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Part 1: From The Beer Festival to The Pope’s Backyard or Inky Pinky Ponky It all started ‘backstage’ at the Malta Death Festival 2024. Amid the growls and guitar squeals, Shawn and I got to talking—touring, metal, and the usual rock 'n' roll visions. I casually mentioned that I’d love to see Angelcrypt abroad, assuming the idea would be lost in the din of distortion. Spoiler alert: it wasn’t. Months later, as negotiations kicked off for Masters of Rock in the Czech Republic, Shawn pulled out that little nugget of memory. And so, the gears were set in motion. But before we could conquer foreign stages, Angelcrypt had one stop to make—their only Maltese gig of the year at the Farsons Beer Festival on July 3rd. Malta got its taste, and then it was time to fly. The voyage begins. photo: Angelcrypt Wednesday, July 9th began, as most adventures do, with a sleepy-eyed airport meetup at 8am. Of course, our flight was delayed, because nothing says "tour life" like starting behind schedule. While we waited, we bumped into Rene ‘Hades’ Farrugia, who was off to Poland to play his set at Castle Party Festival. Small metal world. We finally touched down in Rome, where Andrea, Angelcrypt’s Italian drummer, was our knight in shining...van. He drove us to his home in Ariccia, not far from Castel Gandolfo, aka the Pope’s summer escape. Rumour had it, His Holiness was meeting the Ukrainian president that day. Meanwhile, we were being spiritually blessed by Andrea’s wife’s divine pasta. When in Italy, carbs are holy. Rehearsal pose. photo: Noel Mifsud That evening, it was off to Andrea’s rehearsal den—a five-minute drive and a drum geek’s paradise. Jean had a minor technical scare: his bass’s bridge screw was loose. Not the first loose screw with Jean, mind you, but those only affects Shawn’s patience and self control. While he fixed that, Shawn suffered a tragic wardrobe malfunction—his jeans split clean down the middle. Crisis averted, pants changed, rehearsal commenced. Somewhere between blast beats and melodic growls, my ears—still clogged from the flight—miraculously popped back to normal. Whether it was the volume or the sheer metal, I’ll let you decide. After a full run-through of the setlist, Andrea took us out to Ristorante Le Colombe in Nemi. Half the menu mysteriously landed on our table, and we didn’t complain. 1am rolled around, and day one was officially conquered. The traditional "band photo on the road". photo: Angelcrypt Thursday, July 10th. We hit the road at 9am with our traditional "band photo on the road" and a mandatory espresso-and-cornetto pitstop by Lago Albano. If you’re in Italy and not over-caffeinating, are you even trying? Lago Albano. photo: Noel Mifsud We cruised past Florence by 12:46pm and Bologna by 2:15pm, making frequent espresso stops to maintain acceptable heart rates. At some point, Shawn’s ice cream cravings took precedence, so we added a gelato detour. Metal is all about balance, right? Then came the inevitable: traffic jam near Trieste thanks to an accident on the autostrada. A quick beer break at 6:30pm marked our final Italian stop. By 8pm, we’d crossed into Austria and reached Graz by 10pm, where Shawn found us an apartment with a locked garage—no need to unload the entire gear mountain. Dinner was late-night pizza from a kebab house, the only joint we found open at that time. Simple, greasy, perfect.

X-Tend Releases 14th Studio Album to Conclude 40th Anniversary Celebrations X-Tend will release their 14th. Studio album, X-Tend 1984-2024 part 2, on the 12th. August 2025, marking the latest instalment in the band’s 40th anniversary celebrations. The date carries special significance, coinciding exactly with the release of their very first single, “I can feel / Love me”, launched on 12th. August 1985. This milestone project which was made possible with the funds provided by Arts Council Malta, bridges the past and present with a collection of ten tracks that revisit, re-record and enhance some key works from their four-decade journey. The album will be released as a deluxe gatefold edition on 180g vinyl, offering fans a high-quality, collectible format, featuring ten carefully selected. Tracks that span the band’s early roots. The album is divided into two sides, combining new full-band recordings of classic tracks with enhanced and updated versions from the band’s earlier catalogue. Side A opens with a fresh ska version of Game of Life , composed by Eric Calleja, followed by Glittering and Love Me , both fully re-recorded by the band and originally composed by Charles Dalli. Also included are new recordings of Deadly Dreams  and an enhanced and edited version of Every Single Heart , both composed by Calleja. Side B continues with a new recording of Black Pagodas , and Can’t Hear You Calling , which—along with Message Is The Message  and Conclusion —dates back to the period before Charles Dalli joined the band. These three songs, co-written by Dalli, Calleja, Debono, Cassar, and Sammut, were recently re-recorded by the full band in Dalli’s studio, following minor structural adjustments introduced by Dalli. The side also includes an enhanced version of Reach Out , composed by Calleja. Most of the songs were entirely re-recorded by the current band lineup, offering a refreshed and cohesive sound, while others feature subtle updates to the original versions for improved clarity and arrangement. X-Tend 1984–2024 Part 2  stands as both a tribute to the band’s musical evolution and a revival of earlier material—some of which pre-dates their lead vocalist’s arrival—now brought into the present with the full band’s input. As X-Tend continues to build on its legacy, this album reinforces their enduring relevance and creative momentum four decades on. Special thanks go to Arts Council Malta and Manolito Galea of Lito’s Place. You can purchase the album from 12th August here .

