In September 2010, Dr. Toni Sant together with a group of cultural collaborators launched the Malta Music Memory Project (M3P) . Their vision was to address the risk of cultural loss by creating a collaborative, multimedia repository dedicated to preserving Malta’s music, media, and associated arts. The project was conceived at a time when the growth of broadcasting and digital platforms was producing new forms of cultural expression, yet much of this material was in danger of disappearing without documentation. M3P offered an answer: an open, community-driven platform where volunteers could contribute histories, recordings, and personal recollections to ensure Malta’s creative memory was safeguarded for posterity. From the very beginning, the project positioned itself as a living and evolving archive. Drawing inspiration from the Wikimedia model, M3P invited contributions from musicians, fans, academics, and members of the public, encouraging a democratic approach to memory preservation. Within its first year, as reported in the Times of Malta , the project had already grown steadily in both content and users, while also working to establish the infrastructure necessary to ensure its longevity. By 2011, M3P was hosting its own conference at St James Cavalier in Valletta, bringing together local and international experts to explore the challenges of long-term cultural preservation in the digital era, and combining academic discussion with public engagement through live performances. M3P.com.mt information session. Photo by Steven Psaila. Over the years, M3P expanded its scope from documenting music to embracing all forms of media and cultural activity. It has played a crucial role in capturing oral histories and rare performances, including the recovery and preservation of 500 hours of għana  recordings from the 1960s to the 1980s, now housed at Malta’s National Archives. It has also developed a comprehensive catalogue of Maltese music releases, connecting diaspora contributions from the UK and Australia to the island’s own output, and has pioneered ways of integrating social media and digital storytelling into archival practice. Institutional support has been central to M3P’s development. Established with the backing of the Malta Arts Fund, the University of Hull’s Faculty of Arts and Social Sciences, and the School of Arts & New Media, the project also received assistance from the British Academy, Jisc, the Open Preservation Foundation, and the Malta Council for the Voluntary Sector. In 2015, M3P entered into a formal collaboration with Fondazzjoni Kreattività , strengthening its ties with Malta’s cultural institutions. Its partnership with the National Archives has been particularly important in embedding the project within the country’s official cultural memory infrastructure. Prog band Mirage's page o M3P Fifteen years on, M3P remains an open-ended and dynamic undertaking. Its core initiatives include the Historical Directory of Band Clubs, the Charles Clews Memorial Collection, Elektronika, which charts the development of electronic music in Malta, and Mużika Mod Ieħor, documenting contemporary music scenes. Beyond these, M3P has extended its reach to projects such as documenting the Fondazzjoni Kreattività Art Collection, demonstrating its commitment to the wider arts. Today, M3P stands as both a resource and a living cultural practice, ensuring that the voices, images, and sounds that shaped Malta’s media and artistic heritage are preserved for future generations. On its fifteenth anniversary, the project not only celebrates what has been achieved but also looks forward to continuing its mission of safeguarding Malta’s cultural memory. It remains a collaborative space, inviting contributions from anyone who wishes to ensure that Malta’s artistic and media heritage is not only remembered but kept alive.

On June 19, 2015 , black metal entity Saħħar  released its third full-length album, Kruha u Kefrija —a title which translates to “ugliness and cruelty.”  Issued independently, the record cemented Saħħar’s evolution from symphonic roots into a harsher, more caustic vision of black metal. Sahhar - promo photo Formed in 2006  by multi-instrumentalist Marton Saliba , Saħħar quickly gained a reputation as a one-man creative force within Malta’s underground scene. Over the years, Saliba—handling vocals, guitars, bass, drums, and keyboards—has produced a prolific discography that balances raw intensity with occasional ventures into experimental territory. Crafting the Sound of Kruha u Kefrija Though Saliba performed the bulk of the instrumentation on Kruha u Kefrija , he was joined by two guest musicians: Robert Spiteri (Patient Psychosis) , who contributed lead guitar, and Bjorn Cutajar (Blutaxt)  on bass. Both musicians have long histories within Malta’s extreme metal circles. Spiteri is known for his project Sorrow  and for his time in acts such as Ammutseba , Majesty , and Moonlight Alive . Cutajar is currently active in Nokturnal Void , who released their debut Odiiu  in 2022, and was also a member of Ammutseba  for several years. Both have also stood beside Saħħar in live performances, strengthening their collaborative bond with Saliba. Kruha u Kefrija artwork Musically, the album unfolds across ten tracks that trace a journey from bleak atmospherics into relentless black and death metal savagery. It begins with the haunting introduction Ħelsien minn Ruħi , which sets the tone before the eruption of Triegħdet l-Art , a track defined by crushing power chords, frigid tremolo riffs, and Saliba’s cavernous growls. Pieces such as Il-Forka w il-Qawqab  lean closer to a traditional Scandinavian black metal template, while others, like Bagħal Nobbli  and Qerda ta’ Guf , revel in caustic aggression and heavy-handed riffing. The record also includes reinterpretations that highlight Saħħar’s influences and boldness. The cover of Dimmu Borgir’s   Master of Disharmony  nods toward the project’s symphonic roots, while the instrumental rendition of E Nomine’s   Qamar Iswed (Schwarze Sonne)  provides an atmospheric interlude, contrasting with the otherwise abrasive tone of the album. The closing reprise of Il-Forka w il-Qawqab  ties the record together, leaving listeners with a lingering echo of its grim intensity. album launch poster Critical Reception Writing for The Metal Observer  in November 2015, Shawn Miller (TheStormIRide) awarded the album 79% , observing that “ Kruha u Kefrija continues Saħħar’s delving into the heavier end of the black metal spectrum. ” Miller described the second track, Triegħdet l-Art , as a showcase of “ barbaric, heavy handed power chords with frozen melodic tremolo riffing, all pushed forward with a surge of blasting percussion and Saliba’s deep and menacing growls. ” The review also noted that while certain elements felt experimental—such as the “ mechanical vocalization and borderline industrialized groove riffing of ‘Priedka ta’ Telfien’ ”—the record as a whole was “ an engaging and promising album that shows Saliba’s growing skills in production and songwriting. ” Ultimately, Miller concluded that the music reflected the title: “ The album’s title is ugliness and cruelty, and the music mirrors that. ” album launch performance @ Serenity, Marsa Between Tradition and Innovation Kruha u Kefrija  demonstrates Saliba’s ability to merge raw, Scandinavian-inspired black metal with his own Maltese identity. Tracks like Il-Forka w il-Qawqab  adhere to traditional tremolo-driven aggression, while Qamar Iswed (Schwarze Sonne) , a cover of German project E Nomine , reveals Saħħar’s willingness to reframe outside influences through a blackened lens. The decision to include a cover of Dimmu Borgir’s   Master of Disharmony  also nods to Saliba’s early symphonic influences, even as he pushes Saħħar further into unrelenting black/death territory. Beyond Kruha u Kefrija Far from being a static project, Saħħar has maintained a relentless release schedule since Kruha u Kefrija . Subsequent records include the EP Pjanetaċidju  (2016), the full-length Kliem it-Tmiem  (2017), and a string of EPs and albums such as Qilla tal-Qrun  (2019) and Tiġrif tal-Ġnus  (2020). Live albums like Nocte in Ruinis  (2020) and Ruinis Melitensis  (2024) further showcase the project’s vitality in performance. Through each release, Saliba has remained faithful to black metal’s cold essence while continuing to experiment within its parameters. Sahhar @ Xtreme Metal Assault 2015 A Decade of Ugliness and Cruelty As of 2025 , Kruha u Kefrija  marks its 10th anniversary . A decade on, the album retains its corrosive power, standing as a milestone in Saħħar’s journey. It captures a pivotal moment where the project broke free from its symphonic past and carved out a distinct, uncompromising identity within black metal. Kruha u Kefrija  stands as a milestone in Saħħar’s career: a manifestation of Maltese black metal at its most uncompromising. With its thick production, feral riffing, and moments of unsettling experimentation, the record epitomizes the duality of its title—ugliness and cruelty—while affirming Saħħar as a voice distinct within the global black metal underground. As Miller aptly summarized, “Saħħar still shows its influence proudly, but the band is really beginning to take on a sound of their own.” On August 20th, 2025, Saħħar reflected on the album’s origins, recalling that its debut performance had also served as the launch event for Kruha u Kefrija . The occasion was more than a concert, encompassing loud music, bonfires, art, and even custom guitar exhibitions. The album itself marked a turning point, being the first Saħħar release professionally pressed at a printing company and showcasing a notable leap in production quality over its predecessor. Dedicated to the memory of two individuals who had been deeply important in Saliba’s life, the release still survives in only a handful of copies left and which can be obtained by contacting Marton personally. Saħħar is set to return to the stage for its sole performance of 2025, appearing at the revived Extreme Metal Festival on October 18th at Tigulio. The event will feature Saħħar alongside ten other acts, marking a rare and unmissable live appearance from the Maltese black metal force.”

