Grotium Members Shine in Separate Debuts Ahead of Notte Bianca Performance During this year’s Notte Bianca, Grotium made a strong return to the stage, just days after two of its members had debuted with other bands. The double debut occurred as guitarist Sean Anastasi and bassist Aidan Zarb showcased their musical versatility with two different groups. On Thursday, September 26th, Sean Anastasi delivered his first live performance with progressive band Viper Soup Complex, whom he joined earlier this summer. Despite being the newest member, Anastasi impressed the crowd with his remarkable skill and stage presence, playing with the ease and confidence of a seasoned band member. Viper Soup Complex is also gearing up for the release of a new EP, scheduled to drop early next year, adding even more excitement to their growing momentum. A day later, on Friday, Grotium’s vocalist Aidan Zarb stepped into a new role as Halcyon’s bassist, debuting with the band opening this year's Malta Death Fest. Zarb’s transition was seamless, as he tackled Halcyon’s intricate and challenging songs with precision and enthusiasm. The set reached its peak with the introduction of an untitled, brand-new track, simply referred to as "New Song." Both musicians managed to balance their commitments to Grotium and their new roles with grace and professionalism, making their upcoming performance at Notte Bianca even more highly anticipated. Thy Legion Announce Release of New Album "Grand Cosmic Funeral" On Thursday, October 3rd, blackened death metal band Thy Legion took to their social media pages to officially announce the release of their upcoming album, Grand Cosmic Funeral. The album, which is set to drop on November 29th, 2024, will be released under Art Gates Records, the label the band signed with in May this year. The band also shared the album's cover artwork, designed by their guitarist Elton Falzon, which captures the dark and melancholic atmosphere reflected in the music. In a statement, Thy Legion explained their vision behind the artwork: "Our goal was to convey the essence of the songs, both lyrically and musically, through the album cover. We wanted it to serve as a visual gateway, allowing listeners to instantly connect with the mood of the music." Grand Cosmic Funeral promises to deliver a blend of extreme sound and melancholic undertones. The band describes it as "a spiritual experience while retaining an extreme sound," staying true to their signature style. The track-list for the album includes seven songs, among them titles like “Black World Funeral,” “The Adoration of Omega,” and “From Flesh to Spirit,” which features Clint Aquilina as a guest musician. The album was recorded and produced at XIR Recording Studios and later mixed and mastered by Daniel Bezzina at RiverStone Studios. With their upcoming release, Thy Legion is poised to make yet another powerful impact on the metal scene, and fans are eagerly anticipating the arrival of Grand Cosmic Funeral. Kuraġġ: A Concert Inspired by True Stories The Malta Community Chest Fund is set to present Kuraġġ, a unique and emotional concert that promises to uplift audiences with stories of hope and resilience. Scheduled for November 8th and 10th at Teatru Salesjan, Kuraġġ will feature the renowned Big Band Brothers alongside a host of talented local artists, bringing to life the inspiring real-life experiences of individuals the organization seeks to support. This event is more than just a musical performance—it’s an emotional journey that celebrates the power of the human spirit through the magic of music. With limited tickets available, the concert is expected to attract an eager audience ready to experience a night of heartwarming stories and powerful performances. Tickets for the concert are available through Showshappening , with performances set for 8 PM on November 8th and 6 PM on November 10th. Don’t miss this special event that combines music with the impactful stories of those in need of support. Halloween Massacre: The Unholy Final Chapter Set for November 2nd On Saturday, November 2nd, the iconic Halloween Massacre  event, organized by Hades Events, The Garage, and Rene Hades Farrugia, will mark its final chapter. Dubbed "The Unholy Final Chapter," the event promises one last unforgettable celebration of heavy music at The Garage, which has been the event’s home for the past seven years. This long-running Halloween tradition in Malta, which began during the days of the Old Coconut, has been a staple of the local metal scene. Fans are invited to gather for "One Last Dance" and embark on the final journey of the event that originally introduced Halloween celebrations to the island. The lineup for the night includes some of Malta's most formidable metal acts: ClubMurder  – Active since 2005, this twisted metal band will deliver their signature sonic aggression, known for sending audiences into a wild frenzy with their groove-driven sound. Luciferi Regnum  – A five-piece melodic black metal band hailing from Malta, known for their dark, atmospheric performances. No Humano  – With their motto Organic Waste Turned Into Human Machines , this band, which gained popularity after winning Crowned Battle of the Bands , has become a fan favorite in the local scene. Niket  – A heavy post-rock/blackgaze band, who released their self-titled EP three years ago and are currently working on new material. Poster artwork for the event has been designed by Mark Casha, adding a visual dimension to the highly anticipated final edition of Halloween Massacre . Metal fans are encouraged to gear up for this final massacre and bid farewell to one of Malta's most cherished metal events, marking the end of an era in the local scene.

This year’s Malta Death Fest wrapped up in the early hours of Sunday, September 29th, leaving attendees with a mix of emotions—exhilaration from the festival’s high-energy performances and bittersweet feelings knowing this might be the last edition, at least for a while. Having made a triumphant return last year after a long hiatus, the fifth edition built upon the momentum, delivering two days of unrelenting extreme metal. Featuring ten brutal bands, the lineup did not disappoint. While reviewing each performance would be a monumental task, I’ll focus on the Maltese bands that took part in this year’s festival, four in total, who each contributed to making this event a resounding success. Organisation: A Well-Oiled Machine Before we delve into the bands, it’s important to acknowledge the flawless organization behind this event. Organizing a festival of this scale is never easy, but two individuals with a boundless passion for music managed to pull it off seamlessly. David Cachia, the festival’s creator, has been the driving force behind Malta Death Fest since its inception in 2011, when the first edition took place at the now-defunct V-Gen. This year, (just like last year) his experience and meticulous planning together with the expertise of Rene Farrugia were clearly visible in every detail. From the smooth transitions between acts to the professional treatment of both artists and audience members, it was evident that this event was managed with care and dedication. The feedback from the musicians further underscored this point. Every artist I spoke with had nothing but praise for the festival's organisation. Of course, even with Cachia and Farrugia's expert leadership, such a massive event requires additional hands, particularly when it comes to managing the stage. In this regard, Emanuel Portelli and Dino Mifsud Lepre of Hemplifier handled stage management and logistics like seasoned professionals, ensuring that each performance went off without a hitch. Sound engineering was entrusted to none other than Steve Lombardo, a legend in the local music scene. Despite being fatigued from managing sound for a full orchestra performance just days earlier—an unprecedented event in Malta—he executed his duties flawlessly. Given the complexity of managing sound for ten extreme metal bands over two days, his achievement cannot be overstated. The lighting, often an overlooked element of any local event, was handled by Philip Taske Gerard, who once again provided an impeccable display that added to the overall atmosphere. This year, his efforts were especially recognized and appreciated by the community. Day One: A Brutal Start Kicking off the festival on the first day was Halcyon, a relatively new Maltese band that has made waves since their formation just over a year ago. This performance marked the debut of their new bassist, Aidan Zarb, a name more commonly associated with his vocal work in the thrash metal outfit Grotium. Despite this shift in roles, Zarb fit in seamlessly, performing Halcyon’s intricate songs with precision and enthusiasm. The highlight of their set was the debut of a brand-new track, still so fresh it hadn’t even been given a title yet simply presented as New Song. Despite being a new addition, the track was met with enthusiasm from the audience, setting high expectations for what’s to come from the band. Halcyon’s energetic set, led by the charismatic Zain, left no doubt that they are a force to be reckoned with in Malta’s metal scene. Next up among the Maltese bands was Angelcrypt, one of the island’s veteran metal acts. Positioned as the third band on the bill, Angelcrypt delivered a blistering set, continuing their Legacy of Valour tour, which will see them perform over 20 shows across Europe. Their performance was a masterclass in energy and precision, blending fan-favourite older tracks with newer songs that are rapidly gaining traction. Since guitarist and band founder Shawn Mizzi assumed vocal duties in addition to his guitar playing, the band’s music has evolved into a more energetic and intense sound, which I personally prefer over their earlier style. Angelcrypt’s set followed Dutch death metal band Caedere, who were a tough act to follow, but the Maltese veterans rose to the occasion and kept the energy high. The band, now approaching their 30th anniversary, demonstrated that their experience has only sharpened their edge, and they continue to prove why they remain one of the island’s top extreme metal acts. Their performance at Malta Death Fest added to the anticipation of seeing them again on local soil in the near future. Day Two: Anticipation and Speculation The second day of the festival kicked off at 6:30 PM, with doors opening to a crowd buzzing with anticipation. Leading the charge was Sacroment, another Maltese band that, despite their recent formation, has already made an impression. I first saw them at the Crowned Battle of the Bands earlier this year, which also marked their live debut. Sacroment’s set at the festival saw them perform their upcoming debut album New Age Aggression in its entirety, and the songs were met with enthusiasm from the crowd. The band’s aggressive and polished sound makes them one to watch, and the audience's response suggests that their album release is eagerly awaited. Much like Halcyon, Sacroment is poised for great things, and their future in the Maltese metal scene looks promising. The final Maltese band to perform was Martyrium, a staple of Malta’s extreme metal landscape. They took the stage amidst a swirl of rumours and speculation. Speculation intensified when the band took the stage without two of their original members, keyboardist David Pulis and guitarist Andrew Baldacchino, the latter of whom was in attendance to watch the rest of the band perform. Everyone present was aware of the speculation, but we are here to focus on the facts. Since nothing official has been announced by the band, we cannot make any assumptions. Nonetheless, Martyrium delivered a powerful set, playing most of the tracks from their 2021 album Lamia Satanica, except —A Knife Through All Poison Hearts, Thrice God’s Voice Denied, and Thy Bosom Serpent. These seemingly new tracks were commended by the audience. Closing the Curtain: A Hope for the Future Following Martyrium’s performance, the festival continued with performances by Inverecund, Sepiroth (one of my personal highlights of the festival), and, finally, Finnish black metal legends Impaled Nazarene, who closed the festival with a thunderous performance. The energy and intensity of the final acts left the audience on a high, a fitting conclusion to two days of extreme metal mayhem. In conclusion, the 5th edition of the Death Fest was a resounding success, both in terms of organisation and the quality of performances. The festival has become a crucial event for the local extreme metal scene, providing a platform for both emerging and established bands to showcase their talent. While the potential hiatus looms over the future of the festival, one can only hope that the break is a short one. Malta’s metal scene needs events like this to thrive, and festivals like the Death Fest are vital in keeping the community united and energised. Here’s hoping we won’t have to wait too long for its return.