Rock in the Forest 2025 returns to Chateau Buskett—Malta’s only natural woodland—on Saturday, 23 August, promising an unforgettable open-air concert experience like no other. The gates open at 7:30 PM, with the music kicking off at 8:30 PM. Set beneath a canopy of trees and illuminated by vibrant lighting, the event transforms the forest into a magical festival ground for one night only. This year’s show will feature a dynamic setlist of rock anthems spanning decades, covering everything from classic legends like Queen, Pink Floyd, and the Eagles, to modern giants such as Foo Fighters, Muse, Green Day, and Ghost. A special tribute to Ozzy Osbourne will be a highlight of the night. The performance is delivered by a powerhouse collective of Maltese talent, including vocalists Georgius Mifsud, Sarah De’ Marco, Jeanelle Newell, Simaria Galea, David Ellul Mercer, special guest Thea Aquilina, and founder David Perotti. They’ll be backed by an exceptional group of musicians: Kristina Perotti, Franco Aloisio, Sergio Bellizzi, Max Paget, Cliff Smith, Mario Saliba, and Carl Tanti. Since its humble beginnings in 2012 as a backyard concert, Rock in the Forest has evolved into a major annual music event with a charitable mission. The 2025 edition will support Inspire Malta, continuing a tradition of giving that has previously benefited causes such as Dr Klown, Cystic Fibrosis Malta, Terry Time Trust, DAR Bjorn, WaterAid, and ACICA. Food and drink are an essential part of the evening’s atmosphere, with an on-site bar and restaurant open throughout the night. Guests can choose to stand near the stage for a lively concert feel or reserve terrace tables for a more relaxed dining and listening experience. Parking is available on location, ensuring easy access for all attendees. Tickets are donation-based and can be purchased online via platforms such as Showshappening or at the entrance on the night. Children under 13 can attend for free, making the event welcoming to families as well as die-hard rock fans. What makes Rock in the Forest truly special is its combination of great music, community spirit, and a one-of-a-kind location. It’s an accessible, affordable evening of entertainment that blends the power of rock with the beauty of nature—all while supporting a meaningful cause. Whether you come for the music, the atmosphere, or the mission, this is one night you won’t want to miss.

Killerwitch Signs with Witches Brew for Upcoming Album "Palace of the Dragon" Heavy Metal band Killerwitch  has officially signed with the German underground label Witches Brew , marking a major step forward in their journey through the world of epic and power-driven metal. The announcement came Wednesday 6th August, with Witches Brew declaring the news on their social media platforms: “Witches Brew has forged a deal in steel with Heavy Metal band Killerwitch from Malta! Their second full length, 'Palace Of The Dragon,' is planned for release on CD this September. Seven tracks featuring a stunning mixture of Power, Heavy and Epic Metal!” Killerwitch 2025 In a post shared on their own social media, Killerwitch expressed excitement over the collaboration: "Good evening, metalheads! As promised, we are extremely proud to bring you not one, but two major announcements this time.First, Killerwitch has officially sealed the deal in steel with record label WITCHES BREW!Second, we are thrilled to reveal that our upcoming second full-length album is set for release this September!Stay tuned, for more news in the coming weeks!” The upcoming album, Palace of the Dragon , is set to be a powerful showcase of the band’s evolving sound—a blend of Power, Heavy, and Epic Metal that has become their signature since forming in 2018. A Band Forged from the Ashes Killerwitch's origin traces back to the disbandment of 12th Ode , a prior project that included guitarists Jeremy  and Owen  (Sacro Sanctus / ex-Viper Soup Complex), along with bassist Gino  (Characters). The trio decided to pursue a new direction, crafting fresh material under a new name. In early 2019, they were joined by Luke  (Mur.Doc 104) on vocals and Claudio  on drums, officially solidifying the Killerwitch lineup. Their debut album was recorded and released in November 2020. However, the band faced changes in 2021, parting ways with Claudio and recruiting Gareth (ex-Hecate Enthroned) in 2022 to take over on drums. Rising in the Metal Scene Killerwitch debuted live in May 2022, supporting Pilgrimage , and quickly built momentum with a series of performances throughout the year. They shared stages with acts like Midnight Priest , Angel Martyr , Forsaken , and Storace , gaining a dedicated following and solidifying their place in the local and regional metal scenes. The upcoming Palace of the Dragon  is their second full-length effort and will be the band’s first release under the Witches Brew label. With anticipation building and a growing fan base hungry for more, Killerwitch’s next chapter looks set to be their most explosive yet. Stay tuned for more updates and pre-order announcements as September draws near.

