Keith Muscat in collaboration with Malta Pagana “ Music has the power to affect our health and wellbeing. This belief and related cultural practice have been evident throughout history, but the clinical profession of music therapy is only some 75 years old. As a field of practice music therapy has been described as an art and a science and regards to science its research foundation has drawn on psychoanalytic, humanistic, and behavioral traditions. As an emergent practice within the healthcare context, the focus of music therapy (a therapeutic relationship employing music as a means) and music medicine (the music or sound itself as the therapeutic) research has been primarily evidence-based. Mechanisms of effect have received little attention until recently.”   Lee Bartel, Abdullah Mosabbir – Possible Mechanisms for the Effects of Sound Vibration on Human Health.  Healthcare (Basel).  May 2021.   In a previous article from this series (Drumming…….the heartbeat of ritual!), we have seen how music or rhythms can affect both our physical and metal aspects.  Faster beats can motivate our workout, whilst soothing music has a calming effect.  And what is music, but a collection of sounds?  Vibrations in sounds affect our biochemical, neurological and physiological levels.  Whilst music therapy is a ‘modern’ concept, sound healing has been practiced since ancient times.     Essentially, in a nutshell, sound healing or sound bath sessions involve lying down in a comfortable setting, closing your eyes, focusing and immersing yourself in sounds emitted from various musical instruments.  These can take various forms, such as private sessions or group sessions, for which persons lie on a mat, whilst the therapist goes around with the various instruments.  During the session, the therapist will guide your focus on the sound emitted from the instruments.  The instruments of choice are usually not the melodious like types.  You are not in to listen to a symphony, but to powerful sounds that will reverberate in your mind, body and spirit.  The most important instruments for sound therapy are:   Himalayan Singing Bowls (metal) Crystal Singing Bowls (crystal / glass bowls) Rain Sticks Ocean Drums Tuning Forks Chimes Gongs Monochords Shruti boxes (musical instruments with reeds, operated through small bellows)   A sound bath can become cathartic in the sense that the sounds may stir in your memories or thoughts that make you cry and release feelings that have been stored inside you for ages.  Sounds may also bring joy and happiness, or just the much required and necessary relaxation.  The sounds are an aid for you to reach a deeper sense of consciousness, unplug from the hustle and bustle around you and concentrate exclusively on what is going on inside you.  After the session, the therapist will guide you back to the here and now and help you to ground.  Drinking water is recommended after each session.       For those seeking scientific reasons behind everything they try out, there is ample evidence that sound consists of vibrations that affect us on a cellular level, impacting nerve, muscle, brain and even organ function.  For instance, the soothing sound of waves gently crushing on a beach, will create in us a totally opposite sensation to the sound of nails screeching on a chalkboard.  In both instances our body reacts through neural, physiological and biochemical ways to the vibrations created by these sounds.    A study carried out by TL Goldsby and ME Goldsby, Goldsby (Eastern integrative medicine and ancient sound healing treatments for stress: Recent research advances. Integr. Med. (Encinitas). 2020;19(6):24-30), shows that therapy can significantly alter brain waves, changing agitated wave patterns to calm wave forms.  Through the decrease of our breathing, heart rate and blood pressure, our immune system will function more efficiently, reducing our stress hormones and triggering the release of feel-good chemicals in the brain.        Another interesting aspect of sound and vibrations is connected to ancient places, which were possibly used for worship or seem to be related to the practice of religion.  In 2015, Prof. Paolo Debertolis, Dr. Fermando Coimbra and Ms. Linda Eneix, published the results of an archaeoacustic analysis carried out at Ħal Saflieni Hypogeum.  The Hypogeum, which is an underground structure, was used in the Neolithic period as a depository of bones.  A shrine, referred to as the ‘Oracle Room’, might have been utilized for ritualistic purposes.  Through experiments that were carried out, the researchers detected the presence of a strong resonance effect (a double resonance frequency at 70Hz and 114Hz).  With a male voice tuned to these frequencies it is possible to stimulate the resonance phenomenon through the hypogeum.  It was further detected that percussion instruments can stimulate the resonance by their harmonics.   Further laboratory testing indicated that these frequencies have a strong effect on human brain activity.  If these chambers served for ritual purposes, could those attending be affected by vibrations created by chanting or drumming?  A very interesting question that cannot be answered in its entirety as these people did not leave any written documentation.      While sound healing might be able to help with self-care against anxiety, stress, depression, chronic pain, fatigue and overall mental and spiritual well-being, never stop medications and prescriptions ordered by doctors.  Sound therapy is part of the holistic alternative wellness practices that are gaining growing interest around the world.  This is a non-invasive, drug-free approach to a better state of health and well-being.  This, however, is not to be considered as additional aid towards our well-being and is not a substitute for professional medical care.  This article is being presented in conjunction with Malta Pagana – The Ritual – Festival of Spirit on the land of Ancestors.   The fist edition will be held on 25 and 26 October.     Launched in 2025, this festival aims to bring neo-pagans and interested parties together, in Malta, for two days of blending ancient traditions with contemporary creativity.  The festival invites participants to explore the rich heritage of pre-Christian, folkloric, and earth-based spiritual practices through workshops, music, art, and ritual.   With a strong focus on ecological awareness, personal empowerment, and community connection, Malta Pagana is more than just a festival—it's a sacred gathering that honours the cycles of nature, the power of myth, and the enduring beauty of cultural roots. Whether you're a seasoned pagan, a curious traveller, or a lover of history and nature, Malta Pagana offers an unforgettable journey into the heart of Malta’s ancestral soul.  A Celebration of Ancient Rhythms through Modern Spirit.  Follow our Facebook page and keep yourself updated.  Facebook.com/people/Malta-Pagana .

