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Marc Storace is arguably Malta's most significant contribution to rock music. From his early days with The Boys and Cinnamon Hades in Malta to his time with Swiss prog giants Tea and NWOBHM outfit Eazy Money, Storace ultimately found his place with Krokus, who are now celebrating their 50th year in the industry. Since their formation in 1975, Krokus has become synonymous with high-quality, hand-made power rock. With over 15 million records sold worldwide, gold and platinum awards in the USA and Canada, and a Diamond record for selling one million albums in Switzerland, Krokus stands as a testament to the enduring appeal of rock music. As Chris von Rohr, bassist and producer, aptly said, "It's hard to believe, but we celebrate our 50th year of Krokus! We are looking forward to see you live, easy rockers, when long stick goes boom again!" Krokus began as a progressive rock act with their original lead singer, Peter Richard, who left before their debut album. This led to lead guitarist Tommy Kiefer stepping in for the band's self-titled debut. Chris von Rohr, initially the drummer, switched to lead vocals for their second album, "To You All," but it wasn't until Marc Storace joined in 1979 that Krokus found their definitive sound. Storace, formerly of TEA and Eazy Money, brought a powerful voice and charismatic stage presence that helped catapult Krokus to international fame. Their 1980 album "Metal Rendez-vous" was a breakthrough, followed by "Hardware" in 1981, which included hits like "Easy Rocker" and "Rock City." Marc Storace's arrival marked a turning point for Krokus. Inspired by AC/DC's raw energy, the band shifted towards a harder, more rock-driven sound. Storace's robust vocals became the band's signature, propelling them to new heights. The 1983 album "Headhunter" achieved gold status in the U.S. and included the MTV favorite "Screaming in the Night." Throughout the 1980s, Krokus enjoyed considerable success with albums like "One Vice at a Time" and "The Blitz," which featured the hit "Midnite Maniac," making them the first Swiss band to enter the Billboard Hot 100. Despite lineup changes and evolving musical directions, Storace's presence remained a constant driving force behind their success. The band faced numerous challenges, including lineup changes and the tragic death of former guitarist Tommy Kiefer in 1986. However, Krokus continued to produce music and tour, maintaining their reputation as a formidable live act. The 1990s saw a period of fluctuation, but the core of the band persisted, with albums like "Stampede" and "To Rock or Not to Be." In the 2000s, Krokus experienced a resurgence. The release of "Rock the Block" in 2003 and the live album "Fire and Gasoline" in 2004 reaffirmed their place in the rock world. The band's lineup solidified with Storace, von Rohr, and von Arb leading the charge, producing new music and embarking on tours that delighted fans worldwide. In recent years, Krokus has continued to rock stages across the globe. Their 18th studio album, "Big Rocks," released in 2017, featured covers of classic rock songs, paying homage to the bands that influenced them. Despite announcing their retirement in 2018, Krokus planned a farewell tour that was postponed due to the COVID-19 pandemic. As of 2024, Krokus is back on the road, celebrating their 50th anniversary. The current lineup includes Marc Storace on lead vocals, Fernando von Arb on lead and rhythm guitars, Chris von Rohr on bass, Mandy Meyer on lead and rhythm guitars, Mark Kohler on rhythm guitars, and Flavio Mezzodi on drums. Marc Storace's contribution to Krokus cannot be overstated. His powerful voice and stage presence have been instrumental in defining the band's sound and success. Joining Krokus in 1979, Storace's tenure has seen the band through its highest peaks and deepest valleys. His commitment to the band and its fans has made him an enduring figure in rock music. As Krokus celebrates half a century of rock, Marc Storace remains a central figure, embodying the spirit and energy that have kept the band alive and thriving. Here's to 50 years of Krokus and the many more moments of rock 'n' roll they will undoubtedly bring. Rock on, Krokus!   An in depth interview with Marc Storace was published on melodija.eu on Jul 7, 2023 titled: Marc Storace: The Melodic Journey from Sliema to the World Stage

Pjazza Teatru Rjal Announces Brass Instrument Workshop with Crossbones Trombones On Wednesday, August 7th, Pjazza Teatru Rjal revealed plans for an upcoming workshop specifically for brass instrument players, scheduled for September 5th. The workshop, open to musicians of all ages and skill levels, will feature the renowned Crossbones Trombones. Participants will also have the unique opportunity to perform alongside the ensemble in a concert at Pjazza Teatru Rjal on September 6th. The event is free of charge, and interested individuals are encouraged to register via the provided link: https://forms.gle/t6LUoHs2cSRz69JT9 . Pjazza Teatru Rjal is committed to fostering cultural excellence by offering a diverse array of high-calibre programs, enhanced by the distinctive experience of an open-air performance space in the heart of Malta’s capital city. Rehearsals Begin for "Rum and Rock N Roll" at Pjazza Teatru Rjal Rehearsals are currently in progress for an exciting event hosted by CSM Events, set to take place at Pjazza Teatru Rjal on Friday, August 30th. Titled "Rum and Rock N Roll," the show will transport the audience through the music of wartime eras. The performance features a live band accompanying a cast of 15 performers, showcasing pre-war music in the first half of the show. The second half will highlight the post-war era, when Rock 'N' Roll emerged and transformed the musical landscape. Tickets for the event are available at www.showshappening.com/Centrestage-Malta/RUM-AND-ROCKNROLL . Chasing Pandora Announces Album Launch Concert in October Following their return earlier this year with a brand-new single, Chasing Pandora has announced the launch of their latest album, set for October. Tickets for the album launch concert are now available. Fans are invited to join Chasing Pandora for a magical evening on October 5th, where they will perform their third album in its entirety at the beautiful Don Bosco Theatre. Tickets can be purchased from the theatre's website . Attendees can expect an intimate experience as the band shares their new songs in this enchanting setting, promising an unforgettable night. The event is sponsored by the Cultural Heritage Directorate - Ministry for Gozo, Planning, and Visit Malta, with special thanks to Matt Hush and The Sign Studio. Photo credits go to Jasmine Camilleri. In the meantime, Chasing Pandora's crowdfunding campaign is drawing to a close. After 14 years of silence, the band has dedicated countless hours in the studio to create new music. The upcoming album, which will be launched on October 5th at the Oratory of Don Bosco in Victoria, Gozo, marks their long-awaited comeback. Chasing Pandora is reaching out to their supporters for assistance with the various costs associated with producing the album, creating captivating music videos, and sharing their music widely. Plans also include developing a new website and merchandise. Every bit of support, no matter how small, is cherished and helps bring the band one step closer to achieving their dream. The band is grateful for the support they have received so far and invites everyone to be part of their journey back into the light. Contributions will help revive Chasing Pandora and ensure their music reaches more hearts than ever before. For those who order items requiring delivery to Gozo, delivery costs will be reimbursed as Gozo deliveries are free. Final Days for 'Strait Street to Abbey Road' Crowdfunding Campaign The crowdfunding campaign for the documentary "Strait Street to Abbey Road" is in its final days. This film chronicles the life of Tony Carr, born George Caruana in 1927 in Valletta, Malta, whose story exemplifies the transformative power of music and the resilience of the human spirit. The documentary aims to honor Tony’s contributions to popular music and serve as an important historical record. Tony Carr's life is a tale of ambition and perseverance. Growing up in wartime Malta, Tony sought refuge in underground shelters by day and immersed himself in Valletta’s vibrant jazz scene on Strait Street by night. In 1942, he formed one of Malta’s first jazz trios with friends Frank Camilleri and Joe Curmi, mentored by African-American jazz musicians. Despite the limited opportunities in Malta, Tony moved to London to further his career, eventually joining a European tour with Billy Eckstine and becoming a sought-after session drummer. His collaborations include work with legends such as Ella Fitzgerald, Sixto Rodriguez, Donovan, Alan Price, and Paul McCartney. The documentary requires funding for several key elements. Licensing fees are needed for iconic tracks Tony performed on, like Donovan’s "Sunshine Superman" and Hot Chocolate’s "You Sexy Thing." Additional funds are required for historical footage from sources such as the BBC and Kinomaster, animated sequences depicting scenes from the 50s, 60s, and 70s, and new B-roll footage capturing essential visuals. Voice actors will provide narration to bring the story to life, and sound design will ensure comprehensive editing, mixing, and mastering. At 96, Tony’s memories are fading, making this project urgent to document and celebrate his remarkable story. The team behind the documentary includes Ġuże Camilleri, a seasoned drummer and music educator dedicated to preserving early jazz history in Malta; Cedric Vella, a creative filmmaker ensuring the documentary is visually compelling; and David Vella, a producer at Temple Studios Malta, bringing high-quality sound production to the project. This documentary will celebrate Tony and his peers' contributions to music and the Maltese identity, inspiring future generations. Support the project by spreading the word on social media. Every share helps keep Tony Carr's legacy alive. Supporting this documentary means preserving and sharing the rich musical heritage that Tony and his peers helped shape. For more information and to contribute, visit the crowdfunding page .