“You see someone blow up on social media overnight… but do you know about the 10 years of work before that moment?” Everyone seems to love a story of an overnight “success.” The musician “who went viral.” The business “who made six figures in six months.” The individual “who transformed their body in thirty days” It makes us question why we haven’t achieved something similar yet. But most of these so-called overnight success stories are built upon years of visible and, most often, invisible work. There are so many different angles we can explore, but the most important to ponder at this point is: what is success, truly? The Decade Behind the “Moment” Consider any musician who makes it big on social media in a single day. It seems like they’ve struck gold overnight. But in reality, what they’ve accumulated is something like: 10,000 practice room hours in the form of rehearsals Performances in front of three to five people in empty venues Songs that died in a lifetime of obscurity Stages of life in which they contemplated disappearing and not pursuing their career The same goes for everyone else. The individual who “seems” to have the perfect job may have slogged it out for over a decade. That “fitness transformation?” More often than not, it is the result of relentless work “behind the curtain” over the years and manifests in slow, long-term progression, rather than a magical thirty day program. It seems like success occurs at all at once. But in reality, it’s the tip of the iceberg, a tiny fraction of what is a long, silent voyage. Uncovering What's Below The Surface Additionally, let us consider something we don’t often explore, the notion of success is, at times, the opposite of what it appears to be. For some, success can feel anticlimactic like when a viral moment or a “big break” is accompanied by no real structure to uphold it. While for some, reaching the so-called milestone feels devoid of any magic. This is precisely how so many people “make it” only to later feel disoriented. The person gets what they believed were the markers of success, only to come to the realisation later that it is not what they were, in the end, looking for. Shifting The Thought Of Success So what is it, success? For the musician, is it packed-out shows or is it finishing a song that gives them a sense of achievement? For some creators, is it going viral or having the self-expression and freedom to continue making art? For anyone, is it focusing on external markers, or living a life deemed to be meaningful and fulfilling? Personally, I think it is not an event in time, rather an accumulation of several. So far, I have understood that success is the process and the perpetual work that leads to a joyful outcome. Why Slow Wins Last Slow growth is definitely not beautiful in any way. It cedoes not go viral. However, it ensures that something genuine is built: Lasting real skill Ingrained confidence that is not dependent on external admiration The liberty to define what success is for you Perhaps that is what we should work for. Not the quick win, but the slow, sure and steady climb. Your Turn Could it be that real success is simply in showing up, day after day, regardless of whether the world is noticing or not. So let me ask you: What does success mean for you – devoid of the suffocating expectations that have been imposed on you, and instead pivoting towards what genuinely resonates and brings joy to your life? Merch Cd’s and Vinyl My Website Stream my Music

On the 10th of July, 2025, Malta's very own Chellcy Reitsma was accepted as a new GRAMMY Voting Member by The Recording Academy!  After a rigorous application process, and cutting through an  overwhelming pool of international applicants, Chellcy's music industry peers selected her as one of the deserving individuals empowered to make a direct impact on the future of music and the lives of those who power it – creators.   As a member, she will have significant influence to help The Recording Academy carry out their ongoing mission to support and protect the art of music creation and music people year-round. She can now submit songs for GRAMMY nomination consideration and cast her vote in choosing who will receive a GRAMMY nomination and in the final GRAMMY winners; as well she can attend The Recording Academy events, including the GRAMMY's.   What does this mean for Malta? By becoming a GRAMMY Voting Member, Chellcy has taken one huge step forward in elevating Malta's status on the international music scene and can represent Malta and the Maltese music industry on a very internationally renowned platform and music community!  A huge congratulations to Chellcy Reitsma as well as to Malta's music community for this huge win! Let's look forward to the future and keep up with Chellcy's progress.

On behalf of Wacken Metal Battle Malta, I want to express my deepest and most heartfelt gratitude to everyone who helped make our journey to Wacken Open Air 2025  such a powerful and unforgettable milestone. Malta made history with its first-ever live performance on the sacred grounds of Wacken , and what a moment it was. 🔥 A massive thank you  to the Wacken Metal Battle international crew, the Wacken Open Air promoters and team, and the entire W:E:T Stage crew at Bullhead City. Your professionalism, dedication, and tireless work behind the scenes gave Morsrot the stage to showcase Maltese metal at its fiercest. 🔥 To Marton Saliba  – your unwavering support and guidance to Morsrot throughout every phase of this journey was absolutely vital. Your commitment was instrumental in pushing the band toward this incredible achievement. 🔥 To Gordon O’Reilly  – representing Malta as part of the International Jury was no small task, and your presence added true weight to our nation’s name on the global scene. Your insight and dedication helped cement Malta’s mark at Wacken. 🔥 To every single metal fan  who stood with us – whether you were in the crowd or cheering from afar – your energy, support, and belief made all the difference. 🔥 And to Morsrot  – what can I say? You brought the fire. You played with heart, fury, and conviction, embodying the raw power and soul of Maltese metal on one of the most prestigious stages in the world. We are beyond proud. This moment proves what can happen when passion, persistence, and unity drive us forward. Let this be the beginning of many more milestones to come. Here's to louder years ahead , and to keeping the metal flame burning bright for Malta on the global stage. Until the next battle… 🔥 Nick Grima MGT Official Promoter – WACKEN METAL BATTLE MALTA  🔥