Keith Muscat in collaboration with Malta Pagana Festival Pagan Metal is an umbrella term for heavy metal music which brings together extreme metal with the concept of pre-Christian traditions.  It can relate to both culture and music.  The use of traditional instruments, unusual to the metal genre, and archaic languages, can be an important factor.  There is no one size fits all to which band falls under this term, as styles may differ greatly between one band and another.  Some consider folk metal and even black metal to fall under this umbrella, others differ as they stick to the term pagan to mean strictly pre-Christian.  A band can be folk metal, without being pagan and vice-versa. One of the first metal bands to self-defy as pagan metal are In The Woods…… Formed in Norway in late 1991 by members of the original line-up of Green Carnation, whom they are a continuation of.  By time the band started incorporating traditional instruments in their music.   These are some examples of bands considered to fit under the Pagan Metal label.  By no means is this list exhaustive:   Falkenbach  is a viking metal group from Germany that is signed to Prophecy Productions. The name means "Falconbrook" in German. They are one of the first viking metal bands, starting in 1989, with their first release that same year. Satyricon is a Norwegian black metal band formed in Oslo in 1991. Satyr and Frost have been the band's core members since 1993, and its only official members since 1997. The band's first three albums typify the Norwegian black metal style. Since its fourth album in 1999, the band has strayed from this style and included elements of traditional heavy metal in their sound. Satyricon was the first Norwegian black metal band to join a multi-national record label (EMI).   Cruachan  are an Irish folk metal band from Dublin that have been active since the 1990s. They are recognised as one of the founders of folk metal and have been acclaimed as having "gone the greatest lengths of anyone in their attempts to expand" the genre.   Graveland  are a Polish pagan black metal band which was formed in 1991 by Rob Darken. They began as a black metal band before adopting a pagan and Viking metal style. The lyrics and imagery of Graveland are strongly inspired by European mythology, nature, winter and war.   Obtest  is an extreme metal band from Vilnius, Lithuania. They started out in 1992 as a brutal death metal act, but soon changed the style to black metal. Their lyrics are related to Lithuanian mythology and are sung in Lithuanian, though a few of the songs on their demos were in English.   Black Messiah  is a German Viking / symphonic black metal band, founded in 1992. Primordial  are an Irish extreme metal band from Skerries, County Dublin. The band was formed in 1993 by bassist Pól MacAmhlaigh and guitarist Ciarán MacUiliam. Their sound blends black metal with Celtic music.   Formed in 1994,  Kampfar  is a black metal band from Fredrikstad, Norway. According to their singer, Dolk, their name is an ancient Norse battle cry which means Odin or Wotan. The music of Kampfar can be described as black metal inspired by Norwegian folklore and nature. Moonsorrow  is a Finnish pagan metal band formed in Helsinki in 1995. Musically, the band incorporates elements of black metal and folk metal in their sound. The band call their sound "epic heathen metal" and try to distance themselves from the term "Viking metal".   Butterfly Temple  is a pagan metal band from Moscow, Russia formed in 1995. Their lyrics are influenced by fantasy, paganism and legends. So far, Butterfly Temple released seven albums.   Menhir  is a pagan/black metal band from Thüringen, Germany and was formed in 1995 by Heiko, Manuela and Fix. The band's name is a term from the Celtic meaning "long stone". Hence, the Celtic / Germanic ancestors of the band members are thematically their focus. Menhir's lyrics usually shows this influence since they dive into the linguistic world of the Germans using the ancient language harmonized with their songs.   Formed in 1995, Thyrfing  is a viking metal band from Sweden. The band is named after the royal sword Tyrfing from Norse mythology.   Skyforger  is a heavy metal band from Latvia which was formed in 1995 out of the remains of doom metal band Grindmaster Dead.   Riger  was a Viking/Pagan Metal band from Frankfurt (Oder), Germany. Formed in 1996, Riger based their lyrics on German and nordic folkloric elements.  The band folded in 2015.   Volkolak  is a NS Pagan/folk band from Amur region, East Russia that formed in 1997. Strong National Socialist beliefs and White Pride ideals are… Pagination.   Formed in 1997,  Obscurity  is a German extreme metal band with strong Viking metal influences hailing from Velbert, a city in the Bergisches Land in North Rhine-Westphalia. They are one of the early German death, black, Viking, and pagan metal bands. Týr  is a Faroese folk metal band, formed in 1998. They have been characterized as one of "the islands' two most successful metal bands". Their subject matter revolves almost entirely around Viking lore, mythology, and history, taking their name from Týr, the god of war in Norse religion.   Formed in 1998, XIV Dark Centuries  is a Pagan Metal band from Thuringia, Germany. The band's lyrical themes are about Germanic Paganism and the Thuringian tribe.   Formed in 1999, Hel  is a Swedish Viking rock band, based in Eskilstuna, Södermanland, Sweden. The band's name is derived from the Norse goddess Hel. Formed in 2001, Equilibrium  is a German folk metal band from Bavaria. The band's music combines elements of folk music, pagan metal, melodic black metal and symphonic metal, though they recently added in more modern influences including metalcore and industrial metal. Their riffs reflect traditional Germanic melodies.   Heidevolk is a folk metal band from the Netherlands, formed in 2002. The lyrical themes of their music are inspired by nature, the history of Gelderland, and Germanic mythology. Most of their lyrics are in Dutch; however, on their 2015 album, Velua, they have one original English song, "Vinland", and several English covers.   Formed in 2002, Arkona  is a Russian folk metal band. Their lyrics are heavily influenced by Russian folklore and Slavic mythology, and their music incorporates several traditional Russian musical instruments. The name of the band "Arkona" refers to the last Pre-Christianized Slavic city-castle.   Eluveitie  is a Swiss folk metal band from Winterthur, Zürich, founded in 2002 by Chrigel Glanzmann. The project's first demo, Vên, was released in 2003. Vên was a studio project of Glanzmann's, but its success led to the recruitment of a full band, and the re-release of Vên as an EP in 2004.   Kroda  is a Ukrainian pagan metal band formed in 2003 in Dnipro. The band's primary lyrical themes are heathenism, history, nature, traditionalism and anti-Christianity.   Wolfchant  is a metal band formed in Sankt Oswald, Germany, in August 2003 by Lokhi, Gaahnt, Skaahl, and Norgahad. Wolfchant's lyrics deal with legends and folk tales from Nordic mythology.   Finsterforst  is a German folk metal band from Schwarzwald, Baden-Württemberg, whose lyrical themes deal with nature, German myths, and fantasy worlds. Formed in 2004, the group has released five studio albums, one extended play and one compilation album.   Formed in 2005, Varg  is a German metal band from Coburg, Bavaria. The band's name means "wolf" in Swedish. The band's songs deal mainly with paganism and Nordic mythology.   Welicoruss  is a symphonic black metal band, formed in 2005 by leader and main composer Alexey Boganov. The band is initially from Novosibirsk, Russia, and was reformed in Prague, Czech Republic, in 2013. Their lyrical themes touch on Theosophy, Philosophy, and other Occult and Esoteric subjects. Furor Gallico  is an Italian Celtic metal and pagan metal band that had originated in Milan, Italy. The band was formed by a collaboration among Melissa, Stefano and Becky in 2007. The band was formed upon the idea of playing new school Italian folk metal.   The list of Pagan/Folk/Viking Metal bands in inexhaustive.  There are some obvious names which you will not find in this list.  I tried to keep it as varied as possible so that you can enjoy finding out new bands in this genre. This article is being presented in conjunction with Malta Pagana  – The Ritual – Festival of Spirit on the land of Ancestors.   The fist edition will be held on 25 and 26 October.     Launched in 2025, this festival aims to bring neo-pagans and interested parties together, in Malta, for two days of blending ancient traditions with contemporary creativity.  The festival invites participants to explore the rich heritage of pre-Christian, folkloric, and earth-based spiritual practices through workshops, music, art, and ritual.   With a strong focus on ecological awareness, personal empowerment, and community connection, Malta Pagana is more than just a festival—it's a sacred gathering that honours the cycles of nature, the power of myth, and the enduring beauty of cultural roots. Whether you're a seasoned pagan, a curious traveller, or a lover of history and nature, Malta Pagana offers an unforgettable journey into the heart of Malta’s ancestral soul.  A Celebration of Ancient Rhythms through Modern Spirit.  Follow our Facebook page and keep yourself updated.  Facebook.com/people/Malta-Pagana .

Keith Muscat in collaboration with Malta Pagana Let me start off with a disclaimer.  Stress and mental health challenges are not to be taken lightly.  Though alternative therapies may alleviate some of the symptoms, always seek professional care. The right amount of stress might make you feel alive, but an uncontrolled dose will affect your mental and physical health.  It is a silent killer.  Mental health challenges are more in the spotlight and rapidly becoming one of the most common ailments of the modern era.  Nothing to be ashamed of.  The mind is just another body part that requires maintenance from time to time.  The scope of this article is to explore, in lay terms, the transformative effects of music on our mental wellbeing.  Taking some time out to distress and boost our mood can work miracles. Evidence-based research shows that music can be an effective stress reducing tool.  It has the power to change brain functioning by relaxing the mind.  This leads to a significant reduction in stress levels.  Music has a remarkable way to affect our body and emotions.  Research has shown that whilst upbeat music can make us feel more positive and optimistic and faster music can make us feel mor alert, music with a slower tempo has the opposite effect – it will relax your muscles and quite your mind.  Many things can turn your stress level up during the day……traffic, work, bills, deadlines, etc. etc.  Give it a try.  Either during the day, when you are packed in the tin box your call your car, stuck in the middle of chaos, under the scorching sun, or else after you come back home.  Put on some tranquil nature sounds or soft musical melodies and see how this will trigger physiological responses that help your mind and body destress. Studies suggest that music around 60 beats per minute (bpm) can cause the brain to synchronize with the beat, leading to alpha brainwaves, associated with relaxation and consciousness.  In everyday garble, this simply means that music with a slow tempo, will calm us down.    Listening to relaxing music can also help to decrease our accelerated heart rate and high blood pressure.  This is the way our cardiovascular system responds to stress.  Diminishing the stress levels by listening to music that will tranquilise us will calm our hearts down, and lower our blood pressure.       Another important factor for our overall wellbeing is our mental health.  It is undeniable that when feeling down a good tune can spark some light into the darkness.  This comes along because music has the ability to evoke emotions within us.  More often than not we find solace is music.  This practice goes beyond the feel-good factor.  Music Therapy is an evidence-based practice that has been increasingly utilized as a therapeutic tool by professionals.   So, the next time you feel short fused, frustrated by emotions and situations that you have no control upon, try listening to some instrumental, classical, meditation music or nature sounds.  There are many playlists to choose from, find one that works out for you and keep it handy.    This article is being presented in conjunction with Malta Pagana  – The Ritual – Festival of Spirit on the land of Ancestors.   The fist edition will be held on 25 and 26 October.     Launched in 2025, this festival aims to bring neo-pagans and interested parties together, in Malta, for two days of blending ancient traditions with contemporary creativity.  The festival invites participants to explore the rich heritage of pre-Christian, folkloric, and earth-based spiritual practices through workshops, music, art, and ritual.   With a strong focus on ecological awareness, personal empowerment, and community connection, Malta Pagana is more than just a festival—it's a sacred gathering that honours the cycles of nature, the power of myth, and the enduring beauty of cultural roots. Whether you're a seasoned pagan, a curious traveller, or a lover of history and nature, Malta Pagana offers an unforgettable journey into the heart of Malta’s ancestral soul.  A Celebration of Ancient Rhythms through Modern Spirit.  Follow our Facebook page and keep yourself updated.  Facebook.com/people/Malta-Pagana .

