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Groundbreaking Project "Visions of Transcendence" Launches, Offers Limited Early Bird Deals The anticipation has reached its peak as the long-awaited moment has finally arrived! The team behind the ambitious project, "Visions of Transcendence," extends their heartfelt gratitude to supporters for their unwavering patience and encouragement. With immense excitement, they invite enthusiasts to be part of this extraordinary journey. Backing the project not only fuels its realization but also promises to be a remarkable experience for all involved. "We couldn't have reached this milestone without your unwavering support and patience. From the bottom of our hearts, thank you!" expressed the project team. "Visions of Transcendence" promises to be a groundbreaking endeavor, offering an immersive experience like never before. As an added incentive, the project presents limited Early Bird Deals, providing an exclusive opportunity to secure a spot before they vanish. This is an invitation to seize the chance to contribute to something incredible and witness the birth of a visionary project. Don't miss out on the opportunity to be part of "Visions of Transcendence" – secure your spot now and be part of shaping the future. Back the project here. "Soft and Clear" Album by Das Birthday Girl released On March 31, 2024, music enthusiasts worldwide were treated to the highly anticipated release of "Soft and Clear," the latest album by Martha Theuma, also known as Das Birthday Girl. The album is a testament to Martha's talent as a songwriter and composer, with each track bearing her unique artistic signature. Collaborating with producer Jimmy Bartolo, Das Birthday Girl has crafted an auditory journey that captivates listeners with its ethereal melodies and heartfelt lyrics. Recorded in Berlin and at Ultralow Music HQ under Das Birthday Girl's meticulous supervision and with Jimmy Bartolo's expertise, "Soft and Clear" boasts a polished sound that reflects the dedication poured into its creation. The addition of Fake Ophelia's lap steel performance on "Image" and Julian Grech's piano and mellotron samples on "Once Anew" adds layers of depth and richness to the album's sonic landscape. The mixing and mastering by James Aparicio further elevate the album, ensuring that each track resonates with clarity and precision. Additional vocal recordings by Mark Axiak enhance the emotive quality of Martha's vocals, enriching the listening experience. Completing the artistic vision of "Soft and Clear" is the album cover art, designed by Leo Chircop, which visually captures the essence of Das Birthday Girl's music. Listen to it on all streaming platforms :) Bandcamp - https://dasbirthdaygirl.bandcamp.com/album/soft-and-clear Spotify - https://open.spotify.com/album/0yxTpTnyZOKm4seKzRcYmM Dolls for Idols' Debut Album "Cut, Paste & Rave'n'Roll" Goes Digital on April 19th Dolls for Idols burst onto Malta's music scene in 2009, propelled by the creative genius of Clint Spiteri, Erick Saliba, and Aaron Sammut. Their fusion of electronic synths with punk-inspired hooks quickly earned them a devoted following, setting the stage for their meteoric rise. Now, after a decade-long hiatus, their debut album, "Cut, Paste & Rave'n'Roll," is set to make its digital debut on April 19th, courtesy of Kewn Records. Produced by David Vella at Temple Studio, "Cut, Paste & Rave'n'Roll" marked a turning point for Dolls for Idols, catapulting them onto the European stage. The album's infectious energy and seamless blend of indie, electronic, and punk elements captured the hearts of fans and critics alike. Following the album's release in 2011, Dolls for Idols embarked on a whirlwind tour across Europe, gracing stages in the Czech Republic, Belgium, France, England, and Scotland. Their electrifying performances, including appearances at the prestigious Europa Vox festival alongside acts like The Hives and Django Django, solidified their status as a force to be reckoned with in the international music scene. Now, with "Cut, Paste & Rave'n'Roll" finally available on digital streaming platforms, a new generation of music lovers can experience the magic of Dolls for Idols. From intricate melodies to infectious beats, each track on the album offers a captivating sonic journey that showcases the band's versatility and musical prowess. Fans can also catch Dolls for Idols live at the 11th edition of Rock The South Festival on May 4th, where they'll once again take the stage to deliver their signature blend of electronic punk music. Don't miss this opportunity to witness the triumphant return of Dolls for Idols as they continue to push the boundaries of musical innovation. Damaged & Co. Announces Departure of Drummer Daniel Aquilina Damaged & Co., the dynamic rock band that has been making waves in the music scene these past few years, has announced the departure of their drummer, Daniel Aquilina. The band expressed their gratitude to Daniel for his contributions and wished him the best in his future endeavors. As they bid farewell to Daniel, Damaged & Co. is now on the lookout for a dedicated and reliable drummer to fill the vacancy. With several exciting projects on the horizon, including the recording of new material and upcoming tours, the band is eager to find a new member who shares their passion and commitment to their musical journey. If you're a talented drummer interested in joining Damaged & Co. and ready to embark on an exhilarating musical adventure, the band encourages you to send a private message expressing your interest. Don't miss this opportunity to become part of a dynamic and ambitious group poised to make their mark in the world of rock music.

Out Of Outlaws- An Original Debut Release! In a remarkable debut that melds thought-provoking lyrics with cosmically aligned composition, the band Currant Daze has unveiled their maiden release, "Out Of Outlaws". With lyrics that compel listeners to contemplate the fate of those who've forfeited their principles and the enduring struggle of redemption, this track heralds the dawn of a promising new chapter in the music scene. "Trading their reason they sailed the far sea, slaving for freedom they'll never be free." These poignant words from "Out Of Outlaws" encapsulate the thematic depth of Currant Daze's music, inviting introspection on the complexities of existence and the pursuit of liberty. Written and composed by the enigmatic duo known as Currant Daze, comprising Braden and Bernard-James, this debut single was meticulously crafted to resonate with audiences on a profound level. Recorded at Somnio Studios, the track boasts a rich sonic tapestry that captivates from the very first note. Accompanying the mesmerizing audio experience is a visual feast, courtesy of artist Jessica (Linjetta), whose animations and artwork breathe life into the essence of "Out Of Outlaws". Her vibrant illustrations complement the ethereal nature of the music, creating a holistic sensory journey for fans to immerse themselves in. As Currant Daze embarks on this exciting journey, they promise more celestial rhymes to be unveiled throughout the year, hinting at a future filled with musical innovation and artistic exploration. For those eager to delve deeper into the world of Currant Daze, the band's debut release can be explored on their official YouTube channel. Additionally, fans can stay connected with the band's latest updates and releases by following them on Facebook and Instagram. Furthermore, for enthusiasts of Linjetta's captivating artwork, be sure to follow her official Facebook and Instagram pages to stay updated on her latest creations. "Out Of Outlaws" marks not just the debut of a new musical entity, but the emergence of a profound artistic force destined to leave an indelible mark on the industry. As listeners embark on this sonic odyssey, they're invited to transcend the confines of convention and journey into the boundless realms of imagination with Currant Daze. Follow Currant Daze on: YouTube: Currant Daze Facebook: Currant Daze Instagram: Currant Daze Follow Linjetta on: Facebook: Linjetta Official Instagram: Linjetta Rainforce's "Almost Holy": A Fusion of Hard Rock and Heavy Metal Excellence Rainforce, the dynamic rock ensemble comprising members from diverse musical backgrounds, has unveiled their latest offering, "Almost Holy." Comprising Jordan Cutajar's (Nomad Son) on lead vocals, Andy La Morte's rhythm guitars and songwriting prowess, Michael Piranio's lead guitars, Jan Thomas on bass, and Benjamin Mann on drums, Rainforce boasts an eclectic lineup enriched by guest musicians lending their talents to the mix, including Albert Bell (Nomad Son, Forsaken, Albert Bell’s Sacro Sanctus), who plays bass on 'In The Fires'. The album, following the success of their debut "Lion’s Den" and the EP "Rock And Roll," showcases eleven electrifying tracks that seamlessly blend traditional hard rock with old-school heavy metal. Despite this fusion, Rainforce doesn't shy away from moments of poignant balladry, offering listeners a multifaceted experience. Drawing inspiration from bands like Krokus, Stryper, Alice Cooper, Gotthard, and Whitecross, Rainforce's sound is characterized by sleek arrangements, infectious riffs, and ear-catching melodies that guarantee a head-banging good time. The infusion of hefty heavy metal elements into their established hard rock sound adds a fresh dimension to their musical repertoire. Since its inception as Andy La Morte's studio project in 2016, Rainforce has evolved into a formidable force in the rock scene, captivating audiences with their energetic live performances. The band's cohesion and commitment to delivering powerful music both in the studio and onstage have garnered them a loyal and expanding fan base. With "Almost Holy," Rainforce continues to push boundaries, offering lyrics that reflect Andy's Christian faith and worldview. The album's title itself prompts introspection, with lyrics like "how white do we play our metal?" from "Just Another Song," inviting listeners to contemplate deeper themes while enjoying the infectious rhythms and melodies. Andy's lyrics, infused with autobiographical elements and narrative storytelling, aim to provoke thought and provide solace and encouragement to listeners—a true embodiment of rock'n'roll spirit. As Rainforce unleashes "Almost Holy" onto the world, it stands poised to make its mark as a contender for album of the year, showcasing the band's unwavering commitment to their craft and their passion for delivering electrifying rock music that resonates on multiple levels. "Almost Holy," is set to be unleashed on April 12, 2024, under the banner of Roxx Records (US). With distribution channels spanning the globe, fans in the USA can procure the album directly from Roxx Records via their website or by contacting bill@roxxproductions.com. Meanwhile, Swiss fans can find it at Non Stop Music through info@nonstopmusic.ch. For fans worldwide, the album will be available on popular platforms like CDBaby.com and Amazon, as well as through numerous mail-order stores. This extensive distribution network ensures that enthusiasts from all corners of the world can access Rainforce's latest musical masterpiece with ease. Rainforce links: www.rainforce.rocks rainforce_rock@gmx.ch Facebook: rainforce.ch Youtube: rainforce official A Lily Unveils Poignant Track 'Tħallinix' from Upcoming Album "Saru l-Qamar" Renowned musician James Vella, known under the moniker A Lily, has released the final single, 'Tħallinix' [Eng: Don’t Leave Me], from his forthcoming album "Saru l-Qamar." This track encapsulates the essence of the album, which intertwines archival Maltese home recordings with new music, resulting in a captivating blend of nostalgic quasi-ambience and cross-generational dialogue. Set to be released on April 5th, 2024, via Phantom Limb / Kewn Records, "Saru l-Qamar" marks a significant departure for Vella, who delves into the rich tapestry of Maltese cultural heritage to craft a unique musical experience. The album's title, meaning "They Became The Moon" in English, hints at its thematic exploration of memory, loss, and the enduring presence of those who came before us. 'Tħallinix' emerges as a pivotal track within the album, with Vella explaining its profound significance: "The singer in the recording is expressing so much anguish that my contribution as arranger fell into place almost in real time." The poignant piano lines and haunting melodies serve as a response to the raw emotions conveyed in the original recording, creating a deeply moving musical dialogue that resonates long after the song concludes. The creation of "Saru l-Qamar" was inspired by the archival work of Malta’s nonprofit heritage foundation, Magna Żmien, which preserves reel tapes containing traditional Maltese songs and familial messages sent by emigrants to their homeland. Through access to these recordings, Vella embarked on a journey of musical reinterpretation, breathing new life into age-old sentiments and stories. Accompanied by minimal DAW intervention and hardware synthesis, the tracks on "Saru l-Qamar" exude a ghostly, ethereal quality, transforming simple narratives into poignant elegies. As Vella aptly describes, "Though these people have left us, they can never be truly forgotten, as without them we would not be here." "Saru l-Qamar" follows A Lily's previous releases, including "Sleep Through the Storm" and "Nocturne Thunder," showcasing Vella's versatility as a musician and his ability to craft evocative sonic landscapes. With this latest offering, Vella invites listeners to embark on a transcendent journey through time and memory, where the past intertwines with the present to create something truly timeless. The album will be available on limited colored vinyl, digital, and streaming platforms on April 5th, with pre-orders currently open on Bandcamp. A Symphony of Artistry: "Raġġ" Premieres on World Theatre Day As the world celebrates the rich tapestry of theatrical arts on World Theatre Day, a special announcement sets hearts aflutter in Malta's cultural sphere. Edward Mifsud, (Twenty-Six Other-Worlds), is poised to unveil his masterpiece, "Raġġ," in a momentous premiere by the Malta Philharmonic Orchestra (MPO). Set to take place on Saturday, May 18, 2024, at the illustrious Teatru Astra, this event promises an evening of unparalleled musical enchantment. "Raġġ" stands as a testament to Mifsud's ingenuity, blending the evocative allure of the progressive rock genre with the lyrical charm of Maltese poetry. This orchestral opus transcends boundaries, weaving a narrative that speaks to the soul while igniting the imagination. Inspired by the ethos of innovation and cultural resonance, Mifsud's composition resonates with both depth and dynamism. Joining forces with the Malta Philharmonic Orchestra are conductor John Galea, a maestro known for his fervent dedication to artistic excellence, and esteemed guest vocalists Dorothy Bezzina and Chris Grech. Their collaborative synergy promises to breathe life into Mifsud's vision, infusing each note with emotion and vigor. For aficionados of the arts and seekers of transcendent experiences alike, "Raġġ" beckons as a beacon of artistic brilliance. It is a symphony of artistry that invites audiences to embark on a transformative journey, where melodies merge with meaning, and poetry finds its resonance in the hearts of listeners. As the curtains rise on this auspicious occasion, Teatru Astra becomes a sanctuary of creativity, where the realms of music and poetry converge in harmonious splendor. World Theatre Day serves as the perfect backdrop for such an event, celebrating the transformative power of performance and the enduring legacy of artistic expression. So mark your calendars and reserve your seats, for May 18th heralds a night of magic and marvel. Join Edward Mifsud, the Malta Philharmonic Orchestra, and an ensemble of exceptional talents as they unveil "Raġġ" – a symphony that transcends boundaries and resonates with the essence of the human spirit.

