WEEPING SILENCE ADDED TO ANGELCRYPT SINGLE LAUNCH LINEUP ON APRIL 25TH Following the postponement of the Malta Metal Meeting, atmospheric metal group Weeping Silence has officially joined the lineup for the Angelcrypt Where Skies Rained Iron launch. The event will proceed on Saturday, 25th April 2026, at The Garage, Żebbuġ. While the large-scale festival at Gianpula Village has been deferred to next year, this concentrated showcase ensures that the same date remains a focal point for the Maltese metal community. Hosted by Shellshock Events, the evening now features a revised four-band bill comprising local mainstays and international guests. Event Lineup: ● Angelcrypt: Official launch of the new single, Where Skies Rained Iron. ● Weeping Silence: Special guest appearance following their recent folklore-inspired releases. ● Dysangelium (CZ): International support from the Czech Republic. ● Sacrament: Opening the proceedings with a high-energy performance. Event Details: ● Date: Saturday, 25 April 2026 ● Venue: The Garage, Żebbuġ, Malta ● Doors: 8:00 PM Tickets will be available at the door. Fans previously planning to attend the Malta Metal Meeting are encouraged to attend this event in support of the local and visiting artists.

Myles Azzopardi has never been one to stay confined within a single genre. Over the years he has moved between alternative, punk and rap, constantly reshaping his sound. With his latest release, Bare Bones, Azzopardi once again ventures into new musical territory—this time blending acoustic folk sensibilities with the energy of pop punk. Speaking on the Rock Moods radio show on Melodija.eu, Azzopardi described the album as something of a hybrid. “I think Bare Bones might be titled alternative punk,” he said, before clarifying his own interpretation: “I think of it as a folk pop punk record because it’s based on acoustic guitar but it’s very inspired by playing the Green Day type electric guitars as well. So the folk acoustic vibe with the pop punk mix is Bare Bones basically.” The album marks a noticeable shift from the EP Azzopardi released in 2024. According to the artist, the move was intentional and rooted in a desire to explore beyond his musical comfort zone. “Honestly, I wanted to explore different genres,” he explained. “I consider myself a creator. I write a lot and I write a lot of different things, so this was a way of putting myself more outside the comfort zone.” Fans familiar with his earlier material will notice one key difference: the absence of the heavier, aggressive vocal style he often used before. “If you’ve heard the album, you’ll notice how there is no screamo in it,” Azzopardi said. “Who knows my past music knows that I love screamo and the heavier side of music. But I just wanted to express more vulnerability through this music.” The album was written rapidly and in a focused creative burst. Rather than drawing from older material, Azzopardi composed the tracks from scratch over a few weeks. Interestingly, the songs were written in the exact order they appear on the record. “I wrote the music exactly how the track list is,” he revealed, emphasizing his desire to keep evolving creatively rather than revisiting shelved ideas. The concept behind Bare Bones also reflects a personal theme that runs through the record. “I think mostly it was to express vulnerability and to kind of release a bit the stigma that men can’t and shouldn’t be vulnerable,” Azzopardi said. “I believe it’s okay to show that side of you, and I wanted to do that through music.” Joining Azzopardi in the band is Argentine musician Julián Paco, whose journey to Malta and into the project began through the local surfing community. “I landed here by plane,” Paco joked during the interview. “Quite a far plane from Argentina.” Music has long been part of Paco’s life. Inspired by his father, he picked up the guitar as a child while listening to bands such as Iron Maiden, Metallica and Judas Priest, alongside heavy metal acts from Argentina. Punk music from his local scene also left a strong impression on him growing up. His collaboration with Azzopardi began through a gig organised by surfers who also happened to be musicians. “We did a gig once where people from the community of surfing, who were also musicians, wanted to get everyone together and do something together,” Paco recalled. “We were practicing, the vibe was on, the energy was top… sharing the stage together sparkled something.” Shortly afterwards, when Azzopardi needed an extra musician for a performance at Beerfest, he reached out to Paco. “I said, ‘Yeah, let’s do it,’” Paco said. “Since then we’ve just been constantly rehearsing and preparing and working really hard for what we’re doing now.” Paco says Azzopardi’s shift toward a folk pop punk sound feels natural to him. Both musicians grew up listening to similar bands. “We ended up listening to similar bands and that constantly starts a conversation, like Good Charlotte or Bring Me The Horizon,” he explained. “The music that he’s making, I find myself really comfortable and really eager to learn the songs and try to improve my performances.” Language has occasionally been the only barrier when performing older material written in Maltese. “My only weak point is that I don’t speak Maltese, so I cannot sing them along as well,” Paco admitted. That may soon change. The two musicians have already begun experimenting with multilingual songs, mixing Spanish, English and Maltese influences. Azzopardi has even started learning Spanish. “He sometimes calls me and speaks in Spanish and sounds natural,” Paco said. “He’s getting somewhere.” The album’s artwork is perhaps its most unusual feature. The striking cover collage is made entirely from Azzopardi’s own medical scans. “Yes,” he confirmed when asked if the images were his own. “Most of them are breakages. Some MRI scans from slipped discs.” The injuries are the result of his passion for adrenaline sports. “I’m a big fan of adrenaline sports—skateboarding, BMX, stunting on motorbikes, motocross, surfing—anything that gets you hurt seriously basically,” he joked. The idea for the artwork came spontaneously while browsing his medical records online and noticing the number of X-ray images available. He eventually selected nine images—one to correspond with each track—and assembled them into the final collage. The entire artwork, including the interior design, was created by Azzopardi himself. “There’s more,” he added with a laugh. “There’s enough for another album at least.” Bare Bones also carries sentimental value. The entire album was recorded in Azzopardi’s childhood bedroom as a way of marking the end of an era before his parents sold the house where he had lived for three decades. “I wanted a nice good memory to kind of farewell with the house,” he explained. “So I decided to produce all this album by myself in my old room.” The process took around 22 days of full-time work, with Azzopardi handling most of the production himself. Only a few drum parts were recorded in collaboration with fellow musician Melchior. The album was officially launched on February 27 during a live show that showcased the dynamic chemistry between Azzopardi, Paco and drummer Funky Monkey. Although the record could easily be performed acoustically, the trio opted for a full-band approach. According to Azzopardi, the energy that the band brings elevates the songs beyond their recorded form. “Since I met Julián and Funky Monkey, I realized how much their input uplifts the performance,” he said. “The fact that we all trust each other personally and musically is a great plus because that also transcends to the audience.” The performance blended new material with older songs and even included a Spanish-language track—Azzopardi’s first time performing one live and Paco’s first time singing in front of an audience. Despite just releasing Bare Bones, Azzopardi has already begun work on his next album. This upcoming project will focus entirely on Maltese-language material and will reinterpret well-known songs from genres such as hip-hop and grunge. Some tracks will stay close to the original themes, while others will flip the concepts entirely. “If there is one talking about drowning, I’m going to be talking about loving,” he said. “Total opposite subjects.” The project, supported by the Arts Council, is currently in development with an album launch targeted for around October. By then, the band hopes to release several singles leading up to the full record. Alongside their music, the band has gained attention for creative promotional videos on social media. Rather than relying heavily on traditional advertising, Azzopardi believes artists today should make the most of the attention that can be generated organically online. “We’re in a time where attention is free,” he explained. “You can reach people from your own pocket on your phone. Not posting is limiting yourself from the amount of people that are going to see your work.” Looking ahead, the group hopes to perform regularly following the album launch, with plans to play live shows at least once a month and possibly appear at festivals such as Rock the South. For Paco, the immediate future is simple: focus entirely on the band. “At the moment it’s pure dedication here,” he said. “Just practicing at home, meeting the guys for rehearsal, full-on focus on the Myles project and to see where we end up.” With new music already in the pipeline and a strong creative partnership forming within the band, Bare Bones may represent both a personal statement and the beginning of an exciting new chapter for Myles Azzopardi. all photos (except album cover) by d.catania Photography Myles and Julian interview on Rock Moods (including music by Myles) can be listened here . Rock Moods © Noel Mifsud