Keith Muscat in collaboration with Malta Pagana. In neo-pagan rituals or ceremonies, musical instruments are frequently used to enhance the experience, connect with the divine, and facilitate altered states of consciousness. Instruments like drums, rattles, flutes, and singing bowls are common, each carrying symbolic meaning and contributing to the overall ritual atmosphere.  The aim of this short article is to explore the possible use of Maltese traditional instruments during neo-pagan ritual.   With traditional musical instruments I am alluding to those musical devices that have been passed down through generations, within a specific culture and are often associated with folk music, rituals, or cultural celebrations. These instruments are typically made using traditional methods and materials, and they often play a significant role in defining the unique sound of a culture's music.  In Malta we have several such instruments like the horn ( il-qarn or il-qrajna ), whistles ( bedbut ), mirliton ( żummara ), folk flute ( flejguta ), tambourine ( tanbur ), bagpipe ( żaqq ), fraction drum ( żafżafa ) and conch shell ( bronja ).  There are more but not all kinds of instruments might fit in well with what we have in mind.  One might think of the traditional guitar, used in folk music.  It may fit during certain instances but not in others. Most of the instruments utilised during ritual are of the percussion type.  So the tanbur  and żafżafa  will fit in perfectly for a drumming session.  The Maltese tanbur  is basically a frame drum.  Other instruments that intrigue me are the qarn and flejguta , due to their association with the male deity.  The horn symbolizes power and reed instruments were preferred by gods such as Pan.    I would consider the use of the  bronja  during ceremonies such as the Winter or Summer Solstices, to salute the rising or seting sun.  Imagine that sound echoing through the garigue, as you stand upon a hilltop or a cliff, watching sunrise or sunset on such a special day.    These are just a few ideas about how traditional muscial instruments can be utilised for modern neo-pagan rituals.  Blurring the lines between the old and the new.  There are no limits to what one can use.  Imagintion has no confines.  It’s just about making good use of our traditions during our time of worship.  This article is being presented in conjunction with Malta Pagana – The Ritual – Festival of Spirit on the land of Ancestors.   The fist edition will be held on 25 and 26 October.    Launched in 2025, this festival aims to bring neo-pagans and interested parties together, in Malta, for two days of blending ancient traditions with contemporary creativity.  The festival invites participants to explore the rich heritage of pre-Christian, folkloric, and earth-based spiritual practices through workshops, music, art, and ritual.   With a strong focus on ecological awareness, personal empowerment, and community connection, Malta Pagana is more than just a festival—it's a sacred gathering that honours the cycles of nature, the power of myth, and the enduring beauty of cultural roots. Whether you're a seasoned pagan, a curious traveller, or a lover of history and nature, Malta Pagana offers an unforgettable journey into the heart of Malta’s ancestral soul.  A Celebration of Ancient Rhythms through Modern Spirit.  Follow our Facebook page and keep yourself updated.  Facebook.com/people/Malta-Pagana .

Keith Muscat in collaboration with Malta Pagana Since the dawn of time, prior to urban settlements, ritual (in the broad sense of the word) already played an important role in everyday life.  Humans turned to spirituality in search of explanations about matters they could not understand.  Their survival depended entirely on the elements.  Hunter gatherers where at the mercy of circumstances.  Later, after the discovery of agriculture, human existence depended entirely on a good harvest.  Rituals became more enhanced and a go between was chosen to bridge humanity with the gods.  Thousand of years passed between the ritualistic cave drawings and the building of magnificent temples, but the essence remains practically the same – communication with the divine. Drumming forms an important part of cultural expression for religious, communication and entertainment purposes.  The earliest type of drums date back to prehistoric times. Through archaeological remains we can make an educated guess that these instruments were crated by stretching animal hides over hollowed logs.  Prior to that sounds might have been created by beating sticks on hollowed trunks.  We cannot make dogmatic statements about the use of drums in religious ceremonies, as these people left nothing in writing, but in the way things developed, there is a high probability that percussion played an important role in ritual since its inception. Drums evolved with the advancement of culture.  New materials started being used.  All depended on what was available at that moment in time.  In Africa, from where all humanity emerged, drums have been used, since time immemorial, for dances in connection with rites of passage and spiritual ceremonies.  In Asia drums are also an essential part of ritual, like for example during the Shinto rituals (Japan).  Instruments made from alligator skins, dating back to 5500 – 2350 BCE, were found in China.  Also, the o-bon were used in Buddhist ceremonies to welcome the spirits of the dead.   In middle east and India ceremonial drums, such as the naqqara, found their way into their ceremonial practices.  Drumming formed an important part of religious ceremonies in both ancient Egyptian and Mesopotamian cultures.  Other instruments started developing and used in conjunction with drums and percussion, for both ritualistic and entertainment purposes.  These cultures influenced the ancient Greeks, whom in turn influenced the Romans.  Frame drums were played by women in rituals associated with goddesses like Demeter, Artemis and Rhea.    One cannot think about drumming without shamanistic practices coming to mind.  The civilisations of Siberia, Mongolia and other regions induced trance, by drumming, to facilitate spiritual journeys and aid healing.  Similar traits can be found in Native American cultures, where drums are considered to be the voice of deity and used to communicate with the spiritual world.           Drumming, and music in general are also important to the Judaic faith, which gave birth to the Abrahamic religions.  Their use is also encouraged in scripture:   Psalm 150:3-5: “Praise him with the sound of the trumpet, praise him with the harp and lyre, praise him with tambourine and dancing, praise him with the strings and pipe, praise him with the clash of cymbals, praise him with resounding cymbals.”   But things started to change once Christianity took over.  Drums started to be considered unsuitable for worship as they belonged to the pagan and earthly tradition.  The beat and frenzy were considered as sensual or sexual, and anything of the sort came from the devil.  Churches, especially in Europe, adopted choral music, such as Gregorian Chant, as the preferred method of ritual expression.  With time the organ and chamber instruments where embraced and started to be used during mass.  Drumming remained an important factor in the Catholic worship of African Americans, who integrated the old with the new.       Neo-paganism is an umbrella term that brings together earth-based religions.  To keep it simple, religions or groups that have adopted pre-Christian methods of worship, practices and traditions, as their core beliefs.  These traditions were not adapted lock, stock and barrel, but modified to suit our need in the here and now.  To neo-pagans drumming is a powerful tool to create harmony within a circle, facilitate the connection with the divine through altered state of consciousness and to work magic, especially for healing.   The drumbeat can be envisaged as the heartbeat of Mother Earth.  One beat connecting all participants to the divine.  The constant beat is believed to induced altered stated of consciousness, by stimulating the brain and creating a sense of euphoria.  This can be used in rituals both to communicate with the divine and to create a sonic landscape to amplify intentions and facilitate the manifestation of desired outcomes – which basically is the meaning of ritual magic.    Drum circles are also popular as they help to foster a sense of belonging and act as a catalyst for community building.  The vibrations produced by the drum can also have a calming effect, reducing stress and this may lead to healing and the feeling of an over-all wellbeing.    We have only scratched the surface, there is so much more to find out about the importance of drumming, both in ritual and our well-being.  Try you hand at joining a drum circle, within minutes you will be part of the flow, one with your fellow humans, creation and the divine.      This article is being presented in conjunction with Malta Pagana – The Ritual – Festival of Spirit on the land of Ancestors.   The fist edition will be held on 25 and 26 October.   Launched in 2025, this festival aims to bring neo-pagans and interested parties together, in Malta, for two days of blending ancient traditions with contemporary creativity.  The festival invites participants to explore the rich heritage of pre-Christian, folkloric, and earth-based spiritual practices through workshops, music, art, and ritual.   With a strong focus on ecological awareness, personal empowerment, and community connection, Malta Pagana is more than just a festival—it's a sacred gathering that honours the cycles of nature, the power of myth, and the enduring beauty of cultural roots. Whether you're a seasoned pagan, a curious traveller, or a lover of history and nature, Malta Pagana offers an unforgettable journey into the heart of Malta’s ancestral soul.  A Celebration of Ancient Rhythms through Modern Spirit.  Follow our Facebook page and keep yourself updated.  Facebook.com/people/Malta-Pagana .

