MOTHERKNIVES ‘OTHERSIDE’ Motherknives release their new track ‘Otherside’ as part of their ongoing collaboration with Kewn Records introducing Motherknives as a new, distinctive voice blending goth, heavy rock, trip-hop, and underground alternative influences. “Otherside” is an ode to the presence of the afterlife within our waking lives; the sense that we coexist across different planes with the spirits of mothers, fathers, relatives, friends, and other cherished souls who have passed on. The song was written for the infinite spirit of Francesca’s grandmother, Nazzarena, as a thank you for her nurturing love. It captures an out-of-body experience, where the spirit leaves the body to briefly meet a loved one beyond and return. A ghostly encounter, a grieving fantasy. LISTEN TO 'OTHERSIDE' HERE Francesca Mercieca – vocals, keys Quentin Falzon – drums Steve Shaw – bass Tony Bartolo – guitar Emerging from the basement garage, Motherknives are shaped by 90s underground influences while blending elements of 80s goth, heavy rock riffs, pop-like melodies, and trip-hop atmospheres. Their sound is both raw and cinematic, being grounded in alternative grit yet driven by melody. The track was recorded, produced, mixed and mastered by Capitol K. Artwork Design by Micaela Bogen Band Photo by Eliza Von Brockdorff Motherknives will be returning to Rock The South as part of the festival’s 13th edition this coming May! Always a special festival for the local music scene, we can’t wait to catch Motherknives bringing their goth moods and underground grit to Rock the South once again! All Our Releases Want to help both the artists and the label, plus get some killer music in return? Check out our store to purchase some limited edition cassettes, vinyl and more! Copyright (C) 2026 Kewn Records. All rights reserved

In the rugged northern landscape of Malta, a cave once occupied by some of the island’s earliest humans is now the focus of a very different kind of historical investigation—one that bridges archaeology with underground music culture. The cave in question, known as Latnija and colloquially referred to as It-Toqba or Il-Ħofra, recently made international headlines through groundbreaking research led by Eleanor Scerri. As part of the IslandLab project, excavations revealed evidence pushing human occupation of the Maltese islands back 8,000 years to the Mesolithic period—over a millennium earlier than previously believed. But while its ancient past is now being rewritten, Latnija Cave also holds a far more recent—and far less documented—history. A Different Kind of Heritage Latnija Cave - photo: Steely D Building on this archaeological milestone, Joshua de Giorgio has partnered with John Schofield, Director of Studies in Cultural Heritage at the University of York, to explore the cave’s role in Malta’s underground music scene. Their new project shifts focus from prehistoric habitation to the late 20th and early 21st centuries, when the cave reportedly became an unlikely venue for impromptu “cave parties.” These gatherings—rumored to have taken place throughout the 1990s and early 2000s—are remembered by some as raw, unregulated expressions of rave culture. Schofield, himself a self-described lover of live music and occasional DJ, recently took to social media to crowdsource information. In a public post, he called on DJs and locals with memories of the era to come forward, specifically asking whether anyone had performed at or attended parties in a Maltese cave during that period. Reconstructing a Fleeting Scene Unlike formal music venues, these cave raves left little in the way of official documentation. There are no ticket stubs, permits, or lineups archived in institutional collections. Instead, the researchers are turning to oral histories, personal photographs, and ephemeral materials such as flyers—if any still exist. The project aims to capture not just who played and what music defined the scene, but also the sensory and social experience of the gatherings: the acoustics of the cave, the atmosphere, and the motivations of those who sought out such unconventional spaces. This approach aligns with a growing academic interest in “alternative heritage”—the idea that cultural significance is not limited to ancient artifacts or monumental architecture, but also includes lived experiences and subcultures that shape a place’s identity. Echoes of a Global Movement Cave Rave early 1990s Cumbria UK - photo: Steely D The Maltese cave parties may also reflect a broader phenomenon. Across Europe in the 1990s, rave culture thrived in unconventional locations—from abandoned warehouses to remote outdoor settings. Notably, similar “cave raves” were documented in places like Cumbria in the UK, suggesting a shared ethos of reclaiming natural or forgotten spaces for collective musical expression. By situating Malta within this wider context, the researchers hope to understand how global movements in electronic music culture manifested locally—and how they intersected with the island’s unique geography and history. A Call for Memories At its core, the project is collaborative. De Giorgio has issued an open invitation to anyone with memories of the cave parties to contribute, whether through interviews, images, or personal anecdotes. Participants can remain anonymous, and the research will adhere to established ethical standards, with the goal of producing a peer-reviewed academic publication. In doing so, the team hopes to preserve a fleeting chapter of Malta’s cultural history—one that, like the echoes of music in a cave, risks fading unless actively recorded. Layers of Time John Schofield in Valletta 2025 - photo John Schofield Latnija Cave now stands as a compelling symbol of continuity and contrast: a site where traces of Mesolithic life coexist with the more recent reverberations of basslines and dance floors. From prehistoric shelter to underground rave venue, its story challenges conventional boundaries between archaeology and modern heritage. As research unfolds, one thing becomes clear: history is not only what is buried deep in the ground—but also what lingers in memory, waiting to be rediscovered. If you've partied at Latnija get involved and share your experiences!!