Pilgrimage Unveils Second Single Ahead of Upcoming Album 'From Amber To Sun' Atmospheric doom metal project Pilgrimage  is gathering momentum ahead of their sophomore album release, From Amber To Sun , due out August 29 via Meuse Music Records . Earlier this month, the band unveiled their first single, “Whispers on Stellar Seas,”  which has garnered nearly 1,000 views on YouTube — a milestone the band hopes to soon surpass. “ The reception to ‘Whispers on Stellar Seas’ has been incredible. It’s a deeply personal track, and we’re thrilled that so many listeners are connecting with it, ” a representative for the band shared. The hauntingly melodic track features guest vocals from Heike Langhans (Official) , whose ethereal voice adds a rich layer of atmosphere to the composition. Building on the excitement, Pilgrimage has now released their second single , “A Foreboding Menace,”  available exclusively through Meuse Music Records' Bandcamp  page. The track continues the band’s journey through cosmic despair and introspection, hinting at the thematic depth of the upcoming full-length release. Fans can pre-order From Amber To Sun  now through the official Meuse Music Records store , the band’s own Bandcamp , or directly via Meuse Music’s Bandcamp . “ We poured a lot into this record. From the artwork to the layered arrangements, this album is the culmination of years of growth, ” the band stated. “ With every release, we aim to pull listeners deeper into the world we’re creating. ” Listeners are encouraged to support the band by watching the “Whispers on Stellar Seas”  video on YouTube  and sharing it to help the song reach its 1,000-view milestone. With two singles now unveiled, anticipation is building fast for From Amber To Sun . For more updates, follow @pilgrimagedoom  or visit M9 Music  and Meuse Music Records . Oblique Announce New Guitarist Roberto Guida, Expanding to a Three-Guitar Lineup Progressive doom metal act Oblique  has officially welcomed a new member to its ranks, further strengthening its sonic arsenal. In a band announcement made earlier this week, Oblique introduced Roberto Guida  as their third guitarist , solidifying a powerful triple-guitar lineup alongside Jeffrey Bugeja  and Frank Pizzo . “The OBLIQUE family just got bigger!” the band shared enthusiastically on social media. “Ladies and gentlemen, please welcome on board, our latest addition on third guitar.... Mr. Roberto Guida!!” Guida’s on-stage chemistry with the band had already been witnessed earlier this month when Oblique performed at the Malta Metal Weekend , sharing the stage with heavyweights Opeth  and Cemetery Skyline . He stepped in for founding guitarist Jeffrey Bugeja, who was indisposed for the show. Guida’s performance reportedly impressed both fans and fellow musicians, setting the tone for what now appears to be a natural and permanent fit. “Roberto brought incredible energy and precision to our set at Malta Metal Weekend,” said a representative from the band. “We knew almost instantly that we wanted him to be part of the journey going forward.” With this addition, Oblique joins a select group of metal bands embracing a three-guitar format , a move that promises richer harmonies, heavier layering, and more dynamic live arrangements. The updated lineup — Bugeja, Pizzo, and Guida on guitars — is expected to play a major role in shaping Oblique’s future material and live sound. While no official word has been given on upcoming releases, fans are already speculating that a new chapter for the band is on the horizon. Stay connected with Oblique for more updates and upcoming tour dates via their official channels. Beheaded Gears Up for Tour with Focus on New Album GĦADAM Maltese death metal titans Beheaded  have hit the ground running following the release of their blistering seventh studio album, GĦADAM , which dropped on July 25 via Agonia Records . As they rehearse in Italy for a string of upcoming shows and festival appearances, the band has turned to fans for input on their live setlist. “We're in Italy working on our set list for the upcoming shows & festivals, focusing on new songs from GĦADAM ,” the band posted on Facebook on July 28. “Which tracks would you like to see us play live from our new album?” GĦADAM , is already drawing critical acclaim for its relentless intensity, intricate songwriting, and commanding execution. According to Mystification Zine , the album is “a merciless slab of brutality that remains rooted in classic death metal while expanding Beheaded’s sonic reach into darker, more atmospheric realms.” The review praises the production as “crushingly clear without losing rawness,” calling it one of Beheaded’s most complete works to date. Metalitalia  also offered a glowing assessment, stating that GĦADAM  is “an excellent return that reinforces Beheaded’s status among European death metal elite.” The review highlights tracks like "Xibka tal-Gideb"  and "Roti tal-Qirda"  as standouts, noting their “technical precision, blast-driven rage, and grim cultural resonance.” The album is now available in multiple physical formats via Agonia Records  and across all major streaming platforms: Stream GĦADAM . With seven albums under their belt and a reputation for ferocious live performances, Beheaded continues to be a dominant force in the international extreme metal scene. Fans attending their upcoming shows can expect a setlist that dives deep into the raw power of GĦADAM  — and maybe even helps shape it. For more updates, tour dates, and merchandise, follow Beheaded on their official social media channels.

On August 1st, PERSONAL RECORDS is proud to present ANCHORITE's highly anticipated second album, Realm of Ruin, on CD format. ANCHORITE was formed in late 2018 at the Malta Doom Metal Festival when vocalist Leo Stivala (Forsaken, ex-Reflection) and bassist Peter Svensson (Void Moon, Assassin’s Blade, ex-Goatess) decided to form a band together. Firmly based in the field of epic doom metal, they started outlining the overall concept of the band and began recruiting members. The first member to join the band was drummer Marcus Rosenkvist (Void Moon, Assassin’s Blade), and work on material for their first album started right away. After trying several guitarists, the perfect fit was found in Martin Jepsen Andersen (Blindstone, Meridian, ex-Reece) and the recording of that album, Further from Eternity, could be completed. This first album was mixed by Magnus "Devo" Andersson (ex-Marduk) at Endarker Studio. The album contained a heartfelt tribute to Mark "The Shark" Shelton, the late frontman of Manilla Road, called "Valhalla Awaits," featuring ex-Manilla Road members Randy Foxe (drums) and Bryan Patrick (vocals). After a break of a few years, ANCHORITE started writing new material for a second album. This time, compositions were done in a more of a band-collaborative manner, with everyone pulling in ideas. The new album was recorded 2024-2025, and mixing and mastering was again trusted in the hands of Endarker Studio. Titled Realm of Ruin, form fits contents, as ANCHORITE build towers of epic-ascending / descending emotion and heaviness. Truly, this is maniacal doom for doom metal maniacs - the band are forthright about their influences, namely Solitude Aeternus, Candlemass, and the aforementioned Manilla Road - but that takes nothing away from the poignancy and power of these eight equally weighty songs. Even for those well versed in epic doom, Realm of Ruin conveys ANCHORITE's own personality, indeed putting a unique twist on an otherwise-strictured idiom; one will find a plethora of dual-harmonic leads and tempos that pick up to a trad-metal gallop, among other tasteful details. What's more, the band cement their cultness by getting a guest appearance from legendary Mercyful Fate guitarist Michael Denner. Wander within this Realm of Ruin as the journey of the ANCHORITE continues!