It is a fact that Malta's first rock opera originated in 1974. The press conference held in Sliema at the "Midas" hotel, on July 5th, 1974, marked the launch of Malta's inaugural Rock Opera titled "Dream?" The event, which took place at the Manoel Theatre, was a significant moment for Maltese music history. The following are excerpts of the press release as reported by the day’s press: ‘Three talented young Maltese musicians, David Agius, Joey Chircop, and Anton Grech, all well-known figures in the local rock music scene, unveiled their ambitious project. Scheduled for October, the Rock Opera comprising entirely original compositions by the trio, the production promised to be a groundbreaking endeavor. During the press conference, attendees learned of the stellar lineup of Maltese vocalists set to participate in the Rock Opera. Notable names included the internationally acclaimed Maltese singer Jon Lukas, the frontman of Malta Bums "Bayzo," and Renato, who had recently made waves at Cantasud. Mr. Joey Chircop, one of the masterminds behind the Opera, shared insights into its origins. He revealed that the project's inception dated back to 1970, during the twilight days of the group "Cinnamon Hades". It all started when ‘Frustrated’, was written by Joey Chircop, then the organist of the band “The Boys” (later known as Cinnamon Hades). When the band came to an end in November 1971, Joey decided to concentrate on writing songs. He discussed the idea with Anton Grech, also former guitarist of The Boys and Cinnamon Hades, and they both agreed to work on developing the song into a stage production. David Agius was approached to assist, given his prior collaboration with Joey in composing other songs. Over the course of two years, the thematic material of "Frustrated" underwent extensive development, eventually evolving into the Rock Opera titled "Dream?" or "Din Holma?" in Maltese. The Opera delved into social issues, addressing some of the most pressing concerns of contemporary society during that time. In addition to the principal vocalists, a choir comprising adolescents would accompany the performance, adding depth and resonance to the musical journey. The unveiling of Malta's first Rock Opera marked a pivotal moment in the country's cultural landscape. With its innovative approach and thought-provoking themes, "Dream?" promised to captivate audiences and leave a lasting impact on the Maltese music scene.’ After completing all the music and lyrics, efforts were made to cast singers for each character and recruit friends and family to form a choir. Rehearsals commenced in a garage in Fgura. Simultaneously, arrangements were made to secure a conductor for the music. Maestro Joe Vella, renowned as one of Malta’s most esteemed conductors, was approached for the task. A meeting was organized at his residence in Attard, during which the songwriters outlined their vision. Initially hesitant, Maestro Vella was won over upon hearing excerpts of the musical played on his piano, and he agreed to orchestrate and direct the music. In addition to securing a conductor, the production team needed a director. Given his previous collaborations with TV Director Mario Ascione, Joey suggested approaching him for the role. Mario readily accepted the responsibility, collaborating with Maestro Joe Vella to devise a plan for staging the musical. As announced at the press conference, Jon Lukas was originally approached for the main role. Regrettably, due to prior commitments, he had to withdraw from the production after a few rehearsals. Subsequently, Enzo Gusman was promptly approached to take over the main part, a role he embraced wholeheartedly. At its core, the story line revolves around a young boy who, was marooned on a deserted island after his family’s yacht was shipwrecked. There on the same island he was found by a sailor (Ben), who, he himself, was marooned and alone for so many years before. After twenty years living together, in solitude, Ben passes away, leaving the boy alone. Dreamer was sentenced to remain on the island, never experiencing life with his fellow man. He was a virgin to the world. Here is where the opera begins: ……with the character of Dreamer, kneeling beside Ben’s grave. Overcome with despair, he eventually falls asleep and begins to dream… Dreamer: “I’ve got a picture in my mind of you Ben. I won’t forget you for some time. If ever I will. Or better still, I will keep you in my heart, So, it will never die……… ……At the end Dreamer turns to the Audience and asks: “What can I do? What can I say? Can it be true? What I’ve dreamed here today?” The performances took place on Friday, October 4th, Saturday, October 5th, and Sunday, October 6th, 1974. The attendance varied, with Friday's show filling three-fourths of the venue, Saturday's reaching full capacity, and Sunday's also selling out, with a significant crowd gathering outside hoping to purchase tickets. Regrettably, due to the theatre being fully booked until the end of the year, the production could not be extended. Despite this, the three young composers managed to make a profit of 30 Maltese pounds after covering all expenses. With the singers, choir and dancers generously performing for free, the profit was used to treat all participants to a meal. Here is the roster of individuals involved in Malta's inaugural Rock Opera: ORCHESTRAL DIRECTION and ARRANGEMENT Maestro Joseph Vella STAGE DIRECTION Director Mario Ascione Stage Manager George Schiro’ Sound Effects Tony Parnis Sound System Joe Debono Choreography Mary Rose Debono Stage and Set Design Joe Micallef Hairstyles (Main Singers) Manuel of Village Gossip Hairstyles & Wigs (Choir) Dennis & George of Dragonara Saloon Stage Make-up Mario Azzopardi MUSICIANS Maestro Joseph Vella and his Orchestra SPECIAL GUEST MUSICIANS Lead Guitar Anton Grech Rhythm Guitar Freddie Scicluna (Malta Bums) Bass Guitar Henry Spiteri Drums Charles Gatt (Ic-city) Joe Camilleri (il-peace) PROMOTIONS Denise Bartolo Joe Micallef Carmenu Galea (Il-Balal) COVER DESIGN Joe Agius (Id-Dylan) THE CAST Enzo Gusman as Dreamer Bayzo as the Pusher. Renato as Ben the Sailor. Tony Bartolo tal Malta Bums (il Gigo) as Harold Fry. Natalie Micallef as Junkie Peter Baldacchino as Ringleader Peter Borg as Arab John Zammit as Jew Godwin Borg as Protestant Vince Mifsud as Catholic THE CHOIR Godwin Borg Anthony Cassar Mathese Cortis Maria Chircop Vince Dalli Vince Mifsud Catherine Cortis Janet Chircop Sylvio Mizzi Ray Sultana Tania D’Ugo Josette Grech Joseph Borg Peter Baldacchino Bernardette Wismayer Doreen Scott Joey Vassallo Emanuel Salafia Janet Mifsud Rose Scicluna THE DANCERS Mary Rose Debono Celine Portelli Denis Bartolo Oscar Curmi Marion Ebejer Anna Farrugia Joseph Borg Paul Mifsud Lauren Gafa Etta Mizzi Domenic Pool Charlie Zammit ________________________________________ This article would not have been possible without the assistance of Joey Chricop, to whom I extend my gratitude for his patience and the time he devoted to answering my questions. Photos: Joey Chircop

Laura Bruno Triumphs at 48th L-Għanja tal-Poplu Festival Laura Bruno has clinched the top prize at the 48th edition of L-Għanja tal-Poplu with her soulful rendition of "Għażiża". Held at the iconic Pjazza Teatru Rjal in Valletta, the festival showcased some of Malta’s finest musical talent. Bruno's winning performance of "Għażiża," composed by Mark Spiteri Lucas, also earned her the prestigious Enzo Gusman Award for Best Interpretation. The poignant song reflects on a mother's enduring love and the hope that she remains a guiding presence even after death. The competition was fierce, with 120 submissions narrowed down to just 16 finalists. A panel of expert judges, along with audience votes, determined the winners. Florence Aquilina's self-written piece "Namra" secured the second spot, while Dario Bezzina's "Fissidni," which he both wrote and performed, came in third. Aquilina was further honored with the Best Singer-Songwriter Award for her work on "Namra." The award for Best Social Theme went to Lon Kirkop for his powerful song "Straight," which delves into his personal experiences as a gay man. In addition to the competitive categories, the organizing committee honored veteran singer Renato Micallef with the ‘L-Għanja li Tibqa’ Award, recognizing his lifelong contribution to Maltese music. Micallef performed "Bizzilla bil-Ġebliet," a composition by Dominic Galea with lyrics by Ġorġ Saliba, to celebrate his decades-long career. The 48th L-Għanja tal-Poplu once again highlighted the richness of Maltese music and culture, leaving audiences eagerly anticipating next year's event. Launch Party for Zabbeth's New LP Postponed to September 15 Sean, the driving force behind the musical project Zabbeth, announced over the weekend that the eagerly anticipated launch party at Kickstart Rock Bar has been rescheduled to September 15th. In his statement, Sean explained, "Unfortunately, we're still currently waiting on the LPs to arrive at Witches Brew HQ and due to this, I will be moving the Launch Party to September 15th! Have a look at the Facebook Event for more updates, and make sure you click on 'Going'!" Zabbeth, spearheaded by the multi-talented Chaos, has been captivating audiences since its inception in November 2021. Chaos, who prefers not to boast, is indeed the mastermind behind the project. He wrote, recorded, mixed, mastered, and designed the artwork and all layouts for Zabbeth’s first album. Chaos also played all instruments except for the drums and handled the same responsibilities for the upcoming split release. This time around, the artwork for the split was crafted by Shaun Farrugia, and of course contributions from Vaulderie for their songs. Despite these collaborations, Chaos remained at the helm, mixing and mastering all the material in the split. In addition to his work with Zabbeth, Chaos plays bass for Mur.Doc 104 and also handles another one-man project, Psychopath. Fans are encouraged to stay tuned to the Facebook event page for further updates and to confirm their attendance for the rescheduled launch party. Additionally, they can listen to his recent interview on Rock Moods and Heatstrokes on melodija.eu Matthew James Launches First Solo Album Following a standout performance at this year’s Farsons Beer Festival, one of Malta's most prolific singer-songwriters, Matthew James, is stepping into a new phase of his musical journey. Known for his decade-long tenure leading the local band Red Electric, Matthew has contributed to the music scene by writing three albums with the band, crafting several award-winning songs for other artists, and touring across Europe. Now, he is set to present his first solo album. "As my job involves writing songs for other artists, I usually prioritize the songs I write for myself second. But now the time has come to share the work I created for myself," Matthew said. "Paradise," the first single from his upcoming album "Ashes to Ashes," captures the essence of escaping the hectic pace of daily life to find a serene haven with a loved one. The single, produced by Howard Keith and Matthew James, and mixed and mastered by Howard Keith, has been available on all streaming platforms since August 1st. The full album "Ashes to Ashes" is slated for release this September, marking a significant milestone in Matthew's illustrious career. Former PlaKard and The Ranch Guitarist Patryk Cutajar to Release First Solo Single in August Patryk Cutajar, renowned for his work with PlaKard and The Ranch, has announced via his social media pages that he will be releasing his debut solo single this August. "I'm super stoked to announce I will be releasing my first single this month!" Cutajar shared. He expressed gratitude towards The Insynk Collective for their hard work, and acknowledged Kyle Drakard and Anthony Saliba for their exceptional musicianship on the track. He also thanked Nick Theuma for their innovative concepts, Lindsey Bahia for creating amazing content, and Arts Council Malta for partially funding the recording. "I look forward to having you with me on this journey!" he added, encouraging fans to stay tuned to his social media pages for more updates. SoundArt Malta Welcomes Conrad Dimech on board! On Monday, SoundArt Malta announced the addition of Conrad Dimech to their organisational team and crew. Dimech, a key figure in Malta’s music scene for over 20 years, has collaborated with top artists like Ivan Grech, A Broken Design, Cusion, ManaTapu, The Crowns, and his own project, The Counterbalance Project. He has also organised impactful events such as "Mumenti," which raised over €11,000 for Hospice, and "Musical In Concert" in partnership with the Malta Youth Orchestra. SoundArt Malta expressed their excitement about the new team member: “We are thrilled to welcome Conrad Dimech to our organisational team and crew. After discussing our upcoming visions for the festival and the social impact we aim to have on the underground scene, Conrad was intrigued. Not only did he add valuable ideas on how our next editions will take shape, but he also believed in our goals and vision! We can’t wait to share our upcoming plans with all of you! Trust me, SoundArt is going to be a one-of-a-kind festival and agency, dedicated to supporting the scene on all fronts. We’re looking forward to putting our plans into action and bringing Conrad’s energy to our future editions! Welcome aboard!” In May, SoundArt Malta announced the third edition of the SoundArt Festival, set to take place on September 14th, 2024, at The Garage. This year’s festival will feature the headlining act Mother of Millions, an up-and-coming progressive metal band from Athens. Local bands Dalam, A Broken Design, and From Sheep to Wolves will also perform, promising an unforgettable night of music. The festival’s main sponsors are Festivals Malta and Rock'n Malta. Tickets are available from local band members for €12, and door tickets will be available on the day for €15. Stay tuned to SoundArt Malta’s social media pages for more updates as preparations for the festival continue.