A Complete History of Songs and Artists Malta’s participation in the Eurovision Song Contest is a story of resilience, musical excellence, and an enduring ambition to secure a long-awaited victory. Since its debut 55 years ago, in 1971, the country has sent a wide range of artists and songs, evolving from locally inspired entries in the Maltese language to polished, internationally competitive productions in English. Although Malta has never won the contest, it has achieved remarkable success, particularly during the 1990s and early 2000s, and remains one of Eurovision’s most respected non-winning nations. Joe Grech – Marija l-Maltija (Photo: RTÉ Archives) Malta first appeared in the contest in 1971 with Joe Grech performing Marija l-Maltija, a song deeply rooted in Maltese culture and identity. Despite its authenticity, the entry finished in last place. The following year, Helen Micallef and Joe Cutajar represented the country with L-Imħabba, a gentle romantic duet, but once again Malta finished last. After withdrawing in 1973, Malta returned in 1975 with Renato Micallef singing a pop song titled Singing This Song that achieved a modest 12th place. Financial and strategic concerns led to another withdrawal in 1975, marking the beginning of a long absence from the competition.   Paul Giordimaina and Georgina - Could It Be (Photo: Youtube) When Malta returned in 1991, it did so with a new approach that would define its Eurovision identity for years to come: strong vocalists performing English-language ballads. Paul Giordimaina and Giorgina opened this new era with Could It Be, a soft and melodic ballad that placed sixth. The following year saw a major breakthrough when Mary Spiteri performed Little Child, an emotional and powerful song about innocence and hope, finishing in third place. This success continued with William Mangion and This Time in 1993, a reflective love ballad that placed eighth, and Chris & Moira in 1994 with More Than Love, a romantic orchestral piece that reached fifth place. In 1995, Mike Spiteri sang Keep Me in Mind, a heartfelt plea for lasting love, finishing tenth, while Miriam Christine followed in 1996 with In a Woman’s Heart, a song exploring emotional strength from a female perspective, also finishing tenth.   Malta’s consistency continued in 1997 when Debbie Scerri performed Let Me Fly, an uplifting song about freedom and aspiration, placing ninth. A defining moment came in 1998 when Chiara delivered The One That I Love, a dramatic and vocally demanding ballad that earned Malta another third-place finish and established her as one of the country’s most iconic Eurovision performers. The nineties were seen off by Believe ‘N Peace performed by Times Three placing fifteenth. The early 2000s maintained this momentum, with Claudette Pace performing Desire in 2000, a passionate song about longing that placed eighth, and Fabrizio Faniello in 2001 with Another Summer Night, an upbeat Mediterranean pop track that finished ninth. Ira Losco - 7th Wonder (Photo: Eurovisionary) Malta reached its peak in 2002 when Ira Losco performed 7th Wonder, a catchy and polished pop anthem about admiration and love. The song achieved second place, Malta’s best result to date, and became one of the country’s most celebrated Eurovision entries. In 2003 Lynn Chircop sang To Dream Again placing 25 th  while in 2004, Julie and Ludwig represented Malta with On Again... Off Again, a playful duet about a turbulent relationship, finishing twelfth. Another major highlight came in 2005 when Chiara returned with Angel, a powerful and emotional ballad that once again brought Malta to second place, reinforcing its reputation as a powerhouse of vocal performance.   The introduction of semi-finals in the mid-2000s marked a turning point. In 2006, Fabrizio Faniello returned with I Do, a mid-tempo love song that failed to resonate, finishing last in the final. Over the following years, Malta struggled to maintain its earlier success, often failing to qualify for the final. This happened seven times since after the 2006 edition. In 2007 Olivia Lewis sang Vertigo, while Morena sang Vodka in 2008, both failed to qualify. Nevertheless, there were notable moments, such as in 2009 when Chiara returned with What If We, a reflective ballad about regret and possibility, and in 2013 when Gianluca Bezzina charmed audiences with Tomorrow, a cheerful, ukulele-driven song about optimism that achieved eighth place. Prior to Gianluca’s appearance Malta’s paricipations were somewhat bittersweet with Thea Garrett’s My Dream and Glen Vella’ One Life both failing to qualify in 2010 and 2011 respectively. While Kurt Calleja placed twenty-first with the song This Is The night in 2012. In 2014 Firelight placed twenty third with Coming Home while the following year Malta again failed to qualify with Amber’s Warrior. In 2016, Ira Losco returned with Walk on Water, a modern and empowering pop ballad about resilience, finishing twelfth. Again Malta failed to qualify for the finals in two successive years, in 2017 with Breathlessly sung by Claudia Faniello and in 2018 with Christabelle’s Taboo. Destiny Chukunyere - Je Me Casse (Photo: TVM) In the modern era, Malta has experimented with contemporary styles in an effort to appeal to both juries and televoters. In 2019, Michela Pace performed Chameleon, a sleek pop song about identity and adaptability, finishing fourteenth. In 2020 the festival was cancelled making it the first and only edition in the contest's history to be cancelled, when it was called off on 18 March 2020 due to the COVID-19 pandemic. Malta was going to participate with All My Love sung by Destiny Chukunyere who returned with one of the strongest recent results when she delivered Je Me Casse in 2021, a bold and empowering track blending jazz and pop influences, which placed seventh. However, subsequent years proved challenging: Emma Muscat represented Malta in 2022 with I Am What I Am, a self-empowerment anthem that did not qualify, followed by The Busker in 2023 with Dance (Our Own Party), a funky and playful celebration of individuality that also failed to reach the final. In 2024, Sarah Bonnici performed Loop, a contemporary dance-pop track, but finished last in the semi-final.   Aidan Cassar - Bella (Photo: Eurovisionworld) Malta returned to the final in 2025 with Miriana Conte and her song Serving, a modern pop performance marked by strong staging and attitude, finishing seventeenth. In 2026, Aidan Cassar was selected with Bella, a contemporary entry blending Maltese musical identity with international pop sensibilities, continuing Malta’s ongoing effort to secure its first Eurovision victory.   Over more than five decades, Malta’s Eurovision journey has evolved significantly, moving from culturally rooted beginnings to internationally competitive productions. Its entries have often focused on strong vocals, emotional storytelling, and polished compositions. While the trophy has remained elusive, Malta’s consistent dedication to quality music and memorable performances has ensured its lasting place in the history of the Eurovision Song Contest.   History of Participation 1971 Joe Grech "Marija l-Maltija" 1972 Helen and Joseph "L-imħabba" 1975 Renato "Singing This Song" 1991 Paul Giordimaina & Georgina "Could It Be" 1992 Mary Spiteri "Little Child" 1993 William Mangion "This Time" 1994 Chris & Moira "More Than Love" 1995 Mike Spiteri "Keep Me in Mind" 1996 Miriam Christine "In a Woman's Heart" 1997 Debbie Scerri "Let Me Fly" 1998 Chiara "The One That I Love" 1999 Times Three "Believe 'n Peace" 2000 Claudette Pace "Desire" 2001 Fabrizio Faniello "Another Summer Night" 2002 Ira Losco "7th Wonder" 2003 Lynn Chircop "To Dream Again" 2004 Julie and Ludwig "On Again... Off Again" 2005 Chiara "Angel" 2006 Fabrizio Faniello "I Do" 2007 Olivia Lewis "Vertigo" 2008 Morena "Vodka" 2009 Chiara "What If We" 2010 Thea Garrett "My Dream" 2011 Glen Vella "One Life" 2012 Kurt Calleja "This Is the Night" 2013 Gianluca "Tomorrow" 2014 Firelight "Coming Home" 2015 Amber "Warrior" 2016 Ira Losco "Walk on Water" 2017 Claudia Faniello "Breathlessly" 2018 Christabelle "Taboo" 2019 Michela "Chameleon" 2020 Destiny "All of My Love" * 2021 Destiny "Je me casse" 2022 Emma Muscat "I Am What I Am" 2023 The Busker "Dance (Our Own Party)" 2024 Sarah Bonnici "Loop" 2025 Miriana Conte "Serving" 2026 Aidan "Bella" Contest cancelled *