French Melodic Death Metal Titans DESTINITY Headline Malta on October 4th On Friday, October 4th , Malta’s underground metal scene will ignite with Absentia Lucis , a blistering night of heavy music at The Garage, Ħaż-Żebbuġ , headlined by French Melodic Death Metal giants Destinity . Formed in 1996 by founding members Mick Cesare  (vocals), Stephan Barboni  (guitars), and Florent Barboni  (drums), Destinity have become a staple in the international extreme metal circuit. With performances at Hellfest, Summerbreeze, Stonehenge , and more, and a career spanning nearly three decades, the band boasts 10 studio albums , including their most recent release, Ascension  (April 2025). Fans at Absentia Lucis can expect an intense set packed with heavy riffs and soaring melodic passages. Supporting Destinity are two local forces of the Maltese metal scene: Animamortua  and Impertex . Progressive Thrash Metal act Animamortua , who first emerged in 2016, have already made their mark sharing stages with Blaze Bayley, Civil War, Orphaned Land,  and Necronomicon . Their debut album Gods Among Us  (2023, Underground Symphony Records) led to performances across Serbia, Romania,  and Germany , including shows alongside Insulter  and Sleazer . As the band prepares new material, frontman Juan Xerri shared: “Absentia Lucis will be our only local show for now, as we are focused on writing and recording our upcoming album.” Newcomers Impertex  round out the lineup, delivering a furious mix of thrash and heavy metal fused with blackened vocals. Since their live debut at The Living Thrash  in December 2024, they have quickly earned a reputation as one of Malta’s most promising rising acts. Event Details Date:  Friday, October 4th, 2025 Venue:  The Garage, Ħaż-Żebbuġ Entrance:  €15 Doors Open:  20:00 This event is proudly sponsored by D’Amato Records, Knight Music, The Garage, Ta Fonzu,  and Rio’s Barber Shop .

Moira Stafrace Announces Release of New Single “I FELL” This Friday, 12th September , singer-songwriter Moira Stafrace  will release her brand-new single “I FELL”  on all digital platforms. Stafrace describes the track as deeply personal yet universally relatable. “‘I FELL’ is about falling for someone who wasn’t real—an online love built on lies. This one is for everyone who has been sweet-talked, ghosted, and gaslit. It’s sarcastic, it’s honest, and it’s all mine,”  she explains. The single blends heartfelt lyrics with sharp authenticity, capturing the vulnerability and humor of digital-age relationships. Stafrace adds, “I’m super excited about this release and I hope listeners will support me by adding it to their daily playlists.” Produced and mixed by Peter Borg  at Railway Studios , the track features live drums by Melchior Busuttil , with instrumentation also performed by Borg. The evocative cover art was photographed by Erika Cassar . A music video for “I FELL”  will be shared following the single’s release. Release Date:  Friday, 12th September Platforms:  Available on all major digital platforms Credits: Music & Lyrics: Moira Stafrace Production & Mixing: Peter Borg (Railway Studios) Live Drums: Melchior Busuttil Instruments: Peter Borg Cover Art Photography: Erika Cassar

ROCKNA RADIO SHOW MARKS MILESTONE WITH LIVE CONCERT Malta's iconic talk and music  radio show Rockna celebrates its 15th anniversary this year with a special event featuring live performances from three leading acts from the local music scene. The anniversary concert, which will take place on Friday, 3rd October 2025 at Tigullio, St Julian’s will be a celebration of both the radio show’s long-standing tenure as one of the premier promoters of the Maltese music scene, as well as our island’s prolific and rich musical heritage. The acts performing on the night are Kriz Haze, Colourblind, and Vinyl Paradise, followed by a jam session hosted by Music Playground. This event is supported by Paymix SoftPOS, Net FM, Take1 Print & Design, Tigullio and Music Playground. Since first airing on July 9th, 2010, Rockna has become an institution in Malta's musical landscape, providing a vital platform for local artists and music enthusiasts. Host Michael Bugeja's groundbreaking hybrid music and talk show has consistently championed the local scene, evolving from its original home on Radio 101 Digital to its current platform on NET FM, while expanding its reach through internet streaming and DAB+ digital radio. The 15th Anniversary Concert will feature a carefully curated lineup that represents the diversity and quality of Malta's music scene. Opening the evening will be Kriz Haze from Beesqueeze, performing a special solo set. Next up, veteran Maltese prog rock band Colourblind will take the stage. The pioneering group, which recently resurfaced with a fresh lineup, represents the enduring spirit of Malta's progressive rock scene and promises to deliver a performance that bridges their storied past with their exciting future. Headlining the anniversary celebration will be Vinyl Paradise, Malta's leading blues-rock trio. Known for their electrifying performances and authentic sound, Vinyl Paradise has become synonymous with quality Blues music in Malta, making them the perfect choice to close the main program of this milestone event. However, the musical celebration doesn't end with the headliners. Following Vinyl Paradise's set, the venue will open its stage to all musicians for an open jam session that will continue late into the night, embodying the inclusive, community-driven spirit that has defined Rockna throughout its 15-year journey. The anniversary concert is being proudly supported by PayMix SoftPOS, Music Playground, Tigullio, Take1 Print & Design and the radio show's home station NET FM. "This anniversary concert represents everything Rockna stands for – celebrating established talent while nurturing new voices in Malta's music scene," said Michael Bugeja. "The collaboration with Music Playground and the open jam session ensures that both seasoned professionals and emerging artists have the opportunity to participate in this milestone celebration." Over the past 15 years, Rockna has distinguished itself through its comprehensive format, seamlessly blending in-depth interviews with carefully curated music selections that showcase the depth and diversity of Malta's musical talent. The show has become synonymous with musical exclusivity, hosting numerous album and single launches as well as intimate live unplugged sessions. Some of these special moments have been preserved in the compilation album "Rockna Live & Unplugged," available as a free download. The show's impact extends beyond the airwaves, having previously staged special live concerts for previous anniversaries, which were also broadcast live on radio. As Malta's music scene continues to evolve and gain international recognition, Rockna remains a cornerstone of the local musical community. The 15th Anniversary Concert at Tigullio on October 3rd represents not just a celebration of the show's achievements, but a testament to the vibrant, ever-growing community of musicians and music lovers that have made Rockna possible. "Fifteen years ago, we set out to create something dedicated to comprehensively promoting Malta's music scene," Michael Bugeja reflected. "What started as a radio show has become more of a community, and this anniversary concert is our way of celebrating that community spirit that continues to drive us forward." Event Details: ●       Date: October 3rd, 2025 (Doors open at 8.30pm) ●       Venue: Tigullio, St Julian’s ●       Lineup: Kriz Haze (solo set), Colourblind, Vinyl Paradise, followed by open jam session hosted by Music Playground ●       Supporters: Pay Mix SoftPOS, Music Playground, Tigullio, Take1 Print & Design, NET FM All artwork by Samwel Mallia. For more information about the Rockna 15th Anniversary Concert, follow Rockna at facebook.com/rocknamalta . Tickets for the concert cost €10 (incl booking fee) and are available from trackagescheme.com . About Rockna:  Rockna is Malta's longest-running music and talk show dedicated exclusively to the local music scene. Broadcasting weekly, the show features interviews with local artists, exclusive live sessions, and music selections that highlight the diversity of Malta's musical landscape. The show airs on NET FM and is also available through internet streaming at netfm.com.mt  and DAB+ digital radio. Show Information:  Rockna - NET FM [Mondays at 7pm CET] Also available: Internet streaming at netfm.com.mt  and netondemand.mt  and DAB+ digital radio Media Contact:  Michael Bugeja ( bugeja.michael@gmail.com )