Dominic Grech was born on the 3 of April 1950 in Victoria, Gozo, and is best remembered as the main singer-songwriter for The Tramps, Gozo's most celebrated pop band. Born and raised in Victoria, Grech showcased his musical talents early on, participating in local festivals and joining his first vocal group, The Rosebells. He later formed a beat group called Gemini 5, which paved the way for his most significant musical venture: founding The Tramps in the mid-60s. The Tramps made their initial studio recordings in 1974 and soon became known for their international tours, performing in countries like Canada and Australia. Dominic Grech composed numerous songs for the band, with "Xemx" and "Għawdex Inti Djamant" standing out as two of the most famous Maltese songs. In the 1970s, The Tramps rose to prominence with their hit song "Xemx," released in 1975 under the Circle label by R. Brizzi. The song's lyrics and music, crafted by Grech, have endured in popularity, becoming the signature tune for the Gozitan television program "Għawdex Illum." The single's B-side featured "Lilek Irrid," with lyrics by Emmanuel Ellis and music by Grech, also featuring the Gozitan singer Spiro Sillato. In 1976, the band released another single, "Kif Qatt Nista" and "Tfulija," under the Canadian label Duke's Town, produced by Jo Debono. Dominic Grech was one of three brothers who played instruments with the Leone Band Club of Victoria. His musical journey began with The Rosebells, where he performed alongside his brother Alfred and friends from the neighborhood. Even in this vocal group, Dominic and Alfred occasionally played their band club instruments. During his student years, Grech formed Gemini 5, a beat group that eventually evolved into The Tramps. Managed by George Said, known as Id-Dias, The Tramps recorded their first studio tracks in 1974 with a lineup that included Grech (lead vocals and guitar), Joe Cassar (keyboards and vocals), Spiro Sillato (vocals and bass guitar), and Carmel Portelli (vocals, drums, and percussions). The Tramps' international tours began in 1974 with performances in Canada, followed by another tour in 1976 and a subsequent tour in Australia in 1981. The band's popularity in Gozo and Malta was unparalleled, with "Xemx" and "Inti Djamant" being among their most successful recordings. "Xemx" remained a beloved song for decades, even performed by the Malta Philharmonic Orchestra and Ivan Grech at the annual Rockestra with a musical arrangement by Josef Debrincat. While "Inti Djamant" is not officially Gozo's anthem, it is cherished as such by many Gozitans. In 1981, The Tramps won the Festival Internazzjonali tal-Kanzunetta Maltija with "Sinjur Ġib il-Paċi," a song performed during Pope Benedict XVI's visit to Malta in 2010, accompanied by Dominic's sons Richard and Mark. Beyond music, Dominic Grech managed Exotique's Gozo outlet for several years and owned the Arzella restaurant in Marsalforn. He was married to Pauline née Ellis, and they had four sons: George, Richard, Christian, and Mark. The Tramps' last public performance took place in December 2004, continuing their tradition of Christmas gigs in Victoria for about twenty-five years. Dominic's final performance was at the Nazarene Church in Sliema, where he played with his sons Richard and Mark during a prayer meeting. Dominic Grech passed away at 55 years old at the Gozo General Hospital after a prolonged illness. His legacy was celebrated on October 2019 during the Lovin Music Awards ceremony, where The Tramps reunited for a one-night-only performance of "Xemx." Accompanied by Maltese vocalists Federica Falzon, Amber, Claudia Faniello, and Nicole Frendo, the band's iconic track resonated with the audience, enhanced by historical images projected onto large screens. In recognition of Dominic Grech and The Tramps' contributions to Maltese music, Calypso Radio 101.8FM initiated an online petition on March 2, 2020, advocating for the Gozitan group to be honored with Ġieħ ir-Repubblika and for "Inti Djamant" to be officially recognized as the song of Gozo. Dominic Grech's influence on Maltese pop music remains indelible, with his compositions continuing to inspire and unite the Gozitan community. Acknowledgments: M3P - http://www.m3p.com.mt/ Cultural Heritage Directorate - https://culturalheritagegozo.gov.mt/

Manatapu Electrifies Farson’s Beer Festival with Powerful Protest Performance At the massive Farson’s Beer Festival last Saturday, local favourites Manatapu delivered an unforgettable performance, culminating in a stirring acoustic rendition of their song "Fini Tal-Progress." This track confronts the urgent issues of rampant over-development in Malta, exposing a tangled web of corruption, greedy developers, and irresponsible decisions that threaten the nation's quality of life. In a dramatic twist, the rest of Manatapu's members returned to the stage during the song, holding placards and a prominent banner emblazoned with "Tizfnu ghad-daqqa tal-izviluppaturi" (You dance to the beat of the developers). This powerful slogan has been a rallying cry for Moviment Graffiti, a group fiercely advocating against the same injustices. “This song was penned a few years ago, but six years later, the problems persist and have only worsened,” shared Dario, the band’s frontman. “We knew it was the perfect time to perform and release it, hoping to ignite action and awareness.” Adding to the impact, Manatapu released a live video of the song, which can be viewed here:https://youtu.be/AwtQdRBlxqQ. The band extends heartfelt thanks to Moviment Graffiti for their relentless fight and urges all their fans to join this critical cause. Don’t miss out on this electrifying performance that’s more than music—it’s a call to action. Join Manatapu and Moviment Graffiti in the fight for Malta’s future. https://www.manatapu.com https://www.facebook.com/manatapu/

A bandcamp.com advert for a band called Mnajdra definitely got my attention.  Being a history buff and a lover of metal, my first thought was, how on earth have I missed this Maltese band?  Though very rich in history, Malta is a small island right in the middle of the Mediterranean Sea and everyone knows anybody else in the local metal community.  Curious on how this secret was so well kept I delved further and noticed that the band was based in the United States of America.  Having inquired with local guru, DJ Noel Mifsud, who also had no knowledge of Mnajdra, I took it up on myself to contact the band and here is what the band spokesperson had to say: Musically speaking, Mnajdra basically formed from leftover ideas of other projects. I've got a lot of other things I do and ended up with a pile of incomplete songs and parts that didn't seem to fit anywhere else. They were good ideas that I liked quite a bit so I decided to start something new to see where those songs could go and if they could gel together. That's why the first album has a bit of variety in it. The mix of black, death, doom, etc. In terms of the name Mnajdra and the concept of the material, I've visited Malta a few times and absolutely love everything about it. The culture, history, architecture, temples, all of it. Malta has a such a mysterious nature about it that gets overlooked by the bigger and more talked about ancient cultures like Egypt, Greece, Rome, the Vikings, and so on. I thought it would be fun to explore Malta's ancient temple period for lyrical inspiration and sort of fill in the blanks of who the builders may have been and imagining what their gods were like and what the purpose of everything was. Initially it was going to be just a one-off album but it ended up going over incredibly well with the people that heard it. One music writer gave it his album of the year nod which blew my mind. So at that point I figured why not do more? Malta has such a rich history the ideas of where it could go are endless. Ancient Malta's culture of goddess worship is fascinating so I decided to explore that next, hence the second album being titled In the Name of the Goddess. The songs touch on various goddesses and female figures that are associated with the islands either historically or mythologically. The challenge of the second album was actually intentionally writing music from scratch that fits the same sound since there weren't any leftover ideas to pull from again. So in that regard I feel like this new album sounds more consistent with itself since it was written all together with intent. There is one leftover track titled The Lady of Verdala that will pop up somewhere sooner than later. If the second album goes over well and grows the audience then I'd like to think we'll do more. We've worked with Fiadh Productions for CDs and cassettes on both albums but we've yet to land a vinyl deal. The band member identities are being kept anonymous for now to let the project stand on its own. Well, that is quite the story.  It makes me think of how for granted, we Maltese, sometimes take our own history. The first album, which is self-titled, includes eight tracks and was released on May 1st, 2023 via Fiadh Productions.  It is themed around Malta’s prehistory as the song titles attest: 1.       The Worshipping Stones 2.       Giantess 3.       Under Earth 4.       Place of the Echo 5.       Disorder 6.       Sleeping Lady 7.       Illumination 8.       Golden Gate of the Ecliptic The album can be found as a digital version and was issued both on cd’s and cassette. On April 5th, 2024 the band released their single ‘Bastion’.  This was followed by another single ‘At Earliest Dawn’, released on May 31st, 2024. The second full length album is set to be released on August 9th, 2024.  Entitled ‘In the Name of the Goddess’, it will consist of eight tracks, including the singles released earlier this year. 1.       Mouth of the Wind 2.       Bastion 3.       Anna Perenna 4.       The Maymuna Stone 5.       Oracle Chamber 6.       At Earliest Dawn 7.       Calypso 8.       For the Son of Bat, the King This is another rendering to Maltese history and mythology.  It’s a fascinating way to make history known through extreme, yet beautiful music.  The magnificent bay of Fomm ir-Riħ; the island’s unassailable bastions, dating back to the period of the Knights of St. John; Anna Perenna and the last track ‘For the Son of Bat, the King’, both have connections to Malta through Virgil’s Aeneid.; the Maymuna Stone, a beautiful 12th century tombstone found in Gozo; the mysterious underground burial place of the Hypogeum , with its magnificent Oracle Chamber; At earliest dawn is a translation of Ogygian (Calypso’s island) and Calypso is all about the nymph, that had her adobe on the island of Gozo.   Well, if you want to learn about the fascinating history of Malta and are allergic to books, here is your chance, courtesy of Mnajdra. Make sure to visit the band’s bandcamp page https://mnajdra.bandcamp.com/ and help support this project by buying Mnajdra’s music and merch.