In the mid-19th century, as opera began to gain popularity on the Maltese Islands, it became evident that the historic Manoel Theatre, opened in 1732, could no longer accommodate the growing audiences. The need for a larger and more modern venue became apparent, leading to the decision to construct a new opera house. In 1860, the Governor of Malta, Sir John Gaspard Le Marchand, formally approved the construction of a new theatre to be built at the entrance of Valletta. This project culminated in the Royal Opera House, a structure that would become one of Malta's most cherished cultural landmarks, though its history would later be marked by both triumph and tragedy. The Royal Opera House was designed in 1861 by the English architect Edward Middleton Barry, who had established his reputation by designing several prominent buildings in London, including Covent Garden and the National Gallery. Barry's design for the Royal Opera House followed the Neo-Classical style, and construction began on a 63-meter by 34-meter site that had previously been occupied by the Casa della Giornata, the residence of the Turcopilier of the Auberge d’Angleterre during the time of the Knights. The new theatre, with a seating capacity of 1,095 and standing room for 200 more, was completed after five years, significantly surpassing the capacity of the Manoel Theatre. The cost of construction amounted to £60,000, a substantial sum for the time, but the result was a building that rivalled some of the finest opera houses in Europe. The Royal Opera House was officially inaugurated on October 9, 1866, with a performance of Vincenzo Bellini’s opera I Puritani. However, just seven years later, on May 25, 1873, the theatre suffered its first disaster. During a rehearsal of Giuseppe Privitera’s opera La Vergine del Castello, a fire broke out, causing extensive damage to the interior. Though the exterior of the building remained intact, the fire calcified the stonework inside, rendering it unusable. Restoration work began swiftly under the supervision of architect Webster Poulson, with the repairs costing an additional £4,000. After nearly four and a half years of restoration, the theatre reopened on October 11, 1877, with a performance of Giuseppe Verdi’s Aida, marking a triumphant return to Malta's cultural scene. For decades, the Royal Opera House stood as the premier venue for opera and drama in Malta, attracting audiences from across the social spectrum, including military officers, British royalty, and Maltese enthusiasts. It was here that many aspiring opera singers launched their careers. Among the renowned artists who performed at the Royal Opera House were tenor Giovanni Zenatello, mezzo-soprano Giulietta Simionato, and soprano Bidu Sayão, all of whom went on to achieve international acclaim, particularly at the Metropolitan Opera in New York. Maltese singers like tenor Icilio Calleja and baritone Giuseppe Satariano also graced the stage, further enhancing the theatre’s reputation as a hub for both local and international talent. Composers of international repute, including Ottorino Respighi, Mons. Licinio Refice, and Riccardo Zandonai, were also invited to perform in Malta, solidifying the Royal Opera House’s status as a cultural beacon in the Mediterranean. The Royal Opera House’s reputation as one of the most beautiful and inspiring opera houses in Europe made it a symbol of Maltese cultural aspirations. However, this legacy was cut short by the ravages of World War II. On the evening of April 7, 1942, the theatre suffered its second and most devastating tragedy. During an aerial attack by German Stuka dive-bombers, the Royal Opera House was struck, and much of its interior and side walls were destroyed. The once-grand building was reduced to ruins, with only a few Corinthian columns and sections of its stone base surviving the destruction. The devastation of the theatre symbolised a significant cultural loss for Malta, as the island endured one of the most heavily bombed campaigns of the war. In the post-war years, several attempts were made to restore the theatre to its former glory. In 1953, six architects submitted designs for the reconstruction of the Royal Opera House, and the project designed by Italian architect Zavellani-Rossi was selected. However, the project was eventually shelved due to political disagreements and concerns over the cost, despite a provision of £280,000 in the national budget for the theatre's reconstruction. Over the following decades, successive governments struggled to prioritise the rebuilding of the opera house, as other reconstruction projects were deemed more urgent in post-war Malta. By the late 1950s, the ruins of the theatre had fallen into disuse, and for many years, the site was used as a parking lot for commuters entering Valletta. Throughout the 1980s and 1990s, various proposals to rebuild the Royal Opera House emerged, including plans by renowned Italian architect Renzo Piano, who had been contacted to design a new structure on the site. Piano’s plans, which included rehabilitating the entrance to the city and constructing a new building on the opera house site, were approved by the Maltese government in 1990. However, strong opposition from conservative elements of Maltese society led to the abandonment of this project as well. Similar attempts to create a cultural complex or an underground car park in the area also failed, and for decades, the site of the Royal Opera House remained a controversial and unfulfilled promise in Malta’s cultural landscape. It was not until 2006 that serious discussions about redeveloping the site gained momentum again, and once more, Renzo Piano was approached to provide a new design. This time, Piano proposed constructing a new Parliament building nearby and converting the Royal Opera House site into an open-air theatre. Despite some initial controversy surrounding the plan, the project proceeded, and in 2013, the site was officially inaugurated as Pjazza Teatru Rjal, an open-air performance venue that both commemorates the theatre’s storied past and serves as a symbol of Malta’s cultural resilience. Today, Pjazza Teatru Rjal stands as a testament to the indomitable spirit of the Maltese people. It honours the legacy of the original Royal Opera House while offering a modern space for artistic expression. Although the original theatre, with its grandeur and beauty, was lost to the destruction of war, its memory lives on through the performances and cultural events that now take place in the open-air venue. The transformation of the site from ruin to a vibrant cultural space reflects Malta's ongoing commitment to preserving its rich artistic heritage while looking towards the future with optimism. Bibliography: Borg, Malcolm. British Colonial Architecture: Malta, 1800-1900 . Publishers Enterprises Group, 2001. Denaro, Victor F. Houses in Kingsway and Old Bakery Street, Valletta . Melita Historica, Journal of the Malta Historical Society, 1959. Bonnici, Joseph, and Cassar, Michael. The Royal Opera House – Malta . Gutenberg Press, 1990. Rix, Juliet. Malta and Gozo . Bradt Travel Guides, 2015. "Valletta's Royal Opera House, from glamour to rubble". The Man Who Went To Malta . 12 December 2011. "Pjazza Teatru Rjal". Malta Ministry of Culture . Archived April 10, 2019. Squires, Nick. "Maltese anger at plans to rebuild Valletta". The Daily Telegraph , London, 8 May 2010.

Charlie Koryn’s journey through the world of extreme music is rooted in his Maltese heritage. Born to a family of Maltese immigrants in San Diego, California, Charlie’s recent visit to Malta marked a poignant connection to his ancestry. It was his first time in the homeland of his grandfather, where he not only reconnected with family but also made his debut appearance on Maltese radio. From a young boy influenced by his cultural roots to a renowned drummer and studio engineer, Charlie's story is one of passion, dedication, and a deep appreciation for his Maltese lineage. Charlie Koryn, a name that has become synonymous with extreme music, recently visited Malta for the first time, to visit his Maltese relatives. His visit was marked by his first appearance in a Maltese radio studio, where he shared the story of his fascinating journey—from a young boy banging on pots and pans in San Diego to a renowned drummer, studio engineer, and instructor in the extreme metal genre. Charlie Koryn, born and raised in San Diego, California, to a family of Maltese immigrants, developed a passion for drumming at an exceptionally young age. He vividly remembers being just two or three years old when he first experienced live music. The sounds of a band playing beneath his apartment would mesmerize him, even as he sat in the kitchen sink during baths. Sensing his early interest, his mother gifted him a toy drum set, paving the way for a lifelong connection to percussion. Though his memories of those early days are hazy, their influence was undeniably profound. As Charlie describes it, drumming "found him," rather than the other way around. Charlie's professional journey began in his teenage years with the formation of the death metal band Ascended Dead in 2011. At just 17, still in high school, he joined the band, which would become the cornerstone of his career. This was the first group where he felt truly challenged, playing alongside musicians who were either on his level or more advanced. Ascended Dead wasn't just another local band; it was where Charlie honed his skills, recorded albums, and embarked on tours that would take him across the United States and eventually the world. His time with Ascended Dead was a turning point, leading to opportunities to play with other prominent bands in the extreme metal scene. Charlie's ability to adapt and bring his unique drumming style to various groups made him a sought-after musician. Charlie's love for extreme music was a natural progression from his early influences. His first drum teacher introduced him to classic rock bands like Led Zeppelin and Black Sabbath, but as Charlie grew, so did his appetite for more aggressive, high-energy music. Skateboarding, another of his passions, played a role in this, providing an outlet for his boundless energy and naturally drawing him toward the fast-paced rhythms of extreme metal. Each band Charlie has played with, from Ascended Dead to Bloodsoaked and Funebrarum, has allowed him to explore different facets of his musical personality. While his own bands give him the freedom to express himself fully, playing with other groups requires him to step into different roles, akin to an actor taking on diverse characters. This versatility has been key to his success across multiple projects. In addition to his career as a performer, Charlie has built a reputation as a skilled studio engineer and drum instructor. His interest in audio engineering began out of necessity; early recording sessions with Ascended Dead often left him dissatisfied with the results. Determined to take control of his sound, Charlie delved into the technical side of music production, eventually establishing his own studio where he now records and mixes for bands worldwide. Teaching is another passion for Charlie. When he's not on tour, he dedicates time to passing on his knowledge to the next generation of drummers. He credits much of his own development to the drummers he studied with and sees teaching as a way to give back to the community that shaped him. Despite his busy schedule, which includes extensive touring, recording, and teaching, Charlie understands the importance of balance. While he thrives on being productive, he also recognizes the potential for burnout and strives to find time for his other passions, such as skateboarding, surfing, and paragliding. Charlie’s extensive touring has played a significant role in his growth as a musician. From small dive bars to massive festivals like Wacken Open Air, each performance is a stepping stone in his journey. He views every show, regardless of size, as equally important, knowing that each opportunity could lead to the next big break. Charlie Koryn's journey is far from over. With upcoming tours in Europe with Ascended Dead and in the U.S. with Morbid Angel, along with plans to continue teaching and possibly conducting master classes, his schedule remains as packed as ever. Yet, he remains committed to his craft, always seeking new challenges and opportunities to grow. As Charlie reflects on his career, his advice to young musicians is clear: take every opportunity seriously but ensure that you're passionate about what you do. His life is a testament to the rewards of hard work, dedication, and a genuine love for music. And with any luck, he might soon be back in Malta—not just for a visit, but to perform on stage, sharing his extraordinary talent with new audiences. Links to listen to Charlie Koryn's interview and selective music: Heatstrokes Rock Moods