Halcyon Announce Return of Guitarist Leander Lanzon Ahead of Nebular Festival Performance Halcyon have officially confirmed the return of guitarist Leander Lanzon , who will once again take up guitar duties for the band. The announcement was made on 22nd September, marking a much-anticipated reunion after months of speculation among fans. In a statement released by the band, Halcyon expressed their enthusiasm about Lanzon’s return: “We are beyond excited to reveal Halcyon's latest additional guitar force, Leander. After months of working behind the scenes, we are proud to finally hit the stage together once more!” Lanzon’s first live performance back with the band is set for Saturday, 29th November , when Halcyon take the stage at The Garage  as part of this year’s Nebular Festival . The annual event has become a highlight for heavy music enthusiasts and, in 2025, will also feature Krishna , Italian stoner doom trio Jahbulong , and Belgian instrumental outfit Atomic Vulture . Atomic Flame Launch Debut Album Heavenly Punishment  with Explosive Show at The Garage On 20th September , Maltese heavy metal outfit Atomic Flame  celebrated the launch of their debut album Heavenly Punishment  with a blistering live performance at The Garage , delivering the kind of high-octane show only they know how to pull off. The night opened with local metal act ᐯalliantis, who set the stage with what frontman Nigel Buttigieg  described as “a huge bang.”  Fans were then treated to Atomic Flame’s full set, showcasing the raw power and precision that the new record embodies. In a heartfelt Facebook post following the gig, Buttigieg extended his gratitude to all those who made the launch possible: “A lot of thank yous are in order so get ready hehe... starting off with the mighty ᐯalliantis who started off the night with a huge bang! Thank you! Steve Lombardo for the immaculate sound as always, Noel Mifsud for DJing the night, Max Pixbymax for taking snippets of the night, thank you to our superb guests, Leo Stivala, Juan Xerri and the producer of the album David Depasquale for making it an enjoyable night. Thanks to Darren and Rene at The Garage without whom these events would not be possible! And last but not least THANK YOU ALL WHO CAME – we hope you enjoy Heavenly Punishment in all its glory, we worked really hard to produce a top product for your ears to enjoy! As always until next time stay heavy y'all!” The album, produced by David Depasquale , has already been praised for its crushing riffs and atmospheric intensity, qualities that Atomic Flame translated seamlessly to the live stage. Fans present at the launch described the show as a milestone moment for the band and a strong statement of intent for the local heavy metal scene. With Heavenly Punishment  now officially unveiled, Atomic Flame appear set to carve their name deeper into the genre, both locally and beyond. Morsrot Unleash Bold New Single Primrose Path On 19th September , extreme metal outfit Morsrot  released their latest single, Primrose Path  — a track that sees the band breaking new ground while staying true to their death metal roots. Described by the band as “fresh, raw, and absolutely not what you’re expecting from us,”  the song marks a daring step into uncharted musical territory. While unmistakably heavy, Primrose Path  introduces new textures and dynamics, hinting at a wider creative scope for Morsrot’s future releases. Fans last saw the band take the stage at Wacken Open Air . Their live momentum continues later this month as they return to the stage on 30th September  at Kulturhaus Insel , where they will support Argentina’s symphonic black metal act Mortuorial Eclipse  on the European leg of the Desolation Of The Wretched  tour. Early reactions to Primrose Path  have noted the band’s willingness to challenge themselves while retaining their ferocity, and with their reputation for punishing live shows and a bold new single in hand, Morsrot appear poised to cement their place as one of the most uncompromising forces in the underground metal scene.

KILLERWITCH ANNOUNCES RELEASE DATE FOR UPCOMING ALBUM ‘PALACE OF THE DRAGON’ Local Heavy metal band Killerwitch is thrilled to officially announce the release date for their highly anticipated second full-length album, 'Palace of the Dragon', set to drop on September 29th, 2025. The band extends their deepest thanks to WITCHES BREW for the continued belief and support. 'Palace of the Dragon' will be released in both physical CD format and across all major digital streaming platforms. “We’ve poured everything into this album, and we can’t wait to finally share it with all of you,” said the band in a joint statement. “A huge thanks to WITCHES BREW for helping bring this vision to life.” Fans in Malta who wish to reserve a copy of the CD can do so by messaging the band directly through social media or by contacting any of the band members individually. In the meantime the band released a lyric video for ‘Leonidis’ the first track to be released as a single form the album on the band’s YouTube channel. Stay connected with Killerwitch on social media for the latest updates, exclusive previews, and upcoming announcements. Stay heavy, stay loud – and see you on September 29th! – Killerwitch

Tony Pace, born on 4 June 1946 in Ħamrun, Malta, built a distinguished career as a classical guitarist, teacher, and performer whose musical journey spanned more than six decades. Known for his versatility and deep dedication to his craft, Pace moved effortlessly between classical, jazz, and popular music, leaving a lasting legacy on Malta’s cultural scene. Tony Pace 2025 (photo: Tony Pace) Pace first picked up the guitar in the late 1950s, and by the following decade he was already performing with local and dance bands. In 1966, he received an invitation to play in a London nightclub, an experience that broadened his horizons. While in London, he also took jazz lessons, which later influenced his playing and repertoire. In the 1970s, Pace devoted himself to the study of classical guitar. Initially self-taught, he later pursued formal studies with the support of sponsorships from the Maltese and Austrian governments and the British Council. He studied under American guitarist Gregory Bonneberger and participated in summer courses in England, where he was mentored by leading classical guitarists such as Chris Kilvington, John Duarte, and Venezuelan master Alirio Díaz. Back in Malta, he expanded his musical foundation, studying theory and harmony with Mro. Carmelo Pace, Mro. Carmelo Schembri, and Mro. Charles Zammit, and solfeggio with Mro. Freddie Mizzi. In 1971, Pace joined the Armed Forces of Malta as a bandsman, playing both guitar and flute. His career as an educator was equally remarkable. For several years, he taught at the National School of Music, and between 1992 and 1995 he served as a classical guitar tutor at the Mediterranean Institute of the University of Malta. He also established his own guitar studio, where he taught both classical and electric guitar, theory, and improvisation. For a decade, he dedicated himself to teaching visually impaired students, an initiative that reflected his belief that music should be accessible to everyone. Jazz Styles promo Alongside teaching, Pace maintained an active performance career. He played in hotels, restaurants, and nightclubs—including venues such as the Hilton—and appeared frequently on Maltese radio and television. His radio programs Jazz Styles and     Akustika  on Radju Malta became a staple for jazz and classical enthusiasts. Pace’s performances were not confined to Malta. He played in England, Sicily, France, Greece, Ireland, Cancún in Mexico, and Brussels, bringing Maltese talent to international audiences. Pace’s contributions to music earned him formal recognition. In 1986, the President of Malta, Agatha Barbara, presented him with the Phoenicia Cultural Award. Later, in 1997, he was accepted as a member of the Registry of Guitar Tutors (RGT) in England, and in 2006 he received the Loyal Service Award from Thames Valley University in London. He also obtained the ALCM and LLCM (TD) diplomas in classical guitar performance and teaching from the London College of Music, cementing his reputation as both a performer and pedagogue. Pace’s repertoire was as diverse as his career. It stretched from Renaissance and classical works to rock, Italian songs, film soundtracks, Latin American music, Bossa Nova, Spanish and Maltese tunes, and jazz standards. “My repertoire consists of music from the Renaissance to Rock,” he once explained, reflecting his refusal to be confined to one genre. Il-Maltija and Other Folk Tunes from Malta artwork A notable example of his work can be found on the 1980s folk music release Il-Maltija and Other Folk Tunes from Malta , which also featured Vanni Pule, Ġanni Borg, Joe Demicoli, and Tony Zammit. His performances, such as those available on YouTube, demonstrate his technical mastery and expressive style. One of the highlights of Pace’s later career came in 2017, when he finally formed his own jazz band. The group featured trumpeter Effie Azzopardi, drummer Joe Camilleri Bibi Senior, and his son Sandro on bass. They debuted at the fifth edition of Jazz Do in Gozo on 3 September 2017. Reflecting on the experience, Pace said: “ Yesterday’s concert was fantastic… After all these years I have found time to form my jazz band. Without the help and dedicated instruction of Effie and Joe, I could not have done it. Thanks also to my son Sandro who helped me form this band. My dream came true .” In February 2023, Pace released a compilation and accompanying music book titled Contemporary Maltese Folk Music , entirely composed by himself. For this project, he was joined by his daughter, Alison Galea, on classical guitar; Bernard Catania on acoustic guitar; his son, Sandro Pace, on bass; and Justin Xerri on cajón. The following month, the compilation and music book were formally deposited in the National Archives and the Melitensia Department of the University of Malta, and later at the National Library, ensuring their preservation for future generations. L to R - Justin Xerri, Sandro Pace, Tony Pace, Alison Galea and Bernard Catania (photo: Tony Pace) Beyond his professional accomplishments, Tony Pace was a devoted family man, married to Carmen and father to Sandro and Alison. His lifelong dedication to performance, education, and cultural enrichment made him a central figure in Malta’s musical history. Whether through his solo guitar recitals, his jazz projects, his teaching, or his radio presence, Pace shaped generations of musicians and listeners alike. Remarkably, despite nearing 80, Pace has never stepped away from the stage. His latest appearance was on Friday, 5 September 2025, when he performed once again as a solo guitarist at Fra Guieseppe Café, near Balzan Parish Church—demonstrating that his passion for music remains as strong as ever.