Some weeks ago, melodija.eu featured a couple of articles highlighting the illustrious career of Toni Sant and his numerous accomplishments over the years. One of his most significant and enduring achievements is the television program Mill-Garaxx. The following article is derived from a piece written by Toni Sant himself in 2020, reflecting on this groundbreaking program. During the 1980s, live music was a rarity on the sole Maltese television station, Television Malta. While orchestral performances or solo acts accompanied by a piano were common, rock bands performing live were almost nonexistent. Instead, bands would mime their performances to pre-recorded tracks on popular shows like TeleDisco, Sibtijiet Flimkien, Bonġu Malta, and Arzella. When Toni Sant began working at Xandir Malta and producing programs regularly for Radju Malta, he frequently discussed with his friend Mario Ellul the possibility of introducing live rock music to Television Malta studios. Sant and Ellul had known each other since their days at the New Lyceum, where they both studied Maltese, English, and Philosophy. Mario Ellul had joined TeleMalta before Sant with an aim to work with Television Malta where he eventually became a director and producer of various programs. Ellul was also the lead singer of Fog, a popular band among university students. Sant, too, was active in the music scene, performing with bands like Structure and Artwork in the 1980s. He later joined what remained of Fog in the early 1990s, primarily for theatrical productions by the MADC. Together with colleagues Ray Bajada and Alfie Fabri, Sant and Ellul began designing a television series named Mill-Garaxx. However, shortly after commencing work on the series, Bajada and Fabri were suspended from all Xandir Malta programs due to a controversial radio program they produced that discussed personal cannabis use with language deemed inappropriate for broadcasting at the time. Despite this setback, Sant and Ellul, as regular employees of Xandir Malta, continued developing the Mill-Garaxx program with a different team. They privately supported Bajada and Fabri, despite the taboo nature of the subject at the time. The leaders of Maltese society were far more hypocritical back then, and censorship was much stronger, even though there was a push towards modernity and progressiveness in certain aspects. The primary goal of Mill-Garaxx was to feature musicians playing rock live in the Television Malta studio in Gwardamangia. However, the program also incorporated regular discussions about societal issues in Malta. These discussions, necessary in a politically charged environment, were conducted with great seriousness and balance by Joseph Debono, who later gained fame as a comic and satirical character on Xarabank. Thanks to Debono's handling, the program avoided trouble despite its controversial topics. Mill-Garaxx lasted only about three months. A year later, Sant and his team produced another series, Mill-Garaxx 2, which revisited the musicians from the first series to see their progress. Bands featured in the Mill-Garaxx series included Acid, Big Foot, Ivory Cross, Freeway, The Ophidian Twin, Men and White, Flying Alligators, Catch 22, Fallout, and Winter Moods with Mark Doneo as the singer. Aidan Zammit Lupi also performed live solo, and Sant himself sang live with a group of musicians including Antoine Bonnici Soler (piano), Philip Fenech (guitar), Joe Carr (percussion and vocals), Walter Vella (saxophone), Gino Mifsud (electric bass), and Louis Naudi (drums). Tragically, Mifsud, Naudi, and Ellul passed away at a young age, and Sant fondly remembers them regularly. Reflecting on the program, Sant acknowledges that much of the material was relatively ordinary in quality. Nostalgia often enhances the perception of their work, making it seem better than it might have been at the time. However, what Sant cherishes most from the Mill-Garaxx series is not the live music but the opening theme music by Charles Dalli and the digital graphics created with Chris Agius and Mike Rizzo. In one of the earliest attempts at Maltese rap, Charlie Dalli penned a verse that Sant considers one of the most beautiful in Maltese popular music: "How beautiful is that dream of one day touching the stars, but all value disappears if everything I touch turns to gold."

Dean Montanaro, a dynamic and versatile musician, has carved a niche for himself in the world of jazz and beyond. Born and raised in Malta, Montanaro's journey in music began early, fuelled by a passion that saw him transitioning from the vibrant rock and heavy metal scenes of his homeland to the sophisticated and complex realms of jazz and improvisation. Montanaro's musical journey began in his teenage years when he played rock and heavy metal in dark garage complexes across Malta. His significant early stint was with the progressive rock band Colourblind. With Colourblind, Montanaro experienced a formative period that included numerous live performances. Notably, on his 18th birthday with Colourblind, he played at The Farsons Beer Festival and, catching a flight just hours later with the band to perform at the Aya Napa Youth Festival in Cyprus. Followed later on (in 2014) with another performance in Sweden with Angela Vella Zarb (Swing Nuages and Blue Tangerine), who was sharing vocal duties with Paul Sky at the time. This period of intense activity and exposure to live audiences set the foundation for Montanaro’s professional career and deepened his love for performance and collaboration. Montanaro’s formal education in music is a testament to his dedication and pursuit of excellence. He embarked on his higher education journey at Codarts Rotterdam in 2017, where he pursued a Bachelor of Music in jazz electric bass. His time at Codarts was marked by academic excellence, culminating in a cum laude graduation in 2021. During his undergraduate studies, he also spent an Erasmus exchange semester at ESMUC Barcelona, a period that enriched his musical outlook and exposed him to diverse influences. In 2021, Montanaro continued his academic pursuits at the Conservatorium van Amsterdam, where he undertook a Master of Music in jazz electric bass. His master's degree, completed in 2023 with an outstanding final score of 9.5/10, further solidified his expertise and artistry. Throughout his academic journey, Montanaro had the privilege of studying under some of the most renowned bass teachers, including Gary Willis, Glen Gaddum, Mario Rossy, Jeroen Vierdag, Theo de Jong, Alessandro Fongaro, and Ruud Ouwehand. His education was not limited to performance; he also studied composition with acclaimed teachers such as Reinier Baas, Stefan Lievestro, Oscar van Dillen, and Amit Gur. Montanaro’s career is marked by a blend of performance, recording, and teaching. As a performer, he has been a fixture on the international jazz scene, gracing stages at prestigious festivals and venues. His notable performances include appearances at the Malta Jazz Festival, the November Music Festival in Den Bosch, the Düsseldorfer Jazz Rally, and the North Sea Jazz Festival. He has toured extensively, performing in Paris, Austria, Slovenia, Croatia, Dubai, and more, collaborating with a diverse array of artists and ensembles. In addition to his performance career, Montanaro has a rich discography that showcases his versatility and creativity. His recordings span various genres and styles, reflecting his eclectic musical tastes. Notable recordings include "First Impression" with Antares Flare, "Inner Scars" with BRiMBA, "Santuário and Barra do Ribeiro" with Plankton Orchestra featuring Yamandu Costa, and many others. His projects often push the boundaries of conventional jazz, incorporating elements of electronic music, afro-beat, and improvisational experimentation. Montanaro's teaching career is equally impressive. He has been teaching privately for over six years, working with students ranging from beginners to advanced levels and spanning a wide age range. His approach to teaching is informed by his extensive performance experience and academic training, allowing him to offer a comprehensive and nuanced perspective to his students. One of the defining aspects of Montanaro’s career is his commitment to collaboration and innovation. He is actively involved in several bands, including Antares Flare, a psychedelic afro-beat jazz outfit; Su Nichel, an eclectic jazz collective with ethnic and folk influences; and Mipa & the Best Language Ever, a unique collaboration between musicians and a literary artist. Each of these projects reflects Montanaro’s ability to blend different musical elements and create something uniquely his own. In addition to his performance career, Montanaro has a rich discography that showcases his versatility and creativity. His recordings span various genres and styles, reflecting his eclectic musical tastes. Notable recordings include "First Impression" with Antares Flare, "Inner Scars" with BRiMBA, "Santuário and Barra do Ribeiro" with Plankton Orchestra featuring Yamandu Costa, and many others. His projects often push the boundaries of conventional jazz, incorporating elements of electronic music, afro-beat, and improvisational experimentation. Montanaro's teaching career is equally impressive. He has been teaching privately for over six years, working with students ranging from beginners to advanced levels and spanning a wide age range. His approach to teaching is informed by his extensive performance experience and academic training, allowing him to offer a comprehensive and nuanced perspective to his students. One of the defining aspects of Montanaro’s career is his commitment to collaboration and innovation. He is actively involved in several bands, including Antares Flare, a psychedelic afro-beat jazz outfit; Su Nichel, an eclectic jazz collective with ethnic and folk influences; and Mipa & the Best Language Ever, a unique collaboration between musicians and a literary artist. Each of these projects reflects Montanaro’s ability to blend different musical elements and create something uniquely his own. As Montanaro looks to the future, his focus remains on innovation and collaboration. He is set to release three albums in 2024 with different acts, further showcasing his versatility and creative vision. His ongoing projects, including new material with Brimba, who shall return on stage at Offbeat on the 2nd August, promise to bring fresh and exciting music to his audience. Dean Montanaro’s journey in music is a testament to his passion, dedication, and relentless pursuit of excellence. His ability to blend diverse musical influences, coupled with his commitment to collaboration and innovation, make him a unique and influential figure in the world of jazz and beyond. As he continues to explore new artistic horizons, Montanaro’s contributions to music promise to inspire and captivate audiences for years to come.