On Thursday 26th September, audiences were transported into an extraordinary realm of musical innovation - the Rockit Experience, an event that promised to blend the worlds of metal and orchestral music into one unforgettable evening. What unfolded exceeded all expectations, delivering a performance that was not just unique but profoundly trans-formative for everyone present. The event demonstrated the power of musical fusion, shattering preconceived notions and bringing together two traditionally disparate audiences under one roof. This was more than just a concert—it was a historic moment that will be talked about in the local music scene for years to come. The night began with an energetic performance by Viper Soup Complex, whose set-list artfully mixed both well-loved classics and fresh new tracks. The band’s front-woman, Annemarie, was at her best,combining her impeccable choreography with dynamic stage presence which only served to enhance the audience’s connection to the music. The evening marked the first major performance for the band's new guitarist, Sean Anastasi, who joined earlier in the summer. His performance was nothing short of remarkable; despite being a new addition, he played with such confidence and skill that it seemed as though he had been with the band for years. Anastasi, known for his aggressive guitar work with Grotium, transitioned seamlessly into the more intricate and melodic style of progressive rock, blending perfectly with the rest of the band. The entire group, from the rhythm section to the intricate leads, executed every note with precision and passion, setting a high bar for the evening’s main act. After a brief intermission, the audience returned, filled with anticipation and curiosity about the forthcoming fusion of metal and orchestral music. From the very first note, they were captivated. The St. Paul Metropolitan Orchestra, conducted by the distinguished Maestro Mark Agius, delivered a breathtaking performance, seamlessly merging with the metal sounds of Oblique Visions. The collaboration was nothing short of awe-inspiring, proving that the fusion of these two genres was not only possible but could create something truly magical. The orchestra, which has grown significantly since its inception, demonstrated its versatility and technical prowess throughout the night. Under the baton of Maestro Agius, the musicians brought Stefano Vagnini’s complex arrangements to life, filling the hall with a powerful and moving sound. Vagnini, an accomplished composer, and organist, brought a wealth of experience to the project, drawing from his deep understanding of both classical and contemporary music. His innovative ModulArt methodology, which allows for dynamic and adaptive compositions, was on full display, creating a seamless integration between the orchestra and the metal band. While the entire orchestra performed brilliantly, there were moments where the horn section seemed slightly stretched, a testament to the ambitious nature of the arrangements. Yet, even in these challenging moments, the musicians rose to the occasion, their professionalism and skill shining through. The string sections, in particular, blended beautifully with the guitars and bass of Oblique Visions, creating a rich, layered sound that resonated with the audience. The decision to perform Oblique Visions’ entire Out of Darkness album—a bold move in itself—added another layer of complexity to the evening. This was not a night of familiar rock or metal classics; instead, it was an exploration of new musical territories, with every arrangement carefully crafted to highlight the strengths of both the orchestra and the band. The result was a performance that was as challenging as it was rewarding, both for the musicians and for the audience. One of the standout tracks on the album, though it often doesn't receive the recognition it deserves, is "Crepuscolo." This piece was originally composed by guitarist Frank Pizzo for a very special occasion—his wedding. Given the deep personal connection to the song, I had the opportunity to ask Frank a few questions about it. What were your feelings and thoughts when you heard Crepuscolo's arrangement and execution last night? Frank:  "Crepuscolo is a part of a song I wrote for my wedding, the most important day of my life, so it already starts as very emotional for me. Crepuscolo, in Italian, refers to the period when the sun is just behind the horizon, a time of light that symbolises 'change,' whether it's dawn or dusk. I felt and embraced this symbolism during the orchestra's introduction. I entered a state of no thoughts—just heartbeat and breath, waiting. As the introduction ended and my original composition began, a high sense of awareness and concentration took over. This was my moment, inevitable, and it couldn’t be missed. I stared at the conductor without blinking—it started. I felt a sense of relief when the guitar engaged with the cello (thank you, Maestros). My consciousness wasn’t guiding my fingers anymore; I was just flowing with the music. I could fully express my emotions, letting them flow through my fingers, and I enjoyed the glory of the moment. Then, when the violins entered, I felt overwhelmed by waves of emotion—nerves surging from my stomach to my heart and up to my face, calling for tears. But in the middle of that storm, the strong rhythm of the cellos and contra-basses rescued me, bringing me back to awareness and leading to those dissonant flamenco chords. It all culminated in a final blaze of glory. I will never be grateful enough for this. Thank you all, from the bottom of my heart—Oblique Visions, Surmast Mark Agius, Maestro Vagnini, all the Maestros. It was an honour." What's your overall view on last night's experience? Frank: " I am amazed, flattered, and proud of the result. The venue was nearly full. However, I noticed a common challenge faced by all strongly innovative ideas—the audience seemed suspicious, perhaps because of the metal elements? But in the end, we brought everything together beautifully. It was unforgettable. ” The significance of this event cannot be overstated. It marked a new chapter in the Maltese music scene, proving that such ambitious collaborations are not only possible but can also be profoundly successful. The audience, many of whom had come with no clear expectations, were left mesmerised by the performance. As they mingled after the show, the air was filled with enthusiastic conversations, with many expressing their amazement at what they had just witnessed. This event, without a doubt, set a new standard for live performances in Malta and will be a reference point for future collaborations of this nature. Oblique Visions took to social media the following day to express their gratitude and excitement. They reflected on the night as a dream come true, celebrating what they described as an unprecedented event in Malta—where an orchestra fused with metal to create something entirely original. Their enthusiasm was echoed by the orchestra, who also acknowledged the significant milestone they had achieved. The success of the Rockit Experience was the result of meticulous planning and a deep commitment to musical excellence from all involved. The project, which had been in development for two years, required extensive rehearsals, with the orchestra and the band only coming together a week before the performance. Despite this limited preparation time, the level of cohesion and musicality achieved was extraordinary, highlighting the dedication and talent of everyone involved.   No review of this event would be complete without acknowledging the sound engineers, whose impeccable skill was evident throughout the night. Despite the immense pressure of their task—a strain clearly visible on Steve Lombardo's face even after the show concluded—they executed their work with remarkable precision and professionalism. In conclusion, the Rockit Experience was more than just a concert—it was a celebration of musical innovation, collaboration, and artistic bravery. It challenged norms, bridged cultural gaps, and left an indelible mark on everyone who attended. This performance will undoubtedly be remembered as a milestone in Malta’s musical history, setting a new benchmark for what can be achieved when different musical worlds come together. The event not only entertained but also inspired, leaving audiences and musicians alike eager to see what future collaborations might bring. As fellow presenter Michael Bugeja aptly summarised, "This was a truly enjoyable evening, from the engaging opening act Viper Soup Complex to the last notes of Oblique Visions' ambitious collaboration with the Orchestra. Some arrangements worked better than others, but overall, it hit the mark. Well done to all involved!"

Devil's Breath Releases New Track: "Dusk of Innocence, Dawn of Moral Corruption" On Sunday, September 22, 2024, dark ambient music collective Devil's Breath announced the release of their latest track, "Dusk of Innocence, Dawn of Moral Corruption." The track marks their 11th contribution to Dark Ambient , a sprawling 23-track compilation launched by UK-based label Sombre Soniks. This latest volume, featuring a dystopian theme, was released to coincide with the Autumn Equinox. "Dusk of Innocence, Dawn of Moral Corruption" shares much in common with the group's previous release, "Sound of Freedom," which debuted last month. Both tracks fall under the dark drone tribal ambient genre, with significant noise influences. However, the new track is described as less uplifting, leaning into a more rhythmic and atmospheric approach compared to its predecessor. The tracklist for Dark Ambient Vol. 28  invites listeners to explore dystopian soundscapes crafted by an array of artists. Each composition was created to reflect the overarching theme, supported by distinct background artwork from Madguten and cover art by Fabian van der Meer. The album has been compiled and mastered by P23 of Sombre Soniks Studios. With Devil's Breath's reputation for evocative, dark soundscapes, the release of "Dusk of Innocence, Dawn of Moral Corruption" adds another haunting layer to their ever-evolving discography, building on the momentum generated by their earlier track "Sound of Freedom," which was also highlighted by melodija.eu . The Dark Ambient  series, released biannually by Sombre Soniks, continues to provide a platform for cutting-edge experimental artists, with each volume offering a glimpse into darker, more introspective realms of ambient music. The latest compilation is available for streaming and download via Bandcamp. For more information, visit: sombresoniks.bandcamp.com . Nebular Festival 2024: Pre-Sale Tickets Available Now! The highly anticipated Nebular Festival 2024  has officially opened pre-sale ticket sales, with a limited number of tickets available ahead of the event. Music lovers can secure their spot for €12 by sending payment through Revolut to 79094220. To ensure a smooth process, ticket buyers are reminded to include the ticket holder's name in the payment description. Once the pre-sale tickets sell out, tickets will only be available at the door on the day of the festival. Please note that tickets are non-refundable and non-transferable. Set to be one of the standout events of 2024, the festival’s headliner will be the Italian band Oreyeon , known for their eclectic mix of 70s hard rock, prog, 60s psychedelia, 80s extreme metal, and grunge. Formed in 2014 by members of Woodwall , Mexican Mud , and Army of Angry Youth , Oreyeon has established themselves as a leading force in the heavy music genre, blending diverse influences for an intense live experience. Joining Oreyeon on stage will be an exciting lineup of local talent, including Eyes to Argus , Lady Lizard , and Geistmaschine , ensuring a varied and dynamic musical showcase that caters to a wide array of rock and metal enthusiasts. As one of the premier music events of the year, Nebular Festival 2024 promises an evening filled with electrifying performances and unforgettable moments. Fans are encouraged to act fast to secure their pre-sale tickets before they’re gone. For more information and ticket booking, visit the official Nebular Festival social media channels. Claire Tonna to Collaborate with Grammy-Winning Producer Jon John Robinson on New EP Maltese singer-songwriter Claire Tonna has announced a significant milestone in her music career: a collaboration with Grammy Award-winning producer Jon John Robinson. Robinson, renowned for his work with music legends such as Diana Ross, Lady Gaga, and Pink, will be producing Tonna’s upcoming EP. The recording sessions are set to begin this October at Arcadia Music Studios in Dallas, Texas, with a release planned for January on international platforms. Expressing her excitement for the project, Tonna shared, "I’m thrilled to announce that Jon John Robinson, known for his iconic collaborations with legends, will be producing my upcoming EP. This is a pivotal moment for my lifetime work, as it will be weaved by Robinson’s unique production." She added, "These songs encapsulate the strength and resilience that have fuelled and held me through my human journey, and I’m so thrilled to share these powerful narratives with the world." This collaboration marks a major achievement for Tonna, who has spent years developing her distinctive contralto voice and refining her emotionally charged songwriting. Her music often explores themes of human resilience, and this new EP is set to reflect that deeply personal artistic journey. Tonna sees this opportunity as a celebration for all Maltese artists striving to make an impact on the international stage. The project is supported by the Malta Arts Council through its International Cultural Exposure Scheme, a testament to the country’s commitment to showcasing Maltese talent worldwide. Tonna hopes her journey will inspire other artists to persist through challenges and continue pursuing their passions. Tonna, a prominent figure in Malta’s music scene, is known for her captivating performances, both as a solo artist and in collaborations. One of her notable projects includes O. , a dance-theatre production inspired by the works of Maltese poet Oliver Friggieri, where she performed alongside Jamie Cardona and the acclaimed dance troupe The MVMT. Her international accolades include being named ‘Best European Singer/Songwriter’ in 2019 by the Tour Music Fest, in partnership with Sony Italy and Berklee College of Music in Boston. Fans can look forward to behind-the-scenes updates and glimpses of the recording process as Tonna embarks on this exciting new chapter in her career. With Robinson’s expert touch, the upcoming EP promises to be a powerful artistic statement from one of Malta’s rising stars. More Exciting New Releases Unveiled The music scene is buzzing this week with a variety of new releases, highlighting diverse styles and contributions On September 25 , the highly anticipated compilation album X-tend Compilation 1984-2024  was released, featuring a rich selection of tracks that celebrate the band's illustrious career. Available in multiple formats, including vinyl, CD, and pen-drive, this collection also offers a limited-edition version, which quickly sold out during pre-orders. Many tracks, such as “I Can Feel,” “Midnight Sun,” “Boys Of Tomorrow,” “Nightmares,” “Maybe For You,” and “Let’s Have A Party,” have been meticulously re-recorded from scratch, revitalizing these fan favorites. Other tracks, including “Hide Your Shame,” “Big Boys Don’t Cry,” “Everybody Wants To Have Fun,” and “Eternal Kiss,” received minor enhancements to elevate their sound. The compilation also includes four remixed tracks— “I Can Feel (X-tended remix),” “Nightmares (Dub Mix),” “Boys Of Tomorrow (The Re-mix),” and “Midnight Sun (Sun over Saigon mix),” which stay true to the spirit of the originals while adding a modern twist. The band, known for receiving a Lifetime Achievement Award in 1998, has certainly brought new energy to their classic hits. In a separate release on the same day, The Rifffs  debuted their second single, titled “Oh No,” from their forthcoming album. The song is accompanied by an engaging music video directed by the talented Matthew James. The Rifffs expressed their excitement on social media, describing the project as “a visual and auditory feast!” “Oh No” follows the release of their earlier single “Modern Society” from last August, continuing to build anticipation for their upcoming album. The video, directed and edited by Matthew James with graphics by Pierre Portelli, features music and lyrics by Ray Mercieca. It was produced by The Rifffs MT and Howard Keith, with mixing done by Howard Keith at Jagged House Studio. You can watch it here . The following day, Geistmaschine  made headlines with the announcement of their latest live audio release, Transmission from the Outer Realms . Captured during their performance at the MSA Malta show, the live recording is now available on all major streaming platforms. Fans are encouraged to check it out on Bandcamp  and Spotify . Additionally, Geistmaschine is set to perform at the Nebular Festival on November 16, 2024. This week’s new music offerings reflect the dynamic nature of the contemporary music scene, providing fans with exciting content to enjoy.