Leo Stivala Leads Pagan Altar Homage in Iconic Performance at The Garage, Zebbug Many might not be aware, but on Saturday night 16th March history was being written at The Garage in Zebbug when a group of iconic musicians and a legend singer came together to perform under the moniker of Time Lord. The musicians were Andy Green on drums, Diccon Harper on bass, Denis Schneider and Alan Jones, both on guitars. Collectively, together with Brendan Radigan on vocals they are the latest reincarnation of Pagan Altar. On the night these fine bunch of gentlemen were fronted by Maltese legend Leo Stivala, the reason being that they could not appear as Pagan Altar due to the fact that it was not possible for Brendan to travel from the US. But before we go into the ‘history has been made’ bit, let’s get to know the protagonists a little bit better. Formed in 1978 amidst the vibrant borough of Brockley in London, Pagan Altar stands as a cornerstone of English doom metal, crafted by the hands of Terry Jones and his son Alan. Alongside Witchfinder General, they epitomize the fusion of doom metal within the New Wave Of British Heavy Metal (NWOBHM) movement. Their live performances are a tapestry of moody, epic melodies intertwined with heavy rhythms, accentuated by stage effects that delve into their fascination with occult themes. During the NWOBHM epoch, Pagan Altar unveiled their musical prowess through an independent, self-released demo album, aptly titled "Pagan Altar." Despite facing rampant bootlegging in subsequent years, this seminal work found its rightful place in metal history when it was officially reissued as "Volume 1" by Oracle Records in 1998. The band's journey saw a resurgence in 2004 when they reunited with a mission to resurrect previously unreleased material from their early days. The result was the acclaimed album "Lords of Hypocrisy," which resonated deeply with fans. This success paved the path for their third full-length album, "Mythical and Magical," released in 2006, further solidifying their place in the annals of doom metal. Pagan Altar's impact extended beyond the studio, as evidenced by their co-headlining slot at the esteemed "Metal Brew" Festival in Mill Hill in 2008, alongside Cloven Hoof. Their presence reverberated through metal circles, with notable performances at the "British Steel IV" Festival in 2009 and headlining the "British Steel V" Festival in April 2011, followed by a captivating display at the "Live Evil" Festival later that year. In 2012, the band embarked on their next musical odyssey, crafting "Never Quite Dead" in a purpose-built recording studio nestled in the back garden of vocalist Terry Jones's home. Despite facing adversity, including the tragic loss of Terry Jones to cancer in 2015, the band pressed on, with Alan Jones later revealing plans for a partial re-recording of their upcoming album, driven by a quest for perfection. Their discography stands as a testament to their enduring legacy within the metal realm, featuring a plethora of albums, EPs, singles, and demos. The band played during the fourth edition of the Malta Doom Metal Festival held at Buskett Roadhouse (since then renamed to Chateau Buskett) between the 4th and 5th November 2011. Also, on the bill were Forsaken fronted by the mighty Leo Stivala. This was not the first time both bands shared the same bill (as can be heard during the interview Alan Jones, Leo and Glen Gauci did building up to this event and which can be listened here) and a strong friendship grew between them, in fact it was around this time that Terry affectionately nicknamed Leo ‘The Human Dynamo’. Locally he is known as a devoted aficionado of classic traditional heavy metal and pure epic heavy doom. He emerged as a prominent figure in the music scene, in the latter half of the 1980s, when fueled by his passion, he embarked on a journey into the realm of music, initially picking up the guitar and founding a short-lived band named North Winds. Despite its brief existence, this endeavor laid the foundation for Leo's musical aspirations. Subsequently, Leo ventured into bass guitar duties with another band, drawing inspiration from the likes of Mercyful Fate and King Diamond, under the provisional name Nightfall. Regrettably, this endeavor too was short-lived, ending prematurely after a few months. In 1989, an opportunity arose when Kevin Azzopardi invited Leo to lend his vocals to his nascent band, Blind Alley. Leo embraced the chance, and as fate would have it, the collaboration proved fruitful. Over time, Blind Alley underwent transformations, culminating in the inclusion of Albert Bell on bass guitar and a change in name to Forsaken. Leo continued to helm vocal duties in Forsaken, also contributing musically and lyrically to the band's repertoire. As the years unfolded, Forsaken flourished, both in their musical prowess and in Leo's development as a frontman, honing his skills through studio recordings and live performances both locally and internationally. In 2006, Leo's journey took an intriguing turn when he was recruited by the Greek Epic Metal outfit Reflection to assume vocal responsibilities. Leo's inaugural performance with Reflection, supporting the legendary Solitude Aeturnus, marked a triumphant beginning. His tenure with Reflection saw him grace stages across Greece and beyond, including contributing vocals to Reflection's acclaimed third album, "When Shadows Fall," released by Cruz del Sur Records in 2008. Though Leo bid farewell to Reflection in 2012, his dedication to music persisted. He continued his vocal endeavors with Forsaken, while also lending his talents to various other projects. Leo's collaborations extended globally, as he contributed vocals to releases by bands such as Lucid Dreaming (Germany), Martyrium (Malta), Arkham Witch (UK), Vestal Claret (USA), Monasterium (Poland), Void Moon (Sweden), Draugul (Sweden) and The Cross (Brazil). Presently, Leo's sonic odyssey continues with Anchorite, a new Epic Doom venture he co-founded with Void Moon bassist Peter Svensson. The band debuted with their album "Further From Eternity," released on GMR Records in November 2020. As they forge ahead, Leo and Anchorite are already crafting new material for their eagerly anticipated follow-up release, poised to captivate audiences with their distinctive blend of epic doom metal. The night in focus owed its existence to the unwavering commitment of Iron Horde Promotions, spearheaded by the dynamic duo, husband and wife Glen and Chiara Grima. Both stalwarts emerged from the illustrious production history of the Malta Doom Metal Festival, contributing significantly to its success over the years. With the festival on hiatus since 2019, Glen and Chiara pivoted to establish Iron Horde Promotions, channeling their expertise to orchestrate events that have left an indelible imprint on the metal landscape of the island. Glen had been contemplating Pagan Altar's return for a while before sharing his vision with Alan Jones. However, with Brendan unavailable, Alan promptly proposed Leo Stivala as the vocalist for the occasion. Interestingly, this wasn't the first instance of Alan considering Leo for the role, but previous commitments had prevented Leo from fulfilling this dream. Leo took approximately 30 seconds to process the request and of course accept. Although this meant that Leo had to learn at least thirteen songs it did not deter his determination and his commitment was shown on the night with a majestic performance only Leo can give. The band arrived on the island a few days before and thanks to Leo’s other band Speed Pony’s offer for a rehearsal space, the band managed to do two rehearsals, one on Thursday another on Friday, both in the evening although Leo has done a considerable number of rehearsals on his own during the previous weeks. Both bands completed their sound checks early in the afternoon. When questioned about his thoughts between the sound check and the concert, Leo confessed, "I felt a mixture of excitement and anxiety. Not only am I a dedicated fan of Pagan Altar, but they are also my friends, and I didn't want to disappoint them. My mind was entirely focused on the upcoming performance. Once we hit the stage and played the first note, everything exploded with energy, and we had an incredible time performing." The doors opened at 8:30 on the night, with the first band taking the stage approximately thirty minutes later. Atomic Flame, a heavy metal ensemble born in 2022 amidst the aftermath of other bands and the upheaval of the CoVid-19 pandemic, comprises four members: Lawrence Baldacchino, Nigel Buttigieg, Charles Buttigieg, and Marco Mule. In 2021, Lawrence Baldacchino, a seasoned drummer, and Campos Gellel, a skilled guitarist, convened with the aim of forming a heavy metal band, drawing from their previous experiences in groups like Fire and 12th Ode for Lawrence, and Angelcrypt and Blind Saviour for Campos. The disbandment of Noogie's Crew in October 2021 provided an opportunity for Lawrence to approach Nigel "Noogie" Buttigieg, who accepted the invitation. However, with the lineup still incomplete, the quest for a bassist began, leading to Charles Buttigieg joining the band in December 2021. Charles brought along his lyrical prowess, complementing the band's musical concepts, and shaping them into cohesive songs. In July 2022, Campos Gellel departed from the band, prompting a renaming to Atomic Flame. The vacancy was swiftly filled by Marco Mule, hailing from Sicily, and boasting experience with bands such as Ricercados. On January 21st, 2023, Atomic Flame made their debut at The Garage in Zebbug, unveiling their debut single 'Innocence Becomes Prey' in May, followed by 'Hunter' in December of the same year. The performance of "Time Lord" served as a heartfelt homage to the brilliance of Terry Jones, both in his lyrical mastery and musical compositions. Delving into the setlist, one readily recognizes this tribute, yet it's imperative not to overlook Alan's significant contribution to the creation of these songs, making it equally a tribute to his musical talent. The band delivered a stellar performance, with Andy Green's energetic drumming, complemented by Diccon and Denis maintaining the rhythm to accentuate Alan Jones's splendid guitar work, all in support of the charismatic 'Human Dynamo'. For those unacquainted with Leo, he embodies one of those rare vocalists who transcend the ordinary to become a mythical figure onstage, captivating audiences with both his voice and performance. The sole drawback of the show was its inevitable conclusion, supposedly marked by the band's rendition of the epic 'The Black Mass' as the final song on the setlist. However, the crowd's enthusiasm persisted, prompting the band to oblige with an additional performance of 'Pagan Altar', the song they opened the night with. Despite the music coming to a halt, the night remained vibrant as the band took the time to interact and converse with music enthusiasts who had gathered for this memorable occasion, including some who had traveled from abroad, a fact that was acknowledged during the performance. Returning to the significance of this event, it stands out as a historic moment. Rarely do bands with an established lead vocalist make a one-time appearance with another singer. Such occurrences are few and far between, with one notable example being Black Sabbath, fronted by Judas Priest's Rob Halford, stepping in for Ronnie James Dio for two nights in November 1992, when Dio declined to open a show for Ozzy Osbourne. Following the event, reflections from those involved began to surface. Alan Jones shared his thoughts, expressing, "Malta, for me, this was quite an experience, more than just another show. Although my dad is always with us on stage for all our shows, the Time Lord performances are about remembering him and keeping his memory alive." He continued, praising Leo's performance, stating, "Leo did a fantastic job remembering the lyrics to the songs and delivered them excellently, as I knew he would. It's like learning three or four sets of lyrics for one song, and I truly commend all the effort that went into that." Leo expressed, "I've been preparing for this moment for months, and I'm still overwhelmed by the outcome. What an incredible weekend it was. A heartfelt thank you to the audience for their unwavering support throughout our performance. I'm at a loss for words seeing people travel from abroad to attend the event. I'm grateful to both the Maltese attendees and those from abroad for recognizing the true greatness of Pagan Altar." In a poignant conclusion, Leo addressed Terry Jones, saying, "Terry Jones, my dear friend, I'm certain you would have enjoyed last Saturday's show. Every note I sang was in your honor. Though deeply missed, your memory lives on through this magical and mythical band. The Human Dynamo salutes you!" A week later, the excitement about that remarkable evening persisted among many, and as Leo mentioned, the event was impeccably organized from every angle. Even the band members themselves affirmed this. Perhaps a larger audience would have been appreciated, given Pagan Altar's merit. Nevertheless, it was a superb performance, and he cherished every moment on stage.