Lyndsay Pace is making it big in Hollywood! Lyndsay Pace is a singer/songwriter hailing from the Mediterranean island of Malta. Her passion for music had always been evident from a very young age carrying her natural presence and self-confident abilities through each of her stage performances. She differs from the other acts in the local music industry by bringing about a certain aura, a professional one which incorporates stamina, attitude and pure energy. Lyndsay had also participated in a number of renowned festivals both local and international such as The Malta Eurovision Song Contest, X Factor Malta, Muzika Muzika, Britain’s Got Talent, The Hartbex Carpathia Festival and The Fan Vision Song Contest to mention a few. Following her latest achievements, Lyndsay Pace has been nominated at the World Entertainment Awards in the Best Pop Song Category with her single “Trippin’”, the top charting track from her debut album in collaboration with Highkey Music. Furthermore, the most anticipated ceremony shall be taking place in Hollywood, Los Angeles early next year amongst worldwide artists who are not only involved in the music business but also in the film, fashion and creative industry whilst shaping today’s culture. The mission of such a prestigious event is to honour, recognize and reward excellence towards the outstanding talents across the globe. www.lyndsaypace.com

After more than 15 years of musical exploration behind the scenes, independent Maltese artist Johann Caruana  is stepping confidently into the music scene. Earlier this year, the 32-year-old musician released his debut single, “No Hope Left,”  a track that marks the beginning of what he calls “a long and meaningful musical journey.” Johann’s music is anything but conventional. His work is a fusion of rock, electronic, and worship influences—blending multiple sub-genres including blues rock, shoegaze, dance pop, trance, disco polo, and even rap. Each song is a sonic experiment, carefully crafted to reflect the emotional and spiritual layers of his identity as a composer, multi-instrumentalist, and man of faith. “I spent over ten years writing and experimenting with different genres, but I finally felt it was time to take the leap and start releasing my music to the world,” says Johann, who plays both drums and bass guitar. “‘No Hope Left’ was the first step, and it opened doors I didn’t expect.” Following the single’s release in March, Johann quickly gained momentum. His latest track, “Under the Pulse,”  brings a powerful, summer-inspired sound that showcases his flexibility as a producer. Then came “Midnight Blues” —a blues rock melody that recently received international airplay on WANT FM 98.9 in Tennessee, USA. For an independent artist from Malta, that kind of recognition is both rare and encouraging. What truly sets Johann apart, however, is his willingness to experiment with faith-based music  in ways that resonate with modern audiences. His track “Philippians 4”  takes a Bible verse and reimagines it as a rap song, complete with a beat that wouldn’t feel out of place on today’s hip-hop charts. “I believe the Bible can still be presented to present and future generations through the media we have at our disposal,” he says. “Music is one of the most powerful tools we have to do that.” Another standout track, “At the Edge,”  continues the theme of inspiration, carrying a message about perseverance and not giving up—something Johann himself has clearly embodied throughout his creative journey. With more releases planned and a steadily growing international reach, Johann is shaping up to be a bold and meaningful new voice from Malta . This evolution includes exploring opportunities to collaborate with local vocalists on future projects. Listeners can find Johann Caruana’s music on all major streaming platforms, including Spotify, Apple Music, Amazon Music,  and YouTube Music .

Two minutes of scrolling can undo hours of peace. Here’s why and how to stop the spiral. If you spend just two minutes scrolling on social media platforms these days, you can easily convince yourself that you’re falling behind either on your fitness , your career , your travel or even your musical capabilities. You see someone with perfect abs, another with a dream job, and yet another who seems to play their instrument with effortless mastery. It’s like the entire world is advancing while you’re standing still. That sinking feeling I should be there by now feeling? That’s comparison paralysis —and the scroll is designed to trigger it. The feeds we consume are not just showing life. They are curated, filtered, and often manipulated highlight reels. Which brings us to the Giacomo Turra saga . When the Reel Isn’t Real Turra, a guitarist who went viral for his stunning performances, later faced backlash for allegedly relying on editing tricks, borrowing others’ work, and over-polishing what was presented as live and authentic. For a while, he was the standard many aspiring players silently compared themselves to. Then the cracks showed, proving once again that not everything we scroll past is true. And this doesn’t just happen in music. For anyone , the same illusion applies: That traveller posting endless beach photos? They may have batched six months’ worth of content in one trip. The entrepreneur “making six figures overnight”? You’re not seeing the years of struggle or the smoke and mirrors. The fitness influencer flaunting their physique? It could be perfect lighting, filters, or even digital enhancement. We’re often comparing our raw, unedited life to someone else’s staged moment . Why It Freezes Us Comparison isn’t always bad—it can sometimes motivate. But when the comparison is based on distorted realities, it overwhelms. Instead of inspiring action, it makes you freeze. You scroll more. You doubt yourself more. You feel smaller. How to Disarm It Whether you’re a musician , a creative , or simply trying to stay sane online, here’s how to loosen comparison’s grip: Name it when it happens. Pause and say: This is comparison, not truth. Remember the Turra effect. You don’t know how many takes, edits, or embellishments lie behind that clip. Curate your feed. Follow creators who share the messy, real process, not just the polished results. Zoom out on time. Your career, health, or art has its timeline. Someone else’s pace isn’t your pace. Shift from consuming to creating. Play one riff, record one idea, write one sentence. Creation beats endless scrolling. Take one small step. Ten minutes of honest work, practice, learning, and movement gives more than ten minutes of envy. Your Turn Next time you catch yourself spiralling in the scroll, ask: If I put this same energy into building my craft or my life, what would I create right now? Then… go do that. Because you’re not late. You’re not behind. And most of what you’re comparing yourself to? It’s not the whole story. So tell me—how do you keep social media from making you feel “behind”? Do you have a way to stop comparison before it takes hold? Become a paid subscriber here . Thanks for reading — and keep grooving, Merch Cd’s and Vinyl My Website Stream my Music