Silvio Schembri, born on January 29, 1958, in Pietà, Malta, has enjoyed a long and vibrant career as a singer, musician, and band leader. Best known as the frontman of the band Misty, Silvio's journey in music began at a young age, and his contributions to the Maltese music scene have earned him a place in the country’s cultural history. At just 14 years old, Silvio learned to play the guitar, guided by his cousin, also named Silvio. His passion for music grew, and by 1975, he formed his first band, Cycopad. The group, which included Frankie Ebejer, Alex Vassallo, and Joe Faccetti, played together for two years before disbanding in 1977. Cycopad marked the beginning of Silvio's music career, and although the group had a brief existence, it paved the way for greater things. In 1977, Silvio formed Misty, a band that would go on to define much of his career. The original lineup consisted of Silvio, Reno, Mario, and Joe Debattista. Over the years, Misty played at popular venues like the Caribbean Night Club in Ħal Far and the Riviera Martinique Hotel in Golden Bay, bringing their unique sound to enthusiastic audiences. While the band’s lineup changed multiple times throughout its existence, Silvio remained the constant driving force behind the group. Notable musicians who joined Misty at different points included Dominic Vella, David Xuereb, Donald Cini, and the late Joe McKeon, among others. Despite their local popularity, Misty never had the opportunity to tour abroad. However, they did release several songs in Malta that left a lasting impact. Their first vinyl record, released as Silvio & The Misty, featured Misty as the A-side, and Tfajla as the B-side. They followed this success with the hits Xewqa and Imħabbti. In 1983, they released Crazy Lady, with Sunshine on the B-side. Their music resonated with Maltese audiences, blending both English and Maltese lyrics, a reflection of the island’s unique cultural landscape. In 1982, Misty also released their first cassette album, One, which contained eight tracks, including the Maltese song Futur. Misty continued to perform until 1998, when the group officially disbanded. It was at this point that Silvio took a bold step and relocated to Tenerife. There, he established himself as a solo artist, entertaining audiences in various bars and clubs across the island. To this day, Silvio works tirelessly, performing twice a day, seven nights a week, all year round. Throughout his career, Silvio had the opportunity to play alongside notable musicians, including Rick Wills, the bass player of Foreigner, who also collaborated with the Small Faces, Roxy Music, Peter Frampton, Spooky Tooth, David Gilmour, and Bad Company. He also played beside Brian May, the legendary guitarist of Queen. While May was enjoying a meal in a local pub in Tenerife, Silvio had the chance of Brian in joining him for a single blues number—an unforgettable moment in his musical journey. Silvio Schembri’s enduring passion for music has led him from Malta to Tenerife, where he continues to share his talent and love for music with new audiences. His journey, from his humble beginnings with Cycopad and Misty to playing alongside international stars, speaks to his dedication, resilience, and unrelenting passion for his craft. Today, Silvio remains a beloved figure both in Malta and Tenerife, a testament to his long and successful career in the world of music.

Aurora International Folk Festival Returns Showcasing Maltese and European Traditions Gozo's rich cultural heritage will once again take center stage from October 18th to 20th, 2024, with the return of the Aurora International Folk Festival. Now in its fifth edition, the festival celebrates the folkloristic traditions of the Maltese islands and five other European countries. Held in the picturesque setting of Pjazza Katidral, the event coincides with the Feast of St. Ursula, the Patron Saint of Gozo, and promises to immerse attendees in the vibrant customs of the past. The Aurora International Folk Festival highlights traditional aspects of dance, music, and celebrations that were once commonplace across Europe. From intricate Maltese folk dances to lively musical performances, the event showcases an array of cultural expressions that have been passed down through generations. In addition to Malta, the festival will feature performances from various European countries, offering a unique cultural exchange and fostering a sense of unity among participants. Organised by the Aurora Folk Group, a branch of Soċjetà Filarmonika Leone AD 1863, the festival aims to preserve and promote these traditional art forms while providing an entertaining experience for locals and visitors alike. Pjazza Katidral, located in the heart of Gozo, provides a fitting backdrop for this celebration of heritage, as the square is steeped in the island's own history and traditions. With its strong emphasis on the authenticity of folkloristic expressions, the Aurora International Folk Festival continues to grow in prominence, drawing enthusiasts of cultural heritage from all corners of Europe. For more information, interested parties are encouraged to contact the organisers via email at info@leone.org.mt . Marking a significant cultural highlight on the island's calendar, the festival promises to be a colourful and spirited event, perfect for all those looking to explore the traditions of the Maltese islands and beyond. ConTempo Concert n.4 : "Last Night When We Were Young" to Showcase Iconic American Songbook at Malta Society of Arts On October 17, 2024, the Malta Society of Arts will host the fourth instalment of its ConTempo Concert Series with a special performance titled Last Night When We Were Young . This concert, part of the organisation's Performing Arts Programme for 2024, will feature a captivating dialogue between piano and guitar, celebrating timeless classics from the Great American Songbook. Maltese guitarist Sandro Zerafa and French pianist Vincent Bourgeyx will lead the evening’s tribute, performing well-loved standards such as You Do Something to Me , Young at Heart , Pure Imagination , Love Is a Many-Splendored Thing , and Secret Love . Their piano-guitar duet will evoke the magic of an era when these songs formed the soundtrack of American life. The concert promises a nostalgic journey through iconic compositions by legendary songwriters like Cole Porter, Richard Rodgers, and George Gershwin. The performance will also include lesser-known gems, offering the audience a rich and varied experience. Songs like If I Had You , Never Will I Marry , The Folks Who Live on the Hill , and It’s De-Lovely  will be brought to life with the unique interpretations of Zerafa and Bourgeyx, blending their jazz expertise with an intimate and refined sound. Hosted by the Malta Society of Arts, the ConTempo Concert Series continues its mission of bringing high-quality performances to the island’s cultural landscape. This latest concert is set to attract lovers of jazz, classical music, and the golden era of American songwriting. The venue itself, housed in the prestigious Malta Society of Arts building, adds an elegant and historical backdrop to this exceptional musical evening. For those who appreciate the brilliance of the Great American Songbook and the artistry of live musical dialogue, Last Night When We Were Young  is not to be missed. New Music Releases from Airport Impressions, Mark Anthony Bartolo & Charlie Busuttil Airport Impressions recently announced the release of their sultry new single "Bobcat," which became available on September 20th across all major digital platforms. The alt-rock band from Malta, known for their melodic and emotionally driven sound, has been active since 2008. Frontman Errol Sammut explained the inspiration behind "Bobcat," stating, "The song stems from certain feelings within our society toward the excessive speed with which some tackle their days, resulting in a lack of emotion among us nowadays." Fans can follow Airport Impressions on their social media platforms: Twitter: @Air_Impressions Facebook: Airport Impressions Official Instagram: @AIBandMalta Singer-songwriter and music teacher Mark Anthony Bartolo recently released his latest single, "Blinded By The Sun," on September 6, 2024. The track, a fresh take on alternative pop-rock, features heartfelt lyrics paired with melodic guitar work, reflecting Bartolo’s signature style. "Blinded By The Sun" delves into the theme of finding balance and clarity amid life’s challenges. Through simple yet profound observations, the song explores how to navigate negative flashbacks or criticism, whether from others or personal experiences, by staying present and aware of one's surroundings. Bartolo highlights everyday contrasts, such as the difference between kindness and cruelty, as guiding truths that can help individuals stay grounded and overcome frustrations. The track encourages listeners to acknowledge these overlooked aspects of life as tools to regain inner strength and move past negativity. Charlie Busuttil’s new single, "Silly Working Mule," was launched on September 21st, 2024, at the end of summer. The song originated from a poem he had written, reflecting on the irony of modern life, where the "silly working mule" toils hard for an honest living, contrasting with those higher up the ladder. Busuttil collaborated with producer Fabrizio Fedele to develop the lyrics and music, and together they recorded the track. The single features backing vocals from Miss Sara and Fedele and was released under the Cellar Studios label.