Malta joins the Wacken Metal Battle As mentioned briefly in the first part of the New Forces article, which was posted on Tuesday 18th, and with the second part following on Wednesday, it was announced just a few hours before the doors opened that the winners would represent Malta at the Wacken Metal Battle as well apart from Metaldays New Forces. This unexpected news has taken many by surprise, including us at melodija.eu, so an update is appropriate. The Wacken Metal Battle, initiated in 2004, is a global band competition aimed at uncovering fresh talent and bolstering the metal scene worldwide. The inaugural victors were the German Thrash Metal ensemble Reckless Tide. This event offers a platform for up-and-coming artists on an international scale, providing both resources and stages for their advancement. Since its inception, the Metal Battle has expanded to encompass over 60 countries, each hosting national heats to determine representatives for the Wacken finals. A panel of international judges evaluates performances, with winning groups receiving financial backing from the Wacken Foundation, as well as instruments and equipment from Metal Battle's partners. Moreover, participants gain valuable networking opportunities within the global music industry. Over the years, the competition has propelled numerous bands to prominence, including Drone, Torture Squad, Battle Beast, and Hammercult, among others. This year, Malta joined the ranks, with Morsrot earning their ticket to Wacken 2025. "Catharsis" new single from Tact Since its formation in November 2009 by bandleader Franco Tartaglia, Tact (Tartaglia's Act) has been crafting music that resonates with every mood and season. Their style, rooted in introspective music, blends influence from Classical, Jazz, Rock, and Soundtrack genres. Initially driven by Tartaglia's compositions, Tact's sound evolves through collaborative efforts, with each band member adding their own creative touch. The lineup includes Charles Cassar on bass guitars, Paul Torpiano on piano and vocals, and Carl Matthew Camilleri on drums and percussion. Tact's journey has been marked by milestones, including the release of their debut album "Brushworks" in 2015 and a music video for the track "All Is True" in 2017. In 2019, they recorded three compositions at the Church of St Ubaldeska, which were released as music videos. The band has also showcased their talent through various performances and collaborations, including supporting acts and multimedia projects. In 2023, Tact recorded tracks at Temple Studios, with the first release "Catharsis" accompanied by a video in March 2024 and can be viewed here. When dance and song collide! Alexandra Alden and her band recently collaborated with Żfin Malta for the celebrated production "Intimate Żfin", featured in Maltabiennale.art 2024, held at the National Archaeology Museum in Valletta. "Intimate Żfin" marks the convergence of music and dance in unconventional, intimate settings. This unique collaboration at the museum saw artists and dancers perform amidst an engaged audience, redefining traditional notions of choreography and dance within the museum's space. Similar to their collaboration two years prior at Palazzo Parisio, Alexandra Alden and her band, including members from the Netherlands, delivered excerpts from her albums. The performance was complemented by choreography from Paolo Mangiola, the artistic director of Żfin Malta. Exploring the theme of home and private spaces, the production delved into collective and individual satisfaction, as well as the resilience required to navigate life's challenges. Alden's renditions from her albums "Wild Honey" (2018) and "Leads to Love" (2021), along with previews from her forthcoming album, formed the musical backdrop for "Intimate Żfin." The audience was treated to a captivating series of dances, where choreography, music, and the museum's iconic architecture engaged in a dynamic dialogue, captivating all in attendance. Maxine Pace wins Muzika Muzika with "Mhux tal-Aħħar," The winning song at this year's "Mużika Mużika" Festival drew inspiration from the loss of two mothers, Maxine Pace’s , and the mother of songwriter Emil Calleja Bayliss, who collaborated with composer Cyprian Cassar on the song. Titled "Mhux tal-Aħħar", the song resonated deeply with both the jury and the public, earning 106 points through their combined votes. Maxine, reflecting on the song's emotional depth, expressed how it connected with her own experiences, making it a perfect fit for her. This marked Maxine's debut in the festival, where she made history by performing entirely in Maltese. Second place was awarded to the group with the song "Vjaġġ Sabiħ," earning 90 points, while third place went to Cliff Zammit Stevens with "Fil-Qrib," securing 83 votes. The tension during the announcement of results was palpable, with participants anxiously awaiting the outcome in the Green Room, positioned in front of the stage for the first time. Maxine recalled the intense week of preparations and rehearsals leading up to the event, filled with excitement and nerves. Despite the nerves, Maxine described the festival as prestigious, with an atmosphere that kept everyone on edge. After the event, Maxine chose to watch the recorded show with her family, free from the stress of the previous day's competition. Maxine, aged 24, discovered her passion for singing at a young age. She honed her skills by participating in various singing competitions locally and internationally. At just 13, Maxine began collaborating with artists, composers, and writers, crafting music that gained recognition on Maltese radio. She also joined her Italian band for appearances on shows like Una Stella Sta Nascendo and Io Canto on Canale 5. Maxine made multiple appearances in the finals of the Malta Eurovision Song Contest in 2016, 2017, and 2023, before releasing her debut EP "Skin Deep" in 2021. The EP, comprising six tracks, saw four songs topping local charts and receiving nominations for prestigious awards. In 2022, Maxine teamed up with local artists Gaia, Destiny, and Michela Pace to collaborate on the "Skin Deep" album, unveiling a new single titled "Lie Lie" and captivating a crowd of 50,000 at the Isle of MTV.