Different Strings Release Fifth Studio Album The Great Divide Different Strings have officially released their fifth studio album, The Great Divide , on March 9, 2026. The album is available in digital download and CD Digipak formats across all major digital platforms, excluding Spotify, as well as on the band’s Bandcamp page. Pre-orders for the album opened on February 23 and received a positive response from fans. For a limited time, the album remains available for streaming on the same page, allowing listeners to experience it before purchasing. At present, there are no plans to release the album on vinyl unless significant demand arises. With a runtime of over one hour, The Great Divide  features six tracks, including two epic compositions lasting 18 and 22 minutes respectively. The album also includes four additional tracks, among them the previously released “Words Unspoken,” which has been remixed for improved sound quality and remastered to ensure overall album cohesion, and “Apathy Symphony,” which has also been remastered for consistency within the album. On this release, Different Strings’ Chris Mallia collaborated with an international lineup of guest musicians. Keyboardist Derek Sherinian performs Hammond organ and all keyboard parts on “Words Unspoken.” The album also features contributions from four vocalists: Alex Granato (Naples, Italy) on “Apathy Symphony” and “Rhapsody in Grey Pt. 2 – Stranger in a Strange Land”; Chris Galen (USA) on “The Cuckoo’s Nest” and “Rhapsody in Grey Pt. 4 – Lost in the Maze”; Ilya Miroshnicenko (Belarus) on “The Jester’s Smile” and “Rhapsody in Grey Pt. 3 – Smoke and Mirrors”; and Berzan Onen, the new vocalist of Nevermore, on “In Darkness” and “Rhapsody in Grey Pt. 5 – Final Breathes.” Additional guest contributions include Nigerian vocalist Olawepo Tayo, who recorded a gospel choir featured on “The Cuckoo’s Nest” and “Rhapsody in Grey Pt. 3 – Smoke and Mirrors,” and Latvian musician Artis Locmelis, who performs tenor saxophone solos on “Rhapsody in Grey Pt. 4 – Lost in the Maze.” The Great Divide  is a concept album exploring themes such as mental illness, anachronism, and social alienation. Musically, it is geared toward listeners who appreciate 1970s progressive rock and guitar- and keyboard-driven classic rock enriched with classical influences. Fans wishing to support the band are encouraged to purchase the album directly from Different Strings. Direct purchases contribute to the band’s ability to produce future releases. For further details and discounted pricing options, contact differentstrings@hotmail.com