Play That Power Chord:  School of Rock – The Musical   Gets Ready to Rock Malta This October Revamp MT presents Andrew Lloyd Webber’s family-friendly musical at the MCC for one weekend only – and tickets are already selling fast. Class is in session this October – and it’s rocking Malta with the smash-hit School of Rock – The Musical,  in a weekend of electrifying performances at the Mediterranean Conference Centre in Valletta. Based on the Paramount movie written by Mike White and starring Jack Black, the Tony-nominated musical adaptation of School of Rock features   music by Andrew Lloyd Webber, a book by Julian Fellowes and lyrics by Glenn Slater. Like the movie, the musical follows wannabe rock star Dewey Finn as he cons his way into a teaching job at a prestigious prep school. Trading textbooks for electric guitars, Dewey inspires his students to form a rock band and compete in the Battle of the Bands – all while discovering that they have just as much to teach him about friendship, courage and staying true to yourself. Revamp MT’s production brings together an outstanding cast led by James Ryder as the irrepressible Dewey Finn, alongside Natassja Chapman as headteacher Rosalie Mullins, Alessio Buhagiar as Ned Schneebly, Bertha Farrugia as Patty Di Marco and Rachel Grech as Ms Sheinkopf. And, in true School of Rock  style, the classroom comes to life with a talented ensemble of young performers – including Leah Grech and Michela Caruana, sharing the role of Summer Hathaway – playing their own instruments live on stage, promising a rock concert atmosphere and unforgettable moments that both young and young-at-heart audiences will love. The creative team behind the production also makes the most of Revamp MT’s reputation for delivering bold theatre experiences in Malta, following its other acclaimed productions including The Band’s Visit  in 2023. Musical theatre veteran Dorothy Bezzina directs, alongside musical director Edward Mifsud, production manager Karl Borg and choreographer Samaria Bezzina. Sergio Costa and Mohamed Ali ‘Dali’ Aguerbi complete the line-up with dynamic sound and lighting design. With its infectious score, laugh-out-loud humour and heartfelt message – not to mention an exceptional cast of young and adult performers, playing live – School of Rock  offers an unmissable night of entertainment created with families in mind, blending musical theatre with the buzz of a live rock gig. “ School of Rock  is a show of pure joy. It’s a celebration of music, friendship and finding your voice, and it lifts you up from the first note,” says Dorothy Bezzina. “I’m so grateful to be working with such a diverse and talented cast, children and adults alike, who filled the room with their beautiful harmonies from day one. This production is giving us the chance to mentor young performers and help them grow in confidence, not just as triple threats, but as actor-musicians too. We’re so excited to share their talent and energy with audiences in Malta this October – make sure to book early and be part of the fun!” The Revamp MT production of School of Rock – The Musical  will run for one weekend only, with both matinee and evening performances between 10-12 October 2025 at the Mediterranean Conference Centre, Valletta. Recommended for audiences aged six and over, with mild parental discretion advised. This production was made possible by arrangement with The Really Useful Group Ltd. More information and tickets are available online at ww.showshappening.com/mcc/schoolofrock .

Chasing Pandora Release New Single This is How  Ahead of Immersive Live Concert Chasing Pandora have announced the release of their latest single This is How , which became available on all major streaming platforms yesterday, 27th August. The release follows the success of their recent track Silhouette  earlier this month. In a statement, the band said: “Thanks to all who have supported our latest release Silhouette . We truly appreciate it. As we previously shared earlier in the month, our second single for the month of August is released tomorrow 27th of August. The new song is called This is How  and will be available on all streaming platforms.” The new single, described by the band as “a conversation about mental health and how each gesture and word we use is important,” forms part of a special two-song release that coincides with their highly anticipated live event at Villa Rundle in Gozo on 28th August. The event, titled Life Imitates Art , promises an unforgettable evening where music, visual art, and dance merge into a single immersive experience. While Chasing Pandora perform, local painters Christopher Saliba, Victor Agius, David Debono, and Vince Caruana will create original artwork inspired by the band’s music. These works will be displayed and available for purchase on the night. Adding to the multi-disciplinary atmosphere, choreographed dance pieces by The Turning Pointe Studio will bring additional depth and movement to the performance. The concert will also feature a special collaboration with the children’s choir Angel Voices, who will join Chasing Pandora on a selection of songs to provide a powerful and heartfelt finale. “This event is about connection through creativity,” the band shared. “We hope to see you at Villa Rundle to experience the music, the art, and the energy we’ve built together.” Organized in collaboration with the Ministry of Gozo and the Planning and Cultural Heritage Directorate, the event is free of charge and open to the public. Special thanks were extended to sponsors Noise Studio Malta, Matt Hush, and The Sign Studio for their support. Further details can be found on the official event page Stay connected with Chasing Pandora: Facebook: @chasingpandoramalta Instagram: @chasingpandoramalta Threads: @chasingpandoramalta TikTok: @chasing.pandora Website: www.chasingpandora.com