The first ever edition of New Forces Malta by Metaldays was held over the second weekend of March at The Garage, with twelve bands playing their hearts out for a chance to play at this prestigious European festival. Day 2 was set off by a blend of Death Doom and Experimental Progressive Metal from the most veteran band to play over the weekend. Oblique Visions were formed in 1991, and after releasing a much-acclaimed demo, ‘The Fallen’ four years later (and a collector’s item today) they released an opus in Malta’s metal scene ‘Seas Of Serenity’ in 1995. A follow-up to "Seas of Serenity" was being written prior to the band's hiatus till Oblique were revived in 2006 with a string of live performances. Circa 2020, original members Brian 'Fusa' Sammut, Conrad "Twister" Attard and Jeffrey Bugeja were joined by Frank Pizzo on guitar and ex Sceptocrypt and ex Martyrium singer Conrad Borg, with their first appearance on stage being during Sanguis Noctem on the 18th December 2021. Since then, the band released their second full length album ‘Out Of Darkness’ in February 2023. Saturday’s set was mainly composed of songs from this release except for the track the band opened their set with ‘Deranged’ (from ‘Seas Of Serenity’) and ‘Darkness Has Fallen’, one of the new songs the band are working on for their next album and which was unleased to the public the first time during Peccatorum last September. One could not ask for a better start for the day, especially when the second band for the evening was Damaged & Co. offering their blend of Metalcore and Alternative Metal. Starting off their set with their first single from 2018 ‘Here To Stay’ the band changed their attention to music from their debut full length album ‘Life's Grand Delusion’ which was released around a year ago in February 2023. Their excellent performance came to an end with two of my favourite tracks off the album: ‘Carpe Diem’ and ‘Reflections’. After a quick change over, to which one must compliment all those involved as stagehands throughout all the festival for their timekeeping, it was time to get doomier, and sludgier with Lady Lizard who gave us one of the slowest and heaviest sets over the two days. With a set comprising of four tracks which have not yet been released officially except for ‘Bloat Drone’ (released 8th January 2024) they astounded all those present. The other three songs making up their set and which I for one am looking forward to seeing them released were: ‘Far Too Long’, ‘Solitary Planet’ and ‘Statues Of Bone’. Rankin is a band that just showed up on the scene out of nowhere with an immediate impact. They released their debut album ‘Chrysalis’ in 2022 (April if not mistaken) only in digital format and started tiptoeing their way into the local live scene only to become one the favourite bands to watch perform. Probably the British humour and banter of their main singer James Byrne is one of the main factors that the band became a people’s favourite but it surely doesn’t reduce any merit the guys around him deserve. They opened Saturday’s show with a new song ‘Rage’ which James promised it shall be on their second album to be recorded later on this year and continued with three more tracks from their debut. As if it wasn’t already burdensome on Micheal Berberian to judge the bands so far, things were going to get much more heavier with the two remaining bands. First up was Repugnance, who ultimately finished runners up to Morsrot. Their first two songs for the night were taken from ‘Shrouds Of Deceit’, the band’s debut full length album released in 2019, before playing a new song titled ’A Fading Breed’, then back again to another song from the album before ending their set with ‘Priest Of Impurity’ taken from the band’s first EP ‘Seeds Of Opression’ released in 2014. Without diminishing the musical accomplishment of the band, personally, this was the best ever I heard the band, probably since their induction in 2011 and all this merit to the amazing capabilities of Steve Lombardo on sound, which he managed to define exceptionally to the listener, not an easy job in Brutal Death Metal. One thought that kept lingering in my mind after each band was “they’re going to be tough to follow” only to be proven wrong time and time again. All the bands performed exceptionally and the last band for Saturday did just that as well. Haine were formed in 2017 making an immediate impact on the metal scene with their Deathcore grooves. I consider them one of the tightest band on the island and it’s always a pleasure to see them perform, and I believe this was not just my opinion especially when the mosh pit in front of them was as wild as ever. Their set commenced by ‘This Darkness’ which is a non-album single from 2018 and continued with four songs from their debut self-titled EP released in 2021. A mammoth of an act to close the night and the festival, but all good things must come to an end. It was one hell of a weekend, one which many hope there’ll be a repeat soon. The organization was impeccable, and sound was immaculate, but one must also thank Philip and Jim for taking care of the lights and backline. They are rarely shown the gratitude they deserve. On a closing note: I would like to congratulate all the participating bands, all were outstanding making this weekend an exciting one to all those who attended from early hours and stayed till the last band, on each night, said their goodbyes. A massive congratulations goes out to Morsrot: “We’re all proud of you and we know you’ll be making us proud in Slovenia and Germany in 2025”. Of course, one must not forget the organization of Nick Grima MGT and all those who in one way or another were there to make sure the festival is a successful one – thank you. This was the first edition and it surely won’t be the last!

The first ever edition of New Forces Malta by Metaldays was held over the second weekend of March at The Garage, with twelve bands playing their hearts out for a chance to play at this prestigious European festival. Unfortunately, on the 29TH January it was announced by the festival organisers, that MetalDays will not be held in 2024, and instead shifted their focus to MetalDays 2025, scheduled to take place from July 27th to August 2nd, 2025. Altghough this was bad news, the organization for the local New Forces event Nick Grima MGT ascertained that the winner shall in fact play in Metaldays 2025. Not only that but, literally a hours before the doors opened on Friday, Nick announced that the victorious band shall also travel to Germany for the Metal Battle at Wacken Open Air, making it the first Maltese band to ever play in this huge festival. The winners, Morsrot, were announced on Sunday 10th at 7pm during an after-party held at Kickstart. Runners-up Repugnance will replace Morsrot should they not be able to make it to any of the festivals. Voting for all twelve bands was done via three processes: the online poll during the days building up to the festival, in which Morsrot edged past Luciferi Regnum to take the lead, ballot voting on each day of the festival where each attendee was given a chance to vote once for any of the six bands playing on the day, and the judges’ votes. The judges panel was originally made up of Gunnar Sauermann from Prophecy Productions and Metal Hammer, Micheal Berberian (Season of Mist an independent record label and record distributor with subsidiaries in France and the United States, founded in 1996 by Michael in Marseille, France), Thomas Strater from Testimony Records and Metal Hammer and Roman Hilser from Summer Breeze Festival. Unfortunately, due to an airline strike in Germany only Micheal Berberian was able to arrive and attend making his task more arduous and exhausting at times. Doors opened at 6pm on Friday 8th March with the first band taking the stage 30 minutes later. The bands slots and times of playing were defined on the 21st January during an event meeting between the oganisers and members from the bands participating. A member from each band was asked to pull a ticket from a hat uncovering the date, time and slot his band will play in during the event. First out of the hat were Mur.doc 104 and they were the first band on stage on Friday. To be honest I was a bit sceptic that there would be anyone in front of them at that ungodly hour, and minutes before the doors open, I could only count a score of metaheads waiting for the door shutters to go up. But anyone thinking the same as myself were proven wrong once the time arrived for Mur.doc 104 to start their 30 minutes set. There are of course pros and cons of playing a short set, and it is burden on the band to choose the songs to put on their set list. I have to say before we endeavor into more details about the bands’ performances, the songs each band choose for their allocated time did not seem to be much of a bother as all sets were solid. But back to Mur.doc 104, their set comprised of six songs with a mix of tunes from their debut EP ‘The Undying’ which was released independently last year on the 3rd March. Apart from the title track, they included ‘Ignorant Masses’ and the eponymous ‘Mur.doc 104’. The other three tracks are songs which should be on their next release (hopefully to see daylight soon). These are, ‘Condemned To Rot’ which the band opened the evening with, followed by ‘Thrashgauge’ and ‘Curtain Falls’. Before hitting the stage, I could see that I was not the only one troubled with attendance, any worries were crushed with the first couple of notes and Mur.doc 104 delivered a strong thrash metal set awing the audience in front of them. Next up was the band who eventually won the right to play at Metaldays and Wacken, Morsrot. The band was formed in 2021 amidst a dark time on the world and their debut show arrived a few months later during the first festival after covid, Metal City Rock City which took place between the 15th and 20th March 2022. Since then, the band not only matured musically but managed to build a good following of young metalheads most of them fresh out of school, just as the band members were. A demo titled ‘Carnal Enslavement’ quickly followed and was released on 7th July 2022. Since then, the band played numerous live gigs many times introducing new songs the band developed with the aim of a debut album very soon. Their setlist on Friday comprised of nine songs, two of which were taken from their 2022 demo. The set also featured their recently released singles, ‘Masochist’ which got the crowd singing along to it and ‘Sloth’. One thing that this festival offered was the diversity in styles and the third band that played on Friday is a witness to this, as it was time for Align The Tide. Fresh from their gig in London last February, sharing the stage with Suicide Silence and Glower and the introduction of a new singer a few weeks earlier, the band returned to the local stage with a grit and determination to show that the band is still strong, and their blend of heavy fast thrash chords mixed outstandingly with the band’s trade of metalcore did just that. ATT delighted us with six songs, three from each album, the 2017 debut ‘Dead Religion’ and ‘Hollow’ released in 2022. Nowadays the band boasts two prime guitarists since James Horton joined in 2023. Next on the bill was, what I believe were the outsiders for both nights, but Krishna managed to deliver a haunting piece of music, rendering their show one of my favourites for the night. As in their tradition whenever they have a short slot, they played just one song entitled ‘Abaddon’, through which both Tim and Alan played as if there was no tomorrow. As always this was a unique version as although the band might play it again sometime it would definitely be a different rendition of the song, as it can be heard on previous songs on their multiple live recordings the band has online. ‘Abaddon’ is the second new song the band put forward since the album Headless was released on March 24, 2023, although ‘Despondent’ was released a few days prior to the album launch. The band’s next stop is Bucharest where the band shall be performing for the first time abroad at the Soundart Festival. With four bands over and only two bands left one would think it was getting late (for the Maltese scene) and people will start getting tired, but it was certainly not the case on Friday. The next act was one of the two veteran artists taking part. SaHHar has been around since 2006, releasing his debut full length album ‘Magija Sewda’ a year later. Since then, there were 18 releases. Recently he also released a couple of singles online and is working on his new full length, hopefully to be released soon. Anyone who has never seen SaHHar live might raise some eyebrows when you see him walking out on stage all alone with his guitar, but right from the first note (usually after an intro) one knows he is in for a show from the man. Starting his set with a song from 2007, ‘Nar Li Jsaffi’ he soon took all present on a journey through the years covering some of the most important work he produced during his 18-year career. Last band for the night, was more or less on the same wave as SaHHar but more melodic. Luciferi Regnum is another band that popped up right after covid and in a few months took the scene by storm. Their blend of Gothic metal with melodic Black together with the stage antics of their frontwoman Lilith Macabre, who was also unveiled as the new Martyrium singer in December, bestow a unique ambiance congregating a following from all genres and ages. Their set was made up of 5 songs including Banshee – the band’s first single released in November 2022. The band is currently working on their debut release. And that was the end of Day 1, which shall definitely be immortalized as one of the best days any metalhead experienced at The Garage and got everyone eager for the next day. Melodija.eu footnote: New Forces Malta: Inaugural Showcase Recap - Day Two shall feature tomorrow at 6pm

LANGUAGE out March 14 For fans of: London Grammar, Art School Girlfriend, The xx, RY X and Björk Berne released Language on March 14, 2024. Language is the first track from Berne’s debut album 789 out October 2024. The album is inspired by how we as humans interact with the planet, animals, and each other. Language is a creative expression of the challenges of being in environments where one’s values and beliefs aren’t appreciated, understood or welcome. It explores the feelings that come with the stark realisation that climate and social justice are not always the priority. Language is accompanied by a DIY music video, filmed and edited by Berne and friends in Malta. Berne explain: “We are thrilled to be sharing Language, a track that has taken us on an interesting genre exploration and helped us refine our signature sound. We really enjoyed developing Language with Wesley Frankel on saxophone, mixed by Mercury Prize winner and Music Producer’s Guild winner Shuta Shinoda and mastered by Music Producer’s Guild Mastering Engineer of the Year 2023 Cicely Balston.” Berne will be planting a tree for each pre-save ahead of the release via Just One Tree. Berne are supporting Theanò in Haggerston, London on March 27. “A duo addressing injustice through music and beyond.” BBC Introducing “... Berne have created a body of work that intricately weaves important messages within lustrous soundscapes, emitting the only extra warmth the planet needs with their glowing sonics. Stay is a tender insight into two passionate minds wanting to collectively make a change; it's a call for unity and collective responsibility and it's time we make a change.” Earmilk Links: Music Video | Website Instagram Contact Berne on soundslikeberne@gmail.com