Upper Lip Unleash Powerful Second Album, Devil’s Ride  Produced By David Vella  Rising hard rock force Upper Lip returns with their explosive second studio album, Devil’s Ride – an eight-track powerhouse that marks a bold and darker evolution from their debut record, Deep Within. Following the success of their first release, Upper Lip ventures deeper into the shadows with Devil’s Ride, an album that explores betrayal from those meant to stand by us, the weight of internal struggles, and the eternal duality between good and evil. While the themes cut deep, the record ultimately carries a powerful message of hope – a call for unity and resilience in the face of pain, hardship, and forces that seek to divide and destroy. Drawing inspiration from the raw blues fire of Rory Gallagher, the intricate acoustic textures of Bert Jansch, and the riff-driven mastery of Jimmy Page, Upper Lip fuse classic rock authenticity with unapologetic power. The swagger and grit of Guns N’ Roses and the explosive, anthemic energy of The Who echo throughout the record, shaping an album that honors rock’s golden era while forging its own commanding identity. Notably, the track “The Castle” ventures boldly into heavier territory, with verses embracing classic heavy metal textures and dark tonal weight reminiscent of Black Sabbath, adding a brooding, ominous edge to the album’s sonic landscape. Devil’s Ride was recorded at the iconic Temple Studios in Mistra under the guidance of producer David Vella, who also produced the band’s debut album. The record captures Upper Lip’s raw energy while elevating their sound into darker, more intense territory. All the music and lyrics on the album were written by Joseph Azzopardi, showcasing his uncompromising creative vision and songwriting depth. Speaking about the new release, songwriter Joseph Azzopardi reflected on the journey behind the album: “I love this record so much. It took a lot of work to get it where it is, but I think it really shows how much we’ve matured as a band. My favourite track on the album is Won’t You Listen because it’s a very personal song for me. What I really love about Devil’s Ride is how varied it is  it merges different styles and influences, and that’s something I’ve always loved in a record.” On vocals, Christopher Portelli, often hailed as the band’s very own Bon Scott, delivers a commanding and electrifying performance that channels pure rock ‘n’ roll spirit. Reflecting on the album, Portelli highlights one track in particular: “One of the songs I love the most on the album is Goddess of the Sun. I’m a massive old-school rock fan, and that song really captures that classic vibe that I grew up loving. Recording this album was also a big step for me personally as a singer I feel like I improved a lot throughout the process and pushed myself further vocally.” Reflecting on the album, bassist Marcel Paul Grima shared his personal highlights: “My favorite riff on the album is from 'The Duel,' it really gives me that old western movie standoff vibe. The song I connect with most is 'Won’t You Listen,' because it’s about how stubbornness can create barriers between people, but also about not giving up. It was actually the most challenging song for me to get right, as it needed a very specific feel, but I ended up loving the vibe and melody it became. Looking back at our first album, Deep Within, I feel we’ve grown a lot as a band, both in songwriting and musicianship, and now we really know what we want.” The rhythm section brings thunder and groove, with Marcel Paul Grima on bass and seasoned Finnish drummer Sami Karpinnen behind the kit. Karpinnen, known for his work with Therion and his collaborations and touring with Opeth, injects the album with dynamic power and precision. The album’s striking artwork was created by local artist Peter Magro. The cover depicts an intense and symbolic scene: the devil behind the wheel, with two figures riding in the back — a powerful representation of the choices we make and the paths we choose. The imagery perfectly encapsulates the album’s title and underlying message: life itself can feel like a ride steered by temptation, but the direction remains ours to confront. Devil’s Ride is available now for purchase via Upper Lip’s official website at   www.upperlipmusic.com  and is also streaming on all major digital music platforms here:  https://album.link/s/1lMLCvv7Pj8kJE236j4oNG With this second release, Upper Lip proves they are not just riding the wave of rock ‘n’ roll, they are steering it straight through fire. Devil's Ride Track Listing Blood of Rock n’ Roll Charlie Plays Harmonica Another Kiss Goddess of the Sun Won’t You Listen The Duel The Castle Going Nowhere

Different Strings Announce 5th Studio Album The Great Divide The Great Divide album artwork Different Strings are proud to announce the release of their fifth studio album, The Great Divide , set for digital release on 9th March 2026. The album will be available on all major digital platforms (excluding Spotify) as well as via the band’s official Bandcamp page. Pre-orders commenced on 23rd February 2026. The Great Divide  will be released in digital format and as a limited CD digipak edition. The release date for the digipak format will be announced in due course. With a runtime of over one hour, the album showcases Different Strings’ signature progressive sound across six tracks. It features two epic compositions running 18 and 22 minutes respectively, alongside four shorter tracks. These include “Words Unspoken,” which has been newly re-mixed for enhanced sound quality and re-mastered for album cohesion, and “Apathy Symphony,” also re-mastered to ensure a unified sonic experience. On this release, Chris Mallia collaborates with four international vocalists, a gospel choir, and a saxophone player. The album also features acclaimed keyboardist Derek Sherinian, who performs Hammond and all keyboard parts on “Words Unspoken.” The Great Divide  is a composite concept album that explores complex themes such as mental illness, anachronism, and the experience of being a misfit. Musically, it is crafted for listeners who appreciate 1970s progressive rock and classic guitar- and keyboard-driven rock enriched with classical influences. Different Strings encourage supporters to purchase the album directly from the band, as this financial support contributes directly toward future releases. For further details, pre-orders, or inquiries, contact: differentstrings@hotmail.com

Glen and Amber have officially released their brand-new single, “Issa Naraw,” on 1st March, delivering a vibrant and feel-good anthem that encourages listeners to embrace life with confidence and positivity. “Issa Naraw” is a celebration of living life to the fullest — a song about self-belief, shutting out negativity, and choosing love for others and for life itself. Fun, energetic, and undeniably uplifting, the track captures a carefree spirit that resonates with audiences seeking optimism and light-hearted inspiration. The single is accompanied by a feel-good music video that highlights the natural chemistry and authentic personalities of Glen and Amber. The visuals perfectly complement the song’s message, portraying the duo’s genuine outlook on life and their shared passion for spreading joy through music. At its core, “Issa Naraw” reflects Glen and Amber’s real-life attitude: choosing happiness, confidence, and positivity even during challenging or uncertain times. The track was composed by Elton Zarb, Amber, and Glen, with lyrics penned by Lon Kirkop. With its infectious energy and empowering message, “Issa Naraw” is set to become a go-to anthem for anyone looking to celebrate life and focus on the brighter side of every situation.

