassists : Timothy Garrett ( Geistmaschine, Krishna , Double Standard ), Leander Lanzon ( Align the Tide ), and KyleAnthony Cortis ( Luciferi Regnum ). Drummers : David Depasquale ( Abysmal Torment , ClubMurder ), Justin Caruana (Grotium, The Marmalades) . Vocalists: Tyrone Mifsud ( MartYriuM ) - Sol Pearson ( Align the Tide ) - Keith Falzon ( ClubMurder ) - Miguel Ángel Sarmiento ( Halcyon, No Humano, Sonic Storm ) - Edward Tagliaferro - Lilith Macabre ( Luciferi Regnum ) - Kian Sullivan. The full list of guest guitarists will be revealed as the event approaches, so stay tuned for updates. Opening the Night: Geistmaschine’s Grand Finale The night kicks off with Geistmaschine , a post-metal powerhouse delivering their final performance for 2024 before progressing into a new chapter. This is a unique chance to witness the band’s transformation and an unforgettable opening set. A Preview of What’s to Come photos from Haine and Friends 2023 Haine and Friends – Second Edition is also Haine’s last show of the year before the highly anticipated release of their upcoming album, "Fertile Void" , dropping in February 2024. This is your chance to hear new material and experience the next evolution of Haine’s sound before anyone else. As part of the night’s explosive lineup, Additionally, Haine will give attendees an exclusive live debut  of their brand-new single, "The Lake" . Officially releasing on December 13th, 2024 , this track offers a haunting glimpse into the sound and emotion of their upcoming album, "Fertile Void"  (out late-January 2025). photos from Haine and Friends 2023 For those attending Haine and Friends – Second Edition , this is your chance to experience "The Lake" live before anyone else—a raw and unfiltered performance that’s set to become a highlight of the night. Don’t miss this sneak peek into the future of Haine’s evolving sound! Event Details Event : Haine and Friends – Second Edition Date : Saturday, December 21st, 2024 Location : The Garage, Żebbuġ Doors Open : 8:30 PM photos from Haine and Friends 2023 Don’t miss this night of friendship, fire, and ferocity. Spread the word and join Haine and friends as we close out the year in true metal style. For updates, guest announcements, and more, follow Haine on social media and stay in the loop as the event draws near.