Major Anthony Aquilina stands as one of the most influential figures in the history of Maltese band music. A gifted musician, composer, and bandmaster, his legacy continues to resonate not only across Malta but also within Maltese communities abroad. Major Aquilina in uniform. photo: M3P Early Life and Musical Beginnings Anthony Aquilina was born on 25 July 1906 in Ħaż-Żebbuġ. Although his given name was Pawlu, he became widely known as Anthony throughout his life. His musical journey began at a remarkably young age. In 1914, at just eight years old, he was encouraged to join the Soċjetà Filarmonika Banda San Filep in his hometown.   By 1916, he had already begun playing with the band, demonstrating early promise. At the age of twelve, Aquilina took a significant step forward by joining the army as a Boy Bandsman, a role he held for five years. This early exposure to military band discipline and structure laid the foundation for his future career. Studies and Military Career photo: Facebook Aquilina’s talents earned him the opportunity to further his studies in the United Kingdom. He attended the prestigious Royal Military School of Music at Kneller Hall in Twickenham, one of the foremost institutions for military music training. His dedication and skill culminated in an outstanding achievement: in 1931, he graduated as Senior Cadet, finishing first in his course.   Upon returning to Malta, Aquilina rejoined the Royal Malta Artillery (RMA), where he quickly rose through the ranks. He was appointed bandmaster and later became regimental bandmaster. In September 1940, he was commissioned as an officer, marking another milestone in his distinguished career. He served with the army until 1958, retiring with the rank of Major—a title by which he would be fondly remembered. Contribution to Broadcasting and Music Direction This is a photograph of Major Aquilina’s debut with the Duke of Connaught’s Own Band. The date was 6 January 1946, and the location was inside St Aloysius College in Birkirkara. Photo: Eric Busuttil After retiring from military service, Aquilina continued to shape Malta’s musical landscape. He joined Rediffusion (Malta) Ltd., the island’s leading broadcasting service at the time, where he served as Director of Music until 1972. In this role, he influenced public musical taste and helped promote Maltese band music to a wider audience. A Prolific Composer Photographed during a concert. photo M3P Known affectionately as “The Major,” Aquilina composed around 50 band marches, many of which remain staples of the Maltese festa tradition. His works are still widely performed today, both in Malta and in Maltese communities around the world.   His compositions are celebrated for their vibrancy, melodic strength, and suitability for festive occasions. Among his most popular marches are Aħna Tfal ta’ Ġejtu, Amos, Aswero, Balfrendosan, Benedict Silver Jubilee, Bozen, Ċieka u Ċelest, Come On Baldass, Come On The Stripes, Dur Tond Fred, Elena Elena, El Picador, Et Donnay, Fiorentina, Fiesta, Forward, Fonz u Peppina, Forza Ċensina, Forza Ċensu Tagħna, Ġianni Sfarfar, Guitarreros, Ix-Xiħ, Josephine, Dik, Dak u l-Oħra, Lilywhites, Melita, Mona, Ta’ Ġerrew, Viva ix-Xemx, Wenzinos, and Zorro.   In addition to marches, he was also commissioned to compose ten hymns for parish titular feasts, further cementing his role in Malta’s religious and cultural traditions. Associations and Legacy Beyond his military career, Aquilina maintained strong ties with several leading Maltese band clubs. He was closely associated with the Soċjetà Filarmonika King’s Own, the Duke of Connaught’s Own Band Club in Birkirkara, and the Soċjetà Mużikali Sant’ Antnin, also in Birkirkara, of which he was a founder and Honorary President. A Prolific Composer. photo Facebook His music reached an even wider audience through recordings. Some of his most popular works were released in three cassette collections, and later, due to popular demand, two more releases featuring a broader selection of his compositions were issued. Personal Life and Death In 1932, Anthony Aquilina married Catherine Ross, and the couple had one son. Despite his many professional commitments, he remained dedicated to his family life. In later years. photo Facebook Major Anthony Aquilina passed away on 21 September 1985. However, his music and influence endure, making him a central figure in the development of Maltese band culture.   Major Anthony Aquilina is rightly regarded as one of Malta’s most important composers of festa band marches. His work not only defined a genre but also became an integral part of Maltese identity and celebration. Decades after his passing, “The Major” continues to be celebrated through the enduring popularity of his music—a testament to his remarkable talent and lasting impact. _______________________________________________________________________________ Il-Maġġur Anthony Aquilina: Surmast tal-Marċi Maltin is a paperback book written by Victor Galea and published in 2008. Spanning 130 pages, the book explores the life and legacy of Major Anthony Aquilina, highlighting his important role as a leading composer and bandmaster of Maltese marches.

Different Light Announce New Album Release: Binary Suns - Part 2 (Alternate Reality) Different Light are pleased to announce the upcoming release of their new album, Binary Suns - Part 2 (Alternate Reality) , set to launch on April 24, 2026. The album will be available on CD and across all major streaming platforms. album artwork Serving as the highly anticipated follow-up to Binary Suns - Part 1 , the new release continues the band’s exploration of expansive progressive rock soundscapes. Fans can purchase the CD via www.shadedmoon.nl , while digital downloads will be available on www.bandcamp.com . For bundled purchases including previous Different Light releases, visit www.differentlight.cz . Binary Suns - Part 2 (Alternate Reality)  delivers a powerful blend of progressive and classic rock, enriched with touches of melodic pop. The album features predominantly multi-part compositions, combining intricate musicianship with introspective and evocative lyrics. Together, these elements create a dynamic, immersive listening experience—an hour-long journey through progressive rock at its most expressive. For more information please visit: www.differentlight.cz www.shadedmoon.nl www.facebook.com/differentlightsound www.bandcamp.com  (search “Different Light”) Media Contact: differentlightsound@gmail.com

A remarkable piece of Maltese musical history is finally coming to light with the upcoming release of Death From Malta , a long-lost recording by early 1970s underground band Evil Grave. Issued by Rise Above Relics and set for release on April 24th, this limited vinyl pressing (300 black copies with insert) marks the first official release of the band’s material—nearly half a century after their brief but intriguing existence. photo: John E. Zammit-Pace Evil Grave were formed in December 1971, emerging from the fusion of two young local acts, The Stampede and The Beatmoors. At a time when heavy music was still in its infancy globally, the band independently explored a similarly dark and experimental sound on the island of Malta. Their very name reflected this influence, combining references to Black Sabbath’s “Evil Woman” and “Children of the Grave,” while also signaling their intent: to confront corruption and societal darkness through music and imagery. The original lineup featured John E. Zammit-Pace (guitar, vocals), Twanny Darmanin (bass, vocals), Clive Simpson (keyboards, vocals), and Mario Barbara (drums), later replaced by Martin Buhagiar. Despite their youth, the band quickly developed a distinctive identity rooted in hard rock, avant-garde experimentation, and artistic influences ranging from surrealism to early electronic composition. Their music incorporated chromaticism, atonality, and unconventional structures—making them pioneers within the Maltese scene. Evil Grave circa 1973 at the former Radio City - Hamrun. photo: John E. Zammit-Pace Within just a month of forming, Evil Grave secured a residency at the enigmatic Pharaoh’s Den nightclub, where they honed their live sound. They later rehearsed and performed at the Palm Beach Club, building a reputation strong enough for a local newspaper to describe them as the best band in Malta following a marathon concert event in 1972. Opportunities followed, including a proposed Scandinavian tour, but setbacks—including a collapsed deal and a rejected television appearance—ultimately led to the band’s dissolution. What remains today is a fascinating snapshot of a band far ahead of its time. Death From Malta compiles all surviving recordings, primarily captured in a single one-hour session at Rediffusion studios in March 1973. These recordings were made live, without overdubs, preserving the raw immediacy of their performances. Additional material, including the expansive 15-minute track “Machinery,” was recorded later in 1977. album artwork: photo Rise Above Records The album’s tracklist is as follows: Machinery Optica Screaming Streaks Of Light Jam Session Satan’s Death The revival of Evil Grave can be traced back to Lee Dorrian, who first came across the band while on holiday in Malta, recalling how he “discovered the almost mythical ‘Evil Grave’” after asking about obscure local acts from the late 60s and early 70s. His curiosity set in motion a deeper exploration into the island’s forgotten underground scene. As outlined by Noel Mifsud in the album’s liner notes, interest in the group had been quietly building for years—he himself first heard of them “around ten years ago” and later found rare recordings online before discussing Malta’s early bands with Dorrian during a visit. Through the combined efforts of Dorrian, Mifsud, and guitarist John E. Zammit-Pace, these long-lost recordings have now been restored and introduced to a global audience for the very first time. More than just a release, Death From Malta  is an archival resurrection—an important reminder of a forgotten chapter in Malta’s cultural and musical heritage. With its blend of proto-heavy metal, progressive experimentation, and avant-garde ambition, Evil Grave’s music stands as both a historical curiosity and a genuinely compelling listen. For collectors, historians, and fans of early underground rock, this release offers a rare opportunity to hear what was once nearly lost to time. Evil Grave 1972-73. photo: John E. Zammit-Pace Death From Malta can be ordered here