‘Tell Your Mama’ is out September 19th on all streaming platforms, released under LA-based label SoCal Records. “Tell Your Mama” is both a confession and a liberation- Kayati “Tell Your Mama” is inspired by late night conversations where friends share dating stories and relationship insights. Kayati reflects on the meaningful qualities we seek, like effort, being heard, and recognising red flags. The song addresses a common “dealbreaker”: being with someone who relies too much on their mother, causing your voice to fade. This situation makes it hard to connect, especially when disagreements arise and the mother intervenes, dismissing your perspective. In truth, he isn’t perfect, and his flaws become hard to ignore. Ultimately, “Tell Your Mama” is both a confession and a call for liberation. It encourages him to admit his shortcomings to his mother and acknowledge that he didn’t love properly or listen genuinely. At its heart, the song is about finding closure and peace in honesty, even if it’s shared with his mother instead of the partner he lost. Written: Fatima & Mabrouka El Kayati Co-Writer: Peter Borg Produced by: Peter Borg at Railway Studios Released under LA-based label SoCal Records

Real Talk About Performing—and What Helps Hi there, back again after a short summer break! Let’s get real, even after decades of performing, I still get nervous before stepping on stage. Whether it’s an intimate jazz trio set or a full-scale musical theatre production, there’s always a moment, usually right before the first note, when my stomach flips. And you know what? That’s normal. In fact, it might even be necessary. The Myth of the "Fearless Musician" There’s a popular idea that great musicians are fearless on stage. That confidence is just something you’re born with. But in my experience, and in many conversations with seasoned performers, that couldn’t be further from the truth. Most of us feel nerves. The difference is in how we respond to them. What Stage Nerves Feel Like (For Me) It can range from mild tension to a full internal monologue: Will I remember that transition? What if the groove slips? Did I double-check my signal chain? Sometimes my hands feel a bit colder. My focus narrows. My breath shortens. The key, I’ve learned, is not to fight it, but to manage it. What Helps (and Still Helps) Here are a few things that work for me. I still use these today: 1. The Breath Reset Before every show, I take five slow, deep breaths, inhale for four, hold for four, exhale for six. It’s simple, but it activates the parasympathetic nervous system and calms the body. 2. Reframe the Sensation Instead of saying, "I’m nervous," I tell myself, "My body’s getting ready to perform." That adrenaline? It’s energy. That quickened heartbeat? It’s your system waking up. Framing it as readiness instead of fear makes a difference. 3. Micro-Focus When the pressure builds, I zoom in: focus on the first few bars. One phrase. One groove. I don’t worry about the whole setlist, just getting into flow. 4. Pre-Gig Rituals I usually go over a short warm-up passage I know inside out. Nothing flashy, just something that reminds my hands, “You know what you’re doing.” 5. The Three C’s: Cool, Calm, and Collected Something I picked up years ago and now do almost subconsciously: I remind myself to stay cool, calm, and collected . Not just on stage, but in everyday life too. It’s a mental anchor that brings me back to centre when things feel chaotic. What I Still Struggle With There are gigs where things don’t go smoothly. A monitor mix is off. A cue gets missed. Or I simply feel off. In those moments, self-doubt can creep in. What I’ve learned is to not judge the whole performance by a moment . And even more importantly, not to judge myself by one off night. Confidence isn’t about being perfect. It’s about trusting yourself to recover, adapt, and keep the music moving forward. A Few Science-Backed Techniques (That Actually Work) In case you're curious about the research side of this, here are three techniques backed by studies on performance anxiety: Box Breathing (4-4-4-4) used by musicians and athletes to regulate nerves. Reduces cortisol, improves focus. Visualisation – mentally rehearsing a performance helps the brain and body feel more prepared. Studies show lower heart rate and smoother execution. Power Posing (yes, really) – holding an open, upright posture for 2 minutes before performance has been shown to boost testosterone and reduce stress hormones. You don't have to believe in it, just try it. Your Turn Next time you feel nervous before a show, or even just before recording something, or speaking in front of an audience, don’t beat yourself up. Try one of these tools. Or simply sit with the feeling and let it pass through you. You’re not alone. Even the pros get shaky hands. What matters is what you do with that energy. If this resonated, hit reply and tell me how you deal with stage nerves. I’d love to include some of your tips in a future issue. Until next time, breathe deep, stay Cool, Calm , and Collected , and play on. Simon Merch Cd’s and Vinyl My Website Stream my Music

Tickets for SoundArt Festival Malta 2025 Are Now Available! SoundArt Festival Malta 2025 24 – 26 October 2025 St Aloysius Theatre, Malta Join us for three days dedicated to music, art, and creativity — a vibrant celebration bringing together local and international talent, interactive experiences, and community spirit. Tickets Now Live We’ve got flexible ticket packages to fit every experience. Plus, if you secure your spot this September, you’ll enjoy our Early Bird offer all month long. Tickets: https://ticketboot.com/ Event Page: Facebook Event Ticket Information ·      Early Bird Tickets valid until 30 September 2025. ·      Tickets for Friday 24th are also valid for Saturday 25th (and vice versa) — no need to buy two separate passes. ·      A separate Sunday package is available via Ticketboot. Festival Programme HighlightsLive Concerts — 24 & 25 October ·      Two unforgettable evenings of music. ·      Local and international artists across diverse genres. ·      A special performance by an emerging band. Workshops — 25 October ·      Music ·      Visual Arts ·      Creative Expression (open to all participants) Board Games — 26 October Strategy and social fun in collaboration with W.A.R.S. Exhibitions — 24–26 October ·      A showcase of art and photography by talented local artists. Market Stalls — 24–26 October ·      Unique crafts ·      Artwork ·      Merchandise ·      Creations from local vendors Don’t miss your chance to be part of SoundArt Festival Malta 2025 — a weekend of music, art, and unforgettable experiences. Secure your tickets today.