The Malta Society of Arts will be hosting a special evening as part of Inizjamed’s Malta Mediterranean Literature Festival on Friday 29 August 2025 at 8pm . The event, titled In My Dream: A Night with Ubah Ali Farah & Franco Tartaglia , will be held at the Society’s Concert Hall in Valletta and is supported by the Istituto Italiano di Cultura di La Valletta. The evening will bring together literature, music and multilingual performance. Acclaimed Somali-Italian writer Ubah Ali Farah  will be interviewed by cultural practitioner Virginia Monteforte  about her literary work. Known for her evocative fiction and poetry, Ali Farah gives voice to the Somali diaspora, exploring Somalia’s history from the independence era and civil war to the lives of young Somalis in Rome. She is also an oral performer, and on this occasion will present part of her poetry in Italian, accompanied by Leanne Ellul , who translated her work into Maltese especially for the evening. Photo : Martin Seychell Complementing the literary programme is Maltese guitarist and composer Franco Tartaglia , whose musical interludes will weave through the event. Tartaglia, described as “an artist whose music blends classical and jazz fusion with a contemporary, adventurous spirit,” has developed a richly layered style influenced by diverse genres. His playing offers an emotionally powerful and refined sound that will provide an atmospheric counterpart to the spoken word. Speaking about the event, a spokesperson for the Malta Society of Arts said: “We are delighted to host such an inspiring evening that celebrates literature, music and multilingual voices. This collaboration highlights the importance of cultural exchange and artistic dialogue, which lie at the heart of our mission.” The evening will conclude with refreshments, offering audiences the chance to reflect and mingle. Admission is €5 , with tickets available via Showshappening . Further information is available on the Malta Society of Arts website . Event details: In My Dream: A Night with Ubah Ali Farah & Franco Tartaglia Friday 29 August 2025, 8pm Malta Society of Arts Concert Hall, 219 Republic Street, Valletta

Musician and indie-producer James Dratta  has unveiled his latest music video, Another Yesterday , ahead of its official release on Spotify. Known for crafting songs that blend dream pop melodies with introspective lyrics and groovy rhythms, Dratta describes the track as a deeply personal and spontaneous creation. “ Last week, this song started as a simple idea on my classical guitar. Today, it’s a full synthwave-inspired piece—raw, honest, and filmed with just a tripod and my phone, ” Dratta shares. The video embraces simplicity, echoing the song’s message that meaning can often be found in life’s understated moments. “ Life doesn’t always need to be grand to be meaningful. Maybe the beauty is in the routine, the quiet moments we often overlook. This video is a reminder of that, ” he adds. The music video for Another Yesterday  is now available to view here . James Dratta’s work draws inspiration from a wide range of genres, including rock, funk, synth-pop and chillwave. His original music is available on major streaming platforms such as Spotify, YouTube and Apple Music. Beyond his studio recordings, Dratta is also an established live music entertainment artist, delivering dynamic and captivating performances as a singer-guitarist. Whether offering unplugged acoustic sets or high-energy electric shows, he brings versatility and atmosphere to each performance. Using live looping for a layered, full-band sound as a solo act, or performing with a full band for a powerful stage experience, Dratta tailors every show to the vibe of the event.

The Festahwid  compilations, released by Reciprocal Records, stand as enduring tributes to Malta’s gritty and passionate underground punk scene. Capturing the anarchic energy of a festival born from necessity and nurtured with community spirit, both compilation albums document a vibrant era of DIY ethos, garage-born bands, and beer-fueled stage dives. Front and back cover of cd sleeve Festahwid Compilation 2002 – It-Taħwid Ikompli The first compilation, Festahwid Compilation 2002 – It-Taħwid Ikompli , was recorded during the fourth edition of the Festahwid festival at Strings Nightclub. “Malta may be isolated and far away from the rest of the world,” reads the sleeve note by Reciprocal Records, “but this compilation proves that we have the capability to say something through our music.” The origins of Festahwid trace back to the late 1990s, when punk organizer JP iz-Zghiru and his peers searched for venues to host punk gigs. “At that time I was part of a team who convinced the owner of Dempsey's in Bugibba to open a rock club,” JP explained. “The Edge was then opened and from there I began organising concerts… I came up with the name Festahwid while discussing the idea with friends. The rest is Maltese punk rock history!” inlay of cd sleeve Festahwid Compilation 2002 – It-Taħwid Ikompli featuring the bands The first compilation featured 22 tracks from 11 bands, all contributing raw and unpolished recordings from the 2002 festival. The album reflected the community’s DIY spirit: “No debts and absolutely no profits. We always used our own equipment… with the party and beer drinking starting at soundchecks.” JP thanked the numerous volunteers who helped, including Matthew in-Nofxu, Chris il-Profeta, and Ray il-Bahri. He added, “If it wasn’t for you (the crew), we’d stay in the garage!” back cover of  Festahwid Compilation 2002 – It-Taħwid Ikompli The featured bands on the first compilation included Disobedience with “Decide” and “Welcome To Babylon”, Vegetables with “Bebbuxu Malinju” and “Hu Dan Il-Maktur Mimli Mahta”, Rakk with “Is-Soluzzjoni” and “No Future”, Subculture with “Bullets” and “Black-White-Yellow-Red”, Totema with “S.O.M.B.” and “Promoting Confusion”, Migraine with “Midnight Express” and “Profitable Loss”, Batteries Not Included with “Inertia” and “Civilisation”, The Abjects with “Sentenced To Live” and “Murderous Technology”, Mass Debate with “Lock” and “Playing With Fire”, The I Skandal with “Raguni” and “Reason And Confusion”, and Rage Against Society with “March Of The Anarchist” and “Anger = Energy.” front cover of Festahwid Compilation 2 Two years later came Festahwid 2 , recorded during the sixth edition of the festival. Writing for The Malta Independent  in 2006, Michael Bugeja called it “verbally ‘colourful’ and explicitly freewheeling,” capturing the unfiltered attitude of the event. The album featured 18 tracks and underscored a significant rise in Maltese-language punk. Acts like Vixaw, Delli Wah Du, BNI, Dripht, The I-Skandal, and Xtruppaw exemplified this wave, while spoken-word punk and satirical lyricism became staples of the scene. Reciprocal Records expressed their gratitude on the CD sleeve: “The first Festahwid Compilation  release was the spark that ignited the scene. backprint of Festahwid Compilation 2 insert showing bands and songs on compilation With over 200 copies sold, the CD was greatly appreciated for what it stood for… Now the bands got together once again, and with the help of Hell Next Door Studio, this compilation is finally complete.” They added, “So strong is the drive, bands have started off just to play in the festival, but obviously once started, there’s no stopping them.” They thanked Signals Bar, Steve ‘Lombardo’ Attard, Ray il-Bahri, and designers Jeffrey Galea and Marco Borg for their support. The artwork and sleeve design played a key role in promoting the festival’s sixth edition. “Woody’s raw and spontaneous performance of the event’s unofficial anthem,” wrote Bugeja, “captures the mood perfectly.” inner sleeve Festahwid Compilation 2 showing the bands on the compilation Festahwid VI poster Although the Festahwid festival ended after nine editions, the compilations remain powerful time capsules. They reflect the spirit of rebellion, collaboration, and artistic freedom that defined Malta’s punk scene in the early 2000s. “Recommended for those who still hold the spirit of punk dear to their heart,” Bugeja concluded. Bibliography: Il-Mument - 6th November 2011 Festahwid 2 Album Review  - Michael Bugeja, The Malta Independent , 21 June 2006 Special thanks to David Cauchi for all the help!