Hi there, I have not written here in a while, mainly because I have been busy working on new material and dealing with the logistics of new projects that have been taking a lot of my time and energy. I did not expect my return to this newsletter to be for this reason. Two days ago, we lost Aurelio Belli , a legend in Maltese music, a gentleman, and someone I had the privilege of working with. His passing has affected me in a way I did not expect, and I felt I could not simply let this moment pass without saying a few words. Aurelio was one of those rare people whose presence carried both authority and warmth. He was deeply respected in the musical world, not only for his talent and professionalism, but also for the way he treated people. He brought seriousness to the work, but never without humanity. In an industry that can sometimes be stressful and demanding, that combination is not something you forget. Many tributes this week shall remember him as a conductor, educator, and a key figure in the Malta Philharmonic Orchestra, as well as in important Maltese productions and events over the years. For me personally, this is not just the loss of a respected musician. It is the loss of someone I knew, worked with, and admired. And that is always felt differently. There are people in music who leave behind performances. Then there are people who leave behind a mark on the people around them. Aurelio was one of those. He will be remembered not only for what he did, but for how he did it. My thoughts are with his family, his friends, and all those in the music community who are feeling this loss today. Rest in peace, Aurelio. Thank you for your music, your work, your dignity, and your kindness. Simon

The Maltese cultural scene has lost one of its most dedicated and versatile figures with the passing of Aurelio Belli, who died at the age of 49. A respected musician, educator, and arts administrator, Belli’s contribution to Malta’s musical life extended far beyond the stage, shaping institutions and influencing generations of performers. photo: Malta Philharmonic Orchestra Born in Ħamrun on 25 October 1976, Belli showed an early affinity for music, beginning his journey by learning the euphonium under the guidance of his grandfather.  His passion for music expanded quickly as he went on to study multiple instruments, including the trombone and double bass, and deepen his knowledge of music theory through various teachers and international masterclasses. Throughout his life, Belli remained deeply rooted in Malta’s band culture. He performed with ensembles such as Versatile Brass and Fusion Brass Sextet, while also dedicating significant time to teaching brass instruments and mentoring young musicians.  His commitment to education and community music-making was further reflected in his role as conductor and musical director of the Duke of Connaught’s Own Band Club in Birkirkara, where he helped nurture local talent and sustain Malta’s rich band tradition. Belli’s career evolved to encompass major national productions and institutional leadership. He played a key role in large-scale events such as Rockestra, Mużika Mużika, and the Malta International Song Contest, contributing both as a musician and conductor.  His organisational skills and vision led him to a prominent position within the Malta Philharmonic Orchestra, where he served as Head of Operations. In this capacity, he was instrumental in coordinating performances and strengthening the orchestra’s role within Malta’s cultural landscape. Colleagues often described him as a driving force behind the orchestra’s continued development, someone who combined artistic sensitivity with administrative precision. His earlier involvement with the MPO as a performer and arranger reflected a lifelong relationship with the institution he later helped lead. Despite his professional commitments, Belli faced a long and difficult personal battle with cancer, first diagnosed in 2020.  He approached his illness with remarkable openness and courage, even speaking publicly about his experience to raise awareness and support others. In a particularly poignant moment, he revealed that he had been diagnosed with another form of cancer on the final day of his radiotherapy treatment, yet remained determined to continue living life fully. News of his death prompted an outpouring of tributes across Malta, especially on social media. Friends, colleagues, and members of the artistic community remembered him not only for his professional achievements but also for his humanity. Many described him as “a pillar of the Maltese musical landscape” and praised his generosity, positivity, and unwavering support for others. Public figures also paid tribute, with Robert Abela describing Belli as “the definition of courage and resilience,” highlighting how he continued to inspire others through his music even during his illness.  Fellow musicians echoed these sentiments, recalling a man who worked tirelessly behind the scenes to ensure others could shine. As Malta mourns his passing, Aurelio Belli is remembered not only for his accomplishments but for the spirit in which he carried them out. His life’s work—spanning performance, education, and cultural leadership—leaves a lasting imprint on the nation’s musical heritage. The team at melodija.eu extends its heartfelt condolences to the family, friends, and colleagues of Aurelio Belli during this difficult time.

Skald will host the second event in their exclusive three-part intimate gathering series at Casa Gourgion, a historic residence located in Mdina Cathedral Square, on Saturday 16 May. The event promises a unique blend of music, heritage, and audience interaction, offering attendees a rare glimpse into the band’s evolving creative process. Set within the atmospheric surroundings of Mdina—often referred to as the “Silent City”—the evening invites guests to take a leisurely stroll through the historic streets before entering Casa Gourgion for a curated cultural experience. Attendees will have the opportunity to tour the historic house before enjoying a live musical performance accompanied by a complimentary drink. Casa Gourgion - A Nobleman's Home During the session, Skald will perform selections from both their debut and sophomore albums, while also introducing early draft material from their upcoming third album, which is slated for release by the end of next year. “This gathering could be a good time where those attending can give feedback to help shape this next chapter in this journey,” the band shared, emphasizing the collaborative nature of the event and their openness to audience input. The evening will be divided into two limited-capacity sessions: First session: Doors: 5:00 PM, Concert: 5:30 PM Second session: Doors: 6:30 PM, Concert: 7:00 PM Each session is restricted to just 20 attendees, ensuring an intimate and immersive experience. Due to the historic nature of the venue, guests should be aware that stairs and walking are part of the experience. Children under the age of six are not permitted. Tickets can be purchased online, and early booking is strongly encouraged given the limited availability. This event is supported by Farsons Classic Brews, Il-Kamra ta' Fuq, New Life Bar Mqabba, Transient, Art Sweven, and XIL Ltd. TICKETS

Maltese Artist Myles Releases “Kif Xbajt f’Malta” A Raw Anthem of Everyday Island Frustration “Kif Xbajt f’Malta” artwork Rising Maltese artist Myles has officially released his latest track, “Kif Xbajt f’Malta,”  a blunt and relatable portrayal of daily life on the island. Stripping away filters and pretence, the song captures the small but persistent frustrations that have become part of the local routine. From a peaceful morning shattered by relentless construction noise to traffic congestion that turns a short drive into an hour-long ordeal, “Kif Xbajt f’Malta”  is built on vivid, real-life moments. Driven by a repetitive, chant-like hook, the track transforms everyday irritation into something collective — a shared voice for anyone who’s felt the same. There’s no attempt to romanticize or soften the message. The song is direct, honest, and instantly recognizable to listeners who’ve experienced the constant backdrop of drilling, roadworks, and gridlock that define modern Maltese life. Simple, raw, and unapologetically real, this release cements Myles as an artist unafraid to say what many are already thinking — but few are expressing out loud. “Kif Xbajt f’Malta” is out now on all major streaming platforms.