Rock The South 2024: Unveiling Our Explosive Lineup! We are thrilled to announce the landmark 11th edition of Malta’s foremost alternative music festival, Rock The South, set to ignite the stages at Zion bar in Marsascala from May 3rd to May 5th, 2024! prepare to immerse yourself in three days of electrifying performances, vibrant atmosphere, and unforgettable experiences. Rock The South has become synonymous with celebrating the best of local and international music, and this year, we are proud to present our most explosive lineup yet. From emerging talents to established acts across two stages, our carefully curated roster promises something for every music lover! Highlights of our 2024 lineup include: Petbrick The experimental noise duo formed by Wayne Adams and Igor Cavalera, is set to electrify the stage as headliners of Rock The South Malta. Renowned for their experimental soundscapes and relentless energy, Petbrick promises an unforgettable performance that pushes the boundaries of conventional music. With Igor Cavalera's return to the festival after his electrifying performance in 2021, fans can anticipate a unique blend of experimental noise and a fusion of punk, industrial, and electronic vibes! Dolls For Idols Get ready to dance and rock out because Dolls for Idols are back! Emerging from the alternative scene back in 2009, this dynamic trio created a buzz with their infectious blend of electronic synths and punk-driven hooks. Malta's music scene couldn't get enough of their energy, and soon they were building hype across Europe. Dolls for Idols’ triumphant comeback after a decade long hiatus is ready to bring their fresh tunes and electrifying live performances back to the stage at Rock The South! Brikkuni Often credited with the revival of Maltese sung pop music, Brikkuni has been making waves since their seminal 2008 debut "Kuntrabanda." Their genre-bending pop/rock/punk hybrid transformed them into a local cult phenomenon, ushering in a new wave of Maltese alternative music in its wake. With captivating storytelling and thought-provoking lyrics, Brikkuni's energetic performances have garnered them a dedicated fanbase both locally and internationally. Waq Waq Kingdom Waq Waq Kingdom, the brainchild of Shigeru Ishihara (DJ Scotch Egg) and Kiki Hitomi (King Midas Sound), blends elements of electronic music, dub, and experimental sounds into a mesmerizing sonic journey. Their boundary-pushing approach to music has garnered them acclaim and a dedicated following worldwide. JOON JOON is the electronic solo project by Maltese songwriter and producer, Yasmin Kuymizakis. With ethereal vocals, celestial synths, and self-directed music videos inspired by B-movie tropes, JOON immerses listeners in a world of dreamy mysticism. Her debut album 'Dream Again' was released on Italians Do It Better in 2021, delivering a fusion of cushioned beats, woozy electronic layers, and messages of hope. In 2023, JOON's captivating artistry gained further acclaim as she embarked on a direct support tour alongside Future Islands and performances at renowned festivals like Corona Capital in Guadalajara (Mexico), sharing the stage with esteemed artists such as Thundercat, Pussy Riot, Poolside and Regina Spektor. Forsaken Forsaken, one of Southern Europe’s longest standing and premier doom metal outfits, will be performing at Rock The South Malta’s 11th Edition! Over their many years of plying their trade on stage, Forsaken built a strong reputation as a powerful and emotionally charged live doom act. Apart from countless local gigs and European tours, the band played in various reputable heavy metal festivals all over Europe. Captivating audiences with their dark and atmospheric sound since the early 1990s with powerful vocals, crushing riffs, and haunting melodies, Forsaken has established themselves as pioneers of the genre, earning them a dedicated following worldwide. And many more exciting acts! In addition to the stellar live band performances, Rock The South 2024 promises a unique Silent Disco experience, with the return of ‘Versus’ DJ’s playing out the end of the night! Powered by White Noise, dance the night away under the stars on your own personal dance floor. Whether you're a seasoned festival-goer or looking for a new adventure, Rock The South guarantees an unforgettable experience - Stay tuned for further announcements, ticket details, and exclusive updates by following us on social media @rockthesouthmt or visiting our website www.rockthesouthmalta.com. Rock The South Organisation

Morsrot to play at Wacken & Metaldays Morsrot emerged victorious in the inaugural New Forces (Malta) by Metaldays 2024, hosted at The Garage, Zebbug on March 8 and 9. Additionally, they've secured a spot on the lineup for Wacken Metal Battle 2025, a revelation made by organizer Nick Grima shortly before the competition began. In the event that Morsrot is unable to attend any of these festivals, runners-up Repugnance will step in to take their place. Stay tuned for a more extensive coverage of this event, coming soon. Band photo by Maria Baldacchino NWOBHM Legends Pagan Altar with Leo Stivala Live at The Garage! This weekend marks a historic moment in global music as the British NWOBHM band Pagan Altar takes the stage at The Garage, featuring our very own Leo Stivala (of Forsaken and Anchorite) as their front-man for the night. Founded in 1978 by father and son Terry and Alan Jones, Pagan Altar enjoyed activity until 1985. Alongside Witchfinder General, they stand out as one of the few NWOBHM bands to delve into doom metal. Their performances are renowned for their moody, epic compositions, accentuated by stage effects that mirror their fascination with occult themes. Pagan Altar's sole release from the NWOBHM era was a self-titled demo album, later re-released as "Volume 1" in 1998 by Oracle Records. After reuniting in 2004 to record previously unreleased material, the band garnered praise for their 2006 album "Mythical and Magical." In subsequent years, they graced festivals like "Metal Brew" and "British Steel" and continued their creative journey with albums like "Never Quite Dead." Sadly, vocalist Terry Jones passed away in 2015. In 2017, Alan Jones announced plans to partially re-record the album due to dissatisfaction with the original outcome. In 2017 Brendan Radigan joined the band on vocals for two shows as Time Lord for the release of The Room of Shadows. The same lineup performed select shows (as Pagan Altar) in 2018 in celebration of the band's 40th anniversary. An in-depth interview featuring Alan Jones, Leo Stivala, and event organizer Glen Gauci was broadcasted during Noel Mifsud’s radio programs Heatstrokes and Rock Moods, available for streaming here. Introducing Crowned Events' Inaugural Showcase: The Battle of the Bands! Crowned Events specializes in organizing live music events, with a mission to bring unique experiences such as Battle of the Bands and collaborative music projects involving diverse artists. On Wednesday 12th March they announced their first event - The Battle of the Bands! A thrilling 2 day competition on July 5th and 6th at The Garage. They're on the lookout for 6 exceptional upcoming bands to compete for three juicy prizes - An exclusive 2-track recording studio session at SPINESPLITTER STUDIO, a distribution and promotional deal with Kewn Records, and the golden opportunity to perform at the prestigious Farsons Beer Festival 2024. If you believe your band has what it takes, seize this chance, click the link and sign up today!! Music Releases: Sfera's 'Gatt Groove' Unveiling & Jes Psaila’s Hinge Project's 'Causatum' The jazz supergroup Sfera has exciting plans to unveil their album 'GATT GROOVE', dedicated to Charles Gatt, during two special concerts at Spazju Kreattiv on April 3rd and 4th at 8 pm. Joining them for these performances will be the talented Nadine Axisa and the renowned Swedish trombonist Bertil Strandberg. Tickets for this events can be brought here Simultaneously, Jes Psaila’s Hinge Project has announced the upcoming launch of their latest album, 'Causatum', which will be released on vinyl on April 6th. The release will be celebrated with a performance at the Valletta Campus Theatre. This album comprises four new tracks alongside two previously unreleased songs from their debut album, which was released three years ago. Tickets for this events can be brought here

34 Years of The Malta Jazz Festival - a brief history The Malta Jazz Festival, an annual musical extravaganza held each July in Malta, is organized by Festivals Malta, previously a part of Arts Council Malta and the Malta Council for Culture and the Arts. The festival takes place outdoors, adjacent to Our Lady of Liesse Church, on the picturesque Valletta waterfront. Established in 1990 by Charles 'City' Gatt, the Malta Jazz Festival has welcomed a plethora of world-renowned jazz artists over the years, including Wayne Shorter, John Patitucci, Diana Krall, Chick Corea, Al Di Meola, Natalie Cole, Betty Carter, Michel Petrucciani, Richard Bona, and Mike Stern. In 2006, the festival faced controversy when it was removed from Charles Gatt's artistic direction, a pioneer of Maltese jazz, and handed over to a private promotion company. This move aimed to transform the festival into a more mainstream 'Rock and Jazz' event. However, subsequent line-ups, lacking contemporary jazz content, led to a decline in the festival's popularity. In 2009, under the leadership of Maltese musician Sandro Zerafa, the festival returned to its jazz roots, presenting a lineup of internationally acclaimed jazz musicians. This rejuvenation saw performances by esteemed artists such as Bill Stewart, Ari Hoenig, Greg Hutchinson, Dave Weckl, Dave King, Mike Stern, and Richard Bona. In the following years, the festival continued to attract top-tier talent. The 2011 edition featured Lionel Loueke, Joao Bosco, Monty Alexander, and Avishai Cohen, while the 2012 lineup included Al Di Meola, Terri Lyne Carrington, Chano Dominguez, Tigran Hamasyan, Dianne Reeves, Jeremy Pelt, and Will Vinson The festival's 2013 edition showcased acts like the Robert Glasper Experiment, Vijay Iyer Trio, Gregory Porter, Michel Camilo Trio, and Gilad Hekselman Quartet, among others. Similarly, subsequent years featured renowned artists such as Warren Wolf, Tom Harrell, Kneebody, Brecker Brothers Band Reunion, Ada Rovatti, Barry Finnerty, Brad Mehldau, and Mark Guiliana. In 2016, the festival expanded its venue to include Valletta's City Gate for its opening night, featuring acts like Mike Stern, Snarky Puppy, and Marcus Roberts' trio. Over the years, the festival has continued to attract stellar performers, including Mark Guiliana, Al Di Meola, Chick Corea, John Patitucci, and Dave Weckl. The 2019 festival showcased talents like Jazzmeia Horn, Kenny Garrett, Ozmosys, and Chucho Valdés, alongside local acts such as the William Smith Trio and Dominic Galea. Due to the COVID-19 pandemic, the 2020 and 2021 editions were held in reduced formats, featuring virtual components. The 2022 edition paid homage to the festival's founder, Charles 'City' Gatt, who passed away in February 2022, and featured performances by Clark Tracey & Dominic Galea Legacy Quintet, Richard Bona & Alfredo Rodriguez, and Daniele Cordisco quintet, among others. The 2023 festival, held between July 11 and 15, boasted a lineup headlined by Samara Joy, Kurt Rosenwinkel Quartet, Kurt Elling featuring Charlie Hunter, Immanuel Wilkins, The New York Blue Note Quintet, and Raynald Colom Quintet. Sandro Zerafa, the artistic director, expressed that the Malta Jazz Festival stands as one of the most enduring events on the island, widely acknowledged for its commitment to artistic distinction. This year's rendition pays homage to two recently departed jazz luminaries, Ahmad Jamal and Wayne Shorter. Throughout the festival, jazz enthusiasts, newcomers, and leading figures in the jazz realm converge in an intimate setting amidst the enchanting Mediterranean backdrop. The festival is scheduled to take place from July 8th to July 13th and features The New York Blue Note Quintet, Rob Clearfield, Yoni Zelnik, Francesco Ciniglio, Laurent Coq Trio, Reynald Colom Quintet, Daniel Sant, Dean Montanaro, William Smith, Paul Giordimania Trio - SFERA, Immanuel Wilkins Quartet, Samara Joy, Carlo Muscat Kyiv Quartet, Kurt Rosenwinkel Quartet, and Superblue: Kurt Elling ft. Charlie Hunter. All photographs showcased here were captured by Silvano Mangiafico over the span of these 34 years of the festival.