In 1988, Maltese television audiences were introduced to a new form of entertainment that combined sharp political satire, parody, and music. The programme Aħn' Aħna jew m'Aħniex? , produced by Peppi Azzopardi, Joe Camilleri, Joe Debono and Joe Saliba, was considered a breakthrough in Maltese broadcasting. It presented news satire, candid camera sketches, and topical commentary, breaking away from the traditional formats of Maltese TV. The show quickly became a cultural phenomenon, not least because of its regular musical contributors: the band Brown Rice. Brown Rice, a collective of talented musicians and performers including Vince Fabri, Brian Muscat, Daniel Muscat, John Mallia, Joe Debono (RIP), Wilfred Kenely, Paul Mintoff, Jesmond Sharples, Christabelle Scerri, Angele Gouder, Cecilia Testa, Nestru Camilleri (RIP), Doreen Agius Cutajar, Joan Bugeja, and Christine Scerri, was central to the programme's success. Their witty lyrics, biting commentary, and energetic performances mirrored the irreverence of the show itself. As Vince Fabri later reflected, satire was about “holding up a mirror to society” (Independent, 2022). One of the most memorable moments came during the Premju Nazzjonali Ħaddiema tas-Sena —the Worker of the Year Award—held at Sala Sir Temi Żammit, University of Malta, in November 1988. At this event, Brown Rice performed alongside Brown Rice Junior , a younger offshoot of the group that had been formed through the TV programme itself. The younger ensemble featured Pawlu Borg Bonaci, Marvin Zammit, David Micallef, Sandro Debono, Sandro Gatt, Mark Pace, Angelica Coppini, Francesca Briffa (née Coppini), Andromeda Booth (Saliba), Vanessa Saliba, Christian Azzopardi, and Kenneth. Together, the two groups offered a unique intergenerational performance, remembered today as a landmark in Maltese entertainment history. The award ceremony itself was historic, as it was the inaugural edition of the Premju Nazzjonali Ħaddiema tas-Sena . That year, the award went to Martin Grasso, but it was the performance by Brown Rice and Brown Rice Junior that left a cultural imprint. The clip , believed to have been filmed on Friday 25th November 1988, captures the vibrant energy of the era and the innovative spirit of the programme ( Soundcloud: Vince Fabri ). Brown Rice Junior  went on to tour and perform live at several local festivities, further cementing its popularity. Many of its members have since remained active in Malta’s expressive, dramatic, and visual arts scenes. This continuation of artistic engagement underscores the programme’s lasting influence on Malta’s cultural landscape. Brown Rice’s popularity extended beyond the TV screen. Around the same time, several of the songs performed on the show were released on cassette under the title Aħn' Aħna Jew M’Aħniex? . The collection included tracks such as “Inħarsu l-Ambjent,” “Nibnu Darna,” “Parla Parla Parlament,” “Maskri Maskri,” “Ħajja Twila,” and “Tgħallem Idħaq,” among others. Music was composed by Vince Fabri, with lyrics by Fabri, Joe Saliba, and Joe Azzopardi. The recording was handled by Tony Scott, while the cover design was created by Aldo Gatt. This release ensured that the sharp wit and memorable tunes of Brown Rice reached audiences beyond the weekly broadcast, solidifying their place in Maltese musical history. The legacy of Aħn' Aħna jew m’Aħniex?  is still discussed today. The Times of Malta once noted the significance of the show in shaping a generation of viewers who became more accustomed to political satire and self-reflection (Times of Malta, 2019). MaltaToday, looking back at the cultural shifts of the late 1980s, described it as a bold departure that “challenged the boundaries of what could be said—and sung—on national television” (MaltaToday, 2002). At the centre of this creative storm was Vince Fabri, lyricist and performer, whose body of work continues to influence Maltese artistic expression. His reflections and songs, including those collected and uploaded on Soundcloud , keep alive the spirit of Aħn' Aħna jew m’Aħniex?  and the irreverent humour of Brown Rice. The programme and its musical collaborators helped redefine Maltese entertainment, showing that satire, parody, and music could combine to reflect society’s truths. As Fabri himself once noted in an interview, “the role of the artist is to disturb the comfortable and comfort the disturbed” (Oocities, Ramona Depares). In this sense, Brown Rice , Brown Rice Junior , and Aħn' Aħna jew m’Aħniex?  did not just entertain—they reshaped the cultural narrative of Malta in the late 20th century.

The heavy sounds of Stoner Doom Metal will descend upon The Garage on August 30 as Reeferfest celebrates its milestone fifth anniversary. The one-night festival, supported by Festivals Malta, promises an unmissable lineup of crushing riffs, psychedelic grooves, and underground spirit. “This year’s edition is going to be massive,” said event organisers. “We’ve got mammoths heading our way – both metaphorically and sonically – and we’re ready to make the ground shake.” The bill features Malta’s own Rankin  and Hemplifier , alongside Greece’s fuzz-laden titans Acid Mammoth  and Italian legends UFOMAMMUT . Between sets, DJ Noel Mifsud will keep the atmosphere alive, while visual art from Maria Baldacchino  will add a creative dimension to the night. Attendees will also find stalls from sponsors Sigritwal  and Kewn Records , plus exclusive band merchandise. Rankin , formed in 2018, has swiftly risen in the Maltese scene with their filthy, bluesy groove-metal infused with sludge, thrash, prog, and alternative metal influences. Their debut album Chrysalis  (2022) showcased dynamic range, heavy grooves, and cemented their place as one of Malta’s most exciting metal acts. Hemplifier , a Stoner/Doom trio from Malta, formed in 2019 and features veterans Emanuel Portelli (guitar & vocals), Alfred Burd (bass), and Dino Mifsud Lepre (drums & samples). Their debut album The Stoner Side of The Doom , released in June 2023 via Electric Valley Records, channels sci-fi, supernatural, occult, and local folklore themes, driven by a deep appreciation for vintage gear and heavy riffs. Acid Mammoth , hailing from Athens and formed in 2015 by high school friends Chris Babalis Jr. (vocals/guitar) and Dimosthenis Varikos (bass), later joined by Marios Louvaris (drums) and Chris Babalis Sr. (guitar), are known for their soaring, fuzzy, psychedelic doom rooted in Sabbathian tradition. After signing with Heavy Psych Sounds in 2019, their albums—including Under Acid Hoof  (2020) and Supersonic Megafauna Collision  (2023)—have earned critical acclaim for their crushing riffs, hypnotic vocals, and unrelenting heaviness. UFOMAMMUT , the legendary Italian psychedelic doom trio from Tortona, Italy, have been active since 1999. Founded by Poia (guitar/effects), Urlo (bass/vocals/synths), and original drummer Vita (2000–2020), the band has crafted a unique sound blending droning vocals, massive effects, and cosmic visual art. Now back with drummer Levre (since 2021), they recently celebrated their 25th anniversary and released their tenth full-length album, Hidden , in May 2024—cementing their status as pioneers of psychedelic sludge. In a statement, organisers emphasised the importance of community: “Your presence helps, and gives courage to all of us to keep performing and organising such events. Always support the local bands, local music scene, and underground venues. Support the bands by buying their merch – it’s what keeps the scene alive.” Tickets are available directly via Facebook or through Revolut on 99802413. Doors open at The Garage for what promises to be an intense celebration of sound, art, and camaraderie. Reeferfest 2025 is sponsored by Play Vintage , RocknRoll Malta , The Garage , Rock The South Malta , Tolminator , Sigritwal , Kewn Records , Tal-Kuġini at St Martins Grill , and Deaths All Folks . As organisers put it: “Stay Hemplified – and see you in the pit.” Further reading: Reeferfest press release