DARK MALTA FESTIVAL  is back…. louder, darker, and bigger than ever for its seventh unmissable edition . Prepare for three intense, adrenaline-charged days  of gothic, industrial, and metal, taking over the Gianpula Main Room, Żebbuġ, Malta , from 17th to 19th April 2026 . With 24 bands from 12 countries , Dark Malta Festival is an international meeting point for the global dark scene. But this festival is more than just music, it’s a powerful gathering of like-minded souls , united without prejudice to celebrate passion, freedom, and community. And as if the music wasn’t enough, the legendary Rooftop Pool Party  makes its triumphant return on Saturday and Sunday, from noon till 6pm  (weather permitting). The decks will be ignited by a lineup of several international DJ’s. Dive deeper into the scene at the Alternative Market  to discover unique creations offered at the stalls. Band merchandise will also be available throughout the event, and no true fan should leave without official Dark Malta Festival merchandise . An exceptional roster of DJs will maintain the momentum between performances by the bands. As if that weren’t enough…………. As from this edition, Dark Malta Festival 2026 will add two extra nights. On Thursday, 16th April 2026 , there will be a Pre Party at The Vault at Gianpula, a natural cave beneath the main area that promises an atmospheric start to the festival. Then, on Monday, 20th April 2026 , we'll head out to sea for an After Party aboard the Fernandes  II galley, taking on the role of Maltese pirates as we celebrate along the coast. Friday, April 17 th Sad Madona And what a better way to open up the first day of Dark Malta Festival 2026 than with Sad Madona. Rémi Lauvergne will create the right melancholic atmosphere by blending elements of gothic, techno, and shoegaze.  Make sure to make it early so not to miss out on one of the finest electro/synth projects around.    ERATO For more than 30 years, since 1993, the band from Brussels has built up a reputation as one of  Belgium's best Goth Rock/Dark Wave acts. Despite quite some changes in the line-up, Erato could always count on a large fanbase. With A Killed God , The Irreplaceable One , Erato - III  and NAiVe  they conquered the hearts of many dark oriented music lovers. It's however with their strong live performances, that they kept convincing friends and foes. It was no coincidence that they have shared a stage with other legends as Skeletal Family, Inkubus Sukkubus, Ikon, Faith and the Muse, The Sisters of Mercy, and many others.    JE T’AIME French cold-wave trio JE T'AIME incorporate themes of existentialism and melancholy into their music, drawing inspiration from 1980s influences while introducing contemporary elements. Their latest album, Useless Boy , released in January 2025, presents a reflective exploration of unfulfilled aspirations and societal barriers, balanced by motifs of resilience and the transformative potential of music.  This post-punk band is formed by Daniel Armand, Zoe Hr, and Baptiste Bertrand.   Principe Valiente Principe Valiente, a Swedish band formed in 2007, blends post-punk minimalism with shoegaze and is often described as dark pop. The lineup includes Fernando Honorato (vocals, bass), Jimmy Ottosson (guitar), Rebecka Johansson (keyboards), and Joakim Janthe (drums).   Darkways Darkways is a darkwave band from Barcelona (Spain), which has many rock and metal influences, but with an interest in delving into the sounds of post-punk and the synthesizer era. This is reflected in their first LP Resonance , where the band explores the dark sounds of synthesizers and guitars, with delays and reverbs typical of the 80s.   Dark Dark, the German darkwave/goth/post-punk band, returns to the Dark Malta Festival after their 2023 appearance. Expect performances of tracks like Skeleton Dance, Desire, In the Shadows,  and Lovers in the Dark . Then Comes Silence Gaining inspiration from spiritism and horror, Then Comes Silence are a gothic rock/post-punk band.  Hailing from Sweden, they have been a constant presence in the scene since their formation in 2012.  So far they have released seven studio albums, the most recent being Trickery  (2024). The   69 Eyes Friday’s headliners require no introduction.  The 69 Eyes are a Finnish rock band formed in Helsinki in 1989 by vocalist Jyrki 69, guitarists Bazie and Timo-Timo, and bassist Archzie. In 1992, drummer Jussi 69 joined the group, establishing a lineup that has remained unchanged since. The band's music combines elements of gothic rock, glam metal, and rock 'n' roll, resulting in a style known as "goth 'n roll."  With too many good songs to choose from, we are more than sure that they will turn this into an experience we will all remember. Saturday, April 18 th Dolls for Idols Formed in Malta in 2009, Dolls for Idols quickly stood out for their electronic synth-punk sound. Their debut album, Cut, Paste & Rave’n’Roll  (2011), expanded their reach across Europe, leading to performances with notable acts like The Hives and Django Django. After a decade-long hiatus, the band made a comeback to the scene with their infectious energy. Beyond Border Hailing from Germany, Beyond Border converge Future Pop, Synth Pop and Dark Wave to create their unique style.  Get ready to be immersed in beats, synths, and melodies crafting an electrifying auditory experience. Their music transcends boundaries, guiding you through innovation, emotion, and limitless soundscapes.   H.EXE Described as a harsh electro/aggrotech band, Polish band H.EXE started out in 2010 as a one-man project by Odo (vocals), soon after he was joined by Rex Rotten (keyboards, drums, programming).  Their first calling card was an EP entitled Realms of Inhuman Pleasures (2010), followed by another EP Venom  (2010).  In Spring 2011 H.EXE issued their first LP Killing Monsters  and a year after they were joined by Luké (guitars).  With time there were other line up changes and the current line-up is as follows:  Odo (vocals), Einar (keyboards / electronics), Ad-X (music) and Luké (guitars).  Make sure to watch them as they unleash hell on the stage. Alienare The German synthpop/future pop band, started off in 2014 as a solo project of singer T. Green, after he left Sky Turned Dark  to follow a solo carrier.  The project was an immediate success and Alienare payed several shows supporting bands such as Ost+Front, Lost Arena, Tyske Ludder and Welle Erdball.  Since 2016, T. Green has been accompanied by T. Imo (keyboard) as a permanent band member.  T. Drmx was enrolled at a later stage on electronic drums.   Leæther Strip The brainchild of Claus Larsen, Leæther Strip came into existence in 1988 and was one of the most prominent acts on Germany’s now defunct Zoth Ommog record label.  The band is influential in the electronic body music and electro-industrial genres.   Leæther Strip do not shy away from direct and political messages, with songs such as AEighty AEight  (an anti-Nazi song) and Suicide Bombers , to name a couple.  Time to turn up the heat.    [:SiTD:] Founded in 1996 by Carsten Jacek and Thorsten Lau, [:SiTD:] – Shadows in the Dark, are a leading EBM and Industrial band hailing from Germany.  The band has been through several lineup changes, with the present formation consisting of Carsten Jacek and Francesco D’Angelo.    Lights of Euphoria Lights of Euphoria are futurepop/electro music project from Germany, established by Torben Schmidt. Initially conceived as a one-song project, the group's continued collaboration followed the release of their first track, Subjection. The band has been active since the early 1990s.  With more than eleven albums released rest assured that they can spin enough hits to make you dance the night away.  Nitzer Ebb Saturday’s co-headliners, Nitzer Ebb, was formed in Chelmsford, UK by Douglas McCarthy (vocals) and Bon Harris (drums, programming) when they were 15 years old. The group was active in the electronic music and Balearic beat scenes during the 1980s and 90s. Their style has been described as electro-punk, preceding the development of the genre. Nitzer Ebb released five albums on the Mute label and had several songs that gained popularity in clubs.   Get ready to dance the night away.  Sunday, April 19 th Kordin Hill N’ The Pressed Pills One of Malta’s freshest bands in the local punk / post punk scene, Kodin Hill N' The Pressed Pills will kick off Sunday with a live show full of raw energy.   Apart from hitting Malta by storm, the band has performed in Italy and are looking forward to tour the UK.  Get ready to mosh as the chaos ensues.  Sunday will open with a bang!    Klutæ Apart from Leæther Strip, Claus Larsen will be performing with his industrial music project Klutæ.  Larsen describes this project as “loud and fun”.  Klutæ will be delivering tracks from their 2025 album “Godsent” and other popular tracks from previous releases.   Hell Boulevard Hell Boulevard performs dark gothic rock characterised by distinct, slightly raspy vocals. Their music blends hard rock with quieter piano passages and incorporates electronic elements. Founded in 2014 by Italian musician Matteo vDiva Fabbiani, Hell Boulevard originated from the dissolution of Lost Area, whose members included Fabbiani and guitarist Von Marengo. The lineup was subsequently joined by Dee Dammers (formerly of The Treatment) on bass and A.ve on drums. Extize Extize is a Franco-German gothic electronic band based in Heidelberg, Germany. The band was featured in a cover story in Orkus magazine, which increased its visibility within Germany's Cybergoth community.  This will be one of the most energetic bands at Dark Malta Festival 2026. Ductape Birthed from the underground music scene of bustling Istanbul, Ductape carries the torch of the seminal post-punk revolution. But they aren't just echoing their predecessors; they are pushing the genre into unexplored territories.  Come and see for yourself.   God  Module Formed back in 1999, Tod Module will be travelling all the way from the U.S.A. to entertain the crowd at Dark Malta Festival 2026.  Their name was inspired from an episode of The X-Files, that dramatized a theory about a part of the human brain rumored to be responsible for mankind’s belief in religion and the concept of God.  They deliver some wicked electro-industrial/EBM music.  Current line up consists of Jasyn Bangert (lead vocals, programming), Andrew Pearson (keyboards, backing vocals) and Jarvis Chris (percussion). Das Ich This dark wave/gothic-industrial band formed in 1989 and formed part of the New German Death Art musical movement, back in the early 1990’s.  The front persons Stefan Ackermann and Bruno Kramm were founders and very active in this movement.  Prepare yourself for their onstage antics, as they bombard your ears with gothic-industrial style music.  If you don’t understand German, this is the time to get a dictionary.  Prepare to be entertained.  Das Ich will be co-headlining on Sunday.  Panzer AG The 2026 edition will come to a close with the Sunday headliners, Panzer AG.  The aggrotech/industrial rock project needs no introduction.  This is a side project by Andy LaPlegua, founder of the iconic futerpop band Icon of Coil.  Since 2024, Panzer AG have entertained crowds with their sound influenced power noise, trance, industrial, rock and other genres that make your body move.  This will be their penultimate gig in Europe. This festival is supported by Rock ‘n Malta and Festivals Malta.  For tickets and more information visit the official website https://darkmaltafestival.com/  or follow us on social media.