Veteran Maltese Singer Joe Cutajar Passes Away at 83 The music industry of Malta mourns the loss of one of its most iconic figures, Joe Cutajar, who passed away at the age of 83. The news was shared by his brother Frankie on social media, marking the end of an era for Maltese music. Born and raised in Valletta, Joe Cutajar's journey in music was as diverse as it was remarkable. Not only was he celebrated as a singer, but he also made significant contributions to the world of sports, having played for esteemed football teams like Valletta FC, Ħamrun Spartans, Żurrieq, and St. George’s. Beyond his musical talents, Cutajar's love for football and his dedication to the sport were evident throughout his life. Yet, it was his passion for music that truly defined him. His performances spanned decades, taking him to various countries, including the UK, where he spent time as a cabaret artist in London's West End. In 1972, Cutajar represented Malta at the Eurovision Song Contest alongside Helen Micallef, performing the timeless classic "L-Imħabba." This song, remains etched in the hearts of every Maltese and Gozitan, a testament to Cutajar's enduring legacy in Maltese music history. However, it was Cutajar's enchanting voice and captivating stage presence that truly endeared him to audiences across the globe. He graced numerous concerts both locally and abroad, leaving an indelible mark wherever he performed. His participation in the 80's rock opera "Ġensna" further solidified his status as a versatile artist. Even in his later years, Cutajar continued to enchant audiences with his performances, showcasing his unwavering commitment to his craft. His collaborations with fellow musicians and his solo performances were always met with enthusiastic applause and admiration. As news of Cutajar's passing spread, tributes poured in from across the music industry. Singer-songwriter Mark Spiteri Lucas described him as a true music legend who contributed immensely to the local music scene. Maestro Paul Abela, who shared numerous experiences with Cutajar, fondly recalled their time together and emphasized Cutajar's unyielding energy and passion for music. He remarked that Cutajar's legacy would forever be remembered, and Malta had lost a great icon of music. Helen Micallef, Cutajar's Eurovision partner, shared her heartfelt memories of their time together on stage, expressing her sadness at his passing and bidding him farewell with a broken heart. Joe Cutajar's musical talents extended beyond singing; he was also a skilled drummer and multilingual performer. His performances in Maltese, English, and Italian captivated audiences worldwide, earning him the title of the best cabaret artist in the country. Cutajar's love for his hometown, Valletta, was evident in his performances and his active involvement in local sports and cultural events. He cherished the city and its inhabitants, leaving an indelible mark on the community. As Malta bids farewell to Joe Cutajar, his legacy lives on through his timeless music and the countless memories he created for generations to come. Rest in peace, Joe Cutajar. Your music will continue to inspire and enchant us forever. Condolences to Joe's family and friends

In the depths of Malta's cultural landscape lies a realm often overlooked yet fiercely vibrant: the extreme metal community. "Brotherhood: A Story of Metal in Malta," a captivating feature-length documentary, delves deep into this underground scene, uncovering tales of passion, resilience, and unyielding creativity. Premiering with resounding success on the 16th of September 2017 at the Embassy Cinema Valletta, this documentary immediately struck a chord with audiences. Its subsequent screenings at Spazju Kreattiv, St. James Cavalier, Valletta, further solidified its impact, drawing enthusiasts and the curious alike into its world. Through candid interviews with both established icons and emerging talents, "Brotherhood" paints a vivid portrait of a subculture often misunderstood and marginalized. Figures like Beheaded, Forsaken, Loathe, and Martyrium, alongside rising stars such as Align the Tide and Krishna, share their personal narratives, offering an intimate glimpse into their lives as part of Malta's metal fabric. Leo Stivala of Forsaken eloquently encapsulates the sentiment, stating, "Metal is a large, and integral part of my life. You have to experience it to believe it and to really understand what it is." These words resonate profoundly, embodying the essence of a community bonded by its love for extreme music. Recognition for the documentary's excellence came swiftly, with "Brotherhood" clinching the Best Documentary award in the Feature-length section at the Alternative Film Festival (AltFF) in Toronto on December 18th, 2017. The accolade affirmed the filmmakers' dedication to showcasing Malta's metal prowess on a global stage. Director Nicholas Bonello and producer Malcolm Alden's commitment to their craft shines through, reflecting their unwavering passion for local music, particularly the metal genre. As Malcolm expressed, "It means a lot to us that our hard work was recognized across the globe. We're happy to help in any way to promote the Maltese metal community." Indeed, "Brotherhood" transcends mere documentation; it serves as a testament to the resilience and creativity embedded within Malta's metal scene. From gritty garage venues to electrifying album launches, the film captures the essence of a community bound by shared experiences and a love for sonic intensity. With plans underway for a wider release through a crowdfunding campaign in early 2018, the documentary reached even greater audiences, amplifying the voices and stories of Malta's metal brethren. Backed by songs from Malta’s finest (see track list below) and an original score from David Depasquale, a luminary in the local scene, "Brotherhood" stands as a testament to the power of passion and perseverance in the face of societal stigma. In essence, "Brotherhood: A Story of Metal in Malta" beckons not just to seasoned metalheads, but to all souls eager to explore a world brimming with epic soundscapes and mythic narratives. It is an invitation to embrace the unconventional, to celebrate diversity, and to discover the profound sense of camaraderie that lies within Malta's metal brotherhood. CD soundtrack features: David Depasquale – Brotherhood Krishna - Gilgamesh' Theme Rising Sunset - Tower Of Babel Align The Tide - Dead Religion Abysmal Torment - High Them High Forsaken - Dominaeon Martyrium - Where No Shadows Cast The Fire Light Beheaded - Beast Incarnate Club Murder - Derailed The Ranch - The Ugly Ducking Loathe - A Glow So Haunting The remaining few copies of the documentary on DVD and Blu-ray, along with the soundtrack CD, are now available exclusively for purchase from Melodija.eu.

Malta's prominent artist, Klinsmann, unveiled his latest single titled "Survivor" on Friday, March 1st, 2024. This eagerly anticipated release marked Klinsmann's return to the airwaves, offering a glimpse into his evolving musical direction. "Survivor" serves as a bridge between Klinsmann's established identity, encapsulating his signature vibe and style, and the exciting journey ahead, culminating in the highly anticipated release of his upcoming album. ‘Survivor’ is a song that delves into the experience of facing adversity, not just in relationships but in life's challenges from a young age. It's about confronting difficult situations and making tough decisions to keep moving forward, regardless of the cost. While it touches on the pain of losing someone dear, it's also a reflection of personal growth and resilience. It emphasizes that despite the hardships we face, we possess the inner strength to overcome and emerge stronger. So, it's a reminder that every trial we endure contributes to our growth and eventual triumph. Listen to Survivor here. Written by: Klinsmann Produced By: Howard Kieth (Jagged House Studios) Website: www.klinsmannofficial.com Facebook: facebook.com/klinsmannofficial | Instagram: @klinsmannofficial YouTube: youtube.com/klinsmannofficial | Tiktok: @klinsmannofficial

Cliff D'Ugo, a familiar figure in the local music scene, gained prominence as a member of The Boys alongside Marc Storace and Enzo Gusman, before later joining The Country Brothers. Unfortunately, Cliff passed away on Friday, February 16, with news of his death shared on Facebook by his niece, the actress Becky D'Ugo. Cliff D'Ugo, born on November 29, 1949, in Sliema, was among the numerous siblings in the musically inclined D'Ugo family, actively participating in singing and playing music. Cliff embarked on his musical journey with The Renegades, a group that frequently performed during intermissions at dances in Sliema while The Graduates ‘headlined’, back in the 1960s. Like many musicians of his era, Cliff held a deep admiration for The Beatles. In 1967, Cliff was enlisted by The Boys to serve as their guitarist and backing vocalist. Between 1968 and 1969, alongside lead singer Enzo Guzman and later Marc storace, Anthony Farrugia on bass, Godwin Borg on drums and vocals, and Joey Chircop on organs and vocals. He contributed guitar and vocals to their debut original song, "Our Love Is Still There," recorded at Msida. However, as The Boys shifted their musical style to hard rock in the early 1970s and adopted the name Cinnamon Hades (with Marc Storace on vocals who joined The Boys in 1969), Cliff decided to part ways and pursue collaborations with other musicians and bands. Following his departure from The Boys, Cliff went on to establish Contact, a band that showcased his talents both in the UK and at various venues across Malta. Subsequently, he lent his vocals to performances alongside his brothers in the Country Bros band and engaged in duo performances with his late brother Colin, who passed away a few years ago. Around 2000 original Boys bassist Tony Farrugia was joined by Godwin Borg on drums together with Cliff on guitar and Joey Chircop on Keyboards and put down some music at Temple Studios. Production was handled by Joe Chircop and Howard Keith, who also guested on keyboards. Other guests were David Vella and Jesmond Baldacchino, both on drums. Vocal duties were shared between Godwin, Cliff, Tony, and Joey. Cliff sung lead vocals on ‘Warda Fil-Gnien’, ‘Gawra Sbejha’ and ‘Kemm Xtaqt Li Nghidlek’ and harmony on the other tracks. The album titled 'It's About Time' was released in 2001. All five members consider this collection as a celebration of 60’s music which is forever popular with all generations and as they penned on the cd’s linear notes: “they reunited after four decades from various paths in life to satisfy all music lovers everywhere with their unique cover versions and original songs. So many meetings, rehearsals, and studio [was] arranged to fit in all [of] their daily commitments which sometimes hindered this production” but was finally achieved. In recent years, Cliff has been active as a DJ and Karaoke entertainer.