In September 2010, Dr. Toni Sant together with a group of cultural collaborators launched the Malta Music Memory Project (M3P) . Their vision was to address the risk of cultural loss by creating a collaborative, multimedia repository dedicated to preserving Malta’s music, media, and associated arts. The project was conceived at a time when the growth of broadcasting and digital platforms was producing new forms of cultural expression, yet much of this material was in danger of disappearing without documentation. M3P offered an answer: an open, community-driven platform where volunteers could contribute histories, recordings, and personal recollections to ensure Malta’s creative memory was safeguarded for posterity. From the very beginning, the project positioned itself as a living and evolving archive. Drawing inspiration from the Wikimedia model, M3P invited contributions from musicians, fans, academics, and members of the public, encouraging a democratic approach to memory preservation. Within its first year, as reported in the Times of Malta , the project had already grown steadily in both content and users, while also working to establish the infrastructure necessary to ensure its longevity. By 2011, M3P was hosting its own conference at St James Cavalier in Valletta, bringing together local and international experts to explore the challenges of long-term cultural preservation in the digital era, and combining academic discussion with public engagement through live performances. M3P.com.mt information session. Photo by Steven Psaila. Over the years, M3P expanded its scope from documenting music to embracing all forms of media and cultural activity. It has played a crucial role in capturing oral histories and rare performances, including the recovery and preservation of 500 hours of għana  recordings from the 1960s to the 1980s, now housed at Malta’s National Archives. It has also developed a comprehensive catalogue of Maltese music releases, connecting diaspora contributions from the UK and Australia to the island’s own output, and has pioneered ways of integrating social media and digital storytelling into archival practice. Institutional support has been central to M3P’s development. Established with the backing of the Malta Arts Fund, the University of Hull’s Faculty of Arts and Social Sciences, and the School of Arts & New Media, the project also received assistance from the British Academy, Jisc, the Open Preservation Foundation, and the Malta Council for the Voluntary Sector. In 2015, M3P entered into a formal collaboration with Fondazzjoni Kreattività , strengthening its ties with Malta’s cultural institutions. Its partnership with the National Archives has been particularly important in embedding the project within the country’s official cultural memory infrastructure. Prog band Mirage's page o M3P Fifteen years on, M3P remains an open-ended and dynamic undertaking. Its core initiatives include the Historical Directory of Band Clubs, the Charles Clews Memorial Collection, Elektronika, which charts the development of electronic music in Malta, and Mużika Mod Ieħor, documenting contemporary music scenes. Beyond these, M3P has extended its reach to projects such as documenting the Fondazzjoni Kreattività Art Collection, demonstrating its commitment to the wider arts. Today, M3P stands as both a resource and a living cultural practice, ensuring that the voices, images, and sounds that shaped Malta’s media and artistic heritage are preserved for future generations. On its fifteenth anniversary, the project not only celebrates what has been achieved but also looks forward to continuing its mission of safeguarding Malta’s cultural memory. It remains a collaborative space, inviting contributions from anyone who wishes to ensure that Malta’s artistic and media heritage is not only remembered but kept alive.

On June 19, 2015 , black metal entity Saħħar  released its third full-length album, Kruha u Kefrija —a title which translates to “ugliness and cruelty.”  Issued independently, the record cemented Saħħar’s evolution from symphonic roots into a harsher, more caustic vision of black metal. Sahhar - promo photo Formed in 2006  by multi-instrumentalist Marton Saliba , Saħħar quickly gained a reputation as a one-man creative force within Malta’s underground scene. Over the years, Saliba—handling vocals, guitars, bass, drums, and keyboards—has produced a prolific discography that balances raw intensity with occasional ventures into experimental territory. Crafting the Sound of Kruha u Kefrija Though Saliba performed the bulk of the instrumentation on Kruha u Kefrija , he was joined by two guest musicians: Robert Spiteri (Patient Psychosis) , who contributed lead guitar, and Bjorn Cutajar (Blutaxt)  on bass. Both musicians have long histories within Malta’s extreme metal circles. Spiteri is known for his project Sorrow  and for his time in acts such as Ammutseba , Majesty , and Moonlight Alive . Cutajar is currently active in Nokturnal Void , who released their debut Odiiu  in 2022, and was also a member of Ammutseba  for several years. Both have also stood beside Saħħar in live performances, strengthening their collaborative bond with Saliba. Kruha u Kefrija artwork Musically, the album unfolds across ten tracks that trace a journey from bleak atmospherics into relentless black and death metal savagery. It begins with the haunting introduction Ħelsien minn Ruħi , which sets the tone before the eruption of Triegħdet l-Art , a track defined by crushing power chords, frigid tremolo riffs, and Saliba’s cavernous growls. Pieces such as Il-Forka w il-Qawqab  lean closer to a traditional Scandinavian black metal template, while others, like Bagħal Nobbli  and Qerda ta’ Guf , revel in caustic aggression and heavy-handed riffing. The record also includes reinterpretations that highlight Saħħar’s influences and boldness. The cover of Dimmu Borgir’s   Master of Disharmony  nods toward the project’s symphonic roots, while the instrumental rendition of E Nomine’s   Qamar Iswed (Schwarze Sonne)  provides an atmospheric interlude, contrasting with the otherwise abrasive tone of the album. The closing reprise of Il-Forka w il-Qawqab  ties the record together, leaving listeners with a lingering echo of its grim intensity. album launch poster Critical Reception Writing for The Metal Observer  in November 2015, Shawn Miller (TheStormIRide) awarded the album 79% , observing that “ Kruha u Kefrija continues Saħħar’s delving into the heavier end of the black metal spectrum. ” Miller described the second track, Triegħdet l-Art , as a showcase of “ barbaric, heavy handed power chords with frozen melodic tremolo riffing, all pushed forward with a surge of blasting percussion and Saliba’s deep and menacing growls. ” The review also noted that while certain elements felt experimental—such as the “ mechanical vocalization and borderline industrialized groove riffing of ‘Priedka ta’ Telfien’ ”—the record as a whole was “ an engaging and promising album that shows Saliba’s growing skills in production and songwriting. ” Ultimately, Miller concluded that the music reflected the title: “ The album’s title is ugliness and cruelty, and the music mirrors that. ” album launch performance @ Serenity, Marsa Between Tradition and Innovation Kruha u Kefrija  demonstrates Saliba’s ability to merge raw, Scandinavian-inspired black metal with his own Maltese identity. Tracks like Il-Forka w il-Qawqab  adhere to traditional tremolo-driven aggression, while Qamar Iswed (Schwarze Sonne) , a cover of German project E Nomine , reveals Saħħar’s willingness to reframe outside influences through a blackened lens. The decision to include a cover of Dimmu Borgir’s   Master of Disharmony  also nods to Saliba’s early symphonic influences, even as he pushes Saħħar further into unrelenting black/death territory. Beyond Kruha u Kefrija Far from being a static project, Saħħar has maintained a relentless release schedule since Kruha u Kefrija . Subsequent records include the EP Pjanetaċidju  (2016), the full-length Kliem it-Tmiem  (2017), and a string of EPs and albums such as Qilla tal-Qrun  (2019) and Tiġrif tal-Ġnus  (2020). Live albums like Nocte in Ruinis  (2020) and Ruinis Melitensis  (2024) further showcase the project’s vitality in performance. Through each release, Saliba has remained faithful to black metal’s cold essence while continuing to experiment within its parameters. Sahhar @ Xtreme Metal Assault 2015 A Decade of Ugliness and Cruelty As of 2025 , Kruha u Kefrija  marks its 10th anniversary . A decade on, the album retains its corrosive power, standing as a milestone in Saħħar’s journey. It captures a pivotal moment where the project broke free from its symphonic past and carved out a distinct, uncompromising identity within black metal. Kruha u Kefrija  stands as a milestone in Saħħar’s career: a manifestation of Maltese black metal at its most uncompromising. With its thick production, feral riffing, and moments of unsettling experimentation, the record epitomizes the duality of its title—ugliness and cruelty—while affirming Saħħar as a voice distinct within the global black metal underground. As Miller aptly summarized, “Saħħar still shows its influence proudly, but the band is really beginning to take on a sound of their own.” On August 20th, 2025, Saħħar reflected on the album’s origins, recalling that its debut performance had also served as the launch event for Kruha u Kefrija . The occasion was more than a concert, encompassing loud music, bonfires, art, and even custom guitar exhibitions. The album itself marked a turning point, being the first Saħħar release professionally pressed at a printing company and showcasing a notable leap in production quality over its predecessor. Dedicated to the memory of two individuals who had been deeply important in Saliba’s life, the release still survives in only a handful of copies left and which can be obtained by contacting Marton personally. Saħħar is set to return to the stage for its sole performance of 2025, appearing at the revived Extreme Metal Festival on October 18th at Tigulio. The event will feature Saħħar alongside ten other acts, marking a rare and unmissable live appearance from the Maltese black metal force.”