Five years after its release, Lamia Satanica  by Martyrium stands as a defining moment in the evolution of Malta’s extreme metal scene. Issued on March 19, 2021 through Art Gates Records, the album marked the band’s fifth full-length effort and demonstrated a matured, confident approach to melodic and symphonic black metal. album cover artwork From its opening moments, the record establishes a dark, theatrical tone. The intro track, “In Somnium Mortuum Filii,” unfolds with orchestral grandeur before giving way to the aggressive thrust of “Sacred Book of Baal.” This transition encapsulates the album’s core identity: a balance between atmosphere and ferocity. Critics at the time noted how seamlessly the band fused melodic structures with raw aggression, creating a sound that was both accessible and uncompromising. Musically, Lamia Satanica is rooted in melodic black metal but expands into symphonic territory through the use of keyboards and layered arrangements. The production—handled with clarity yet retaining a rough edge—allowed intricate compositions to breathe without sacrificing intensity. Reviewers highlighted the “binding energy and fine contrasts” within the album, praising its ability to merge brutality with refined musical aesthetics. Tracks such as “Starless Opacity” and “Emanation of Souls” showcase the band’s dynamic songwriting, shifting between rapid, blast-driven passages and slower, more atmospheric segments. Meanwhile, songs like “Curse of Salvation” introduce gothic elements and choral textures, adding depth to the album’s sonic palette. This interplay between speed, melody, and orchestration became one of the record’s defining strengths, reflecting years of experience since the band’s earlier releases. Thematically, the album delves into dark, mythological, and occult imagery, consistent with the genre’s traditions. However, it distinguishes itself through a cinematic sense of storytelling, enhanced by its symphonic layers. The title itself—Lamia Satanica—evokes a fusion of classical myth and infernal symbolism, reinforcing the album’s conceptual cohesion. At the time of its release, critics were particularly struck by the album’s sense of maturity. Rather than experimenting wildly, the band refined its established sound, achieving a cohesive and polished result. The record was described as “united” and “homogeneous,” with each track contributing to a consistent atmosphere while still offering individual highlights. In retrospect, five years on, Lamia Satanica can be viewed as a milestone not only for Martyrium but also for Maltese metal as a whole. It demonstrated that bands from smaller scenes could produce work on par with established acts in the global extreme metal community. Its combination of melodic accessibility, symphonic depth, and black metal aggression ensured its lasting appeal. Ultimately, Lamia Satanica remains a testament to artistic perseverance and evolution. It captured a band at the height of its creative powers—refined, confident, and unafraid to embrace both brutality and beauty within the same sonic landscape. Bibliography Encyclopaedia Metallum: The Metal Archives . Metal Temple. “Martyrium – Lamia Satanica  Review.” Hellfire Magazin. “Martyrium – Lamia Satanica .”

HAINE Return with New Single “Contaminated” – A Ruthless Statement on Betrayal and Resolve Deathcore outfit Haine return with their latest single, “Contaminated,” released today April 7th, 2026 across all major streaming platforms, accompanied by an official music video. Continuing to carve their place within the modern deathcore landscape, Haine doubles down on their defining traits with “Contaminated” , a track that strips away pretense and delivers a direct, unfiltered confrontation with betrayal, internal conflict and the refusal to compromise one’s principles. Where previous material established the band’s sonic identity, “Contaminated” sharpens it. Built on punishing low end, calculated rhythm on guitars and a vocal performance that moves between aggression and outright hostility, the track is both deliberate and oppressive. It is designed to feel as suffocating and unrelenting as the subject matter it tackles. Lyrically, the track centers itself on a specific kind of fracture. A betrayal not from enemies, but from those who were never expected to turn on you. It explores how individuals can devolve under the influence of their surroundings, losing integrity and becoming reflections of the very toxicity they once stood against. Rather than responding with submission or retaliation on the same level, “Contaminated” takes a more grounded stance, which cuts away what no longer aligns, standing firm in one’s values and refusing to descend into that same decay. Lines such as “I cut you out like an infection” and “I am not broken — I am immune” reinforce the track’s central idea: resilience is not passive, but rather it is a conscious act of separation, discipline and self-preservation. The accompanying music video, directed and shot by Nicholas Bonello of Bonello Media, brings this tension into a visual space. Filmed at Tigullio , with lighting handled by Philip Gerhard and additional support from The Orb , the video leans into stark contrasts and an oppressive atmosphere, mirroring the track’s themes of confrontation and transformation under pressure. As with their previous work, the single was recorded at Spinesplitter Studio , produced and mixed by David Depasquale , maintaining the band’s consistent sonic direction while pushing toward a more refined and focused sound. With “Contaminated,” Haine are not attempting reinvention, but rather reinforcing their own identity. The track stands as a rejection of external influence, a refusal to dilute intent and a clear statement of where the band stands moving forward, both sonically as well as artistically. HAINE is: Claudio Toscano (Bass) Jack Aron Pisani (Guitar) Chris Bonello (Vocals) Konrad Saliba (Drums) Jean Vella (Guitar) VISIT THE BAND : OFFICIAL: https://www.hainemusic.com/ Facebook: / official.haine Instagram: / haine.music BandCamp: https://haine-music.bandcamp.com/ Spotify: https://open.spotify.com/artist/4SH9v .. . © 2026 Haine Music