Ramires Sciberras to Represent Malta at Junior Eurovision Song Contest in Madrid Ramires Sciberras has won the 2024 Malta Junior Eurovision Song Contest with his heartfelt performance of Stilla Ċkejkna. The song, written by Lon Kirkop with music by Aleandro Spiteri Monsigneur and Peter Borg, will represent Malta in the 22nd edition of the Junior Eurovision Song Contest, set to take place in Madrid, Spain, on November 16. In an interview with TVM News, Ramires shared the deep personal significance of the song, revealing that it reflects his journey from being adopted to finding a loving home in Malta. "The song represents my life when my parents adopted me from darkness and opened the doors to a beautiful future," he explained. With its angelic melodies and poignant lyrics, Stilla Ċkejkna has struck a chord not only with the judges but also with audiences. His decision to sing in Maltese was inspired by the diversity of languages showcased in the Eurovision contest. "We watch Eurovision each year, and every country proudly uses its own language," Ramires said. "My team and I thought, 'Let's give it a go,' and we sang in our beautiful language." The Sciberras family is understandably emotional about the song's success. His mother, Maria, described Stilla Ċkejkna as a reminder of their 11-year journey toward adopting Ramires, while his father, Renaldo, emphasized the importance of the song’s message: that adoption can unite families and bring positive outcomes. The Malta Junior Eurovision Song Contest took place at the PBS studios in Gwardamanġa, with 14 finalists competing. The winner was determined through a combination of 80% jury votes and 20% public televoting. GRRLZ, performed by Enrik Tala, Remy Borsboom, Leila Borg, and Muxu, placed second, while Emma Farrugia's Summertime came in third. Ramires will now prepare to take the stage in Madrid on November 16, where he will showcase Malta’s talent on the international stage. Everyone at Melodija.eu wishes Ramires the best of luck! From Sheep To Wolves Introduce New Drummer at SoundArt Festival At this year's SoundArt Festival, held on September 14th at The Garage, Maltese rock band From Sheep To Wolves officially introduced their new drummer, Julio Quintero. Quintero, who is also known for his work with Lucid Cream and other local bands, made his debut with the group during the festival. The event marked an exciting chapter for From Sheep To Wolves, as they showcased their new lineup in front of an enthusiastic audience, setting the stage for future performances with Quintero behind the kit. Malta Death Fest Announces Schedule for Two-Day Event This Weekend Malta Death Fest has unveiled the timetable for its highly anticipated two-day festival taking place this weekend. Tickets will be available at the door, with prices set at €55 for both Friday and Saturday, €25 for Friday only, and €35 for Saturday. Doors open at 20:00 on Friday and 18:00 on Saturday. Among the many excited performers is Shawn Mizzi of Angelcrypt, who shared his enthusiasm for the festival: “We're excited to hit the road again after a brief summer break! In just two weeks, Angelcrypt will be performing at Malta Death Fest, part of our Legacy of Valour tour. After that, we’re off to Romania, Luxembourg, the Netherlands, and Germany for some incredible headlining shows. Metal forever!” The festival promises a weekend packed with intense performances from local and international metal bands. TEATRU ROCK to Bring 70s Hits to Life at Teatru Salesjan, Amélie The Musical Coming to Teatru Manoel in 2026 Teatru Salesjan is set to host an exciting night of 70s nostalgia with TEATRU ROCK , a concert packed with iconic hits from the era. The event, scheduled for Saturday, November 2nd, will feature a lineup of talented performers guaranteed to get the audience rocking and singing along. This concert promises to be an unforgettable celebration of classic tunes, all happening at the newly refurbished Teatru Salesjan. Tickets are available at this link . Organized by Festivals Malta, Rock 'N Malta, and Teatru Salesjan, the event is a must for fans of retro music. In addition to TEATRU ROCK , it was also announced that Amélie The Musical  will make its way to Teatru Manoel in May 2026. This actor-musician production, based on the beloved film, is expected to captivate audiences with its enchanting story and vibrant score. With music by Daniel Messé, lyrics by Daniel Messé and Nathan Tysen, and a book by Craig Lucas, the show promises to bring a touch of magic from screen to stage.

In the vibrant and eclectic backdrop of the 1980s, a time when music was evolving and redefining itself, the formation of X-Tend marked a significant chapter in the Maltese music scene. The story begins in 1984, a year synonymous with the rise of New Romanticism, when two young and ambitious individuals, Chris Cassar (ex-Abstrass) and Godwin de Bono, crossed paths. Cassar, a drummer with a passion for rock, and de Bono, a talented DJ who later became a renowned sound producer, found themselves in the same social circle, sharing similar musical inclinations. Their chance meeting, however, was more than just a stroke of fate; it was the beginning of a journey that would leave an indelible mark on Malta's music history. Chris, driven by a vision, brought together a small group of like-minded musicians, including his then-girlfriend Sandra, who took on the bass duties with a Yamaha duo-phonic synth. The ensemble was soon joined by guitarist Eric Ace (Eric Calleja, ex-Black Jacks), who would become a pivotal member of the group and thus, the first iteration of X-Tend was born. The band’s name, inspired by a sign outside a local hardware store, was a nod to their desire to "extend" their reach beyond the local scene. The early days of X-Tend were characterized by intense rehearsals, as the band honed their sound. Encouraged by their progress, they decided to record their first tracks, which led to an introduction to Charlie Dalli, a studio owner who would become a crucial figure in their development. Dalli’s critical feedback on their vocal delivery prompted a lineup change, with him stepping in as the lead vocalist and Eric providing backing vocals. This configuration would become a mainstay in X-Tend's performances. Their first public performance was a modest gig at the Ħamrun Boys Scouts in September 1984, but it wasn’t long before they were making waves on a larger scale. A guest appearance on the popular TV show Arzella catapulted them into the national spotlight. Their unique sound and style quickly resonated with audiences, and within just a few months, they were representing Malta in international competitions. By December 1984, X-Tend was on the stage of the prestigious Ariston Theatre in San Remo, Italy, participating in Passaporto per San Remo. Their performance of "I Can Feel," a dynamic new wave track, earned them the top prize, and soon after, they were signed by the modest Italian label San Remo Holidays. This victory marked the beginning of their ascent in the music industry, both locally and internationally. Back in Malta, X-Tend’s momentum continued with a performance at the Festival Internazzjonali tal-Kanzunetta Maltija in March 1985 with the song “Gmiel”. Despite their disappointment in not securing a top spot, the exposure was invaluable. August of that year saw the release of their debut single, "I Can Feel" paired with "Love Me," which quickly climbed to the top of the Maltese charts. The single's success was bolstered by a professionally produced music video, a rarity in Malta at the time, which showcased the band’s commitment to a polished, professional image. The following years were a whirlwind of activity for X-Tend. They became a staple on Maltese television, performed in numerous concerts, and embarked on international tours. Their growing popularity necessitated the establishment of a fan club in Valletta, which further cemented their status as Malta's leading band. However, internal challenges soon arose, with Sandra’s departure from the band being a particularly difficult moment. Nevertheless, the remaining members pushed forward, channelling their energy into the production of their debut album, Extend, which was released in December 1985 to widespread acclaim. The album featured several tracks that would become fan favourites, including “I Can Feel,” "Midnight Sun," "Glittering," and "Deadly Dreams," and It dominated the Maltese charts for weeks, solidifying X-Tend's place in the local music scene. Their success continued into 1986, with high-profile performances at festivals and a mini tour of Europe that included stops in Italy, Monaco, Monte Carlo, Paris and Val D’Aosta. In October 1986, the double A-side single "Boys of Tomorrow/Nightmares" was released, along with the music video for "Boys of Tomorrow." This video marked a milestone as the first music video by a Maltese band to be filmed in multiple countries abroad. The release of their second album, Boys of Tomorrow, in January 1987 marked another milestone, as the band began to experiment with new sounds and styles. X-Tend’s willingness to evolve was evident in their third album, Bits from the Scrapyard, released in February 1988. The album showcased a shift from their early new wave influences to a more mature sound that incorporated elements of 60s rock and harmonies. This evolution kept the band relevant in a rapidly changing music landscape and highlighted their ability to adapt while maintaining their core identity. Their musical journey continued with the release of the Christmas album Sbieħ il-Milied in 1988, which became a top seller in Malta. The inclusion of the track "Tini Tini Żmien il-Milied" helped the album achieve iconic status. As the 90s approached, X-Tend became the first Maltese band to release an album on CD with Social Dancing in 1991, a project that further expanded their sound by incorporating modern rhythmic beats and sequencers. This album featured two outstanding songs “I've Been Missing You” and “Hide Your Shame”. The Christmas album Sbieh Il-Milied followed Social Dancing, becoming the band's best-selling record as well as the top-selling album overall on the island, and not just for that year. Throughout the 90s, X-Tend continued to innovate, releasing a series of successful albums and singles, including Let’s Have a Party in 1993, which held the #1 spot on the Maltese charts for an unprecedented 15 weeks. Their tenth anniversary in 1994 was marked by the release of Chapter VIII: Collage, an album that blended dance music with retro-80s influences, operatic elements, and classical motifs. This period of creativity culminated in the release of Powerpl@y in 1997, an album that earned them the Best Album Award at the Malta Music Awards. As the 90s came to a close, X-Tend continued to break new ground with the release of Big Boys Don’t Cry on an interactive CD in 1998. The project was praised for its innovation and marked the band’s commitment to pushing the boundaries of what was possible in the music industry. The release of The Collection 1984–1999 in 1999 served as a retrospective of their remarkable career, capturing the highs and lows of their journey. Although the early 2000s saw a lull in new releases, X-Tend remained active on the live circuit, performing both in Malta and abroad. In 2006, they released "Conclusion" as a single, along with an extended version and a remix. In the following years X-tend participated five times in the L-Ghanja Tal-Poplu. In 2008, they competed with the song "Ahwa Lkoll," winning the award for Best Theme Lyrics. The following year, in 2009, they competed with two songs, "Int dak li int" and "Niccelebraw il Festa Taghna," with the latter earning them the Best Interpretation trophy. Their participation continued in 2010, reaching the final for the third consecutive year with "Qabzitli c-Cinga." In 2012, they returned with the song "Facli" and made a special guest appearance at an 80s retro party organized by Alex Grech. In 2013, they came closest to winning the festival with "Kuluri Lwien," but once again secured the Best Interpretation trophy. In 2015, they launched the album Aħna l-Maltin u Ħutna l-Għawdxin in Australia, a project that was later released in Malta in 2017. The band’s legacy was further cemented with the release of the Christmas album Ilwien l-Milied in 2021, a double album that showcased their versatility across different musical genres. Today, X-Tend’s lineup is made up of original members Charlie Dalli, Eric Calleja, and Godwin Debono, with a discography, spanning four decades, reflecting a band that has continually evolved while staying true to their roots. This year, the band is celebrating 40 years of music with the release of X-tend 1984-2024, a special compilation that captures their most iconic songs from their impressive career. Set for release on the 25th of September, the album will be available in multiple formats, including vinyl, CD, pen-drive, and a limited-edition version, which is already nearly sold out through pre-orders. Many of the tracks on this compilation, such as “I Can Feel,” “Midnight Sun,” “Boys Of Tomorrow,” “Nightmares,” “Maybe For You,” and “Let’s Have A Party” have been re-recorded from scratch, breathing new life into these fan-favourites while  “Hide Your Shame,” “Big Boys Don’t Cry,” “Everybody Wants To Have Fun” and “Eternal Kiss,” underwent minor touches for enhancement. In addition to these re-recordings, the band, recipients of the Lifetime Achievement Award in 1998, has included four remixed tracks— “I Can Feel (X-tended remix),” “Nightmares (Dub Mix),” “Boys Of Tomorrow (The Re-mix),” and “Midnight Sun (Sun over Saigon mix)”—which stay true to the spirit of the originals while adding a fresh twist. As X-Tend celebrates 40 years of music with the release of X-tend 1984-2024, their journey comes full circle. From humble beginnings to international recognition, the band's evolution reflects their enduring passion and innovation. This latest compilation is not only a testament to their legacy but also a fresh reimagining of their timeless hits, offering both nostalgia and new energy for fans. With decades of success behind them and an unwavering commitment to their craft, X-Tend continues to inspire and leave an indelible mark on Malta's musical landscape. all photos: Eric Calleja