MOTHERKNIVES ‘BROTHERS’ Motherknives unveil their debut single ‘ Brothers ’ releasing today via Kewn Records . A powerful anthem of unity and emotional resistance, and framed as the theme song of a united force, the army Motherknives is led by a female warrior born from a spirit of abuse and separation. Inspired by Middle Eastern, Japanese, and French female warriors throughout history, she stands as a symbolic mother of spirits bringing men together to be supportive and protective of one another, without segregation across religion, race, gender, or class. Brothers captures a constant emotional war that exists in the past, present, and future. It is a call to stand in equal, sensitive protest. To stop killing, to end division, and to move forward as a unified force. Both defiant and vulnerable, the single channels strength through solidarity. LISTEN TO THE DEBUT SINGLE HERE Francesca Mercieca – vocals, keys Quentin Falzon – drums Steve Shaw – bass Tony Bartolo – guitar Emerging from the basement garage, Motherknives are shaped by 90s underground influences while blending elements of 80s goth, heavy rock riffs, pop-like melodies, and trip-hop atmospheres. Their sound is both raw and cinematic, being grounded in alternative grit yet driven by melody. The debut single was recorded, produced, mixed and mastered by Capitol K. Artwork Photography by Francesca Schembri Artwork Design by Micaela Bogen Band Photo by Lara Facchinetti ‘ Brothers ’ marks the beginning of a bold new chapter for the band and their collaboration with Kewn Records! Copyright (C) 2026 Kewn Records. All rights reserved

The votes are in, and the 2026 Melodija Awards have officially wrapped up. Determined entirely by readers, this year’s results celebrate the very best of Malta’s local music releases from 2025. Across ten diverse categories, the awards highlight the breadth, creativity and vitality that continue to define the Maltese music scene. Alternative Albums Topping the Alternative category is Bila  with their debut full-length album Bezzalart . The release clearly struck a chord with listeners, marking an impressive breakthrough for the band. In second place came Divine Sinners  with Count Your Blessings , followed by Eyes To Argus  and their album Reboot , which secured third place. Dub, Ska and Urban The Dub, Ska and Urban category was led by Buzu  with the album Onestament , a release that resonated strongly with fans of groove-driven and rhythm-heavy sounds. Second place went to Tom Caruana  for Salsa Verde , while Manwel T  secured third with Africa . Classical Albums In the Classical category, Daniel Vella  claimed first place with Pieces Of Malta . A very close second was Charlene Farrugia  with Melita: Maltese Piano Music , reflecting how tight the competition was. Third place went to Tricia Dawn Williams  for Tiny Keys Big Sound . Folk Pop The Folk Pop category saw Kantera  take the top spot with Vjagg Sabih . Second place resulted in a remarkable four-way tie between Alexandra Alden  ( When Is It Too Late ), Dario Genovese  ( Burgundy ), David Schembri  ( Ghidli Int Ja Mara ) and Dominic Galea  ( Mara ). Third place went to the various artists compilation of the L-Għanja Tal-Poplu Festival 2025, celebrating Malta’s enduring songwriting tradition. Jazz, Fusion and World Music In Jazz, Fusion and World Music, Benji Cachia  led the category with Akshara , followed by Ray Agius  with Supernova . Third place was awarded to Kylo  for Kylo World . Mainstream Electronic The Mainstream Electronic category was won by X-Tend  with the compilation 1984–2024 Volume 2 , celebrating decades of electronic output. Second place went to Yazmin  with Vision , while Nico Jay  secured third with Ascending . Non-Mainstream Electronic First place in the Non-Mainstream Electronic category was awarded to Robert Farrugia  for Natura Maltija OST . Second went to Devil’s Breath  with Abandoned By Humans – Adopted By Wolves , and third to K.A.R.R.  with Galactic Driver 2 . Heavy Metal Albums In Heavy Metal, veteran death metal band Beheaded  claimed first place with Għadam , reaffirming their enduring impact on the scene. Second place went to Pilgrimage  for From Amber To Sun , while ClubMurder  took third with History Of Gods . Experimental Pop The Experimental Pop category resulted in a tie for first place between Claire Tonna  with Held  and Klinsmann  with Chaos & Cadence . Second place was awarded to X-Tend for L-Immigrant , while Matthew James  secured third with Ashes To Ashes . Rock & Punk Finally, in Rock & Punk, Five Years From Now  took the top honour with Bank Punk . Second place went to Djun  for L-Irxoxt , and third to Bruda  with Togħma Morra . Melodija congratulates all the artists who released music during 2025 and extends heartfelt thanks for their contribution to Malta’s ever-evolving musical landscape. The 2026 reader-voted results not only celebrate excellence but also reflect the richness, diversity and creative resilience that continue to strengthen the Maltese music scene year after year.