French Melodic Death Metal Titans DESTINITY Headline Malta on October 4th On Friday, October 4th , Malta’s underground metal scene will ignite with Absentia Lucis , a blistering night of heavy music at The Garage, Ħaż-Żebbuġ , headlined by French Melodic Death Metal giants Destinity . Formed in 1996 by founding members Mick Cesare  (vocals), Stephan Barboni  (guitars), and Florent Barboni  (drums), Destinity have become a staple in the international extreme metal circuit. With performances at Hellfest, Summerbreeze, Stonehenge , and more, and a career spanning nearly three decades, the band boasts 10 studio albums , including their most recent release, Ascension  (April 2025). Fans at Absentia Lucis can expect an intense set packed with heavy riffs and soaring melodic passages. Supporting Destinity are two local forces of the Maltese metal scene: Animamortua  and Impertex . Progressive Thrash Metal act Animamortua , who first emerged in 2016, have already made their mark sharing stages with Blaze Bayley, Civil War, Orphaned Land,  and Necronomicon . Their debut album Gods Among Us  (2023, Underground Symphony Records) led to performances across Serbia, Romania,  and Germany , including shows alongside Insulter  and Sleazer . As the band prepares new material, frontman Juan Xerri shared: “Absentia Lucis will be our only local show for now, as we are focused on writing and recording our upcoming album.” Newcomers Impertex  round out the lineup, delivering a furious mix of thrash and heavy metal fused with blackened vocals. Since their live debut at The Living Thrash  in December 2024, they have quickly earned a reputation as one of Malta’s most promising rising acts. Event Details Date:  Friday, October 4th, 2025 Venue:  The Garage, Ħaż-Żebbuġ Entrance:  €15 Doors Open:  20:00 This event is proudly sponsored by D’Amato Records, Knight Music, The Garage, Ta Fonzu,  and Rio’s Barber Shop .

Moira Stafrace Announces Release of New Single “I FELL” This Friday, 12th September , singer-songwriter Moira Stafrace  will release her brand-new single “I FELL”  on all digital platforms. Stafrace describes the track as deeply personal yet universally relatable. “‘I FELL’ is about falling for someone who wasn’t real—an online love built on lies. This one is for everyone who has been sweet-talked, ghosted, and gaslit. It’s sarcastic, it’s honest, and it’s all mine,”  she explains. The single blends heartfelt lyrics with sharp authenticity, capturing the vulnerability and humor of digital-age relationships. Stafrace adds, “I’m super excited about this release and I hope listeners will support me by adding it to their daily playlists.” Produced and mixed by Peter Borg  at Railway Studios , the track features live drums by Melchior Busuttil , with instrumentation also performed by Borg. The evocative cover art was photographed by Erika Cassar . A music video for “I FELL”  will be shared following the single’s release. Release Date:  Friday, 12th September Platforms:  Available on all major digital platforms Credits: Music & Lyrics: Moira Stafrace Production & Mixing: Peter Borg (Railway Studios) Live Drums: Melchior Busuttil Instruments: Peter Borg Cover Art Photography: Erika Cassar

ROCKNA RADIO SHOW MARKS MILESTONE WITH LIVE CONCERT Malta's iconic talk and music  radio show Rockna celebrates its 15th anniversary this year with a special event featuring live performances from three leading acts from the local music scene. The anniversary concert, which will take place on Friday, 3rd October 2025 at Tigullio, St Julian’s will be a celebration of both the radio show’s long-standing tenure as one of the premier promoters of the Maltese music scene, as well as our island’s prolific and rich musical heritage. The acts performing on the night are Kriz Haze, Colourblind, and Vinyl Paradise, followed by a jam session hosted by Music Playground. This event is supported by Paymix SoftPOS, Net FM, Take1 Print & Design, Tigullio and Music Playground. Since first airing on July 9th, 2010, Rockna has become an institution in Malta's musical landscape, providing a vital platform for local artists and music enthusiasts. Host Michael Bugeja's groundbreaking hybrid music and talk show has consistently championed the local scene, evolving from its original home on Radio 101 Digital to its current platform on NET FM, while expanding its reach through internet streaming and DAB+ digital radio. The 15th Anniversary Concert will feature a carefully curated lineup that represents the diversity and quality of Malta's music scene. Opening the evening will be Kriz Haze from Beesqueeze, performing a special solo set. Next up, veteran Maltese prog rock band Colourblind will take the stage. The pioneering group, which recently resurfaced with a fresh lineup, represents the enduring spirit of Malta's progressive rock scene and promises to deliver a performance that bridges their storied past with their exciting future. Headlining the anniversary celebration will be Vinyl Paradise, Malta's leading blues-rock trio. Known for their electrifying performances and authentic sound, Vinyl Paradise has become synonymous with quality Blues music in Malta, making them the perfect choice to close the main program of this milestone event. However, the musical celebration doesn't end with the headliners. Following Vinyl Paradise's set, the venue will open its stage to all musicians for an open jam session that will continue late into the night, embodying the inclusive, community-driven spirit that has defined Rockna throughout its 15-year journey. The anniversary concert is being proudly supported by PayMix SoftPOS, Music Playground, Tigullio, Take1 Print & Design and the radio show's home station NET FM. "This anniversary concert represents everything Rockna stands for – celebrating established talent while nurturing new voices in Malta's music scene," said Michael Bugeja. "The collaboration with Music Playground and the open jam session ensures that both seasoned professionals and emerging artists have the opportunity to participate in this milestone celebration." Over the past 15 years, Rockna has distinguished itself through its comprehensive format, seamlessly blending in-depth interviews with carefully curated music selections that showcase the depth and diversity of Malta's musical talent. The show has become synonymous with musical exclusivity, hosting numerous album and single launches as well as intimate live unplugged sessions. Some of these special moments have been preserved in the compilation album "Rockna Live & Unplugged," available as a free download. The show's impact extends beyond the airwaves, having previously staged special live concerts for previous anniversaries, which were also broadcast live on radio. As Malta's music scene continues to evolve and gain international recognition, Rockna remains a cornerstone of the local musical community. The 15th Anniversary Concert at Tigullio on October 3rd represents not just a celebration of the show's achievements, but a testament to the vibrant, ever-growing community of musicians and music lovers that have made Rockna possible. "Fifteen years ago, we set out to create something dedicated to comprehensively promoting Malta's music scene," Michael Bugeja reflected. "What started as a radio show has become more of a community, and this anniversary concert is our way of celebrating that community spirit that continues to drive us forward." Event Details: ●       Date: October 3rd, 2025 (Doors open at 8.30pm) ●       Venue: Tigullio, St Julian’s ●       Lineup: Kriz Haze (solo set), Colourblind, Vinyl Paradise, followed by open jam session hosted by Music Playground ●       Supporters: Pay Mix SoftPOS, Music Playground, Tigullio, Take1 Print & Design, NET FM All artwork by Samwel Mallia. For more information about the Rockna 15th Anniversary Concert, follow Rockna at facebook.com/rocknamalta . Tickets for the concert cost €10 (incl booking fee) and are available from trackagescheme.com . About Rockna:  Rockna is Malta's longest-running music and talk show dedicated exclusively to the local music scene. Broadcasting weekly, the show features interviews with local artists, exclusive live sessions, and music selections that highlight the diversity of Malta's musical landscape. The show airs on NET FM and is also available through internet streaming at netfm.com.mt  and DAB+ digital radio. Show Information:  Rockna - NET FM [Mondays at 7pm CET] Also available: Internet streaming at netfm.com.mt  and netondemand.mt  and DAB+ digital radio Media Contact:  Michael Bugeja ( bugeja.michael@gmail.com )