Esoteric Ethiopia & Cultura Obscura Feature on Monumental 100-Track Compilation Released by Santa Sangre Magazine Santa Sangre Magazine has just released an ambitious and boundary-pushing 100-track compilation , now available via Bandcamp . Among the standout contributions are three atmospheric and genre-defying pieces from the project Devil’s Breath , a collaborative and solo venture between Esoteric Ethiopia  and Cultura Obscura . Featured Tracks: 1. “Hadza” – Devil’s Breath (Esoteric Ethiopia + Cultura Obscura) Genre:  Tribal Ambient / Drone / NoiseA hauntingly atmospheric track inspired by the Hadza people—an indigenous, non-hierarchical tribe from Tanzania. “Hadza” is a sonic reflection on harmony, resistance to hierarchical oppression, and the raw beauty of ancestral traditions.🎧 Listen: Hadza 2. “Sombrelight” – Cultura Obscura (Solo) Genre:  Experimental Drone Noise Ambient“Sombrelight” envelops the listener in textured drone layers and dense ambient noise. A solo effort from Cultura Obscura, this track deepens the compilation’s mood with stark emotional contrasts.🎧 Listen: Sombrelight 3. “I Did Not Ask For This, It Will End With Me” – Esoteric Ethiopia (Solo) Genre:  Drone / Tribal Dub Techno AmbientA deeply personal track rooted in Anti-Natalist philosophy , Esoteric Ethiopia offers a minimalist but powerful meditation born from a period of profound introspection. The track weaves subtle noise into a tribal-tinged ambient dubscape.🎧 Listen: I Did Not Ask For This... These contributions reflect the raw, experimental spirit of Devil’s Breath , highlighting music that challenges traditional genre boundaries while speaking to themes of human fragility, resistance, and philosophical questioning. Santa Sangre’s compilation  is now live and offers a vast sonic landscape for lovers of the underground, the obscure, and the deeply meaningful. We are forever grateful for this opportunity to be included in such an expansive and important release. More Info: 🔗 santasangremagazine.bandcamp.com

New Writers Critic Platform launched by Festivals Malta and Arts Council Malta Festivals Malta, in collaboration with Arts Council Malta, have launched a pilot project for a Writers Critic Platform designed to stimulate critical dialogue around dance, theatre, music and performance. This platform is aimed at developing and promoting high-quality arts journalism in the digital space through a pilot edition dedicated to dance writing. Writer's Critic Platform - Photo: Elisa von Brockdorff  This Writing Academy, will take place during Dance Festival Malta and is led by journalist, producer and director of Aerowave’s Springback Academy, Oonagh Duckworth. Five writers who applied through an open call, which was released earlier this month, will attend writing workshops designed to hone their skills and to help them gain confidence in producing compelling, timely, and thoughtful dance criticism for online publication.   Annabelle Stivala, Executive Head, International Cultural Relations & Events, Arts Council Malta, said, “This program, which is a collaboration between Arts Council Malta and Dance Festival Malta, is designed to cultivate a new generation of art writers and critics across all artistic disciplines, reinforcing the essential connection between performance, critique, and audience engagement. This initiative reaffirms our belief that critical writing is a vital extension of artistic practice, helping to build bridges between artists and audiences.”   Festivals Malta CEO, Frans Agius, said that “Through this platform and our festival, Dance Festival Malta, Festivals Malta is aiming to develop local talent even further, while contributing to cultivate more critical writers in the cultural sector, particularly in dance.”   “Art critics and writers play a vital role in translating the visual and the momentary into language,” says Dance Festival Malta Artistic Director, Francesca Tranter. “They help artists grow by offering insight and analysis, and they allow audiences who could not be physically present to connect with the work in a meaningful way. That is why such initiatives are pivotal for the culture sector” The Writer’s Critic Platform is happening in collaboration with Arts Council Malta and with the support of the Valletta Cultural Agency and Valletta Design Cluster. The Platform is taking place during Dance Festival Malta’s 4th edition between the 24 and 27 July. For tickets and more information about the festival visit www.dfm.mt

Myles Drops "Gratitude Song" - A Raw, Uplifting Anthem for a World That Needs It Gratitude Song (artwork) Maltese alt-rock artist Myles is back with a powerful new single, "Gratitude Song," releasing Saturday, 26th July. The track is a bold call to stay soft, kind, and grounded-especially when it feels hardest. Following the success of Lil Din l-Art Helwa and Issir Sinjur, Myles now pivots to personal resilience with Gratitude Song, the opening chapter of his upcoming album Bare Bones. The track begins as a quiet reflection and gradually builds into a rousing anthem about emotional survival, human connection, and the quiet rebellion of being grateful in a chaotic world. "I wanted to write something real - not overly polished, not fake happy. Just... human," says Myles. "We talk about gratitude like it's easy. But real gratitude? It's a fight. It's radical." will connect with instantly. Follow Myles