On 20th February, Maltese singer and television personality Malcolm Pisani took to his social media platforms to share an emotional message following his major success at the Malta Entertainment Awards 2026. Held annually, the Malta Entertainment Awards celebrate outstanding achievements across Malta’s entertainment industry, recognising artists, performers, broadcasters, and media professionals for their contributions throughout the year. The event brings together leading figures from the local music, television, and media sectors for an evening dedicated to excellence, recognition, and celebration. In his post, Pisani described the evening as “a dream” and expressed heartfelt gratitude to the organisers for delivering what he called a “wonderful and professional” event for artists within the entertainment scene. During the ceremony, Pisani received five major accolades. He was awarded Best Male Pop / Commercial Singer of the Year , Best Song of the Year  for “I Found You” , Best Music Video of the Year  for the same track, and Best TV Show Personality & Presenter of the Year . Additionally, he and his partner Kim were jointly honoured with the award for Best Media & Event Presenter of the Year . In his message, Pisani emphasised that the awards represent years of hard work, dedication, sacrifice, love, and passion for his craft. He dedicated the honours to his family, particularly his mother and his partner Kim, thanking them for their unwavering support, encouragement, and love. He also acknowledged his professional team and the businesses that support his musical and television projects, including their collaborative productions under 2806 Media Productions. Pisani extended his appreciation to the professional jury of the Malta Entertainment Awards for recognising and believing in his career, as well as to the organisers for creating a platform where artists can celebrate one another’s achievements. The 2026 ceremony holds particular significance for Pisani, as it marks his 20th year in the local entertainment scene. He described the anniversary as a milestone that will remain close to his heart and revealed that he will soon be launching a special commemorative initiative for his supporters. Closing his message, Pisani thanked his followers for their continuous encouragement, describing their support as an essential part of his journey in both music and television.

On Saturday, 8th March at 11:00AM, the female voices of KorMalta Women  will take centre stage at the prestigious Italian Cultural Institute for a special morning concert titled Her Story in Song: A Tribute to Women’s Strength . Marking International Women’s Day, this inspiring performance will celebrate the creativity, resilience, and enduring legacy of women across generations. From overlooked pioneers to contemporary local and international composers who continue to shape today’s musical landscape, the programme shines a light on women whose artistry has left — and continues to leave — a powerful mark on the world of music. Audiences can expect: 🎼 Beautiful, moving musical performances 🗺 A stunning venue in the heart of the capital city 🎶 KorMalta Women at their very best 🤝 A meaningful cause, with all proceeds in aid of the Malta Community Chest Fund This concert not only honours women’s voices in music but also reflects KorMalta Women’s commitment to artistic excellence and social responsibility. By attending, guests will contribute directly to charitable initiatives that support individuals and families in need across Malta. Join for this special morning of music, celebration, and solidarity. 🎟️ Tickets are available at: https://www.showshappening.com

International Black, Death & Doom Metal Acts Unite for a Night of Extreme Metal in Malta Malta’s underground metal scene is set to host an unmissable night of extreme music on Saturday, 7th March at The Garage, featuring an international lineup spanning black metal, death doom, and technical death metal. Headlined by internationally renowned Turkish black metal band Moribund Oblivion, the event will also feature Slovakia’s doom/death force Doomas alongside leading Maltese extreme metal acts Thy Legion and Halcyon. Doors open at 20:00, with entrance priced at €15. The event promises an immersive and intense experience for fans of extreme metal, showcasing both established international artists and rising local talent. The Bands Moribund Oblivion (Turkey) Formed in Istanbul in 1999 by vocalist and guitarist Bahadır Uludağlar, Moribund Oblivion has become one of the most internationally recognized black metal bands to emerge from Turkey. Their sound combines raw aggression with atmospheric depth, creating a powerful and immersive sonic identity. Their debut album, Khanjar, established their presence in the underground scene, while their latest release, Intertemporal, explores complex themes of time, existence, and perception through ambitious songwriting and refined musicianship. Moribund Oblivion has toured extensively across Europe and beyond, earning a reputation for their intense live performances and contributing significantly to the global recognition of Turkish black metal. Beyond performing, Uludağlar also organizes major metal events and founded the Bosphorous Metal Festival, further strengthening the extreme metal infrastructure in his home country. Doomas (Slovakia) Formed in 2006 in Nová Baňa, Doomas has established itself as a distinctive force in melodic doom/death metal. Their sound balances crushing heaviness with intricate melodic arrangements and atmospheric depth. Their acclaimed album R’lyeh draws inspiration from the cosmic horror mythology of H. P. Lovecraft, showcasing the band’s conceptual ambition and compositional strength. Having previously performed in Malta to strong audience response, their return is highly anticipated among local fans. Thy Legion (Malta) Formed in 2004, Thy Legion is widely regarded as one of Malta’s strongest extreme metal exports. Their blackened death metal combines relentless speed, heavy riffs, and dark atmospheres. Their latest album, Grand Cosmic Funeral, demonstrates their evolution, blending slow, crushing passages with explosive intensity. The band continues to expand its international presence, with multiple European performances and international bookings scheduled for 2026 and 2027. Halcyon (Malta) Representing the new generation of Maltese death metal, Halcyon formed in 2023 and quickly gained recognition for their technical precision and energetic live performances. Drawing influence from legendary acts such as Death and Sepultura, the band brings a modern yet old-school-inspired approach to their music. Following their debut performance at Rock the South, Halcyon continues to build momentum within the local scene. Event Details: Location: The Garage, Zebbug Date: Saturday, 7th March Doors Open: 20:00 Entrance: €15 This event represents a powerful convergence of international and Maltese extreme metal, reinforcing Malta’s growing reputation as an important destination for underground metal. Fans can expect an unforgettable night of intensity, atmosphere, and uncompromising sonic brutality