Renowned artist Owen Leuellen unveils his latest part of his body of work, 'Out of the Darkness', a compelling narrative that delves deep into the shadows of life, only to emerge triumphant into the light. With 15 diverse tracks showcasing Leuellen's artistic evolution, this album is a testament to his resilience and creative prowess. Owen Leuellen is making rapid progress in his artistic journey with his second album, 'Out of the Darkness.' Renowned artist Owen Leuellen unveils his latest part of his body of work, 'Out of the Darkness', a compelling narrative that delves deep into the shadows of life, only to emerge triumphant into the light. With 15 diverse tracks showcasing Leuellen's artistic evolution, this album is a testament to his resilience and creative prowess. Each track on 'Out of the Darkness' offers a unique perspective, from motivational anthems born out of frustration to triumphant odes to success. Leuellen's lyrical journey navigates through the challenges of everyday life while basking in the glory of recognition and respect from his audience. Featuring three captivating collaborations, including the dynamic 'Move' featuring Ben Miller, 'Out of the Darkness' also boasts chart-topping hits such as 'Flavor' featuring Gaia Cauchi and 'Juice' featuring Destiny. These tracks not only dominated the airwaves but also hooked audiences with their colourful and tongue in cheek music videos. In Owen’s words: “Out of the Darkness - the album, is where I poured my heart out these past couple of years with my producer Siconix and wrote every word on it apart from Ben’s verse. This album clarifies my intention of claiming the throne of the local hip-hop scene and holds the recipe for setting the bar for local rappers.” Leuellen wants to prove that this album is the definition of skill, poetry, and wordplay’’. As Leuellen boldly asserts, "By the time you catch up to this level, I'll already be blazing new trails." 'Out of the Darkness' is not just an album—it's a statement of artistry, resilience, and the relentless pursuit of excellence. Music Videos: https://www.youtube.com/watch?v=VJVP2-yhs0I (Juice ft. Destiny) https://www.youtube.com/watch?v=1670nwWTttU (Flavour ft. Gaia) Official Social Media Channels: https://www.instagram.com/owenleuellen4real/ https://www.facebook.com/LeuellenO Spotify Album Link: https://open.spotify.com/album/7wJIziSs0vAmRiNXP8Pmvf?si=TLvxJcztSJW9wKg4Bg8mPg

TroffaĦamra launches Weġgħat Żgħar TroffaĦamra, a Maltese singer living in Barcelona, is presenting her new album, titled "Weġgħat Żgħar". The album features music that sounds familiar but with unexpected elements. Recorded and produced by David Vella in August 2023 at Temple Studios, it features collaborations with top Maltese musicians. The songs, mostly in Maltese, are written from the perspective of a woman - a mother - living far from her country, wanting to express those small painful steps that all this brings with it. The ambivalence of motherhood, the passage of time, distance, loneliness, and change are some of the subjects explored in "Weġgħat Żgħar". The launch will take place at the Blue Arena, il-każin tal-blu in Ħaż-Żabbar, where TroffaĦamra will perform the songs from the album, accompanied by talented musicians (list below). David Schembri, a singer and friend, will open the evening. TroffaĦamra - vocals and guitar Żiżża - percussion and drums Michael Galea - drums and percussion Oliver Degabriele - electric bass Mario Borg - tenor saxophone Javier Manzanares - accordion Fiorella Camilleri - flute Mark Attard - keyboard Franco Tartaglia - electric guitar Mariele Żammit - vocals Justin Galea - vocals “The Wards Outside” released 22 Feb 2024 : You ready to play a game? Message from Sceptocrypt's Malcolm Callus on the band's page read as follows: "Are you ready to play a game with Sceptocrypt? Shamelessly, and with no pardon why a tune has to be short, to even be called a song, or to please a format that the market or trends ask for, we present you a 12min+ soundscape entitled “The Wards Outside”! Looking at the father of the European avant-garde, Monsieur Antonin Artaud, unjustly incarcerated for his forward-thinking Theatre of Cruelty, here shouting his lungs out to a deaf society on a palette of extreme metal rifferama, with hidden influences from other genres! So back to the game! Can you decipher what the backward singing towards the end of our tune is telling you? Or where “Or, cet esprit venu des Indiens d’Amérique ressort un peu partout aujourd’hui” (translating to “Well, this spirit originating with the American Indians is reappearing all over the world today”) hits? The latter, an excerpt off Artaud’s final 1948 work “Pour en Finir avec le Jugement de Dieu“ is part of a broader text that presents Man, as an erotic animal when unrestrained, universally attributed to god, thus referred as Spirit, originating with the American Indians and reappearing anywhere nowadays. Originally commissioned by French Radio but censored by the French government 1 day before its release, with Artaud passing away 1 month later, and its 1st (illegal) broadcast surfacing in 1964 in USA and French official radio following in 1968, shows that in old age, and later in death, Artaud kept being refused by the mass. Such, sadly is how the avant-garde is sometimes unwelcomed. Yet such is the relentless force with which the avant-garde hits back! Sceptocrypt standing by shape-shifting rather than compromising, and with many off this Artaud’s final work referred to within the lyrics of “The Wards Outside”, we invite you to enjoy the game of finding all the references! Through this body of work, we reimagine Artaud as you, yes you reading this, having been locked down unnecessarily and now released, asking society, if the cages you live in are real, or a product of the fabricated media that continues being sold to you? Do you see where this game is going? As Artaud mentions : “I prefer the people who eat off the bare earth the delirium from which they were born”! Sceptocrypt hence takes the opportunity to dedicate “The Wards Outside” to all the damaged people crossing each others’ path, a dynamic that could be as much a grace as a pitfall! The theatre is open to all – no VIPs, everyone at equal risk! So choose your seats wisely : the angel to your right may kill you, as the demon to the left may save you! Hooray! Click the image to experience (through audio & verse) the game that morphs Sceptocrypt, Artaud & yourself as one! But remember – you need not fear shame to play this game! Simply put, “The Wards Outside” might fuck you up, or you might experience a fuckin joy ride! 🙂 …. enter our Theatre! This song serves a dual purpose. a) to give an idea to all listeners etc what our “extreme music research” sound we are exploring hints at b) to find a drummer and a vocalist (as Malcolm is singing only in the studio until we find a vocalist) ASAP as to bring this madness (we got near to 2 albums worth) to a live scenario! If interested, read more here. Hellcommander: another accomplishment materialising Furthermore to the achievements of Hellcommander (see article published here last week - link) melodija.eu can also reveal that Mark is also currently working with US one-woman band Carnalis Matoria on lyrics and vocals. this collaboration commenced last year when New Yorker Liliana Amatoria approached Mark with her new project. Her debut EP featuring this collaboration titled 'Forgive me Father, I AM SIN!, was released on November 19, 2023. This alliance can be listened here. Soul Introduces Thomas Farrugia as Their Newest Drummer! Soul made a big announcement on February 5th, introducing Thomas Farrugia as their new drummer. At just 20 years old, Thomas has been honing his drumming skills since the age of 5, showcasing a remarkable talent from a young age. His inaugural performance with the band will take place on February 27th, as they are featured on 'Backstage,' a TVM program dedicated to spotlighting local Maltese musicians and their work. While Soul is set to appear on the show three times, only one date has been confirmed so far: February 27th at 6:30 PM. During this episode, fans can look forward to the band performing one of their unreleased singles, 'Misery.'

The odyssey of a modest guitarist from the realm of knights to the domain of the Vikings. Embarking on a journey steeped in Metal's depths, Hellcommander Vargblod, known in the mortal realm as Mark Azzopardi, emerged from the island’s cradle in 1982. His initiation into the realm of Metal began as a mere child, enraptured by the thunderous riffs of Black Sabbath and the hypnotic melodies of Led Zeppelin, resonating through his father’s and uncle’s hifi system at home. It was this early exposure that ignited the flames of his passion for the genre, setting him on a path destined for greatness. As adolescence dawned, Vargblod's fervor for the guitar blossomed under the tutelage of his father. However, it wasn't until his formative years that he delved deeper into his craft, coalescing with two school comrades to birth his inaugural ensemble, the Hell Rats. Their sound, a fusion of thrash and NWOBHM, tinged with the burgeoning influences of black metal, marked the genesis of his musical odyssey. Simultaneously, he lent his talents to the ranks of Mannaris, a garage band endeavoring to carve their mark upon the Metal landscape. The late 90s heralded a pivotal juncture as Vargblod departed his early endeavors to embark on a 12-year sojourn with local symphonic black metal stalwarts, Martyrium. This alliance bore witness to three full-length albums, myriad performances, and traversing the European expanse. Yet, his voracious appetite for sonic exploration led him to join the ranks of Maltese hard rock veterans, Lord Adder in 2008, simultaneously joining also thrash metal outfit X-Vandals with whom he played till 2013. During 2011, after Martyrium, Vargblod's creative essence surged forth, birthing Draugul and Khaospath—two solitary ventures that epitomized his artistic ethos. Draugul, a melange of folk, pagan, and black metal, unleashed 4 full lengths, 1 split and 1 EP until 2019, alongside 3 incendiary offerings of Khaospath. Relocating to the Northern realms of Sweden in 2014, Vargblod's solo project Khaospath was developed as a four-piece outfit with additional guitar, drums and bass and captivated audiences across Sweden, Bulgaria, Finland, and his native Malta with a performance at the Xtreme Metal Assault in 2016. Around 2016 Mark guested on some guitar parts together with Lord Ahriman, from Dark Funeral, with a band named Thokkian Vortex, the new project of Lord Kaiaphas, the ex-frontman of Norwegian Black Metal act Ancient on the album ‘Into The Nagual’. Khaospath was put on a hiatus in 2019 after a line up change forged an alliance with Bjarkan, continuing the project under a new name, Myronath. Amidst a revolving door of members, Myronath garnered acclaim, bolstered by the contributions of luminaries like Lars Broddesson (ex-Marduk) and Fredrik Andersson (ex-Amon Amarth). As the eve of May 2024 looms, Myronath stands poised to unleash their third blasphemy upon the world on Italian record label Dusktone. Vargblod's creative fervor knows no bounds, as evidenced by his collaboration with Bjarkan in the creation of Dodskold, releasing an album “Ödesriket” up till now and their alliance with Norwegian Black Metal veterans Ragnarok, culminating in the birth of Helvitnir. A band that also consists of ex-Mayhem live member Ilizahg on guitars and Jan Axel “Hellhammer” Blomberg. Their first album together is set to be released later this year. In his home studio – “Minas Morgul”, he also helped out fellow brother in metal Zain (as Saint Vermin) with his debut solo album “Together as None”, released in 2013 with mixing and mastering. This collaboration brought Vargblod an alliance with Zain, Clint Aquilina, and Clayton Cini forging the infernal symphony Horned Majesty, releasing their debut single in the second part of 2023. Yet, amidst the chaos of creation, Vargblod's solo odyssey, bearing the moniker Hellcommander, emerges yet again as a beacon of unbridled creativity, unleashing upon the world through, the auspices of "Pesttanz Klangschmiede", the EP titled Year of The Goat. Endorsed by the venerable Ibanez Guitars and Richter Straps, Vargblod's journey into the Abyss knows no bounds—an eternal symphony of Metal's unyielding might.