Wacken Metal Battle – Malta 2026 — The Road to the World Stage The Wacken Metal Battle – Malta 2026 marks the return of Malta’s official national selection for the globally renowned Wacken Open Air—the world’s largest and most prestigious metal festival. Following Malta’s successful debut in 2025, where MORSROT became the first Maltese band to perform at Wacken Open Air, the 2026 edition raises the stakes even higher. This year’s competition will feature top Maltese metal acts performing live before an elite panel of international industry professionals, including representatives from major festivals, record labels, booking agencies, and global media. The winning band will earn the distinguished opportunity to represent Malta on the international stage at Wacken Open Air 2026. Competing Bands : • No Humano — Industrial Metal • Upper Lip — Hard Rock • Haine — Deathcore • Mur.Doc 104 — Thrash Metal • Rankin — Groove Metal • From Sheep To Wolves — Alternative Rock • Killerwitch — Traditional Heavy Metal • Atomic Flame — Heavy Metal Special Guest Performance : • Morsrot — 2025 Malta National Winner Distinguished Jury Panel Includes : Leading figures from across the international metal industry, including representatives from Knock Out Productions, Mystic Festival, Metal Hammer, Time To Kill Records, Scarlet Records, Testimony Records, and the official Wacken Metal Battle organization. Official Observers : Malta will be the first country to have two players of the Maltese Metal scene as observers during the whole Wacken Metal Battle Malta. Their job is to secure transparency throughout the whole event. They are Annemarie Spiteri and Emanual Portelli. Nick Grima – Official Wacken Metal Battle Promoter – MALTA Tickets are available now via Ticketlane.mt . Fans are encouraged to secure their place early and participate by supporting and voting for their favourite bands for the spot at the WACKEN OPEN AIR 2026 in Germany. A Defining Moment for Malta’s Metal Scene With AGARTHIC LUNACY offering an immersive, atmospheric live experience and Wacken Metal Battle Malta 2026 providing a global platform for local talent, Metal Malta Alliance continues to elevate Malta’s position within the international metal community. These events represent not only performances, but milestones—uniting artists, fans, and industry under one powerful banner. _________________________________________________________________________________ MALTA METAL ALLIANCE second semester events (September – December 2026) PECCATORUM : September 5th AMBUSH METAL FEST : October 3rd METAL at LUST : November 7th The CONJURING FEST : December 5th __________________________________________________________________________________ MALTA METAL ALLIANCE PARTNERS FESTIVALS MALTA ROCK N’MALTA MUSIC PLAYGROUND THE GARAGE MUSIC VENUE TIGULLIO MUSIC VENUE OLD MALTA CAFÉ NICK GRIMA MGT WACKEN METAL BATTLE MALTA

Maltese artist Malcolm Pisani has achieved remarkable international success, earning two prestigious accolades at the European International Music Awards (EIMA 2026). Malcolm Pisani has achieved remarkable international success, earning two prestigious accolades at the European International Music Awards (EIMA 2026). Pisani’s hit single “I Found You” was awarded Best Pop Dance Song, receiving a Gold Medal, while the official music video for the same track secured Best Pop Dance Music Video, earning a Silver Medal. This double recognition highlights not only the song’s musical impact but also its strong visual storytelling. Expressing his emotions following the announcement, Pisani said he feels “truly speechless and deeply honored,” emphasizing that this achievement is not only personal but also a proud moment for Malta and its growing music scene. The artist shared his joy that a song so close to his heart has resonated with audiences beyond Malta, marking an important milestone in his international career. Pisani also extended heartfelt thanks to those who supported him along the way, including his team, his partner Kim, family, friends, followers, and the wider business community. He acknowledged everyone who has believed in him and contributed to his musical journey. This latest achievement further cements Malcolm Pisani’s position as a rising Maltese artist making waves on the international stage.

On 31st March, 2026, Maltese singer-songwriter and Grammy Voting Member, Chellcy Reitsma, won 6 awards out of the 9 nominations she received in the European International Music Awards. She was awarded 2 Silver awards; one for Best Multi Genre Album for her ‘Momento Mori’ album and another for Best Americana Single for Music Video for her ‘Black Water’ single. See links below.  She also recieved 4 Bronze awards for ‘Carpe Diem’ for Best Alternative Rock Album and Best Alternative Rock Live Performance, ‘Happy New Year’ for Best Rock Alternative Music Video, and  ‘Black Water’ for Best Emerging Americana Music Artist.  Earlier this year she was also nominated in the World Entertainment Awards in Hollywood for ‘Dark Times’ for Best Alternative Rock Song where she attended the awards red carpet event and the Grammy’s in the same weekend.  A huge congratulations to Chellcy Reitsma for this big win!  Website:  https://chellcyreitsma.com/ Social Media Links:  IG:  https://www.instagram.com/chellcyreitsma YouTube:  https://youtube.com/@chellcyreitsma FB:  https://www.facebook.com/share/1C6dGxE8S2/?mibextid=wwXIfr More links and music links:  https://linktr.ee/ChellcyReitsma

Metal Malta Alliance 2026 Unleashes AGARTHIC LUNACY & Wacken Metal Battle Malta 2026 The Metal Malta Alliance proudly announces two landmark events set to define the Maltese metal calendar in 2026: AGARTHIC LUNACY and the Wacken Metal Battle – Malta 2026. Together, these events celebrate both the mystical power of live performance and the competitive spirit of Malta’s thriving metal scene. On Saturday 11th April 2026, AGARTHIC LUNACY descends upon Malta as an immersive sonic ritual where music, atmosphere, and myth converge. Set against the evocative backdrop of The Garage, the event transforms the venue into a realm of shadow and mysticism. As the moon rises and midnight approaches, audiences will be drawn into an otherworldly experience where sound becomes ceremony. Four international acts will channel their distinct sonic identities into this singular night: • PATRISTIC — Death / Black Metal • BIANCA — Oneiric Black Metal • INVERNOIR — Doom Metal • EVER OBSCURE — Gothic Alternative Metal As the clock strikes midnight, AGARTHIC LUNACY reaches its peak—where atmosphere intensifies, energy surges, and the boundary between performer and audience dissolves into a shared, immersive experience. Event Details : • Date : Saturday, 11 April 2026 • Venue : The Garage • Doors Open : 20:00 hrs • Entrance : €25 (available at the door) The press release for Wacken Metal Battle Malta 2026 will be issued on Monday, 6 April.