The 5th Annual Rock for Richmond Fundraising Concert Richmond Foundation's much-anticipated fundraising event, Rock for Richmond, returns for its fifth edition on Saturday, August 17th. This year promises to be an unforgettable evening filled with electrifying live performances from some of the finest local bands and musical acts. Doors open at 7:30 PM, and the event is expected to draw a supportive community eager to enjoy great music and contribute to a worthy cause. The stellar lineup for this year's concert includes the dynamic performances of Brodu, the high-energy Dolls For Idols, the infectious beats of Bark Bark Disco, the soulful voice of Stephanie Sant, and an exciting DJ set by Espionage. Each act brings a unique style and energy, ensuring a night of diverse and captivating entertainment. Rock for Richmond is not just about the music; it's about making a difference. The Richmond Foundation, a dedicated organization supporting individuals experiencing mental health challenges, benefits greatly from the funds raised at this event. The foundation provides a wide range of services, including therapeutic care, support groups, assisted living solutions, educational programs, and counseling services. Their mission is to equip individuals with the skills necessary to live and work independently, fostering a supportive community around mental health. This year's concert aims to surpass previous editions, both in terms of the funds raised and the awareness generated for mental health issues. Attendees will have the opportunity to enjoy top-tier musical performances while contributing to the essential services provided by the Richmond Foundation. As anticipation builds, tickets are expected to sell out quickly. Be sure to secure your spot for an evening of great music, community spirit, and meaningful impact. Join us on August 17th for Rock for Richmond and be a part of a night that truly makes a difference. Tickets can be bought from here Valletta Cultural Agency Presents: Unmissable Musical Events in the Heart of the Capital Opera in the Capital: A Majestic Evening of Vocal Mastery Valletta, Malta - The much-anticipated Opera in the Capital concert is set to enchant audiences once again at St George's Square on August 30th, beginning at 9pm. This beloved event promises an evening filled with the enchanting power of operatic arias and ensembles, showcasing the extraordinary capabilities of the human voice. This year, tenors Alan Sciberras and Cliff Zammit Stevens, along with soprano Nadia Vella, will grace the stage. They will be accompanied by the esteemed Malta Philharmonic Orchestra, under the expert baton of Maestro Michael Laus. Tickets for this extraordinary event are now available for purchase on showshappening.com . The concert will feature an array of emotionally charged arias, including "La fleur que tu m’avais jetée" from Bizet’s Carmen  and "È la solita storia del pastore" from Cilea’s L’Arlesiana . These pieces will contrast beautifully with the dramatic fervor of "Donna non vidi mai" from Puccini’s Manon Lescaut . The repertoire also includes the sublime melodies of Louiguy’s "La vie en rose", Lehár’s "Lippen Schweigen" from The Merry Widow , Gounod’s "Je veux vivre" from Roméo et Juliette , and Lloyd Webber’s "All I Ask of You" from The Phantom of the Opera , ensuring a diverse and spectacular musical experience. Additionally, the concert will feature the beloved Maltese song "Xemx" and Zammit Stevens’ "Fil-Qrib", with their heartfelt lyrics and evocative melodies, contributing to an unforgettable evening for both performers and audience members. Opera in the Capital aims to transport its audience through the power of music, all set against the stunning backdrop of Valletta's historic architecture. This event celebrates both the art of music and the unique cultural heritage of Valletta. Other Upcoming Events by Valletta Cultural Agency Strait to the Blues: A Blues Spectacle In its third year, the Strait to the Blues event has cemented its status as the quintessential Blues showcase. Led by the powerful Blues trio, Vinyl Paradise, and featuring an impressive lineup of guest vocalists and musicians, this event will traverse the entire spectrum of Blues. From original compositions to Delta Blues, Chicago Blues, Crossover Blues, Blues-Rock, and Texas Blues, this edition promises a rich and diverse musical journey, enhanced by international guest artists. Location:  Strait Street between Melita Street and St John Street Entrance:  Free Date:  Saturday, October 12th at 97 Notes, Valletta Organized by:  Strada Stretta and Valletta Cultural Agency. Definitely Dylan: A Tribute to a Musical Legend Definitely Dylan is a musical homage to the Nobel laureate and singer/songwriter extraordinaire, Bob Dylan. Local musician Dario Genovese, accompanied by his band and a lineup of diverse guests, will orchestrate a tribute that delves into the enduring genius of Dylan's repertoire. Join us for an unforgettable exploration of the profound impact of one of music's greatest storytellers. Entrance:  Free The Valletta Cultural Agency continues to celebrate and promote the rich cultural tapestry of Valletta through these outstanding events, offering something for every music lover to enjoy. Aleandro Spiteri Monsigneur Completes Film Scoring Milestone with 'I Wish I Never Existed' Rising musician and composer Aleandro Spiteri Monsigneur has recently added a significant achievement to his musical repertoire. The 25-year-old artist took to his Facebook page to announce the completion of his first film score for the movie I Wish I Never Existed, created by Difyrent and starring Zoe Colletti and Patrick Lyster. "Ticked filmscoring off my bucket list thanks to I Wish I Never Existed," Aleandro posted. "I’ve worked on this score almost every day for the past nine months, making sure every sound and every note in there is serving the right intention. Filmscoring really is a different beast." Aleandro, born on June 9, 1999, has made a name for himself in the local music scene as a versatile keyboardist for the award-winning band Red Electric. His involvement in various projects as a session musician, songwriter, and recording artist has further established his reputation as a multifaceted musician. Reflecting on his collaboration for the film score, Aleandro expressed gratitude to his colleagues Dylan Odom and Maria Grech, highlighting the synergy that transformed their collective efforts into something extraordinary. He also acknowledged the contributions of Adam Ryan, Matt Barnes for mixing the score, and Zino Mikorey for mastering. "A special thank you goes to everyone who contributed ideas and inspiration," Aleandro added. Fans of Aleandro can now enjoy a portion of the score he composed for I Wish I Never Existed on Spotify , marking his debut in the world of film music. Aleandro's journey in music began during his teenage years with a foundation in classical music, which he soon expanded to encompass various genres and techniques. His talents were first showcased on a large scale at the age of sixteen during the Jarocin Festival in Poland, where he performed with Red Electric. The band has since celebrated a decade of performances and continues to make strides in the international music scene, collaborating with multi-platinum producer Nicolas Farmakalidis in Los Angeles. Beyond his work with Red Electric, Aleandro has pursued numerous solo projects. In 2015, he composed the film score for Case at Riddle Crossing, an international feature film shot in Tennessee. His chorale Coniuncti Concidimus, Dividuui Accidimus has been performed by local choirs and was featured in a one-time exclusive arrangement for string quartet in Vienna during the European Youth Orchestra's 2016 Summer Tour. Aleandro also regularly collaborates with local artists, contributing to songs that frequently top local charts. Aleandro's latest venture into film scoring represents a significant milestone in his career, underscoring his diverse talents and dedication to his craft. With his recent achievement in I Wish I Never Existed, Aleandro Spiteri Monsigneur continues to cement his status as one of Malta's most promising and dynamic musical talents.

Atlam, was formed in 1978 by Charles Saliba and his twin brothers, Lizio and Stephen Saliba, in their hometown of Ħaż-Żabbar. Initially, the band performed at local events, gradually expanding their repertoire and influence. With the addition of their cousin, Charles Galea, the band's lineup solidified: Charles on guitars and vocals, Lizio on bass and backing vocals, Stephen on drums, and Charlie on keyboards and backing vocals. Atlam's music was deeply influenced by the rock and roll and pop sounds of the 1960s. Their performances featured covers of iconic bands such as The Beatles, Elvis Presley, The Rolling Stones, The Hollies, Creedence Clearwater Revival, and The Shadows. This homage to the sixties helped them build a local fan-base, playing almost every weekend at weddings, bars, and community events. The band began to compose their own material, with most songs written by Charles and Lizio, and contributions from the other members. Their first record, F’Imħabba w fis-Sliem, was recorded at LJR Studio in Żabbar. Inspired by their friend Tony Mugliette, they transformed their practice space into a recording studio. During this time, they recorded several tracks, including Atlam (an instrumental), Kemm Nixtieq, Ninsab il-bogħod, Lilek Irrid, Ġrajja ta’ Sajjied, and Tfajla ta’ qalbi. These songs, reflecting their sixties rock and ballad influences, were released on a cassette titled Imħabba w Sliem around 1982. As their musical style evolved, Atlam began experimenting with harder rock sounds influenced by bands like Black Sabbath, Deep Purple, and Led Zeppelin. This shift was marked by the addition of Tony Mugliette as a vocalist, transforming Atlam into a rock band. Their new style debuted at a three-day rock festival at il-Marsa grounds, followed by a performance at the Ta’ Qali Music Festival. Songs like The End of the World, Ghost Rider, and Desperate Life became staples in their set-list. The departure of Tony Mugliette led to the recruitment of Silvio Bonnici, whose high-pitched vocals inspired new compositions. Atlam's cover versions of Led Zeppelin and their medley Stars of Sabbath, featuring Black Sabbath hits, became crowd favorites. The band's lineup at this time included Silvio Bonnici on vocals, Charles Galea on keyboards, Lizio Saliba on bass and backing vocals, Stephen Saliba on drums, and Charles Saliba on guitars and backing vocals. Their most memorable concert occurred on July 9, 1983, during a Rokarja AST gig at the Tigne Chapel, where Stars on Sabbath had to be performed three times due to popular demand. To differentiate between their commercial pop side and their rock persona, the band adopted a dual identity. They continued to perform as Atlam for weddings and other events while their rock performances were under the name V-Gile, with Ralph Camilleri as their manager. V-Gile's first notable performance was a Rock Mass at The Stones Discotheque, featuring music composed by Charles Saliba and lyrics by Josette Micallef. This mass was also performed at the Birkirkara Parish Church. Parallel to their performances, V-Gile worked on a rock opera titled Victims, written by Lawrence Micallef. The opera, which aimed to raise awareness about drug abuse, was partially performed at various cultural events but never fully staged due to production challenges. Despite attempts to collaborate with Caritas, disagreements over the opera's title halted its full realisation. The band's lineup saw changes over the years, with Anton Scicluna replacing Lizio on bass and Edward Mifsud joining on guitars and vocals. Charles Galea left the band due to work commitments. Atlam continued to perform at venues like Jerma Palace and Corinthia, with a consistent presence at an open-air restaurant in Rabat. From 1995 onwards, performances by Atlam and V-Gile became occasional, with Charles and Stephen remaining the core members. Charles kept the band's legacy alive, performing in Libya and notably headlining a concert for the Commonwealth countries in 2009 alongside German and British bands. Atlam participated in tribute concerts, including “Ir-Rock It-Tajjeb” in 2016 and a performance at SixteenSeven Sports Bar & Grill in 2019. Their journey from a local band playing sixties covers to a prominent rock act reflects their adaptability and enduring appeal, cementing their place in Malta's musical history. References and photos: M3P - Malta Media Memory Preservation