Saru l-Qamar Phantom Limb founder and musician James Vella (A Lily) shares blissful track ‘Kemm Nixtieq Li Qed’ Phantom Limb / Kewn Records | PHNTM041 | LP, Digital | April 5th 2024 About 'Kemm Nixtieq Li Qed' After sharing ‘Ħajti Kollha, Qalbi’ last month, A Lily (Brighton-based musician James Vella) returns today with another cut from his upcoming new album 'Saru l-Qamar', out 5th April through his own label 'Phantom Limb' – setting archival Maltese home recordings to new music for a fascinating album of nostalgic quasi-ambience and cross-generational dialogue. Beautifully spacey and blissful, ‘Kemm Nixtieq Li Qed’ translates in English to "how much I wish it were so". Vella explains “While working with the tape recordings from Maltese emigres, this was a remarkably common sentiment - usually in the form of "kemm nixtieq li qiegħed Malta" - "how much I wish I was in Malta". The phrase itself is imbued with sadness, but in this instance that sadness becomes so real, so tangible: in many cases (including my own family's), those that left Malta in that period left in search of more stable political prospects that allowed them to live and work freely. Many were torn away from their home, their friends, their lives. I wanted to express this sadness in my arrangement of the recording, and I wanted to honour the experiences of the speaker on the tape. Not much of his recording has survived the decades since its taping, but even these snatches of audible dialogue reveal a deep lament. My arrangement - as with the rest of the album - is for hardware synthesis, focusing on gentle beat-less rhythms that can tell a story in themselves, and a melody line that floats in a heavily reverberous space to reflect the ghostliness of the passage of time.” About 'Saru l-Qamar' From the 60’s until the modern era, it was common for Maltese families to receive reel tapes from relatives abroad. Maltese emigres resettled in Australia, the UK, Canada etc. would record their news onto cassette - often in the form of għana, traditional Maltese song - and mail the tapes back home. Amazingly, through the superlative archival work of Malta’s nonprofit heritage foundation Magna Żmien, many of these tapes still exist. A Lily (Phantom Limb boss and musician James Vella) - who is Maltese - was allowed access to Magna Żmien’s collection and in late 2022 began creating new musical works responding to these recordings. These works take up the oneiric bliss of new album Saru l-Qamar [Eng: They Became The Moon], his first release on his own label, and released in Malta under Kewn Records. Arranged alongside hardware synthesis and “minimal DAW intervention”, the recordings on Saru l-Qamar take on ghostly, spiritual new qualities. Simple storytelling and news-sharing (“there was a burglar in the house yesterday”, “I can’t tell you how much I miss Malta”, “do your utmost to spend all your money at the feast”) become plaintive and evocative elegies for friends and family lost to time. “This is the meaning of the album title,” Vella writes. “Though these people have left us, they can never be truly forgotten, as without them we would not be here. They become part of the fabric of our lives, remaining forever and inexorably within the makeup of every subsequent generation. They have become the moon - always present, but always out of reach.” James Vella’s A Lily project was most recently seen with twin releases Sleep Through the Storm and Nocturne Thunder, released on The Ransom Note’s Bytes label in 2020 and 2022 respectively. These two releases and Saru l-Qamar see Vella turn to synthesis and electronic instrumentation following his more band-orientated previous album of 2018. Vella is also a founding member of acclaimed act yndi halda, and has run the Phantom Limb label since its inception in 2017, releasing a range of eclectic records by Loraine James, Kevin Richard Martin (The Bug), Ami Dang, and more. A LILY Saru l-Qamar Phantom Limb / Kewn Records | PHNTM041 | LP, Digital | April 5th 2024 Saru l-Qamar’ Tracklist: 1. Żeżina Ddoqq is-Sħab 2. Kemm Nixtieq Li Qed 3. Flimkien Ngħaddu Mill-Bieb 4. Ħajti Kollha, Qalbi 5. Nitolbu Lil Dawk Li Lejlu 6. Tħallinix 7. Erba' Aħwa 8. Sirna l-Qamar 9. Issa, Kuljum, Għal Dejjem Żgħażagħ Saru l-Qamar will be available on limited coloured vinyl, digital and streaming platforms on 5th April. Pre-order from Bandcamp HERE. To hear the album and any other promo requests, please contact Nicholas Bonello: kewnrecords@gmail.com Follow A Lily on facebook / instagram / X (formerly Twitter) About Kewn Records: Established in 2017, Kewn Records, led by Nick Morales with mentorship from James Vella (of Phantom Limb), fills a void in Malta's music scene. With a goal of elevating local talent professionally, the label, assisted by coordinator Nicholas Bonello, has since released alternative music from the  likes of BILA, The Areola Treat, Krishna, Niket and more. With 6 albums, 8 EPs, and 13 singles, Kewn Records acts as a one-stop shop for musicians, amplifying Malta's musical impact globally. This project is supported by Arts Council Malta

New Forces by MetalDays 2024: A Showcase of Malta's Thriving Metal Scene The Maltese metal community is gearing up for an electrifying event as New Forces by MetalDays 2024 prepares to take the stage on the 8th and 9th of March at The Garage in Zebbug, Malta. With an impressive lineup featuring both established acts and rising stars, this event promises to be a celebration of the vibrant metal culture that thrives on the island. Friday night kicks off with a bang as doors open at 18:00 hrs, ushering in a diverse array of sounds and styles. From the intense grooves of Mur.Doc 104 to the bone-crushing aggression of Morsrot, there's something for every metalhead to sink their teeth into. Align the Tide brings their signature blend of melody and brutality, while Krishna offers a taste of their unique brand of spiritual metal. Saħħar and Luciferi Regnum round out the lineup with their own distinctive sounds, ensuring that Friday night is a memorable experience for all in attendance. As Saturday dawns, the excitement only continues to build. Once again, doors open at 18:00 hrs, welcoming fans to another night of sonic mayhem. Oblique Visions kicks things off with their atmospheric blend of progressive doom metal, setting the stage for an evening of intense performances. Damaged & Co. bring their raw energy and infectious enthusiasm to the stage, while Lady Lizard captivates audiences with their dynamic stage presence. Rankin, Repugnance, and Haine close out the night with their blistering performances, leaving concertgoers exhilarated and hungry for more. Adding to the excitement of the event are the esteemed judges who will be in attendance, including Gunnar Sauermann of Prophecy Productions and Metal Hammer fame, Michael Berberian of Season of Mist, Thomas Strater of Testimony Records and Metal Hammer, and Roman Hilser of Summer Breeze Festival. Their expertise and discerning ears will help determine which band will have the honor of representing Malta at METALDAYS 2025 in Slovenia. In addition to the thrilling performances and expert judging, attendees will have the opportunity to support their favorite bands as each ticket will serve as a vote for the band of their choice. Priced at €10:00 per day, this is a chance for fans to not only enjoy an unforgettable weekend of music but also to actively participate in the continuation of shaping the future of Malta's metal scene. So mark your calendars and join us at The Garage in Zebbug for New Forces by MetalDays 2024. See you in the pit! Malta mourns rock pioneer Cliff D'Ugo Cliff D'Ugo is not a new face to those who follow the local music scene. He was part of the group The Boys, together with Marc Storace and Enzo Gusman and The Country Brothers later on. Unfortunately, Cliff left this world on Friday, February 16. His death was announced on Facebook by his niece, the actress Becky D'Ugo. Cliff plays guitar and vocals on the first ever original song recorded by the BOYS alongside singer Marc Storace, Anthony Farrugia on bass, Godwin Borg drums and vocals, and Joey Chircop on organs and vocals. It was titled 'Our Love Is Still There' and was recorded at Msida between1968 and 1969. the song can be heard here. Cliff also featured on the album 'It's About Time' which The Boys released in 2001. Condolences to Cliff's family and friends Muzika Muzika 2024 date closing in In November, Festivals Malta made an announcement regarding the selection process for Mużika Mużika, revealing that out of 40 entries that had advanced from the elimination phase following live performances accompanied by backing tracks, 20 songs had been chosen. Paul Abela, the Artistic Director of Mużika Mużika, emphasized the diversity of styles represented among the chosen 20 songs, highlighting the anticipation for the varied performances they will offer to the Maltese audience. He noted the festival's continued popularity with conventional and traditional styles while also commending Maltese artists for their ongoing exploration of innovative compositions, as evidenced by the eclectic range of submissions received across different musical genres. Raymond Bugeja, Chairman of Mużika Mużika, affirmed the festival's importance within the Festivals Malta portfolio, expressing confidence that the upcoming edition would maintain the exceptional standards set by previous iterations. The songs which have reached the semi-finals are as follows: 3 ta’ Ġunju 2021         Neville Refalo Dawk l-Għajnejn          Miguel Bonello Din Għalik                  Moira Stafrace Fil-Qrib                      Cliff Zammit Stevens Ġenna                        Victoria Ġranet Sbieħ               Mark Micallef Costa Grazzi                       MARA Ħolma ta’ Mument        Dario Bezzina Iljun                           Andreana DeBattista Imħabba Vera              GIADA Imqar Għal-lejla            Megan May Kewkba F’Tarf L-Irdum    Cherylis Kieku Kelli                   Thea Aquilina Lulju                           Karen Debattista Meta Tridni Ħdejk         Qalb Mhux Tal-Aħħar             Maxine Pace Mingħajr Kliem             Keith Zammit Mintoff Paradoss                     Haley Vjagg Sabiħ                 Kantera Waħdi                         Janice Debattista The festival will take place between 14 -16 March 2024.

Angelcrypt official press release - February 2024 MELODIC DEATH METAL LOCAL VETERANS “ANGELCRYPT” UNVEIL NEW SINGLE RELEASE, LOCAL LAUNCH PARTY AND 2024 EXTENSIVE EUROPEAN TOUR “Legacy of Valour” marks the latest musical offering from local melodic death metal veterans, Angelcrypt. Formed in 1997, the band comprises of Shawn Mizzi on vocals and guitars, Karl Friggieri on guitars, Jean Cutajar on bass, and Robert Friggieri on drums. Following the well-received release of their previous single, Forever Hero, in 2023, the band is currently immersed in preparations for an extensive lineup of upcoming shows around Europe. With already more than 20 confirmed gigs throughout Europe and slated appearances at local events and festivals, 2024 promises to be Angelcrypt's busiest and most ambitious year to date, with other foreign shows still yet to be confirmed. Legacy of Valour is a war-themed composition which presents a gripping narrative that delves into the enduring resilience and courage of the islands. It explores the historical saga of Malta, highlighting the unwavering spirit in the face of numerous rulers vying for control throughout different eras. The song will be unleashed in March while an exact release date will be published soon by the band. In anticipation of this release, the band is set to commence 2024 with an exclusive 10-date consecutive tour across East Europe, which will take them to Poland, Bulgaria, Hungary, Slovakia, Czech Republic, Romania, and Austria. The following month, the band will be performing at the Garage in Ħaz-Żebbuġ, Malta, where they will be supported by the Portuguese symphonic death metal band Godiva and the Maltese black metal outfit Saħħar. Afterwards they will embark on other tours that will take them back to Czech Republic, Romania, Bulgaria, Germany, Netherlands, Belgium and others. Legacy of Valour will be available through the band’s Bandcamp page, in addition to also being available for online streaming on all major online streaming sites & music stores, also on YouTube with an official music video. The single is self-recorded, while mixing and mastering duties were once again trusted to Peter Grech at 21 Thirteen Audio. The cover artwork is designed by Shawn Mizzi. Angelcrypt is: •        Shawn Mizzi – Vocals & Guitars •        Karl Friggieri – Guitars •        Jean Cutajar – Bass •        Robert Friggieri – Drums Follow Angelcrypt’s social media pages or their official website to keep up to date with all the band’s activities. www.facebook.com/angelcrypt www.instagram.com/angelcrypt www.angelcrypt.com