Play That Power Chord:  School of Rock – The Musical   Gets Ready to Rock Malta This October Revamp MT presents Andrew Lloyd Webber’s family-friendly musical at the MCC for one weekend only – and tickets are already selling fast. Class is in session this October – and it’s rocking Malta with the smash-hit School of Rock – The Musical,  in a weekend of electrifying performances at the Mediterranean Conference Centre in Valletta. Based on the Paramount movie written by Mike White and starring Jack Black, the Tony-nominated musical adaptation of School of Rock features   music by Andrew Lloyd Webber, a book by Julian Fellowes and lyrics by Glenn Slater. Like the movie, the musical follows wannabe rock star Dewey Finn as he cons his way into a teaching job at a prestigious prep school. Trading textbooks for electric guitars, Dewey inspires his students to form a rock band and compete in the Battle of the Bands – all while discovering that they have just as much to teach him about friendship, courage and staying true to yourself. Revamp MT’s production brings together an outstanding cast led by James Ryder as the irrepressible Dewey Finn, alongside Natassja Chapman as headteacher Rosalie Mullins, Alessio Buhagiar as Ned Schneebly, Bertha Farrugia as Patty Di Marco and Rachel Grech as Ms Sheinkopf. And, in true School of Rock  style, the classroom comes to life with a talented ensemble of young performers – including Leah Grech and Michela Caruana, sharing the role of Summer Hathaway – playing their own instruments live on stage, promising a rock concert atmosphere and unforgettable moments that both young and young-at-heart audiences will love. The creative team behind the production also makes the most of Revamp MT’s reputation for delivering bold theatre experiences in Malta, following its other acclaimed productions including The Band’s Visit  in 2023. Musical theatre veteran Dorothy Bezzina directs, alongside musical director Edward Mifsud, production manager Karl Borg and choreographer Samaria Bezzina. Sergio Costa and Mohamed Ali ‘Dali’ Aguerbi complete the line-up with dynamic sound and lighting design. With its infectious score, laugh-out-loud humour and heartfelt message – not to mention an exceptional cast of young and adult performers, playing live – School of Rock  offers an unmissable night of entertainment created with families in mind, blending musical theatre with the buzz of a live rock gig. “ School of Rock  is a show of pure joy. It’s a celebration of music, friendship and finding your voice, and it lifts you up from the first note,” says Dorothy Bezzina. “I’m so grateful to be working with such a diverse and talented cast, children and adults alike, who filled the room with their beautiful harmonies from day one. This production is giving us the chance to mentor young performers and help them grow in confidence, not just as triple threats, but as actor-musicians too. We’re so excited to share their talent and energy with audiences in Malta this October – make sure to book early and be part of the fun!” The Revamp MT production of School of Rock – The Musical  will run for one weekend only, with both matinee and evening performances between 10-12 October 2025 at the Mediterranean Conference Centre, Valletta. Recommended for audiences aged six and over, with mild parental discretion advised. This production was made possible by arrangement with The Really Useful Group Ltd. More information and tickets are available online at ww.showshappening.com/mcc/schoolofrock .

Chasing Pandora Release New Single This is How  Ahead of Immersive Live Concert Chasing Pandora have announced the release of their latest single This is How , which became available on all major streaming platforms yesterday, 27th August. The release follows the success of their recent track Silhouette  earlier this month. In a statement, the band said: “Thanks to all who have supported our latest release Silhouette . We truly appreciate it. As we previously shared earlier in the month, our second single for the month of August is released tomorrow 27th of August. The new song is called This is How  and will be available on all streaming platforms.” The new single, described by the band as “a conversation about mental health and how each gesture and word we use is important,” forms part of a special two-song release that coincides with their highly anticipated live event at Villa Rundle in Gozo on 28th August. The event, titled Life Imitates Art , promises an unforgettable evening where music, visual art, and dance merge into a single immersive experience. While Chasing Pandora perform, local painters Christopher Saliba, Victor Agius, David Debono, and Vince Caruana will create original artwork inspired by the band’s music. These works will be displayed and available for purchase on the night. Adding to the multi-disciplinary atmosphere, choreographed dance pieces by The Turning Pointe Studio will bring additional depth and movement to the performance. The concert will also feature a special collaboration with the children’s choir Angel Voices, who will join Chasing Pandora on a selection of songs to provide a powerful and heartfelt finale. “This event is about connection through creativity,” the band shared. “We hope to see you at Villa Rundle to experience the music, the art, and the energy we’ve built together.” Organized in collaboration with the Ministry of Gozo and the Planning and Cultural Heritage Directorate, the event is free of charge and open to the public. Special thanks were extended to sponsors Noise Studio Malta, Matt Hush, and The Sign Studio for their support. Further details can be found on the official event page Stay connected with Chasing Pandora: Facebook: @chasingpandoramalta Instagram: @chasingpandoramalta Threads: @chasingpandoramalta TikTok: @chasing.pandora Website: www.chasingpandora.com

The Malta Society of Arts will be hosting a special evening as part of Inizjamed’s Malta Mediterranean Literature Festival on Friday 29 August 2025 at 8pm . The event, titled In My Dream: A Night with Ubah Ali Farah & Franco Tartaglia , will be held at the Society’s Concert Hall in Valletta and is supported by the Istituto Italiano di Cultura di La Valletta. The evening will bring together literature, music and multilingual performance. Acclaimed Somali-Italian writer Ubah Ali Farah  will be interviewed by cultural practitioner Virginia Monteforte  about her literary work. Known for her evocative fiction and poetry, Ali Farah gives voice to the Somali diaspora, exploring Somalia’s history from the independence era and civil war to the lives of young Somalis in Rome. She is also an oral performer, and on this occasion will present part of her poetry in Italian, accompanied by Leanne Ellul , who translated her work into Maltese especially for the evening. Photo : Martin Seychell Complementing the literary programme is Maltese guitarist and composer Franco Tartaglia , whose musical interludes will weave through the event. Tartaglia, described as “an artist whose music blends classical and jazz fusion with a contemporary, adventurous spirit,” has developed a richly layered style influenced by diverse genres. His playing offers an emotionally powerful and refined sound that will provide an atmospheric counterpart to the spoken word. Speaking about the event, a spokesperson for the Malta Society of Arts said: “We are delighted to host such an inspiring evening that celebrates literature, music and multilingual voices. This collaboration highlights the importance of cultural exchange and artistic dialogue, which lie at the heart of our mission.” The evening will conclude with refreshments, offering audiences the chance to reflect and mingle. Admission is €5 , with tickets available via Showshappening . Further information is available on the Malta Society of Arts website . Event details: In My Dream: A Night with Ubah Ali Farah & Franco Tartaglia Friday 29 August 2025, 8pm Malta Society of Arts Concert Hall, 219 Republic Street, Valletta

Musician and indie-producer James Dratta  has unveiled his latest music video, Another Yesterday , ahead of its official release on Spotify. Known for crafting songs that blend dream pop melodies with introspective lyrics and groovy rhythms, Dratta describes the track as a deeply personal and spontaneous creation. “ Last week, this song started as a simple idea on my classical guitar. Today, it’s a full synthwave-inspired piece—raw, honest, and filmed with just a tripod and my phone, ” Dratta shares. The video embraces simplicity, echoing the song’s message that meaning can often be found in life’s understated moments. “ Life doesn’t always need to be grand to be meaningful. Maybe the beauty is in the routine, the quiet moments we often overlook. This video is a reminder of that, ” he adds. The music video for Another Yesterday  is now available to view here . James Dratta’s work draws inspiration from a wide range of genres, including rock, funk, synth-pop and chillwave. His original music is available on major streaming platforms such as Spotify, YouTube and Apple Music. Beyond his studio recordings, Dratta is also an established live music entertainment artist, delivering dynamic and captivating performances as a singer-guitarist. Whether offering unplugged acoustic sets or high-energy electric shows, he brings versatility and atmosphere to each performance. Using live looping for a layered, full-band sound as a solo act, or performing with a full band for a powerful stage experience, Dratta tailors every show to the vibe of the event.