Part 3 Stage Conquered, The Journey Home Or Exploding Beer Sunday, July 13th. Clear skies, full stomachs, can’t lose. At noon we uploaded the van and 30 minutes later we were off. Backstage mandatory photo: photo Shawn Mizzi Arrived backstage through a long and winding road around 1.50pm and once we unloaded the gear Andrea checked the drumkit on stage and all logistics taken care of the band started to set up. Condemned AD was the first band of the afternoon on the second stage, just before Angelcrypt. Hailing from Sweden and formed in 1989 thrash metal band Condemned AD has till now released 2 demos 3 Eps with the last one being their latest release in 2024. The have released their debut full length album in 2022 titled Follow A Failing Leader. 3:05pm it was time for Angelcrypt. I was on filming duty, phones in both hands, while a crowd gathered and grew louder by the minute. From the first notes of ‘Clockwork Blood Read’ I could feel a certain aura building behind me, I was filming at that time so I could not turn around, but once the song finished I could hear a good round of cheering and upon turning I found a really good crowd of metalheads who came to see the band, some of them not for the first time, as we found out later. ‘Iron Creed was next, both from Dawn Of The Emperor released in 2020, followed by ‘Serpents Of The Somme’ from the 2016 album We Are The Dead. With the crowd getting warmer and louder every minute the band went into ‘Through Blackened Water’ which is the band’s latest single released last March. Back to Dawn Of The Emperor with the title track before playing their 2024 single ‘Legacy Of Valour’. Finishing their set with ‘The Black Hand’ which since it was released as a single in 2018 became one of the fans favourite and not only in Malta as we found out from the cheers and the reception the band received. Angelcrypt on stage L to R - Karl Friggieri, Andrea Pro, Jean Cutajar and Shawn Mizzi. photos: Noel Mifsud Post-show, there were autographs, photos, a sort of spontaneous meet and greet while in the meantime Free Fall took the stage. Sadly, we had to hit the road straight away. We were still hyped from the performance especially the band, of course and we were making good time and by 6.45pm we were in Austria. Mandatory after-show photo with the crowd. photo : Noel Mifsud At 10pm we managed to find an open restaurant (after a sort of long search on the internet), and we found it in the nick of time as it was nearly closing time. This was in Graz (again) and the restaurant was a Heinz chain restaurant which I highly recommend. Monday, July 14th. The final stretch. Several groggy espresso stops and by 10:30am, our last pitstop. Around noon we drove past Monte Soratte, famously shaped like Mussolini face lying down. Yes, really. Beneath it: secret WWII bunkers, pagan lore, and more historical spookiness than we expected. Ariccia, Lazio. photo Noel Mifsud During the drive back into Nemi we passed lake Nemi which is famous for its great sunken Roman ships built under Caligula. In 1927, Il Duce Benito Mussolini, President of the Council of Ministers, ordered Guido Ucelli to drain the lake and recover the ships. On 10 November 1931, the Minister of Public Works ordered the project, and all research abandoned, but on 19 February 1932, the Navy Ministry, which had been a partner in the recovery, petitioned Mussolini to resume the project. A purpose-built museum constructed over both ships was inaugurated in January 1936. Unfortunately, the ships were destroyed by fire during World War II on the night of 31 May 1944. We were famished from the long journey, so we tried returning to Ristorante Le Colombe. Closed—it was Monday, the Italian day of culinary mourning. Third restaurant was the charm, and after a final Roman feast at Da Sora Lella in Ariccia (another restaurant that I also highly recommend), we packed up, rested a bit, and headed to the airport. One last twist? The guy at the automatic baggage area became an Angelcrypt fan. Who knows—maybe we’ll spot him in a mosh pit soon. Flight home was smooth. Adventure over. Angelcrypt shall be on the road again from the 12th of September in Breda, The Netherlands till the 21st September, with 10 dates taking them through The Netherlands, Germany, Switzerland and Italy. Me…I was on the road again on Wednesday 21 st  July towards Tolminator with press accreditation in hand, but maybe that’s another story for some other time!

Part 2 Espressos and Masters of Rock – The Road to Vizovice Or Gas Contaminated Bogs Friday, July 11th started with a pitstop for oil and tyre checks, and an unintentional sightseeing tour of the local prison (we circled it several times… totally innocent, we swear). After coffee and some driving we stopped for a surprisingly posh lunch at Ripperlkeller Restaurant in Purbach, hitting the road again, only to be stopped by... tyre trouble. Purbach, Austria. photo: Noel Mifsud Turns out the front tyre was giving up on life. We tried to get a replacement, but the rental company back in Lazio didn’t want to pay (Austrian prices made them sweat). With the spare tyre, which was not in the best condition, we were off again by 5pm, racing against time to reach the Czech Republic before our hotel’s reception closed at 8pm. We sped across Slovakia and reached Brumov-Bylnice by 7:45pm. Check-in in Arena hotel was successful! Andrea got the solo room for better rest (he’d earned it), and we regrouped to storm the festival. Photo near the program poster in the rain. photo: Noel Mifsud Masters of Rock in Vizovice—22nd edition, Ronnie James Dio main stage, and a lineup ready to melt your face off. First up, we scoped out the second stage, where Angelcrypt would perform on Sunday. Then it was showtime, or at least we tried to see as much bands as we could: Lita Ford took us on a nostalgia trip I was enjoying until heavy rain rudely put a dent in my enjoyment of an artist, I used to have a pinup of on my bedroom wall during adolescence. Next, Till Lindemann arrived with a performance that would probably even make the devil blush. The performance is certified 18 and for good reasons. Rain eventually stopped during his performance which amongst many things included with cakes and raw (real) fish thrown from the stage. Finally, Septicflesh—Greek death metal at its finest with a stellar performance during which we could still smell the fish from the previous act. The main stage may have been epic, but the sound on stage two was tighter than Shawn’s jeans. At 2am, slightly drenched and deafened, we made our way through spooky woods back to the hotel. Floor Jansen. photo: Noel Mifsud Saturday, July 12th. Glorious sunshine, solid hotel breakfast, and—hallelujah—the van got its tyre properly fixed by a local Czech mechanic. (Way cheaper than Austria). We made it to the festival in time to almost  catch Burning Witches, but heavy rain had us sheltering in the beer tent. Not the worst place to get stranded. We eventually caught part of their set, followed by Me And That Man—Behemoth’s Adam Darski channelling Americana gloom like a haunted Johnny Cash. Really glad I was going to see them again in a few days’ time at Tolminator. Then came a wave of power metal: Masters Of Rock festival is famous for power metal acts and the next three probably all fall in that category with the first being Gloryhammer. A British power metal band founded by keyboardist Christopher Bowes, lead vocalist of the band Alestorm. Each member of the band represents a character in the story concept of the albums and members appear on stage in armour and costumes to represent their respective characters. Following the British band at around 9pm was Floor Jansen, the current lead vocalist of Finnish symphonic metal band Nightwish. I must admit that personally I was not looking forward to her set after the experience of seeing a performance by a previous lead vocalist from Nightwish performing solo. But boy how wrong was I, and I’m glad I did not move to watch who’s on stage 2. Floor’s performance was nothing short of excellent with a steady strong voice going through her solo songs and Nightwish’s greatest tunes, even some from their last album. She closed the set with a mesmerizing rendition of the Phantom Of The Opera which she originally performed during the last episode of a Dutch reality TV show Beste Zangers partnered with Henk Poort, who once again took the stage with her at Masters Of Rock. One with the boss. photo: Shawn Mizzi Saturday’s headliners were Swedish power metal band Hammerfall formed in Gothenburg thirty-two years ago and with a span of thirteen albums. Needless to say, their set was rich with their best songs. After Hammerfall we decided to skip the next band which was about to start at 1am, as we had to have a relaxing morning the next day with Angelcrypt hitting the stage early in the afternoon. But at least the rain had stopped before Me and That Man hit the stage and we could enjoy a great evening with some good music. On the way back to the hotel, through the same woods we even saw some deer and rabbits...