Atmospheric indie band Eyes to Argus have just released their third full-length album, Reroot (official release date: 19th July) and it’s available to stream on all streaming services. Once more, Eyes to Argus worked with record label Post. Recordings (Indianapolis, US) and the album was pressed on vinyl as a limited run, which is available through Bandcamp. On Reroot, Eyes to Argus have a different energy compared to their 2021 album, in habit. The songs are more charged, more concise, and catchier than ever before. Yet, this is still an Eyes to Argus album through and through, and the band’s signature take on indie, shoegaze, and post-rock is on full display. Reroot is about the trajectory of entering a new decade and getting used to the way it feels. It’s about moving into the next phase of your life with newfound energy and drive, all the while grappling with inevitable fatigue and burnout along the way. It’s the same state of flux that Eyes to Argus went through when they wrote and recorded Reroot, with all members either traversing or fast approaching their thirties and coming face to face with the whirlwind of experiences that this brings – building new families, finding new homes, losing loved ones, and welcoming new life into the world. Prior to the full album release, Eyes to Argus dropped two singles from Reroot – Bloodstream Waterfall Cannonball, which was featured on WherePostRockDwells, and  Your Piece. https://www.youtube.com/watch?v=0eqZtG7bpTo https://www.youtube.com/watch?v=p0YR7vjkXFA Bloodstream Waterfall Cannonball is the opening track on Reroot, setting the tone of the album with an affirmative energy that waxes and wanes until the closing track Lifelift, which discovers affirmation beyond the self through the cycle of life, death, and life again. The artwork for Reroot was created by Samwel Mallia using photographic elements by Elisa von Brockdorff and textures from Sam Falzon (Bainmarie). The vinyl release includes an exclusive map of the World of Reroot – featuring terrain, landmarks, and characters inspired by the themes and lyrics on the album. As part of the album’s release cycle, Eyes to Argus are currently playing a run of shows along the Midwest, concluding with a festival appearance on the 27th of July at Post. Festival (Indianapolis), which this year features monumental names in the post-rock scene such as This Willl Destroy You, Caspian, And So I Watch You From Afar, The Ocean, If These Trees Could Talk, and many more. Listen to Reroot // Order the album on vinyl →https://eyestoargus.bandcamp.com/album/reroot

Cher Camilleri Drops New EP 'Naddatta' on All Streaming Platforms Renowned for her eclectic fusion of electronic sounds and striking visual artistry, Cher Camilleri has officially released her highly anticipated EP, 'Naddatta.' The five-track collection is now available on all major streaming platforms, promising to deliver a fresh wave of immersive listening experiences. The EP, released under the Ultralow Music label, showcases Camilleri's multifaceted talent as an electronic singer, songwriter, producer, graphic designer, videomaker, and editor. Each track is a testament to her innovative approach to music and art, blending rich electronic textures with her unique vocal style. Production credits for 'Naddatta' include Jimmy Bartolo, who skillfully produced and mixed the tracks, and James Aparicio, who mastered the EP, ensuring top-notch sound quality. The promotional efforts were spearheaded by Neo Borg Bonaci, with props designed by Matthew Pandolfino, adding a visual flair that complements Camilleri's auditory aesthetic. Fans can get a taste of 'Naddatta' through a promo clip circulating on social media, which offers a glimpse into the EP's vibrant and dynamic world. To dive into the full experience, listeners can stream the EP on Spotify via the following link: Spotify link. Cher Camilleri continues to push the boundaries of electronic music, and 'Naddatta' is a shining example of her artistic evolution. With her latest release, she invites fans old and new to explore the depths of her creative vision. Reeferfest 2024: A Blaze of Stoner Metal With Three International Bands Last year, REEFERFEST presented four bands, featuring the incredible OMEGA SUN from Slovenia, making the third edition an unforgettable experience. This year, the festival is raising the bar by including three foreign bands in the four-band lineup. The local band on the night is Hemplifier, formed in 2021 by Bazaz (Lady Lizard) on bass, Dino Mifsud Lepre (Pilgrimage, Victims of Creation) on drums and samples, and Emanuel Portelli (Akem Manah, Animamortua, Thy Legion, Victims of Creation) on guitars and vocals. Hemplifier released their debut album, The Stone Side Of The Doom, on June 2nd, 2023, through Electric Valley Records. Joining them from Belgium is Witch Piss, formed in Mechelen, Antwerp, in 2022. The band features Glenn Van Bael on bass, Dennis Lefebvre on drums, Andoni Lombide Carreton and Stijn Georges Moens on guitars, and Peter Egberghs on vocals. Their self-titled debut album was released on April 7th, 2023, on Saturni Records. Representing the Netherlands, Ditch hails from The Hague. The band consists of Douwe de Wilde on vocals and bass, Eric Hazebroek on guitars, and Alexander de Goede on drums. Their notable releases include Boca do Inferno (2014) and Coldfoot, Alaska (2021). Belzebong, from Kielce, Świętokrzyskie, Poland, has been a prominent name in the stoner doom scene since their formation in 2008. The current lineup includes Rafał Łagowski on bass, Alky Dude and Piotr Sadza on guitars, and Stanisław Malanowicz on drums. Their discography boasts several releases, including Demo (2009), Sonic Scapes & Weedy Grooves (2011), Dungeon Vultures EP (2013), Greenferno (2015), Light the Dankness (2018), and De Mysteriis Dope Sathanas - Live in Oslo (2021). The event will be hosted by DJ Noel Mifsud and it will be held at The Garage, Ħaż Żebbuġ, Malta, with doors opening at 19:30. Tickets are priced at €20. To reserve your tickets, contact Hemplifier or Emanuel Portelli, or pay by Revolut on 99802413. It is crucial to include ticket holder names and ID card numbers in the payment description. For more information, visit the event page: Reeferfest 2024. Don't miss out on this electrifying night of heavy music, featuring a mix of local talent and international acts. Get your tickets now and be part of Malta's most exciting music festival! Drowning Sorrows to Launch "Prom Night Massacre" Tour at Muddy Waters, Malta This Saturday, July 20th, rock enthusiasts in Malta are in for a treat as Drowning Sorrows kicks off the first show of their "Prom Night Massacre" tour at Muddy Waters. The event promises an electrifying evening, starting at 8:30 PM, and will feature two sets comprising 20 classic rock 'n' roll hits along with a selection of Drowning Sorrows' original tracks. In addition to the live music, fans attending the shows will have the chance to participate in a thrilling raffle. Prizes include Pin Badges, Stickers, T-Shirts, and drinks courtesy of the band. Each ticket purchased grants an entry into the grand prize raffle, with the final draw set for October 26th. The grand prize winner will receive a special hand-crafted piece of Drowning Sorrows memorabilia, making it a highly anticipated conclusion to the tour. Drowning Sorrows' "Prom Night Massacre" tour will continue with performances across Malta until the end of October, ensuring that rock 'n' roll aficionados have multiple opportunities to experience their dynamic shows and potentially walk away with unique prizes. Mark your calendars and make sure to arrive early to Muddy Waters this Saturday for an unforgettable night of rock music and exciting giveaways! Community Rallies for MMPAC Fundraising Event This Weekend A vibrant fundraising event is set to take place this weekend, aiming to support the Malta Music and Performing Arts Complex (MMPAC.mt). The event promises an array of captivating performances from local artists, all dedicated to the mission of creating a new creative arts complex in Malta. The event will feature a talented lineup of performers, showcasing the best of Malta’s artistic community. These artists are not only sharing their talents but also lending their support to the cause, helping to bring the vision of a thriving creative space to life. Saturday’s Performances: Hannah Matthew / Jean Aquilina / Taxi Vaders Sunday’s Performances: Estaban Medusa / Open Jam Session The organizers emphasize that community support is crucial for the success of this initiative. Attendees will have the opportunity to enjoy outstanding music, learn more about the MMPAC.mt project, and contribute to a cause that aims to enrich Malta’s cultural landscape. “Your presence and support will make a significant impact,” stated a spokesperson for MMPAC.mt. “Come enjoy the music, learn more about our project, and be a part of this exciting journey. Let's create something amazing together!” The fundraising event promises not only to entertain but also to inspire, fostering a sense of community and shared purpose. All are welcome to join this weekend and contribute to the creation of a vibrant new space for the arts in Malta.

Longevity of radio programmes, dedicated to rock and/or metal in Malta, is not the rarest of occurrences, as some programmes have graced the air for quite a few years. Such as the now defunct Grinta, on air for 18 years, Rock Express on air for more than 22 years, both brainchildren of Brian Micallef and Rockna, hosted by Michael Bugeja, on air for the 14 years this year (2024), just to mention a few. Rock Moods, hosted by Noel Mifsud, will be reaching the 15-year milestone of airing on ONE Radio. The programme was the brainchild of Joe Tanti and aired for a few years on Bay Radio prior to the DJ moving to ONE Radio in 2009. Marc, the son of Joe Tanti, co-hosted the show. Noel Mifsud was asked to be part of the programme as soon as it started airing on One Radio. Both father and son then moved on, Joe to host other shows, while his Marc went on to continue with his studies. Since then Noel Mifsud hosts one of the island’s iconic rock shows with Joe’s blessing. For a brief period, Noel was joined by Lito (R.I.P.) till the summer of 2011. Since 2011 Rock Moods was rebranded to cover solely Maltese talent. At a point in time local talent was aired live on the programme. Since then, Rock Moods has been regular every week on ONE Radio. The show is also available on melodija.eu. Rock Moods is one of the few avenues for local rock and metal bands and artists to air their music, make their voices heard and their events promoted. It is also a haven for promoters to make their events known to the listeners. Thank you Noel for your service.