FERRET ‘Swamp Thing’ from the upcoming EP ‘For The Love Of Pizza’ Ferret precede upcoming EP ‘For The Love Of Pizza’ with new track ‘Swamp Thing’ – A groovy track inspired by 80s monster movies - Out 26th September! Kewn Records | KWN019 | DIG | 25th October 2024 About Swamp Thing Ferret's new single, ‘Swamp Thing,’ serves up a hearty helping of heavy riffs and an 80s horror-inspired vibe, capturing the thrill of monster-hunting in a murky swamp. The track was cooked up from a jam session between Anthony and Mark, who crafted the signature riff as the base ingredient. Owen then added a funky bass line, seasoning the song with a nostalgic twist that pays homage to classic scary-monster cartoons. Each section of the track unfolds like a classic horror movie, with story beats that simmer and boil over into a deliciously retro experience. As one of the last tracks added to the album, ‘Swamp Thing’ is the ultimate "pizza slice" single, embodying the band’s inventive flavour and serving up a unique experience that Ferret can't wait for the world to taste. About For The Love Of Pizza Ferret’s EP, ‘For The Love Of Pizza’, is a flavourful tribute to the bond the band shares over food, reflecting how their unique influences blend together to create their distinctive sound. The title pays homage to what drives and inspires the band, likening their creative process to crafting the perfect pizza—where each member adds their own "toppings" to the base of Ferret’s core sound. This instrumental EP showcases their ability to craft engaging music that stands strong without vocals, featuring dynamic peaks, valleys, and climaxes. Tracks like ‘Cheeki Breeki’ playfully evoke cartoon chases reminiscent of Tom and Jerry, while ‘Big Machine’ depicts a machine's gradual breakdown and ‘Galactose Intolerant’ humorously explores IBS in space. Drawing from a rich palette of influences—from the playful vibe of The Aristocrats and modern prog fusion bands like Plini and Intervals, to classic prog icons such as Genesis — Ferret infuses their music with a mix of jazz funk, progressive elements, and inventive twists. About Ferret Ferret have been cooking up their unique blend of prog rock since 2016, and currently dishing out sonic goodness with Anthony on guitar, Mark Andrew on drums and Owen on bass. Known for their energetic live shows, Ferret first hit the stage at Sickfest 2016, where they served up their signature sound. Their flavorful performances continued at events like Prog the Islands, Rock the South, and Farsons Beerfest, each gig a feast for the ears. In 2019, Ferret had the opportunity to support Dream Theater, showcasing their ability to hold their own alongside one of the genre's greats. With a sound that combines heavy riffs, intricate rhythms, and a pinch of improvisation, Ferret has solidified their place in the local music scene. Whether they're cooking in the studio or serving it on stage, Ferret is a band that knows how to keep their audience coming back for seconds. After a brief hiatus due to the pandemic, Ferret reunited in 2022, simmering their old recipes and cooking up new ones. Now, with a flavourful EP on the horizon, they're ready to serve the world once again. Ferret - For The Love Of Pizza Kewn Records | KWN0019 | DIG | 25th October 2024 Tracklist: 1. Cheeki Breeki 2. Big Machine 3. Galactose Intolerant 4. Praxis 5. Swamp Thing About Kewn Records Established in 2017, Kewn Records, led by Nick Morales with mentorship from James Vella (of Phantom Limb), fills a void in Malta's music scene. With a goal of elevating local talent professionally, the label, coordinated by Nicholas Bonello , has since released alternative music from the likes of BILA, The Areola Treat, Krishna, Niket and more. With multiple albums, EPs and single releases, Kewn Records acts as a one-stop shop for musicians, amplifying Malta's musical impact globally.

'Laudete Dominum' Concert to Illuminate St. John’s Co-Cathedral in Support of Children in Need Foundation On October 4th, 2024, the breathtaking St. John’s Co-Cathedral in Malta will be the venue for an extraordinary evening of music and philanthropy, as the Laudete Dominum  concert brings together some of the island’s finest musical talents. This special event, featuring renowned soprano Nicola Said and celebrated tenor Cliff Zammit Stevens, along with a captivating performance by the Children’s Choir, promises to be a moving celebration of hope, prayer, and gratitude. Set against the majestic backdrop of one of Malta's most iconic landmarks, the concert will offer a profound musical experience, filled with uplifting melodies and heartfelt performances. The event is not only a showcase of artistic brilliance but also a philanthropic effort, supporting the Children in Need Foundation , an organization dedicated to improving the lives of vulnerable children in the community. The concert’s title, Laudete Dominum , was carefully chosen to reflect the spirit of the evening—a tribute to the blessings and joys that unite us through the universal language of music. Organizers describe it as "more than a concert," but rather "a celebration of gratitude and unity," inviting attendees to experience an evening of praise and harmony. Soprano Nicola Said, lauded for her refined yet spontaneous vocal artistry, is expected to deliver a mesmerizing performance. Said, a luminary in the opera world, has captivated audiences with her emotional depth and technical excellence, and her participation in Laudete Dominum  adds a special dimension to the evening. Joining her is tenor Cliff Zammit Stevens, whose powerful and dynamic voice has earned him acclaim both in Malta and abroad. Zammit Stevens is not only known for his operatic brilliance but also for his dedication to using music as a tool for community engagement and positive impact. His performance at St. John’s Co-Cathedral will be a highlight of the evening, blending storytelling and music in a way that promises to touch hearts. All proceeds from the concert will go to the Children in Need Foundation , further amplifying the concert's impact beyond the music. Attendees will have the opportunity to not only enjoy an unforgettable evening of musical excellence but also contribute to a meaningful cause. Tickets for the event are available now and can be purchased through the official website: Laudete Dominum Tickets . This concert is generously supported by Malta Enterprise, with additional backing from esteemed partners such as HSBC, V&C Group, Torrent Pharma, Trust Stamp, Mediterranean Insurance Brokers, Malta International Airport, KM Malta Airlines, and the Malta Tourism Authority. Don’t miss this unique opportunity to witness a night of musical splendor and philanthropy at St. John’s Co-Cathedral. Join the community on October 4th for an evening that promises to inspire and uplift. Currant Daze Unveils Highly Anticipated Album "Celestial Rhymes of Conviction" The wait is finally over for fans of Currant Daze, as the band has officially launched their long-anticipated album Celestial Rhymes of Conviction  on all major digital streaming platforms. The release marks a significant milestone for the group, offering listeners a collection of thought-provoking tracks filled with profound messages and powerful lyrical delivery. The album, which has been highly anticipated by fans and critics alike, is being praised for its celestial rhymes and the conviction carried through each song. Currant Daze invites listeners to delve deep into this artistic piece, which explores themes of self-reflection, faith, and resilience, brought to life through a blend of poetic lyricism and rich soundscapes. The band has also announced that Celestial Rhymes of Conviction  will soon be available in physical format on CD, with pre-orders now open. Fans can secure their copy by sending a message to the band through their social media channels. A special thanks from Currant Daze goes out to Francois Galea for his stunning artwork design, Jessica Farrugia for the CD and booklet design, and Dr. Mirko Galea, who served as the album’s studio engineer, ensuring that each track resonates with its intended impact. Currant Daze expressed their gratitude to their fans, stating, “Thanks for sticking by—we hope you enjoy listening to this piece as much as we did making it.” Fans can access the album through the band’s official Linktree: https://linktr.ee/currantdaze  and immerse themselves in Celestial Rhymes of Conviction , now live on all streaming platforms. Maltese Culture Showcased in Cairo to Mark 60 Years of Independence On September 17, 2024, Malta’s rich cultural heritage was proudly displayed at Cairo’s historic Prince Taz Palace as part of the celebrations marking the 60th anniversary of Malta’s independence. The event, organized by the Embassy of the Republic of Malta in Cairo, featured a blend of art, film, and music, offering attendees a unique glimpse into Malta’s artistic and cultural history. The evening began with an exhibition curated by Magna Żmien, a grassroots project dedicated to preserving and digitizing Maltese analogue memories. The exhibit included 22 photographs by Maltese amateur photographer Guido Stilon, showcasing 20th-century life in Malta. The stills, meticulously scanned and restored by Magna Żmien archivists, formed part of the project’s larger archive, which gained widespread recognition during Valletta’s tenure as the European Capital of Culture in 2018. Following the exhibition, attendees viewed the short film Bejn is-Sema u l-Art, directed by Maltese anthropologist Adrian Camilleri. Originally commissioned by the Ritmu Roots Festival and produced by Festivals Malta, the film reflects on the life and legacy of Frans Baldacchino, also known as ‘il-Budaj’, one of Malta’s most revered folk singers. The film, which included previously unreleased footage, explored Malta’s indigenous music tradition, highlighting the island’s rich post-Independence folk music heritage. The event’s highlight was a live performance by Etnika, one of Malta’s most renowned bands. Founded in 2000, Etnika has been at the forefront of reviving Malta’s traditional musical instruments and forgotten genres. The band's captivating performance, which drew upon archival and field research, resonated with the audience, offering a rare exploration of Malta’s musical past brought into the modern day. The cultural celebration, supported by Investia, Marmonil, Methode Electronics, the Malta Tourism Authority, and the Ministry of Culture of the Arab Republic of Egypt, was a resounding success. It not only commemorated Malta’s 60 years of independence but also served as a platform for showcasing the island’s unique cultural identity to an international audience.

Celestial Rhymes of Conviction! - Debut Album by Currant Daze Currant Daze, the rising force in the indie/alternative rock scene, is thrilled to announce the release of their debut album, Celestial Rhymes of Conviction. After the success of their earlier singles, Out of Outlaws and Synthetic Panic, the band is ready to deliver a powerful, genre-bending collection of tracks that delve deep into the human condition with a signature blend of atmospheric rock and irresistible groove. Celestial Rhymes of Conviction is a piece brought to life from a series of events from our collective past. Frontman Braden Sultana (Vocals) and guitarist Bernard-James Vella are the dynamic duo behind each track, weaving a sonic tapestry of gritty guitars, emotive vocals, and thought-provoking lyrics. Every song resonates with raw energy, offering listeners an evocative journey through themes of existentialism, mental illness, crises, defiance and inner truth. Produced and recorded by the renowned Mirko Galea at his state-of-the-art studio, the album boasts a pristine yet gritty sound that captures the band’s live intensity. Galea’s expertise in mixing and mastering has amplified the distinct identity of Currant Daze, positioning Celestial Rhymes of Conviction as one of the most anticipated indie rock releases of the year. The band first gained attention with their debut single, Out of Outlaws, which garnered over 3,000 streams thanks to its bold storytelling and anthemic hooks. However, it was their follow-up track, Synthetic Panic, that really struck a chord with fans, introducing a unique fusion of funk rock elements and cryptic, lyrical intrigue. Both singles hinted at the expansive sound Currant Daze has now fully realized in their debut album. Speaking about the album, Braden Sultana shared: "This album reflects our journey as musicians and as people trying to make sense of the chaos around us. It’s a mix of high-energy rock and moments of deep introspection where allignment sort of takes place. We hope it connects with everyone who listens." Bernard-James Vella added: "Working on Celestial Rhymes of Conviction was about pushing the boundaries of our sound. We wanted to create something bold, something that would stay with people long after the music stopped." The album is available on all major streaming platforms - CD Pre-orders can be made by contacting the band directly on their social platforms.