EIGHT BANDS TO COMPETE FOR A PLACE AT Wacken Open Air 2026 Żebbuġ, Malta — May 9, 2026 The Maltese metal scene will take centre stage on May 9th as WACKEN METAL BATTLE MALTA 2026 returns to The Garage music venue in Żebbuġ. Eight of Malta’s most formidable heavy acts will compete for the coveted opportunity to represent the nation at the international final of the Wacken Metal Battle, held during the world-renowned Wacken Open Air in Germany.   Recognized as the most significant annual metal event on the Maltese calendar, Wacken Metal Battle Malta offers emerging and established bands alike a career-defining platform. The winner will secure a place at the international Wacken Metal Battle final, performing before thousands of metal fans and global industry stakeholders at one of the largest and most prestigious heavy metal festivals worldwide.   Eight Bands. One Stage. One International Opportunity.   The competing bands for the 2026 edition represent a diverse cross-section of Malta’s heavy music spectrum:   Atomic Flame  – Heavy Metal From Sheep To Wolves  – Alternative Rock Haine  – Deathcore Killerwitch  – Traditional Heavy Metal Mur.Doc 104  – Thrash Metal No Humano  – Industrial Metal Rankin  – Groove Metal Upper Lip  – Hard Rock   Each act will deliver a live performance before a distinguished international jury panel composed of no fewer than ten industry professionals. This year’s panel includes music journalists, record label executives, and festival promoters, bringing a comprehensive and authoritative evaluation process that mirrors the standards of the international final.   Judging criteria will include musicianship, stage presence, originality, technical proficiency, and overall live impact — ensuring that the selected winner is fully equipped to compete on the global stage.   The event will also host the Wacken Metal Battle Malta 2025 national winners : MORSROT   Organized by Malta’s Official Wacken Representative   Wacken Metal Battle Malta is organized by Nick Grima, the official Wacken Metal Battle promoter for Malta, in collaboration with the Malta Metal Alliance and Festivals Malta / Rock N’ Malta. The event continues to strengthen Malta’s presence within the international metal community while fostering the growth and export potential of local talent.   With global visibility, international networking opportunities, and the chance to perform at Wacken Open Air, Wacken Metal Battle Malta 2026 stands as a defining milestone for any Maltese metal band seeking international recognition.   Event Details: Date:  May 9, 2026 Venue:  The Garage, Żebbuġ, Malta Doors Open:  17:00 hrs Tickets:  will be available at the door   For press accreditation, interviews, or further information, please contact Nick Grima: malta@metal-battle.com

New DIY fanzine launches 20th February, continuing local punk tradition. Malta’s punk community will celebrate the launch of Smashed to Shit: The Maltapunks Zine, a new independent publication documenting the local punk scene on February 20th at Kixott in Mosta. The zine continues the legacy of the original Maltapunks fanzine Pissed and Fucked Up, created by local scene veterans including il-Baħri, iż-Żgħiru, Kinnie, Dr Ċiż, and others in the 1990s/early 2000s. Smashed to Shit bridges generational gaps within the local punk community by featuring both established musicians from the ‘90s era and new bands shaping the scene’s future. Smashed to Shit is a raw, unfiltered look at Malta’s punk scene across generations. Expect candid conversations with local punk musicians and other members of the community. First Issue of Pissed and Fucked up Inside Issue #1 Issue #1 features unpolished interviews with punk veterans and emerging bands, exploring how the scene formed, evolved, and where it’s heading. The zine also rescues forgotten recordings from obsolete formats, and discusses what punk means in contemporary Malta. Readers will also find a lyrics section featuring songs they may have never heard of, or for some, a nostalgic reminder of the past. Created entirely through DIY methods without digital design software or AI tools, Smashed to Shit maintains the authentic cut-and-paste aesthetic of zine culture.   Launch Event Details The first issue will be available for purchase at the launch event on February 20th at Kixott, Mosta. Doors open at 8:00pm. The zine will be sold for €3, with limited copies available.   About Smashed to Shit Smashed to Shit: The Maltapunks Zine is an independent publication documenting the local punk scene. Created by volunteers from the local community, the zine acts both as historical archive and commentary on Malta’s underground punk culture. For copies, interview requests, or additional information, contact the team on Instagram (@smashed_to_shit) or Facebook (Smashed to Shiiit). Smashed to Shit Zine Issue 1 launch

Join Moira Stafrace and Band at Tigullio Night Club on February 21 at 8 pm for an unmissable night of live music. Maltese singer-songwriter Moira Stafrace steps back into the spotlight with a night of music by Moira Stafrace & Band. The live gig will take place on February 21 at Tigullio Night Club, where she will also be performing her brand-new single for the first time. The night will also feature a special supporting performance by Daisy Roots, setting the tone for an evening of unforgettable live music. Formerly one half of the singing duo Chris and Moira, the show marks Moira Stafrace’s artistic reintroduction onto the music scene, pairing her distinctive vocals with the rich, dynamic sound of a full band. The gig marks the start of the joint musical journey between Moira Stafrace and Band, for what promises to be a vibrant, ongoing collaboration. The performance will be packed with high-octane original songs, iconic covers, and the debut of the new single, for a live music experience you don’t want to miss. Tickets are available from ticketline.com.mt and doors for the event open at 20:00. This project was partly financed by the Rock ‘N Malta Fund. supporting band Daisy Roots ticket quick link

Singer-songwriter Lyndsay Pace has been awarded the Best Pop Song Award at the World Entertainment Awards in Los Angeles, Hollywood for her single “Trippin’,” taken from her debut album “Dopamine”. The award marks a major international milestone for Lyndsay, who is widely recognised in Malta for her participation in prestigious music festivals such as the Malta Eurovision Song Contest, X Factor Malta and Muzika Muzika. The song “Trippin’” stood out for its contemporary pop sound and authenticity, earning praise from industry professionals on a global platform. Speaking about the achievement, Lyndsay said: “Winning this award in Los Angeles is incredibly humbling! “Trippin’’ is a very special song and to see it resonate internationally means the world to me!” The World Entertainment Awards celebrate excellence across music, film and television whilst recognising both emerging and established talent worldwide. This win further cements Lyndsay’s position as one of Malta’s leading pop artists and signals an exciting chapter ahead in her international music journey.