Lyndsay Pace wins Best Pop/Dance Album for “Dopamine” at the European International Music Awards Maltese pop artist Lyndsay Pace has achieved another major milestone in her career, winning the Best Pop/Dance Album award at the European International Music Awards for her acclaimed album “Dopamine” in collaboration with Highkey Music from the UK. This prestigious recognition highlights her growing presence on the international music scene and celebrates her evolution as a dynamic and innovative artist. “Dopamine” has resonated strongly with audiences across Europe, praised for its vibrant production, infectious hooks and empowering themes. The album showcases Lyndsay’s unique artistic identity, blending polished pop melodies with modern dance elements that have cemented her status as an emerging force in contemporary music. “This award means so much to me,” Lyndsay said. “Working on this album has been a very personal and creative journey and to see it recognised on an international level is truly overwhelming. I’m incredibly grateful to my supporters, my team and everyone who believed in this project.” This win marks an exciting new chapter in Lyndsay’s artistic journey, reinforcing her momentum and setting the stage for even greater achievements ahead. www.lyndsaypace.com Congratulations Lindsay for this achievment

The last days of March have delivered a surge of momentum across the metal underground, with new signings, powerful releases, and cinematic storytelling shaping a dynamic period for the scene. SAĦĦAR Closing out March, black metal entity SAĦĦAR marked a major milestone by signing with Time To Kill Records. The move signals a new phase for the long-running project, which has built a reputation on a distinct blend of raw aggression, atmospheric depth, and deeply personal expression. Emerging from relative isolation, SAĦĦAR has consistently carved its own path, weaving together blast-driven ferocity, doom-laden minimalism, and haunting synth textures. The forthcoming full-length album is set to expand on this identity, promising a refined yet still ruinous sound—balancing melody and decay, intensity and introspection. With a vast discography already behind it and a history that includes international touring and support slots with major acts, SAĦĦAR’s next chapter looks poised to push even further into immersive and expressive territory. Delirium MT video promo cover The same weekend saw a wave of new releases from across the heavier spectrum. Death metal outfit Delirium MT announced their new single “The Deceased,” premiering it alongside a music video that highlights a strong collaborative effort between filmmakers and musicians. The track continues the band’s commitment to aggressive, tightly produced material, supported by a dedicated local creative team and backed by Arts Council Malta. Angelcrypt video shoot Meanwhile, Angelcrypt unleashed “Where Skies Rained Iron,” a track rooted in the devastation of World War II. Drawing from historical events, the song channels the chaos and resilience of a population under siege, culminating in the dramatic retelling of the famous Mosta Dome incident. Musically, it blends crushing riffs with a sense of epic scale, reinforcing the band’s ability to merge historical narrative with extreme metal intensity. Willie McCee’s video promo cover April brought a different but equally compelling entry with Willie McCee’s “The House on St. Ursula Street.” Leaning into melodic metal with gothic and cinematic influences, the track arrives as a fully realized audiovisual piece. The accompanying video tells a haunting story of a sailor lured into a mysterious house where time fractures and reality blurs. With its emphasis on atmosphere and storytelling, the release stands out as a more experimental and narrative-driven contribution, expanding the boundaries of what metal can evoke. Together, these releases and developments highlight a scene that continues to evolve in multiple directions—whether through the raw, introspective darkness of black metal, the historical weight of death metal, or the cinematic ambitions of genre-blending compositions.

AGARTHIC LUNACY Saturday 11 April 2026 | The Garage, Żebbuġ, Malta Part of the Malta Metal Alliance On Saturday 11th April 2026, as the moon ascends and the night opens its gates, AGARTHIC LUNACY will manifest at The Garage, Żebbuġ, Malta, for a singular convergence of shadow, sound, and ritual. Beneath the glow of the Midnight Moon, four formidable forces of extreme metal will unite to transform the venue into a liminal space where atmosphere, mysticism, and raw emotion collide. AGARTHIC LUNACY is not merely a concert, but an immersive nocturnal ceremony—an invocation where music blurs the boundary between the tangible and the unseen. As the hours deepen and the clock edges toward midnight, the Agarthic current will take hold: unseen forces stirring, hearts ignited, and souls bound together by sound. Headlining the ritual are three exceptional bands from Italy, each representing a distinct yet complementary vision of darkness: PATRISTIC – Black / Death Metal Founded in MMXX by E.S., PATRISTIC stands as one of the most compelling forces in contemporary black/death metal. Following the critically acclaimed Apologetica EP (Pulverised Records), recorded at Rome’s renowned 16th Cellar Studios, the band signed to Willowtip Records for the release of their forthcoming album Catechesis. Recorded once again at 16th Cellar Studios and mixed and mastered by Michael Zech (The Ruins of Beverast, Sulphur Aeon, Bölzer), Catechesis marks a new apex in the band’s sonic and ideological intensity. For the first time since its inception, PATRISTIC will appear with a full live lineup, featuring Sathrath (Nocturnal Depression, Infernal Angels) on drums, L.S. (Frostmoon Eclipse, Liber Null) on vocals, and T.V. on bass. BIANCA – Oneiric Black Metal BIANCA is a visionary exploration of black metal infused with doom-laden atmospheres and dreamlike dissonance, centered on a multifaceted female identity that moves between ethereal transcendence and primal rawness. Formed in 2024, the project evolved through the involvement of E.S. (Hideous Divinity, Patristic) and the percussive force of Sathrath (Nocturnal Depression). Their self-titled debut album is an eight-part journey through the unconscious, navigating the space between dream and nightmare. Rejecting religious dogma in favor of a radical atheist and humanistic perspective, BIANCA merges melodic intensity with suffocating atmosphere, creating a sound that is chilling, introspective, and deeply transformative. For fans of: Akhlys, Blut Aus Nord, Wolves in the Throne Room. INVERNOIR – Doom Metal Hailing from Rome, INVERNOIR channels the mournful essence of 1990s doom metal, drawing inspiration from genredefining acts such as My Dying Bride, Anathema, Katatonia, and Paradise Lost. Their sound is an embodiment of coldness and decadence—music shaped by apathy, existential anguish, and the absence of answers. Through slow, crushing tempos, sorrow-soaked melodic riffs, and a glacial, winter-bound atmosphere, Invernoir conjures landscapes of decay and introspection, carried by deep growls and piercing high roars that echo long after the final note fades. Opening the night are local new comers Ever Obscure . The group consists of drummer Cliff Cilia, known for his deep affinity for his snare drum; bassist Warren Vella, recognized for delivering distinctive and powerful basslines; guitarists Brenda Musú, whose presence is marked by a spirit larger than her stature, and Aaron Barbara, who joined to complete the band’s lineup; and vocalist Katinka Zahra Lehtonen, who channels her reflections and musings into song. EVENT DETAILS Date: Saturday 11 April 2026 Venue: The Garage, Żebbuġ, Malta Doors: 20:00 hrs Entrance: €25 AGARTHIC LUNACY is proudly presented as part of the Malta Metal Alliance, continuing its mission to bring high-caliber international extreme metal to the Maltese underground. When night falls and the moon stands watch, the descent begins. AGARTHIC LUNACY awaits