Chasing Pandora's BRAND NEW album, The Weight of It All , offers a tender and introspective journey through the complexities of parenthood, adulthood, and the quiet moments that shape a lifetime. With songs that reflect on relationships, the ebb and flow of denial and acceptance, and a deep appreciation for life’s simplest joys, this collection captures the essence of human experience. Each track is a delicate observation, blending heartfelt lyrics with soulful melodies, inviting listeners to pause, reflect, and find beauty in the ordinary. The new album is out on the 5th of October on digital platforms. For those who wish to have unreleased tracks from the album, there is an option to pre-order the digital album on Indiegogo. A physical release will be available by the end of November, pre-orders are being taken through Indiegogo. Chasing Pandora discounted Merch, Tickets & Music | Indiegogo If you are interested in attending a listening party for the new album, Chasing Pandora invite you to attend their event on the 19th of September at Zeppi’s pub from 8:30pm onwards. Fingerfoods will be available on the night while you have a first listen of ‘The Weight of it all’ We will also be premiering our video at the listening party for our second single ‘One-Time Story’ One-time Story is an empowering anthem that reminds us of the importance of seizing our opportunities and striving to be the best versions of ourselves. The song captures the essence of life's fleeting nature, urging listeners to embrace their passions and dreams with Determination. The second single from Chasing Pandora’s 3 rd album will be out on the 19th September. The official album launch concert tickets are out now and can be purchased from http://theatre.donboscogozo.org The event is sponsored by Cultural Heritage Directorate - Ministry for Gozo & Planning Special thanks to Matt Hush and Noel Attard

Many, particularly those of a certain generation, recall The Greenfields singing about "Il-Banda Ta’ Indri." This song, released by the trio in 1975 on Electro Records as a single, featured "A Song Of Love" on the B-side. But how many of us truly know the story behind "Il-Banda Ta’ Indri" and who Indri was? Born in Valletta on January 7, 1818, Andrea Borg, better known as Master Indri, was a remarkable figure in Maltese musical history, despite facing the significant challenge of losing his sight at the tender age of two. The son of Salvatore Borg and Antonia née Bonello, Indri was struck blind following an accident, a tragedy that could have easily hindered his potential. However, instead of succumbing to his disability, Indri developed an extraordinary aptitude for music, which not only defined his life but also left an indelible mark on Malta’s cultural heritage. From a young age, it was evident that Indri possessed an exceptional musical talent. Even as a child, he could distinguish between different instruments being played during church services, demonstrating an innate understanding of music. Recognising his son’s potential, Indri's parents arranged for him to study under one of Valletta’s most esteemed conductors, Maestro Rull, who was also the Maestro di Cappella at the Co-Cathedral of St. John. Under Maestro Rull’s guidance, Indri first learned to play the flute, known then as the 'flejguta', and later, the clarinet, which became his favoured instrument. His passion for music extended beyond just learning to play; he became proficient in numerous instruments, including the guitar, and eventually took up the role of conductor and music teacher. Remarkably, Indri’s blindness did not prevent him from composing music. He devised an ingenious method akin to the Braille system, using wax balls of different sizes attached to raised staff lines, which allowed him to compose without ever having seen a musical score. He would create melodies by feeling the staff lines with his fingers and placing the wax balls to represent musical notes. Once he had finished composing, he would dictate the music to someone who would transcribe it onto paper. Indri’s compositions were varied and prolific. He wrote hymns, marches, dances, and sonatas, and his first hymn, dedicated to St. Dominic, was performed in 1860. Other notable hymns were dedicated to St. Philip, St. Publius, St. Andrew, and Our Lady of Liesse, with the verses often penned by prominent literary figures of the time such as Zammit Brighella, Professor Cesare Vassallo, and Antonio Crescimanno. In 1854, Indri also dictated a comprehensive treatise on music in Maltese, spanning 150 pages, which discussed harmony, scoring, and counterpoint, serving as a commentary on an 1854 work by another author. In addition to his contributions as a composer, Indri was a skilled organ repairer and restorer. Among his notable projects was the restoration of the organ at the Mdina Cathedral and the meticulous dismantling and reassembly of the 1037 pipes of the organ at St. Paul Shipwrecked in Valletta, a task that took him two years to complete. Indri Borg also made a significant impact on Malta’s band music scene. According to historian Pietru Pawl Castagna, Indri founded the first musical band in Malta around 1860, which later became known as "Il-Banda ta’ Indri." This band, comprising about sixty musicians, many of whom played string instruments, performed at various significant events, including weddings and village festivals. Indri’s reputation as a bandleader grew, and he was instrumental in the development of several other bands across Malta, including the St. Philip Band in Żebbuġ and the L'Isle Adam Band in Rabat. Despite his numerous achievements, Indri’s life was marked by hardship. He remained poor throughout his life, a stark contrast to the fame and recognition his musical talents brought him. He passed away in poverty at St. Vincent de Paul Elderly Hospital in Luqa on March 15, 1903, at the age of 84. Yet, his legacy endures, particularly in the realm of Maltese band music, where he is remembered as a pioneer who overcame his blindness to contribute significantly to his country’s cultural heritage. Indri Borg’s life and work offer an inspiring testament to the power of perseverance and passion. His ability to transcend his disability and make enduring contributions to Maltese music underscores the importance of resilience in the face of adversity. Today, his name is synonymous with some of the earliest organised bands in Malta, and his innovative methods of composition continue to be a testament to his genius. Bibliography Castagna, Pietru Pawl. Storja ta' Malta. Dun Salv. Storia del Zebbug e sua Parrocchia, 1881. Faure, G. Storja ta' Malta u Ghawdex, Volume IV. Ganado, Herbert. Rajt Malta tinbidel. Miceli, Joe. Il-Banda ta' Indri. Scerri, Victor. Master Indri Borg: Il-Banda ta' Indri jew il-Genju ta' Indri. Schiavone, Michael. Dictionary of Maltese Biographies, Vol I. Bejn Kliem u Storja, miklem, 14 June 2018.

Damaged & Co. unveil video for ‘Reflections’ via Wormholedeath. Damaged & Co proudly unveil the official music video for their intensely emotional track "Reflections." This powerful single stands out from their critically acclaimed debut album, Life’s Grand Delusion, released via Wormholedeath. "Reflections" dives into themes of existential dread, isolation, and the search for meaning, offering a powerful and emotional exploration of deep and intense feelings. The song’s masterful buildup culminates in an explosive finale, marking it a shining gem in the melodic metal landscape. The band would like to thank Matthew Mercieca at Madgiant Media for his unpecabble services and actors Kate Kristal and Rocio Bongiovanni for their sterling performance. Damaged & Co. are currently working on new songs, some of which will be unveiled during their upcoming gigs. Watch the official video for "Reflections" here: https://youtu.be/7s3-3xT_lGs Stream Life’s Grand Delusion here: orcd.co/lgdalbum Follow DAMAGED & CO on their social media channels and explore their musical universe: linktr.ee/DamagedandCo www.facebook.com/Damagedandco www.instagram.com/damagedandco www.threads.net/@damagedandco www.tiktok.com/@damagedandco www.youtube.com/@DamagedandCo https://open.spotify.com/artist/4eFPVyywxPZeake2ATbQrk?si=mm1HKr8qS0aO1mXnnH59uw

Tash Sultana, born on June 15, 1995, in Melbourne, Australia, has become a distinctive and powerful voice in the global music scene. As a gender-fluid, multi-instrumentalist, singer-songwriter, and music producer, Sultana is often described as a "one-person band," a fitting label for an artist who creates, performs, and produces all of their music single-handedly. With roots stretching back to Malta through their father's side, Sultana’s journey from busking on the streets of Melbourne to international acclaim is a story of relentless passion, raw talent, and a refusal to conform. Early Life and Maltese Heritage An Australian of Maltese ancestry on their father's side, Sultana was born and raised in Melbourne, where their musical journey began early. At the age of three, they received a guitar from their grandfather—a gift that would become a cornerstone in their life and career. This early introduction to music set the stage for Sultana’s deep and lifelong connection to the guitar, which has remained central to their artistry. By the age of 13, Sultana was already performing at open mic nights across Victoria, sometimes as many as six times a week. Their early exposure to Melbourne's vibrant live music scene, combined with their innate musical talent, helped Sultana hone their craft at a young age. Despite these early successes, Sultana struggled to find regular work due to their refusal to conform to social norms, leading them to busking on the streets of Melbourne—a decision that would prove pivotal in their career. The Breakthrough: "Jungle" and Notion In 2016, Sultana’s career took a meteoric turn with the release of their single "Jungle." A video of the track shared on social media quickly went viral, amassing over one million views within five days and catapulting Sultana into the spotlight. The song’s raw energy and Sultana’s unique, layered performance style resonated deeply with listeners, and "Jungle" was voted into third place in Triple J's Hottest 100 countdown of 2016. This success was a precursor to the release of their EP Notion , which showcased Sultana’s remarkable range as a multi-instrumentalist and their ability to weave complex sonic tapestries. Notion  was released in September 2016 through Sultana’s own independent label, Lonely Lands Records. The EP’s success was immediate, reaching number 8 on the ARIA Album Chart and leading to a sold-out world tour in early 2017. During this period, Sultana continued to perform at major festivals, including the Woodford Folk Festival and St Jerome's Laneway Festival, further cementing their status as a rising star in the global music scene. A True One-Person Band Sultana's reputation as a "one-person band" is not just a moniker; it is a testament to their incredible skill set. Sultana plays a wide array of instruments, including guitar, keyboard, bass, percussion, trumpet, saxophone, flute, mandolin, oud, harmonica, and more. Their performances often involve live looping, where they layer these instruments to create rich, multi-faceted soundscapes in real-time. Their guitar playing, characterized by percussive finger-tapping and intricate melodies, has become a signature element of their music. Sultana’s vocal abilities are equally impressive, with a reported range stretching across five octaves. This versatility allows them to experiment with different vocal styles, from delicate falsettos to powerful, soulful expressions, adding another layer of depth to their already complex compositions. International Acclaim and Flow State The release of Sultana's debut album Flow State  in 2018 marked another significant milestone in their career. The album quickly became Gold certified, with singles like "Mystik" and "Murder to the Mind" achieving Platinum and Gold status. Flow State  showcased Sultana’s ability to blend genres seamlessly, drawing from rock, reggae, blues, and electronic influences to create a sound that is uniquely their own. The album’s success propelled Sultana onto the international stage, with performances at major festivals like Coachella, Lollapalooza, and Bonnaroo. In 2019 alone, Sultana sold over 500,000 concert tickets worldwide, further solidifying their status as a global phenomenon. Their live performances, characterized by their incredible musicianship and dynamic stage presence, have garnered critical acclaim and a dedicated fanbase. Terra Firma and Continued Evolution Sultana’s second album, Terra Firma , released in 2021, continued to build on the success of Flow State . The album was written and recorded over nearly two years, with Sultana leading the entire process—recording, engineering, performing, arranging, and producing every track. For the first time, however, Sultana brought in collaborators like Matt Corby, Dann Hume, Jerome Farah, and Josh Cashman to co-write some of the tracks. Terra Firma  was praised for its raw and reflective songwriting, as well as its ambitious musical arrangements, showcasing Sultana’s continued growth as an artist. A New Era in 2023 As 2023 unfolds, Sultana continues to push the boundaries of their music. With the release of new singles like "James Dean" and "Bitter Lovers," Sultana has ushered in a new era of creativity, one that promises to further expand their already extensive catalog. Their ability to continuously evolve while staying true to their unique artistic vision is a testament to their enduring appeal and immense talent. Legacy and Impact Since breaking into the Australian music scene more than a decade ago, Tash Sultana has been nothing short of a musical force. Their journey from busking on Melbourne’s Bourke Street to selling out arenas around the world is a story of passion, perseverance, and an unwavering commitment to their craft. With billions of streams, numerous awards, and countless sold-out shows, Sultana has established themselves as one of the most innovative and influential artists of their generation. Tash Sultana’s story is not just one of musical success; it is a testament to the power of staying true to oneself and the impact that can have on the world. From their Maltese roots to the global stage, Sultana continues to inspire and connect with audiences around the world, one note at a time.