On the night of January 31, 2026, WEEPING SILENCE , a local melodic metal with progressive and death metal influences, took the stage to headline the "Aural Frost" event. The band debuted two brand-new tracks inspired by dark corners of Maltese mythology: "Is-Sarangu" (The Sack Man) and "Il-Kavallier bla Ras" (The Headless Knight) . The event, organised by Nick Grima MGT , featured a heavy-hitting international line-up including Sinister Ghost (Italy), Void Moon (Sweden), and In Aevum Agere (Italy). Maltese Myths and Legends: The New Chapter Established in 1998, Weeping Silence blends progressive and death metal influences. Their current musical journey is a deep dive into the island’s heritage, with lyrics centred around Maltese myths, legends, and folkloristic creatures. Starting with their acclaimed album Isles of Lore, (A concept record where every track brings a different local legend to life) the band continues to expand this dark universe. • "Is-Sarangu" A chilling tribute to the boogeyman of Maltese streets. The lyrics paint a vivid picture of a "labyrinth of alleys poorly lit" where the Sarangu stalks the mischievous with his "sack of sorrow." The song’s transition from haunting clean vocals to aggressive sections perfectly mirrors the terror of the legend. • "Il-Kavallier bla Ras" This epic composition explores the tragedy of the Headless Knight of the Chapel of Bones, a local legend associated with the destroyed 17th century Chapel in Valletta, which was famously decorated with thousands of human remains. Utilising a blend of guttural growls and soaring melodies, the track tells the story of a Knight of St. John who lost his head during battle in the proximity of the Nibbia chapel. He was condemned to search for his head in this chapel that was known as the Chapel of bones. The knight’s ghost is reputed to haunt the grounds, purportedly still in search of his head.

Livin’ a Lie OutBound’s Brand New Single - A  narration of an intimate confession OutBound is a local Maltese Pop-Rock band founded in 2022 consisting of Catherine Gatt on Vocals, Steve Galea on Guitars, Matthew Drago on Bass and Louie Farrugia on Drums. The band mainly focuses on energetic and rock-fuelled performances aimed at younger crowds and youths searching for a more rebellious and alternative sound in the normal pop genre. Following the releases of their first two hard rock singles  "Nothing Comes Easy" and "More Than Friends", the band decided to go for a mellower and more acoustic approach towards their new track.  In Livin’ a Lie, OutBound have explored the genres of acoustic rock and folk in order to narrate a story on the exploration of the quiet suffering of individuals who decide to often hide behind their mask. The band also felt that the acoustic approach was needed in order to evoke a feeling of openness and vulnerability with the listeners and to get them to relate as much as they could with the song.  To add on to the feeling of stillness, loneliness and heartbreak - the band decided to go onto a creative project by directing a music video alongside Edward DeGabriele & Fabian Attard, where the storyline depicts the preparation for a burial. During this burial, the band buries their “secrets” and moves on to finish off the video  via  a ‘liberating’ band performance from the song’s climax until the end of the song. The entire shoot was done in B&W to depict a sorrowful & melancholic ambience and to make the viewers feel more in touch with the band members’ heartbreaking story.  This song was produced with Chris Gatt & Edward Abela (Midnight) and Mixed and Mastered with Edward Abela (Midnight). The song & music video will be released on all music streaming platforms and more content in relation to the music video can be found on their social media website. More information on the band and single can be found on  https://outbound.band . IG:  https://www.instagram.com/outboundmt

A story in three parts part iii 2022 passed But if I thought—or rather hoped—that a new calendar would stop the storm, I quickly learned, in the very first week of the new year, that the storm had yet to pass. The mobile rang early in the morning. One of those calls you figure out before the first word is even spoken. My mother, whom we had been losing bit by bit over many years, was now also gone physically forever. 2022 had passed, but its echos endured. The bitterness of 2022 gave me plenty to write about. But I don’t want to write sad music. Or at least, I don’t want to write only sad songs. The music that has always come naturally to me has never been very dramatic—it’s always been rather simple, somewhat raw, music that doesn’t take itself too seriously, more rhythmic than melodic. It’s true that 2022 changed me, but not that much. The guiding star was always the groove, the ultimate aim: to get the listener to boogie. And so, partly because time eventually started to pass and the skys began to open up a little, and partly because the music I was writing was more uplifting, I had to explore other themes and accept that full of bitterness as life may be, it is never only that. “Those were the days,” those drunk on nostalgia like to say. “These are days too” tends to be my retort. Don’t wait twenty years to get it. Maybe this is the recurring theme in this collection of songs: the passage of time, the inevitable challenges, and a philosophy about how one might try to navigate through them. Beyond that, the story can stop here. Music is written primarily to be played, not to be talked about and analysed. The first songs are out on my youtube channel https://www.youtube.com/@peklektru