Part 1: From The Beer Festival to The Pope’s Backyard or Inky Pinky Ponky It all started ‘backstage’ at the Malta Death Festival 2024. Amid the growls and guitar squeals, Shawn and I got to talking—touring, metal, and the usual rock 'n' roll visions. I casually mentioned that I’d love to see Angelcrypt abroad, assuming the idea would be lost in the din of distortion. Spoiler alert: it wasn’t. Months later, as negotiations kicked off for Masters of Rock in the Czech Republic, Shawn pulled out that little nugget of memory. And so, the gears were set in motion. But before we could conquer foreign stages, Angelcrypt had one stop to make—their only Maltese gig of the year at the Farsons Beer Festival on July 3rd. Malta got its taste, and then it was time to fly. The voyage begins. photo: Angelcrypt Wednesday, July 9th began, as most adventures do, with a sleepy-eyed airport meetup at 8am. Of course, our flight was delayed, because nothing says "tour life" like starting behind schedule. While we waited, we bumped into Rene ‘Hades’ Farrugia, who was off to Poland to play his set at Castle Party Festival. Small metal world. We finally touched down in Rome, where Andrea, Angelcrypt’s Italian drummer, was our knight in shining...van. He drove us to his home in Ariccia, not far from Castel Gandolfo, aka the Pope’s summer escape. Rumour had it, His Holiness was meeting the Ukrainian president that day. Meanwhile, we were being spiritually blessed by Andrea’s wife’s divine pasta. When in Italy, carbs are holy. Rehearsal pose. photo: Noel Mifsud That evening, it was off to Andrea’s rehearsal den—a five-minute drive and a drum geek’s paradise. Jean had a minor technical scare: his bass’s bridge screw was loose. Not the first loose screw with Jean, mind you, but those only affects Shawn’s patience and self control. While he fixed that, Shawn suffered a tragic wardrobe malfunction—his jeans split clean down the middle. Crisis averted, pants changed, rehearsal commenced. Somewhere between blast beats and melodic growls, my ears—still clogged from the flight—miraculously popped back to normal. Whether it was the volume or the sheer metal, I’ll let you decide. After a full run-through of the setlist, Andrea took us out to Ristorante Le Colombe in Nemi. Half the menu mysteriously landed on our table, and we didn’t complain. 1am rolled around, and day one was officially conquered. The traditional "band photo on the road". photo: Angelcrypt Thursday, July 10th. We hit the road at 9am with our traditional "band photo on the road" and a mandatory espresso-and-cornetto pitstop by Lago Albano. If you’re in Italy and not over-caffeinating, are you even trying? Lago Albano. photo: Noel Mifsud We cruised past Florence by 12:46pm and Bologna by 2:15pm, making frequent espresso stops to maintain acceptable heart rates. At some point, Shawn’s ice cream cravings took precedence, so we added a gelato detour. Metal is all about balance, right? Then came the inevitable: traffic jam near Trieste thanks to an accident on the autostrada. A quick beer break at 6:30pm marked our final Italian stop. By 8pm, we’d crossed into Austria and reached Graz by 10pm, where Shawn found us an apartment with a locked garage—no need to unload the entire gear mountain. Dinner was late-night pizza from a kebab house, the only joint we found open at that time. Simple, greasy, perfect.

X-Tend Releases 14th Studio Album to Conclude 40th Anniversary Celebrations X-Tend will release their 14th. Studio album, X-Tend 1984-2024 part 2, on the 12th. August 2025, marking the latest instalment in the band’s 40th anniversary celebrations. The date carries special significance, coinciding exactly with the release of their very first single, “I can feel / Love me”, launched on 12th. August 1985. This milestone project which was made possible with the funds provided by Arts Council Malta, bridges the past and present with a collection of ten tracks that revisit, re-record and enhance some key works from their four-decade journey. The album will be released as a deluxe gatefold edition on 180g vinyl, offering fans a high-quality, collectible format, featuring ten carefully selected. Tracks that span the band’s early roots. The album is divided into two sides, combining new full-band recordings of classic tracks with enhanced and updated versions from the band’s earlier catalogue. Side A opens with a fresh ska version of Game of Life , composed by Eric Calleja, followed by Glittering and Love Me , both fully re-recorded by the band and originally composed by Charles Dalli. Also included are new recordings of Deadly Dreams  and an enhanced and edited version of Every Single Heart , both composed by Calleja. Side B continues with a new recording of Black Pagodas , and Can’t Hear You Calling , which—along with Message Is The Message  and Conclusion —dates back to the period before Charles Dalli joined the band. These three songs, co-written by Dalli, Calleja, Debono, Cassar, and Sammut, were recently re-recorded by the full band in Dalli’s studio, following minor structural adjustments introduced by Dalli. The side also includes an enhanced version of Reach Out , composed by Calleja. Most of the songs were entirely re-recorded by the current band lineup, offering a refreshed and cohesive sound, while others feature subtle updates to the original versions for improved clarity and arrangement. X-Tend 1984–2024 Part 2  stands as both a tribute to the band’s musical evolution and a revival of earlier material—some of which pre-dates their lead vocalist’s arrival—now brought into the present with the full band’s input. As X-Tend continues to build on its legacy, this album reinforces their enduring relevance and creative momentum four decades on. Special thanks go to Arts Council Malta and Manolito Galea of Lito’s Place. You can purchase the album from 12th August here .