Malta – 17 July 2024 –Bassist and composer Simon Sammut proudly announces the release of his latest album, "Visions of Transcendence." This album is not just a collection of songs; it's a cohesive narrative that takes listeners on a profound journey through moments of serenity, enlightenment, and self-discovery. Blending fusion, jazz, hip-hop, and funk, "Visions of Transcendence" creates an introspective and ethereal soundscape designed to resonate deeply with the soul. Each track serves as a portal into different facets of transcendence, offering a transformative experience. "Visions of Transcendence" is a truly international project, featuring musicians from Italy, the USA, Argentina, Canada, Ukraine, and Simon's native Malta. This diverse collaboration results in a unique and immersive musical odyssey that transcends geographical boundaries. “Visions of Transcendence” is supported by APS Bank plc. About Simon Sammut: Simon Sammut fosters an innovative approach to music, combining technical prowess with emotional depth. His work often explores themes of spirituality and self-discovery, making him a distinctive voice in contemporary music. Album Highlights: Fusion of Genres: A seamless blend of fusion, jazz, hip hop, and funk. Global Collaboration: Contributions from musicians across Italy, the USA, Argentina, Canada, Ukraine, and Malta. Narrative Experience: Each track tells a part of a cohesive story about transcendence. Availability: "Visions of Transcendence" is now available  on vinyl, CD and digital download. For more information, visit Simon Sammut's official website Contact info@simonsammut.com

The Classique Foundation Celebrates Puccini's Legacy with Grand Anniversary Concert Teatru Astra to Host PUCCINI 100 – ANNIVERSARY CONCERT on November 16, 2024 The Classique Foundation is set to commemorate the 100th anniversary of the death of the renowned opera composer Giacomo Puccini with an extraordinary concert at Teatru Astra. Scheduled for Saturday, November 16, 2024, at 19:30 hrs, the "PUCCINI 100 – ANNIVERSARY CONCERT" will feature a selection of Puccini's most beloved orchestral pieces, arias, and duets. Puccini, born on December 22, 1858, in Lucca, Italy, and who passed away on November 29, 1924, in Brussels, remains a towering figure in the world of romantic opera. His genius for melody and orchestration, combined with his ability to deeply move audiences, has secured his place as one of the foremost composers of his time. His works transcend barriers of language, age, and fashion, resonating with a broad and diverse audience. The concert will feature performances by internationally renowned singers, accompanied by the Malta Philharmonic Orchestra. The event will be under the masterful direction of Joseph Debrincat, the artistic and music director of the Classique Foundation. This celebration of Puccini’s enduring legacy promises to be a highlight of the cultural calendar. The "PUCCINI 100 – ANNIVERSARY CONCERT" is supported by the Social Good Causes Fund, Visit Malta, Teatru Astra, and the Cultural Directorate within the Ministry for Gozo and Planning. The event is part of a series of significant commemorative events, with more details to be announced soon. Opera aficionados and music lovers are encouraged to mark their calendars for this exceptional evening, which honors a composer whose work continues to touch hearts and inspire audiences around the globe. For further information and ticket bookings, please visit the Teatru Astra website. Għaxaq Music Festival Celebrates 25th Anniversary with Five-Day Concert Extravaganza The Għaxaq Music Festival is celebrating its 25th anniversary with a spectacular five-day concert series featuring a star-studded line-up. Highlights include Grammy Award winner Julian Marley and international superstar Ronan Keating. The festival will also present the world-renowned Pink Floyd tribute show Brit Floyd, with special guest Harry Waters, the acclaimed Bootleg Beatles, and Malta's own Tribali. The festival opens with a reggae night headlined by 2024 Grammy Award winner Julian Marley & The Uprising on their ‘Colours of Royal’ Tour. Marley, son of the legendary Bob Marley, will bring authentic reggae vibes to the stage, performing tracks from his latest award-winning album along with his father's classics. The evening will also feature Malta's beloved band Fakawi, DJ Mykill, and a closing party hosted by Malta’s star DJ JJOY. Pop icon Ronan Keating will headline the second night, offering fans a memorable set list that includes hits like "If Tomorrow Never Comes," and "Life Is a Rollercoaster,". Shaun Farrugia, a rising Maltese star, will provide a special supporting act, followed by a warm-up set from Pierre Cordina while DJ Sue will provide music during the closing party. For the first time in Malta, the festival will host Brit Floyd, the premier Pink Floyd tribute band, along with Harry Waters. Celebrating 30 years of their P·U·L·S·E production, Brit Floyd will deliver a spectacular show featuring classic Pink Floyd tracks, stunning visuals, and theatrics. Harry Waters, is the son of Pink Floyd's Roger Waters, and adds a personal touch to the tribute. Tickets for these concerts are available online at www.showshappening.com. Proceeds support the Embrace Diversity Organisation, aiding children and youths with disabilities. Over the past three years, the festival has donated more than €50K to various charitable causes. The festival's grand finale will take place at the historic Għaxaq Square, with free entrance for the events. On August 7th, the Bootleg Beatles, will headline with their renditions of timeless classics. DJ Steve Agius will set the tone for the evening with a dynamic warm-up set. On August 8th, Tribali will take the stage, playing tunes from their fifth album, Alka. Known for their vibrant fusion of global sounds, Tribali will deliver an exhilarating performance, enhanced by an ethnic market offering local crafts, foods, and cultural delights. DJ Carlo Gerada will kick off the night. For daily updates, visit The Għaxaq Music Festival Facebook page. The festival is organised by St Mary’s Band Club Għaxaq and supported by the Minister of Culture and Malta Tourism Authority. Documentary Celebrates the Legacy of Tony Carr For several years, Ġuże Camilleri has been dedicated to documenting the life and contributions of Tony Carr, aiming to preserve his memory through a comprehensive film project. This effort has gradually culminated in a documentary that promises to be both entertaining and inspirational. Tony Carr's remarkable ability to adapt his musical style—from jazz to rock and theatre to film—serves as a powerful testament to resilience and creativity. This narrative extends beyond Carr himself, encompassing the many people and places that have influenced his journey, highlighting the countless other stories worth remembering. As the campaign to support this documentary approaches its final days, there is a call for the community to come together in celebrating Tony Carr’s legacy. His story exemplifies the profound impact of music and the enduring human spirit, ensuring that his contributions to popular music are recognized and preserved as an essential part of history. Born George Caruana in 1927 in Valletta, Malta, Tony Carr’s life is one of ambition and resilience. The documentary aims to safeguard his fading legacy while also acknowledging the significant contributions of his peers, who are integral to Malta's cultural history. During World War II in 1942, a young Tony found refuge in underground shelters by day and immersed himself in the vibrant jazz scene of Valletta’s Strait Street by night. Alongside friends Frank Camilleri and Joe Curmi, he formed one of Malta's first jazz trios, guided by stranded African-American jazz musicians who helped him develop his drumming skills and passion for Bebop. Seeking greater opportunities, Tony eventually moved to London to further his musical career. In London, he faced intense competition and took on various jobs to support himself. His perseverance led to a breakthrough when he joined a European tour with the internationally acclaimed Billy Eckstine, which established him as a sought-after session drummer in London's contemporary music scene. By the 1960s, he had become the preferred session drummer for renowned pianist and conductor John Cameron, adapting to the evolving music landscape and collaborating with legends like Ella Fitzgerald, Sixto Rodriguez, Donovan, Alan Price, and Paul McCartney. Despite these significant contributions, Tony's impact remains largely unrecognized in Malta. The documentary requires funding to cover various essential aspects, including licensing fees for iconic tracks like Donovan’s "Sunshine Superman," historical footage, animated sequences that authentically depict the 50s, 60s, and 70s, new B-roll footage, voice actors for narration, and comprehensive sound design. Given Tony's age of 96, the urgency of this project is paramount to ensure his remarkable story is properly documented and celebrated. The dedicated team behind the project includes Ġuže Camilleri, a seasoned drummer and music educator who has devoted years to researching Tony's story; Cedric Vella, a creative filmmaker focused on engaging visual storytelling; and David Vella, a producer at Temple Studios Malta known for his high-quality sound production. This documentary aims to preserve the contributions of Tony and his peers to music and Maltese identity while inspiring future generations. Supporters are encouraged to spread the word on social media, as each share helps keep Tony Carr's legacy alive. By backing this documentary, individuals contribute to preserving and sharing the rich musical heritage shaped by Tony and his contemporaries. More information about the project can be found on gogetfunding.com.

Ray Caruana's life is a compelling story of musical talent, personal battles, and unwavering determination. Born in Malta, Ray moved to the UK at the age of five. As the son of a professional singer, his musical journey began early. By the age of 12, he had already made history as the youngest performer to appear at the London Palladium for "Night of a 1,000 Stars." This early exposure to music set the stage for a career that would see him perform with orchestras and even lead him to the Eurovision stage. Early Life and Musical Beginnings Ray's father, an opera singer, recognised his son's potential and began training him from a young age. "He said that you can sing, and he started training me at the age of five and that went through till I was 16 years old and always with big orchestras, that's why I got a liking for live musicians," Ray recounted in an interview with ESCBubble's Matt in August 2021. This early start fostered a deep appreciation for live music, which would become a hallmark of Ray's performances. Eurovision and Live Report In the late 1980s, Ray became the lead vocalist for Live Report, a band initially called Midnight Blue. The group included talented musicians such as John Beeby, Brian Hodgson, Maggie Jay, Mike Bell, and Peter May. Hodgson, a former member of the UK pop group Matchbox, brought significant experience to the band, having written many hits. Live Report's big break came in 1989 when they competed in the BBC Television's "A Song for Europe" contest with the song "Why Do I Always Get it Wrong?". The song, initially titled "No More Sad Songs," garnered an impressive 111,996 votes, far surpassing the runner-up's 51,449 votes. This victory earned them the right to represent the UK at the Eurovision Song Contest in Lausanne, where they finished a close second to Yugoslavia's entry "Rock Me" by Riva. A Battle Against Heroin The success of Eurovision was not the only significant chapter in Ray's life. The 1970s saw him living a life of excess, characterised by substantial earnings, luxury living, and a dangerous addiction to heroin. "Yeah, I had bundles of cash," Ray reminisced in an interview with Jane O'Connell. His addiction spanned 11 years and drained his finances. However, in 1981, Ray made the life-changing decision to quit heroin cold turkey, a feat he describes as "no big deal, like having the flu for a month." Family and Advocacy Ray's personal life took a positive turn when he met Pauline, who would become his wife. Together, they have a son, Cesare, who was diagnosed with Asperger's Syndrome, a condition related to mild autism. Ray's dedication to his son is unwavering, and he has channelled his tenacity into advocating for children with similar conditions. He joined PACT (Parents of Autistic Children Together) and has been actively raising funds and awareness for the organisation. Ray's approach to his son's condition is pragmatic and protective. "If his son has a tantrum and is stared at by passers-by, he will confront the onlooker. 'I say to them: He has a problem. What's yours?'," he stated, highlighting his intolerance for judgemental attitudes. Continued Musical Pursuits Despite the challenges, Ray has never strayed far from music. He even participated in the Maltese heat of the 1994 Eurovision Song Contest with "Scarlet Song," where he finished second. Until a few years ago Ray remained open to the idea of returning to Eurovision, albeit representing a country other than the UK due to past conflicts with the BBC and record companies. Ray Caruana's journey is a testament to resilience and passion. From his early days in Malta to the heights of Eurovision fame, through personal battles and advocacy for his son, Ray's story is one of overcoming adversity and staying true to one's roots. Now in his seventies, Ray continues to inspire with his music and his dedication to family.