A story in three parts part ii 2022 What a horrible year. It didn’t start out that way. Or at least, I didn’t recognise the first warning signs of the storm that was to come. I invested in some equipment so I could start playing and recording again. “Invested,” people say. And when you hear that phrase, you can be pretty confident that they are telling you they spent more money than they are comfortable admitting. Time had moved on. Things had changed. If in 2005 I could work on a portable studio with a CD-ROM, in 2022 you’d be lucky to find a CD drive on a brand new laptop. If this were a film, this would have been the perfect moment for a montage of me plugging in jacks, finding my bearings with the new gear, scratching my head trying to understand the intricacies of software functions, all to an upbeat song in the background, until the setbacks are overcome and I emerge ready to write a song that saves the universe — like something out of Bill and Ted . This was in April. I was happy. And even though when I went to buy the Telecaster I had laid my eyes on, I was told that someone else had bought it just two days prior, the shop assistant assured me they could get me another one. Now I was waiting for it to arrive. There were, however, far too many things I wasn’t expecting to arrive. This was 2022. In February, a friend from my youth had already tragically lost his life in a traffic accident. But May seemed to change gear. The guitar did arrive, yes. But on the very day I was meant to go pick it up, I received the heartbreaking news that my aunty Antoinette had died. A bolt out of the blue. There is little I can say to explain the significance of this loss. If you knew Antoinette, you may begin to understand. If you didn’t, I don’t think words can be enough to explain it. It was also in May that we received news of Ian’s diagnosis. A few weeks earlier I was telling him about the new guitar. You try to grasp onto some hope that we’ll look back on all this unscathed but reality doesn’t bend to anyone’s hopes. A few months later, etched into my mind forever, we had our last conversation. In May I also received a message from Michael—more sad news. Around that time, my ringtone became a little traumatic. Every time the phone rang, it felt like it was to herald in some brand new piece of awful news. It was as if, all of a sudden, people I knew—some from afar, others literally my whole life, and those in between, who had, over time, become family—started disappearing at an abnormal rate. The year went on like that. Back from a funeral, you hear about another diagnosis. Then Phyllis. Against this backdrop I had to also look into my mother’s eyes and do my utmost to see past her dementia, which by then had almost dismantled her completely. You know life is fragile and precious, and that you need to be present for the beautiful moments it offers —but in these circumstances everything seems to crystallise. You start seeing things a little bit more clearly. Maybe an existential or a midlife crisis. Maybe a bit of wisdom about what really matters in life. What’s certain is that the death of those close to you changes you. Death steals a relative or a friend, gnaws away at your heart, hollows you out, and sculpts you. It reshapes you, with a missing piece or two. It is with this new shape that you’re sent to face the rest of your days. It was with this shape that I had to carry on. And with a new guitar in hand. Maybe you remember from school Anton Buttigieg’s poem “Il-Kebbies tal-Fanali”  . I have the impression it was a popular poem among us students—probably because it’s short. Sometimes I take my copy of Il-Qawsalla  down from the shelves, flip through the pages and read it again. I doubt I ever truly remembered the exact words by heart. But I remember the sentiment. For Buttigieg, Poetry was a lifesaver. And in light of 2022, I can say the same about music. Note from the editor: The last part of the story shall feature tomorrow 6th February

A story in three parts The story begins in a basement in Ħaż-Żebbuġ. During a book sale in aid of Dar Bjorn . part i Strictly speaking—just to be precise—there’s a bit of a prologue to the story in the form of conversations with Zizza (from Brodu) about a musical project called Doom Karm . Zizza knew that I wasn’t really playing anymore, but he kept insisting that he wanted to involve me. I never ruled out the idea that one day I might pick up the guitar again and start writing something fresh, but it wasn’t a priority. I had discovered other interests and was exploring them. The plan—if you can call it that—was vague. I don’t know, maybe when the kids grow up a bit, with enormous emphasis on the word maybe . Maybe. Who knows? One day. The space at home that I had once dedicated to music had by then become a storage area for pushchairs, playpens, bouncers, crawlers, and other bulky equipment synonymous with raising young children. Anyway, back to Ħaż-Żebbuġ. While going through the books, I found a pile of copies of One Train Later , Andy Summers’ autobiography—the guitarist from The Police. Two euros. A bargain. A book at two euros is almost always a good deal. It looked like stock that had taken a bit of a hit from damp conditions. More likely, though, this pile of books had suffered a severe lack of consumer interest. As a result, it was taking up too much space in the storeroom of some bookshop. A bookshop that employed someone who apparently thought all of Malta was obsessed with The Police. Anyway, yada yada yada, a consignment of One Train Later  ended up at Dar Bjorn. They were in pretty good condition for the price. Into the basket they went, then at home onto the shelf. Maybe I’ll read it one day. There it is again— maybe  and one day . I like The Police. Especially the first two albums, with a particular soft spot for “Walking on the Moon” and “The Bed Is Too Big Without You.” But they’re in no way my favourite band. There were no urgent plans to push this book ahead of the queue of books waiting their turn to be read. I knew this was going straight onto the shelf. Eventually I might read it. But you know, you don’t want to be rude to a person—let alone to a book. Before putting it away, I opened it a bit and gave it a quick glance, just to get an idea. I happened to stop on a page where Summers starts talking about the end of a relationship while trying to decide what food to order. He jumps from food to the relationship and back again. The writing intrigued me. It was written well enough for the book to be spared a life sentence on the shelf. And I ended up reading it. What struck me, as I read, was the way Summers talks about his guitar, a bit overly sentimental perhaps, but his praise for his beloved Telecaster was enough to remind me of this long-dormant desire I had for many years: to acquire a Telecaster myself. I’d been saying “one day” to that too. And you know what?  Suddenly the conversations with Zizza about Doom Karm , Martin asking me on Messenger whether I was still playing at all, Andy Summers’ book, and the rediscovered craving to get a Tele started to orbit one another in a frenetic dance that seemed to reignite my will. One thing led to another, and fifteen years after the album Reclaiming Space , I was about to start playing music again. This was in the early months of 2022—the worst year of my life. The year had already begun hinting at what lay ahead, but I, occupied as I was looking at online photos of guitars, still had no idea… Note from the editor: Part 2 of the story shall feature tomorrow 5th February