James Dratta Releases Emotional Song 'No Need To Be Alone' Singer-songwriter James Dratta has just released his latest single, “No Need To Be Alone” a heartfelt anthem blending modern pop production with a retro synthwave atmosphere. The track is now available on Spotify and all major streaming platforms.   “No Need To Be Alone” is a melodic journey through emotional isolation and rediscovery, a relatable song born from late-night thoughts and honest reflection. Built around various synth textures and a compelling vocal performance, the song offers comfort and hope in a world where connection often feels out of reach. “I wanted to write something that reminds people they’re not alone in how they feel - that there’s strength in vulnerability,” says James. This track was entirely produced by Dratta, including playing all the instruments and vocal recording as an experiment to create a track in less than 10 days as an indie artist to capture a very raw emotion.   With influences rooted in pop, rock, and retrowave, James Dratta delivers a track that feels as sincere as it is radio-ready. His background as a live performer in both solo and full-band formats informs the energy and polish of the recording, while the raw lyrics maintain an intimacy listeners will connect with instantly. You can listen to the track here

Formed in Mellieħa, in 2006, Nomad Son quickly established themselves as a formidable force in the doom metal scene. Known for their brooding compositions and apocalyptic themes, their music delves into the depths of doom, death, and Christian-inspired reflections. Signed to Metal on Metal Records, the band first captured attention with two demo tracks—“Shallow Grave” and “Empyrean Fade”—included in a 2008 label compilation. However, they never officially released a standalone demo. July 16, 2025, marks the 15th anniversary of Nomad Son’s sophomore album, The Eternal Return, a cornerstone of Maltese doom metal that has left a profound impression on the global metal scene since its release in 2010. Issued under Metal on Metal Records (Catalog ID: MOMR10018), the album encapsulates a unique blend of traditional doom influences with a bold, progressive edge, solidifying Nomad Son’s place in the annals of the genre. Spanning nearly 54 minutes across eight tracks, The Eternal Return offers a dynamic range of tempos, tones, and atmospheres. From the energetic gallop of “The Vigil” and “Sigma Draconis” to the slow, mournful dirges of “Comatose Souls” and the epic 11-minute “Winds of Golgotha,” the album showcases both diversity and cohesion. The title track, with its haunting narration transitioning into Jordan Cutajar’s distinctive vocal style, highlights the band’s penchant for storytelling through music. The album’s texture owes much to Julian Grech’s commanding keyboard presence, which steps beyond mere accompaniment to become an essential melodic and atmospheric force. Tracks like “Comatose Souls” and “Winds of Golgotha” demonstrate this vividly, with organ solos that intertwine seamlessly with Chris Grech’s guitar leads. This interplay of instruments creates a sound that is at once vintage and innovative, honoring doom metal traditions while exploring new frontiers. Nomad Son at Doom Shall Rise - Germany 2010 photo: Metal On Metal The band’s lineup for The Eternal Return—Albert Bell (bass, additional vocals), Edward Magri (drums), Chris Grech (guitars), Julian Grech (keyboards, organ), and Jordan Cutajar (vocals)—delivers a performance steeped in synergy and precision. Produced, mixed, and mastered by David Vella at Temple Studios in Malta, the album reflects meticulous craftsmanship. The evocative cover art by Jowita Kamińska-Peruzzi and the thoughtful layout by Simone A. Peruzzi further enhance the album's aesthetic and thematic resonance. Nomad Son at Luxol Sports Club - July 17, 2010 To commemorate the album’s release, a launch party was held at Luxol Sports Club on July 17, 2010. The event took place on a sweltering summer night and featured Sicilian doom metal band Trinakrius as the supporting act, adding to the dark and immersive atmosphere of the evening. Upon release, The Eternal Return received widespread acclaim for its bold approach and richly layered sound. Critics lauded Cutajar’s vocal delivery, often described as a “raw, prophetic howl,” which ties the album’s diverse tracks together. The use of keyboards as a lead instrument drew comparisons to vintage rock and heavy metal legends, while the band’s integration of Christian and apocalyptic themes sparked intrigue and admiration. Setlist for Eternal Return album launch 17 July 2010 Fans and reviewers alike appreciated the maturity and depth evident in this album compared to its predecessor, First Light (2008). While First Light laid a solid foundation for Nomad Son’s sound, The Eternal Return showcased a band that had evolved significantly, embracing a darker, more intricate style of composition and lyricism. Their next album was released on August 30th, 2013 and was titled The Darkening. In 2018, drummer Edward Magri departed the band and was succeeded by Chris Galea, marking a new chapter in the group’s journey. Nomad Son live 2010 - photo: metalmaniacs.net Fifteen years later, The Eternal Return remains a hallmark of doom metal, celebrated for its originality and emotional depth. It stands as a testament to Malta’s vibrant yet understated contribution to the metal world and continues to resonate with listeners old and new. As fans revisit tracks like “Guilty as Sin” and “Throne of Judgement,” the album’s enduring relevance becomes clear. Whether through its evocative lyrics, masterful musicianship, or timeless atmosphere, The Eternal Return solidifies its place as a classic, embodying the spirit of doom metal while transcending its boundaries. This anniversary not only honors the album’s legacy but also reaffirms Nomad Son’s role in shaping the genre. The Eternal Return remains a vital and cherished piece of doom metal history, its echoes as powerful today as they were in 2010.   Bibliography Metal Archives. The Eternal Return album page. Accessed December 2024. https://www.metal-archives.com Orionmetalhead. “Impeccable Doom - 90%.” Metal Archives Review, January 29, 2014. Jessie117. “Nomad Son - The Eternal Return - 70%.” Destructive Music Webzine, September 28, 2012. Metantoine. “Malta's Doom is Nigh! - 82%.” Contaminated Tones Review, September 2, 2011. Metal on Metal Records. Nomad Son Artist Page. Accessed December 2024. http://metal-on-metal.com