Rock in the Forest 2025 returns to Chateau Buskett—Malta’s only natural woodland—on Saturday, 23 August, promising an unforgettable open-air concert experience like no other. The gates open at 7:30 PM, with the music kicking off at 8:30 PM. Set beneath a canopy of trees and illuminated by vibrant lighting, the event transforms the forest into a magical festival ground for one night only. This year’s show will feature a dynamic setlist of rock anthems spanning decades, covering everything from classic legends like Queen, Pink Floyd, and the Eagles, to modern giants such as Foo Fighters, Muse, Green Day, and Ghost. A special tribute to Ozzy Osbourne will be a highlight of the night. The performance is delivered by a powerhouse collective of Maltese talent, including vocalists Georgius Mifsud, Sarah De’ Marco, Jeanelle Newell, Simaria Galea, David Ellul Mercer, special guest Thea Aquilina, and founder David Perotti. They’ll be backed by an exceptional group of musicians: Kristina Perotti, Franco Aloisio, Sergio Bellizzi, Max Paget, Cliff Smith, Mario Saliba, and Carl Tanti. Since its humble beginnings in 2012 as a backyard concert, Rock in the Forest has evolved into a major annual music event with a charitable mission. The 2025 edition will support Inspire Malta, continuing a tradition of giving that has previously benefited causes such as Dr Klown, Cystic Fibrosis Malta, Terry Time Trust, DAR Bjorn, WaterAid, and ACICA. Food and drink are an essential part of the evening’s atmosphere, with an on-site bar and restaurant open throughout the night. Guests can choose to stand near the stage for a lively concert feel or reserve terrace tables for a more relaxed dining and listening experience. Parking is available on location, ensuring easy access for all attendees. Tickets are donation-based and can be purchased online via platforms such as Showshappening or at the entrance on the night. Children under 13 can attend for free, making the event welcoming to families as well as die-hard rock fans. What makes Rock in the Forest truly special is its combination of great music, community spirit, and a one-of-a-kind location. It’s an accessible, affordable evening of entertainment that blends the power of rock with the beauty of nature—all while supporting a meaningful cause. Whether you come for the music, the atmosphere, or the mission, this is one night you won’t want to miss.

Killerwitch Signs with Witches Brew for Upcoming Album "Palace of the Dragon" Heavy Metal band Killerwitch  has officially signed with the German underground label Witches Brew , marking a major step forward in their journey through the world of epic and power-driven metal. The announcement came Wednesday 6th August, with Witches Brew declaring the news on their social media platforms: “Witches Brew has forged a deal in steel with Heavy Metal band Killerwitch from Malta! Their second full length, 'Palace Of The Dragon,' is planned for release on CD this September. Seven tracks featuring a stunning mixture of Power, Heavy and Epic Metal!” Killerwitch 2025 In a post shared on their own social media, Killerwitch expressed excitement over the collaboration: "Good evening, metalheads! As promised, we are extremely proud to bring you not one, but two major announcements this time.First, Killerwitch has officially sealed the deal in steel with record label WITCHES BREW!Second, we are thrilled to reveal that our upcoming second full-length album is set for release this September!Stay tuned, for more news in the coming weeks!” The upcoming album, Palace of the Dragon , is set to be a powerful showcase of the band’s evolving sound—a blend of Power, Heavy, and Epic Metal that has become their signature since forming in 2018. A Band Forged from the Ashes Killerwitch's origin traces back to the disbandment of 12th Ode , a prior project that included guitarists Jeremy  and Owen  (Sacro Sanctus / ex-Viper Soup Complex), along with bassist Gino  (Characters). The trio decided to pursue a new direction, crafting fresh material under a new name. In early 2019, they were joined by Luke  (Mur.Doc 104) on vocals and Claudio  on drums, officially solidifying the Killerwitch lineup. Their debut album was recorded and released in November 2020. However, the band faced changes in 2021, parting ways with Claudio and recruiting Gareth (ex-Hecate Enthroned) in 2022 to take over on drums. Rising in the Metal Scene Killerwitch debuted live in May 2022, supporting Pilgrimage , and quickly built momentum with a series of performances throughout the year. They shared stages with acts like Midnight Priest , Angel Martyr , Forsaken , and Storace , gaining a dedicated following and solidifying their place in the local and regional metal scenes. The upcoming Palace of the Dragon  is their second full-length effort and will be the band’s first release under the Witches Brew label. With anticipation building and a growing fan base hungry for more, Killerwitch’s next chapter looks set to be their most explosive yet. Stay tuned for more updates and pre-order announcements as September draws near.

“You see someone blow up on social media overnight… but do you know about the 10 years of work before that moment?” Everyone seems to love a story of an overnight “success.” The musician “who went viral.” The business “who made six figures in six months.” The individual “who transformed their body in thirty days” It makes us question why we haven’t achieved something similar yet. But most of these so-called overnight success stories are built upon years of visible and, most often, invisible work. There are so many different angles we can explore, but the most important to ponder at this point is: what is success, truly? The Decade Behind the “Moment” Consider any musician who makes it big on social media in a single day. It seems like they’ve struck gold overnight. But in reality, what they’ve accumulated is something like: 10,000 practice room hours in the form of rehearsals Performances in front of three to five people in empty venues Songs that died in a lifetime of obscurity Stages of life in which they contemplated disappearing and not pursuing their career The same goes for everyone else. The individual who “seems” to have the perfect job may have slogged it out for over a decade. That “fitness transformation?” More often than not, it is the result of relentless work “behind the curtain” over the years and manifests in slow, long-term progression, rather than a magical thirty day program. It seems like success occurs at all at once. But in reality, it’s the tip of the iceberg, a tiny fraction of what is a long, silent voyage. Uncovering What's Below The Surface Additionally, let us consider something we don’t often explore, the notion of success is, at times, the opposite of what it appears to be. For some, success can feel anticlimactic like when a viral moment or a “big break” is accompanied by no real structure to uphold it. While for some, reaching the so-called milestone feels devoid of any magic. This is precisely how so many people “make it” only to later feel disoriented. The person gets what they believed were the markers of success, only to come to the realisation later that it is not what they were, in the end, looking for. Shifting The Thought Of Success So what is it, success? For the musician, is it packed-out shows or is it finishing a song that gives them a sense of achievement? For some creators, is it going viral or having the self-expression and freedom to continue making art? For anyone, is it focusing on external markers, or living a life deemed to be meaningful and fulfilling? Personally, I think it is not an event in time, rather an accumulation of several. So far, I have understood that success is the process and the perpetual work that leads to a joyful outcome. Why Slow Wins Last Slow growth is definitely not beautiful in any way. It cedoes not go viral. However, it ensures that something genuine is built: Lasting real skill Ingrained confidence that is not dependent on external admiration The liberty to define what success is for you Perhaps that is what we should work for. Not the quick win, but the slow, sure and steady climb. Your Turn Could it be that real success is simply in showing up, day after day, regardless of whether the world is noticing or not. So let me ask you: What does success mean for you – devoid of the suffocating expectations that have been imposed on you, and instead pivoting towards what genuinely resonates and brings joy to your life? Merch Cd’s and Vinyl My Website Stream my Music

On the 10th of July, 2025, Malta's very own Chellcy Reitsma was accepted as a new GRAMMY Voting Member by The Recording Academy!  After a rigorous application process, and cutting through an  overwhelming pool of international applicants, Chellcy's music industry peers selected her as one of the deserving individuals empowered to make a direct impact on the future of music and the lives of those who power it – creators.   As a member, she will have significant influence to help The Recording Academy carry out their ongoing mission to support and protect the art of music creation and music people year-round. She can now submit songs for GRAMMY nomination consideration and cast her vote in choosing who will receive a GRAMMY nomination and in the final GRAMMY winners; as well she can attend The Recording Academy events, including the GRAMMY's.   What does this mean for Malta? By becoming a GRAMMY Voting Member, Chellcy has taken one huge step forward in elevating Malta's status on the international music scene and can represent Malta and the Maltese music industry on a very internationally renowned platform and music community!  A huge congratulations to Chellcy Reitsma as well as to Malta's music community for this huge win! Let's look forward to the future and keep up with Chellcy's progress.