Atomic Flame is a rising force in the heavy metal scene, formed in 2022 amidst the chaos of the global pandemic and the dissolution of previous bands. Born from the collective passion and experience of seasoned musicians, the band features a formidable lineup: Lawrence Baldacchino on drums, Nigel "Noogie" Buttigieg on guitar, Charles Buttigieg on bass, and their newest member, James Galea, taking on lead guitar duties. This lineup, forged from the ashes of their previous musical endeavours, has quickly gained recognition for its raw energy and dedication to the craft. The band's origins date back to 2021, when Lawrence Baldacchino, an accomplished drummer with a rich history in bands like Fire and 12th Ode, began jamming with Campos Gellel, a talented guitarist known for his work with Angelcrypt and Blind Saviour. With the demise of Noogie’s Crew, Lawrence saw an opportunity to invite Nigel Buttigieg to join the nascent project. Nigel, raised in a household steeped in the history of Malta's rock and metal scene, brought his deep love for music and formidable guitar skills to the table. However, the band was still incomplete, and it wasn’t until Charles Buttigieg, Nigel's father, and a veteran of Malta’s metal scene, joined as bassist in December 2021 that the lineup truly began to take shape. Charles’s lyrical talent became the key to transforming the band’s musical ideas into fully formed songs. Despite the early momentum, the band faced a major change when Campos Gellel departed in July 2022. This pivotal moment led to the band rebranding as Atomic Flame, marking a fresh start with a clearer identity. The gap left by Campos was quickly filled by Marco Mulé, a Sicilian guitarist with impressive credentials, having toured with major names such as Grave Digger, Lacuna Coil, and Nanowar of Steel during his time with Ricercados and Psycholies. His experience brought a new dimension to the band’s sound, and the reconfigured Atomic Flame was ready to unleash their powerful blend of heavy metal on audiences. Their live debut came on January 21st, 2023, at The Garage in Zebbug, Malta. The show, performed to a sold-out crowd, was a resounding success and solidified Atomic Flame’s reputation as one of the most exciting new bands on the island. In the months that followed, the band released their first two singles: Innocence Becomes Prey on May 1st, 2023, and Hunter on December 2nd, 2023. Both tracks showcased their dynamic range, from intricate guitar solos to driving rhythms and haunting lyrics, solidifying their position in the metal scene. Atomic Flame's momentum only grew with each performance. On March 16th, 2023, they opened for Time Lord, a band comprised of members from the legendary Pagan Altar, fronted by Forsaken’s Leo Stivala. The gig garnered rave reviews and further established the band’s reputation. Later that year, on November 11th, they supported the Italian power metal band Scala Mercalli, once again at The Garage, drawing enthusiastic responses from both fans and critics. As the band continued to evolve, a significant lineup change came in May 2024 when Marco Mulé was replaced by James Galea. James, a guitarist with a long history in the Maltese rock and metal scene, brought a wealth of experience and creativity to the band. From his early days of being inspired by KISS on TV to his extensive work in bands like Purple Haze and Dreamscape, James had developed a deep understanding of melody and song structure. His return to the metal scene, after years away from active performance, has energized Atomic Flame with fresh ideas and a renewed sense of purpose. The individual stories of Atomic Flame's members add depth to the band's narrative. Nigel Buttigieg, for instance, grew up surrounded by music, often accompanying his father, Charles, to rehearsals and gigs. Inspired by his dad’s tales of Malta’s vibrant rock scene in the '80s, Nigel quickly developed a passion for heavy metal. His pivotal moment came when he first heard Black Sabbath’s Paranoid and later Iron Maiden’s Number of the Beast, which inspired him to pick up the guitar after initially starting on drums. Marco Mulé's background as a Sicilian guitarist with experience playing with internationally recognized bands speaks to Atomic Flame’s expanding influence. While his time with the band may have been short-lived, his contributions helped shape the band's early sound and laid the groundwork for future success. Charles Buttigieg, a veteran of the Maltese music scene since the early 1980s, is another cornerstone of the band. His years of playing with bands like Triton, Valda Cry, and Overdose during the New Wave of British Heavy Metal (NWOBHM) era have given him a deep well of experience to draw from. Despite stepping away from music for a time, Charles returned in 2003 to form EXPLICIT and later joined Noogie’s Crew alongside his son, Nigel. His lyrical contributions to Atomic Flame have been vital in crafting the band’s signature sound. At the heart of Atomic Flame’s driving force is drummer Lawrence Baldacchino. With a musical career spanning decades, Lawrence’s experience in bands like Necromancer, Rough Rider, and 12th Ode has given him the precision and stamina needed to anchor the band’s powerful sound. His passion for drumming is more than a technical skill—it's a therapeutic practice and a lifelong commitment. Lawrence’s drumming influences span genres, but he credits metal drummer Mike Portnoy as his all-time favourite. His dedication to continuing to perform, even at 65, reflects the same enduring spirit that propels Atomic Flame forward. From an early age, James Galea's fascination with music was sparked by '70s radio hits, shaping his understanding of melody and rhythm. Though drawn to heavy metal, his diverse musical background influenced his guitar playing. At five, KISS's performance on Solid Gold inspired his passion, leading him to begin guitar lessons at 14. He played in various bands, including Purple Haze and Dreamscape, and contributed to musicals and original rock productions. After a break due to the rise of grunge, James returned to music, eventually rejoining the scene in 2024 with Atomic Flame, ready to create and perform once again. With several live performances under their belt and enough original material to fill a full-length album, Atomic Flame stands poised to make their mark on the heavy metal world. Their journey, though marked by lineup changes and the challenges of the pandemic, speaks to the resilience and passion of each band member. The fire that drives Atomic Flame is far from burning out; instead, it’s just beginning to blaze brighter than ever.

5th Edition Set for an Explosive Two-Day Metal Extravaganza The highly anticipated Malta Death Fest returns for its fifth edition, bringing a brutal onslaught of metal mayhem over two days. The festival will take place on Friday, September 27th, and Saturday, September 28th, 2024, at The Garage, Triq I-Imdina, Zebbug. This year’s lineup is packed with an impressive array of metal talent from both local and international scenes, guaranteeing a relentless weekend of heavy music. Here’s a look at the bands set to perform: Inverecund hails from Reggio Emilia, Emilia-Romagna in Italy. Since their formation in 2019, they’ve been delivering brutal death metal with themes centered around violence, death, and torture. Signed to New Standard Elite, they released their debut EP, Engrossed in Horripilation, in 2023. Caedere , a veteran death metal band from Haaksbergen, Overijssel in the Netherlands, has been active since 1998. With four full-length albums, three EPs, and a demo under their belt, they are known for their intense sound. Their latest EP, Orbital Cleansing, was released on September 8th, 2023. Local legends Angelcrypt have been a staple in the Maltese metal scene since 1997. Known for their powerful live shows, they have released two full-length albums: We Are the Dead (2016) and Dawn of the Emperor (2020). The band is currently touring Europe with their "Legacy of Valour" tour. From Germany, Deafcarnation brings their melodic death metal sound to the festival. Their debut full-length album, Human Infested, released on April 29th, 2022, has been well-received, marking them as a band to watch. Maze of Sothoth , an Italian technical death metal band from Bergamo, Lombardy, will headline Friday’s show. Since their formation, they have released their debut album Soul Demise in 2017, and their latest, Extirpated Light, on March 24th, 2023, through Everlasting Spew Records. Another standout act is Malta’s own Martyrium , a melodic black metal band formed in 1999. Their discography includes five albums, with their latest release, Lamia Satanica, arriving in 2021. They are well-known for their atmospheric and intense live performances. Saturday’s headliner is Impaled Nazarene , a top artist from Osmose Productions. This Black Metal band hails from Oulu, Pohjois-Pohjanmaa, Finland, and was originally known as Mutilation before changing their name. In an interview, Mika Luttinen explained that the name "Impaled Nazarene" was inspired by a pamphlet he read about Christ being depicted as a vampire. He thought about how impaling is one of the few ways to kill a vampire, which led to the band’s current name. Their discography includes thirteen full-length studio albums, one live album, a compilation, a split with Driller Killer (2000), five EPs, and three demos. Local newcomers Halcyon have taken the scene by storm since their debut gig in March 2023. Formed by young, talented musicians, the band initially started as a trio but added a second guitarist this year, who made his debut with the band during Rock The South. They are currently working on their debut release, having teased fans with two demo recordings over the past few months. Sepiroth , another Dutch death metal act, will bring their fierce energy to the stage. Formed in Sliedrecht, South Holland, in 2003, they have released three full-length albums, with Condemned to Suffer being their latest in 2021. Rounding out the lineup are Sacroment , a local death metal band formed earlier this year. Despite being newcomers, they’ve already made a mark by participating in the Crowned Battle Of The Bands in July. Their debut album, New Age Aggression, is nearing completion and promises to add to the festival’s intense atmosphere. Malta Death Fest 2024 is shaping up to be an unmissable event for metal fans, with a lineup that promises to deliver two days of relentless, high-octane performances. Make sure to mark your calendars and prepare for a weekend of pure metal chaos. Tickets at the door are priced at 55€ for both days, with individual tickets available at 25€ for Friday and 35€ for Saturday. For more information, visit the event's Facebook page at https://www.facebook.com/events/1589176498538295 .

Lyndsay Pace is back with a bang! Lyndsay Pace, the acclaimed singer/songwriter has just released the new pop/dance single “One and Only” in collaboration with Cool Art Production, penned by Lyndsay herself whilst produced by Cool Mike and Goran Sobota from Poland. A native of the music scene, the emerging performer has earned various accolades over the years for her vocal talent and has performed at prominent venues whilst her natural singing ability and self-assured presence have helped catapult her career to the next step with Universal Music. Lyndsay has also participated in a number of renowned festivals such as the Malta Eurovision Song Contest, X Factor Malta, Muzika Muzika, The Hartbex Carpathia Festival and The Fan Vision Song Contest to mention a few. Amongst several projects , Lyndsay continues to deliver her best as she moves into the upbeat dance-pop direction and is ready to take it on an international level. You can now stream the new single on all major music platforms. Check out the official music video here: https://www.youtube.com/watch?v=DmRIQulS5p8