The Invisible Skills That Make All the Difference When most people talk about learning bass, they focus on the visible stuff, finger strength, scales, speed, slap technique, and tone. And don’t get me wrong, those things matter. But if you’ve ever locked in with a drummer and felt the whole band start to levitate… or if you’ve seen a bass player completely transform a song without playing anything flashy… then you’ve seen what really makes a difference. There are certain skills, quiet, subtle, and often ignored, that separate the good bassists from the truly great ones. These aren’t usually taught in method books, and they don’t make for flashy YouTube videos. But they’re the reason people call you back for gigs. Here are five of the most powerful "invisible skills" I’ve come to rely on — and how you can start developing them. 1. Timing & Feel It’s not just about playing the notes on time . It’s about where within the beat you choose to sit. Laying slightly behind the beat can make a groove feel more relaxed and soulful. Sitting right on top can give it urgency. Great bassists don’t just keep time — they shape it. And the way you lock in with the drummer can change the entire energy of a track. Tip: Record yourself playing along to different grooves. Experiment with pushing or dragging just a hair. Listen back, the feel says everything. 2. Listening & Responsiveness You’re not playing in a vacuum. If the keyboardist suddenly adds syncopation, or the drummer shifts the hi-hat pattern, can you adjust your part on the fly ? The bass isn’t just about laying a foundation, it’s about conversation . The better you listen, the more musical and alive your playing becomes. Tip: Practice reacting. Put on backing tracks or jam with a friend and intentionally vary what you play each chorus based on what’s happening around you. 3. Note Choice in Context Knowing your modes and arpeggios is great. But great note choice often comes down to feel, not theory. Sometimes the right note is the one that holds tension. Sometimes it's the root, played simply and confidently. What matters is how the note fits with the moment. not whether it fits a scale. Tip: Try playing fewer notes during your next jam. Strip it down to roots and fifths, then slowly add colour, and listen to how each new note changes the feel. 4. Muting & Space Space is your secret weapon. One well-placed rest or muted note can groove harder than a flurry of 16ths. The ability to leave space, control note length, and mute effectively is what gives bass its percussive character. It also makes the notes you do play stand out more. Tip: Practice with a metronome and focus only on groove using ghost notes and rests. No fills. Just make it bounce. 5. Band Chemistry Here’s something you’ll never learn in a practice room: how to be the kind of bassist people want to play with. It’s not just about chops, it’s about presence, sensitivity, awareness, and generosity. Knowing when to step up, when to lay back, and how to serve the music. That’s what makes people trust you, and invite you back. Tip: Ask your bandmates what they appreciate most about other bass players. The answers might surprise you. Want to Go Deeper? In the next paid-only post , I’ll share: My personal Groove Builder warmup routine 3 practice exercises to develop these invisible skills Downloadable PDF with examples. If you found value in today’s article and want to support this kind of writing, consider becoming a paid subscriber. You’ll unlock exclusive content, lessons, and tools I use in real-world sessions. Become a paid subscriber here . Thanks for reading — and keep grooving, Merch Cd’s and Vinyl My Website Stream my Music

Maltese Rock Band EXPLICIT Releases New Satirical Track “FN” — Set to Perform at Farsons Beer Festival on July 12 Alternative rock band EXPLICIT  has just released their latest track, titled “FN” , a sharp and satirical piece that dives into the eccentric characters we often encounter in everyday life — from the workplace to social settings — and the curious ways their behavior leaves an impact. “FN” blends biting wit with the band’s signature alternative rock sound, offering listeners both a musical punch and a tongue-in-cheek look at society’s quirks. The song showcases EXPLICIT’s distinct energy and commitment to creating music that is as thought-provoking as it is entertaining. The band is fronted by Stephanie Chetcuti  on vocals, with Charles Buttigieg  on bass, Mario Saliba  on guitar, and Carlo Cranmer  on drums. Together, they bring a vibrant mix of influences and live chemistry to their performances. EXPLICIT will be bringing their raw, live energy to the Farsons Beer Festival  on Friday, July 12th at 9:00 PM  on the Rock Stage  — one of Malta’s most anticipated summer events. For updates, music releases, and more information, visit EXPLICIT’s official Facebook page

DRIPHT Dripht (S/T) / Global Warning / Paċifista Dripht are one of Malta’s most influential punk rock bands, known for their high-energy performances and sharp, socially conscious lyrics. Blending punk, reggae, and rock with a distinctly rebellious voice, Dripht carved a unique space in the local alternative scene from the early 2000s. Never before available digitally - you can now stream copies of Dripht (Self-titled EP), Global Warning and Paċifista. The release forms part of a wider rollout of Dripht’s back catalogue, with the three EPs scheduled for digital release in the coming weeks on streaming platforms, and available now via our bandcamp . Following a six-year hiatus, Dripht returned to the stage on Sunday, July 6th at the Farsons Beer Festival, marking a long-awaited comeback for one of Malta’s most influential punk acts. Copyright (C) 2025 Kewn Records. All rights reserved