Emanuel Portelli Joins Akem Manah as the Band Announces New Album Release On July 9 Black Lion Records announced a collaboration with the renowned doom metal band Akem Manah. Formed in 2007 in Belgium, Akem Manah made a significant impact with their unique blend of progressive riffs and compelling melodies, releasing two critically acclaimed albums, "The Testament of Sealant Mound" and "Beneath," before disbanding in 2014. Now, the band is set to make a triumphant return with a new album slated for release in 2025. Black Lion Records shared their enthusiasm on Facebook: “We are excited to announce our collaboration with the doom metal band Akem Manah. We are thrilled to welcome them back as they prepare to release their new album in 2025. The band's musical style and the members' backgrounds align perfectly with our core family.” Akem Manah's reformation brings together an impressive lineup of musicians from various esteemed metal acts. Emanuel Portelli, who joined the band in 2023, is a talented guitarist known for his work with Victims of Creation and Thy Legion. Portelli expressed his excitement about being part of Akem Manah, stating, “Proud to be part of this international lineup! New Akem Manah album will be out in 2025 through Black Lion Records!” In addition to Portelli, Akem Manah’s lineup includes: Ed Warby (Ayreon, 11th Hour, Plan Nine, Gorefest, Hail of Bullets) on drums Ruben Delanghe (Bonerattle) on bass guitar and composition Craig Rossi (Drift into Black, Grey Skies Fallen) on keyboard Izzy Op de Beeck (Stuporous, Detour Doom Ensemble, Avatar) on trumpet/flugelhorn Guy Van Campenhout (Splendidula, Hangman's Hymn, Wound Collector) on guitar Joris Thoen on guitar Xavier De Schuyter (Hangman's Hymn, Plagueland, Witherwill) on vocals, guitar, bass, keyboard, lyrics, and composition Akem Manah also expressed their satisfaction with the new partnership, stating, “We are very pleased to announce our collaboration with Black Lion Records on our upcoming full album, which will be released next year. Their dedication and professionalism are the perfect home for Akem Manah. We look forward to bringing you many more soul-crushing, progressive doom metal tracks.” The band's first single from the upcoming album, "Dreich," featuring Paul Kuhr from November's Doom, is already available on YouTube. The single was produced by Erwin Hermsen at Toneshed Recording Studio in Horst, the Netherlands, with assistant engineering by Fons van Dijk. Fans of Akem Manah and doom metal enthusiasts worldwide eagerly await the band's new release, which promises to deliver the powerful, progressive sound that made Akem Manah a standout in the genre. For more updates and to listen to "Dreich," visit Akem Manah’s YouTube channel. Stay tuned for more news as Akem Manah prepares to unleash their new album in 2025. The Stents-Gozo Release New Single "Over The Moon" The Stents-Gozo, have just released their latest single, "Over The Moon." Launched on June 13, 2024, the song features music and lyrics by Frank Buhagiar and has already begun to capture the hearts of fans with its heartfelt and relatable message about the complexities of love. "Over The Moon" explores the whirlwind of emotions that love can bring—questions of truth, self-doubt, and the exhilarating highs and lows of romantic relationships. Buhagiar’s poignant lyrics delve into these universal experiences, making the track resonate deeply with listeners. The single was recorded and mixed at Gozo Records, ensuring top-notch production quality that highlights the band’s unique sound. It serves as a teaser for their upcoming mini-album, set to be launched in September or October 2024. The accompanying music video, conceptualized, shot, edited, and directed by the band's own Denis Mezei, visually captures the song's emotional depth. "In the video, we tried to portray those emotions," Mezei explained, reflecting the band's commitment to authentic and expressive storytelling. The Stents-Gozo lineup includes: Clayton Buttigieg on bass and vocals Terence Dutfield on drums Denis Mezei on lead guitar Holman Martinez on keyboards Frank Buhagiar on guitar and vocals The band also pays tribute to their late member, Paul Petricco, stating, “Paul is dearly missed and will always be part of the band.” His legacy continues to influence their music and bond as a group. As anticipation builds for the mini-album’s release later this year, "Over The Moon" is already marking a significant milestone in The Stents-Gozo’s musical journey. Fans and new listeners alike can enjoy the single and its evocative video, on YouTube. For more updates on The Stents-Gozo and to watch the "Over The Moon" video, follow them on their official social media channels. More New Singles: The Rifffs and Kantera Make Waves On July 11th, the music scene was abuzz with the release of two new singles. The Rifffs marked their return with a new song accompanied by a video titled “Modern Society.” More details about this release are available in the band’s official press release. Kantera also released a video for their song “Vjagg Sabih,” which they had performed during the Muzika Muzika festival in March. The music for "Vjagg Sabih" was composed by Kantera in collaboration with Micimago, while the lyrics were penned by Joe Julian Farrugia. The band members of Kantera include Claudio Teuma Castelletti, George Bonello, Kurt Scerri, Kurt Aquilina, Mark Attard, Michel Refalo, Simon Farrugia, and Raymond Farrugia. The recording and production of the song took place at Micimago Studios. The video for "Vjagg Sabih" was a collaborative effort featuring a talented production team. Juwill handled the overall production, while William Cachia directed the project. Julian Cachia served as the Press Director and Editor, ensuring a polished final product. Luke Micallef was responsible for grip work, and Samwel Borg provided the visual effects. Greg Maggi contributed his expertise in color correction, and Kieran Mark Galea captured the behind-the-scenes moments. The video was filmed at Rec Media Room, with costumes designed by Cessani and hair styling by Hair for Men Barbers. The video for “Vjagg Sabih” showcases the creative efforts of a dedicated team and can be viewed here. Special Fundraising Event Announced to Support Malta's Creative Community A special fundraising event dedicated to supporting the local creative community in Malta has been announced, highlighting the urgent need for a creative arts complex on the island. Thorough research, applications, and backing from local governmental entities have culminated in the launch of this initiative, aptly named MMPAC.mt. The event will take place on July 20 and 21 at 97 Notes in Valletta. It aims to gather support for the construction of a much-needed creative arts complex, providing a space for the local artistic community to thrive. Attendees will have the opportunity to learn more about the project and the organisations involved, while also contributing to a worthy cause. The evening will feature performances curated by talented local artists, showcasing the vibrant and diverse talent within the Maltese creative community. This event is structured on a donation basis, with all contributions going towards the fundraising campaign for the development of creative spaces. The organisers emphasise that every presence and donation will significantly impact the success of this initiative, helping to create a dedicated hub for Malta's creative arts.

The Rifffs are back to talk about Modern Society The Rifffs are back ! Originally formed in 1979, The Rifffs managed to capture the imagination of the Maltese youth culture of that time by actively performing around the Island as well as securing a record deal with a UK independent record company, 'Alternative Music’. This culminated in the release of one of the most influential Maltese records of the early 80s, ‘Dance Music for the 80’s Depression’ which is still a local favourite till this day. Fast forward 45 years , the band are still treating their fans to exiting news. Following their return to the music scene with two full length music albums ‘Moonstomp’ and ‘Can’t Stop the People’ as well as a string of singles including a featured track with the legendary Neville Staple from The Specials, the Rifffs are back with a new single called ‘Modern Society’. Front man of the Rifffs , Ray Mercieca explained “It’s almost like we are time travelers from a different time yet we are not. We are still part of this modern society struggling to fit in. Our song modern society is just a window of what some of us see in everyday life. Some good but a lot of bad and terrible sadness. Modern society is it imitation or reality ? is it fake political insanity ? Our world is ever changing extremely fast, but the one thing we are sure of is that one day we will all be saying Goodbye to this world.” The Rifffs aren’t only part of Malta’s music legacy, they are a testament of perseverance through the different trends and time, yet remain to be as relevant and fresh till this day. This is quite an achievement for any band let alone a local act. Besides being pioneers of ska music in Malta, the band are also known and respected outside our shores amongst current Ska bands and often referred to as the legendary Rifffs featuring in various compilations. ‘It was an absolute pleasure working on the new songs in the recording studio and now I can’t wait for everyone to hear them. I’ve been working with Ray Mercieca, lead singer and song-writer for The Rifffs as well as ‘The characters’ fame, for nearly 30 years. We have a chemistry in the studio and having produced the other 2 albums I can honestly say this is some of best work from the Rifffs. The band and current line up are on fire. Ray’s voice is in top form and the songs he’s writing are pure music gems.” said music producer Howard Keith from Jagged House Music Company. The new single ‘Modern Society’ will be accompanied by a music video which was directed by Matthew James and filmed by Ricky Bugeja and Matthew James. The video contrasts the old ways with the new ways, appreciating the pros of both realities while being aware of the cons. Matthew James, who’s also an integral part of the Rifffs both as a performer as well as a creative, added “A special thanks goes to Ivy House for providing the great cinematic venue as well as the audience and Rifffs fans, some of whom can be seen in the music video. ’ The Rifffs are currently working on their 3 rd album and will not be performing as yet . They are currently preparing more singles to follow as well as the new album which will coincide with touring again in prestigious festivals in Europe as they’ve done already in previous years. The Rifffs will hit the stage again in 2025 with the anticipation of their 3 rd album. Modern Society is out on their social platforms and video can be seen here.

Klinsmann's New Song "Something Real" Released on July 12, 2024 Malta's prominent artist KLINSMANN is set to unveil his latest single, "Something Real" on FRIDAY, JULY 12, 2024. Following the successful release of "Survivor," which reached over 200,000 YouTube views and 120,000 plays on Spotify, this new track bridges Klinsmann's established identity—showcasing his signature vibe and style—with the exciting journey ahead, culminating in the highly anticipated release of his upcoming album. "Something Real" is a song that delves into the transformative journey from emotional turmoil and dissatisfaction with a false persona to the pursuit of authenticity and genuine self-expression. The song conveys a powerful and uplifting message about the importance of embracing one's true self and seeking real connections. It encourages listeners to let go of false personas and the relentless chase for superficial validation, reminding us that true happiness and fulfillment come from being authentic and true to ourselves. Written by: Klinsmann Coleiro Produced By: Howard Kieth (Jagged House Studios) E-Mail: klinsmannmusic@live.com Mobile: +356 79909072 Website: www.klinsmannofficial.com Here is the pre-save link Something Real Facebook: @klinsmannofficial | Instagram: @klinsmannofficial YouTube: @klinsmannofficial | TikTok: @klinsmannofficial