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The 2000’s (first part) Abnoba Active between 2003 and 2007, Abnoba was a black metal band that incorporated power metal and progressive elements into their sound. Their 2005 demo Revelation  featured tracks like "It All Comes to an End" and "Monsters of Depravity." The demo was recorded live in a garage and later mastered, resulting in some minor quality issues. The band's lineup consisted of Charles (vocals), Owen Galea (guitar), Joshua Attard (keyboards), Oliver Grech (bass), and Luke Briffa (drums). Formerly known as En-raged, Abnoba earned recognition in the underground metal scene for their genre-blending style before disbanding in 2007. Dying Signals Dying Signals, a deathcore band formed in 2006, was known for its technical prowess and emotive compositions. Their 2011 album Intuitive Senses (released by Rising Records, UK) featured tracks such as "Forged Imprisonment" and "Plagued Year," demonstrating their complex structures and emotional intensity. The lineup included Ant Micallef (guitar), Malcolm Alden and Christian Said (vocals), Daniel Said (drums), and Clint "Skat" Briffa (bass). Past members included Owen Galea and Nicky Manche on guitar, Matthew Mangion on bass, Richard Bastock on guitar, and Melchior Borg and Karl Grech on vocals. Despite their innovative contributions to deathcore, the band disbanded in 2012. Dysmenorrhea Dysmenorrhea, a goregrind band, was known for their raw aggression and technical musicianship. Their 2001 demo Bloody Tears of the Big Bad Wolf featured brutal tracks like "The Sound of Pus" and "Cannibal Autopsy." The band included Conrad Borg (vocals), Malcolm Callus (guitar), Kurt Loveskirt (bass), and Jaz Bukaz (drums). Conrad Borg now fronts Oblique Vision, and Callus went on to be involved with other acts like Sceptocrypt (as did Conrad Borg) and Weeping Silence. Dysmenorrhea left a lasting impression on extreme metal fans before disbanding. Erythuria Active from 2003 to 2008, Erythuria was a brutal death metal band that combined intense compositions with complex song structures. Their 2007 EP Annihilate to Repent included tracks like "Prelude" and "Touched by the Gods." The band's lineup consisted of Melchior Borg (vocals), Max Vassallo (drums and vocals) also known for his work with Abysmal Torment, Loathe, and former member of Arachnid, Item, Lady Lizard, and Knockturn Alley, Andrew "Xiby" Sciberras (guitar), John Azzopardi (guitar), and former Thy Legion Shaun McCarthy (bass). Erythuria's music resonated with fans of extreme metal, making a lasting impact on the underground scene before their disbandment. Hemlock Hemlock was a death metal and grindcore band formed in 2001, recognized for their aggressive blend of death and thrash metal elements. Their 2003 demo, Vomiting Forth Intestinal Remnants , included tracks like "Butchered Alive," "Vomiting Forth Intestinal Remnants," and "Choking on Vaginal Discharge," exemplifying their raw intensity and dark, grotesque aesthetic. The band solidified their brutal style with their 2004 demo, Molested Cervical Tissue , featuring tracks such as "Hacked After Birth," "Molested Cervical Tissue," and "Stench of Rotting Innards," maintaining their tradition of unrelenting, extreme compositions. The band's lineup included Julian Dingli on bass (also of In the Name Of), Andrew Mifsud on drums, Steve Vassallo on vocals (formerly of In the Name Of), Campos on guitars (known for his work with Arachnid, Angel Blade, Angelcrypt, Blind Saviour, and Martyrium), and Joey Zammit on guitars. Hemlock's music struck a chord with fans of extreme metal, leaving a lasting impact on the underground scene with their fusion of grindcore ferocity and death metal brutality. Hydra Formed in 2003, Hydra blended symphonic metal with heavy guitar riffs, incorporating classical elements into their music. Their 2004 demo Night of the Titans  showcased their cinematic soundscapes with tracks like "Final Judgment (Rev 13:14)" and "Riding the Wings of Destiny." In April 2005, they released another demo, "Demo 2005," which included the tracks "Riding the Wings of Destiny (Revisited)" and "Shadow of the Cross." Hydra's lineup included Nathan Brimmer (vocals), Mark Ciscaldi (lead guitar), Cesco (rhythm guitar), Thomas (keyboards), Warrior (drums), and Zir (bass). Their symphonic metal approach left a mark on the underground scene. Improbus Atrum photo: Kevin Cassar Improbus Atrum, a melodic black metal band, created a dark and immersive atmosphere with their raw and unrelenting sound. Their 2007 EP Bearing the Mark  featured tracks like "Soul Fucking in Eternal Dark" and "Endless Desecration." The band's lineup included Ayrton Tonna (guitar), Alesio Torrisi (drums), Keith Muscat (keyboards) (now with Damaged & Co.), and Keith Farrugia (vocals), with Jean Paul Vella (bass) playing briefly between 2007 and 2008. Other members included 'MaiDen' Ellul (vocals), Kurt Dimech (bass) and Theo Torrisi (guitars). Their dedication to the genre left a lasting impact on the melodic black metal scene. In The Name Of Formed in 2014, In The Name Of was a deathcore band known for their visceral breakdowns and intense vocals. Their EP Glutton Kings  featured tracks such as "Glutton Kings" and "Evolution Comes from Chaos." The band's lineup included Fallen Icon’s Clive Scerri (bass), Stefan Schembri (guitar), Steve Vassallo (drums), Leli Apap (guitar/vocals), and Melchior Borg (lead vocals). Steve Vassallo was also a member of Hemlock, and Melchior Borg was associated with bands such as Abysmal Torment, Erythuria, Beheaded, Dying Signals, and Despised.. Stay tuned for part four……

The 1990’s (second part) Manslaughter Manslaughter was a thrash metal band that featured guitarists Aldo Delle Rose and Daniel Magri (who later joined Forsaken and passed away in 2001), drummer Chris "il-Fisherman," bassist Etienne Cassar, and vocalist Bernard Testa. Their first and only performance took place on Friday, September 13, 1991, at Radio City, where they shared the stage with Extremity and the debuting Forsaken. Before disbanding, Manslaughter managed to release a demo. Manslaughter was an early milestone in the career of guitarist Aldo Delle Rose, who later relocated to the UK and joined Ironstorm before becoming a member of the UK band Arkham Witch. Widely known as "Dodo," Aldo has earned acclaim for his exceptional guitar skills and has contributed to several metal projects. Beyond his time with Manslaughter, Aldo played a key role in two demos by Let 'Em Burn, under the pseudonym "The Beretta From Valletta," appearing on First Assault  (2006) and Second Wave (2007). His work across various bands has highlighted his versatile and evolving talent in the metal genre, particularly in traditional heavy metal and doom metal. Aldo’s contributions to Arkham Witch have further solidified his reputation for his distinctive style and unwavering dedication, cementing his status as a significant figure in the underground metal scene. Kremation photo: Albert Bell Kremation, previously known as Exorcist were active during the mid-1980s, making a notable impact on the underground metal scene with their raw, high-energy sound. Their lone release, Guardian of the Realm, was issued in 1987 as a cassette and featured a fusion of classic heavy metal riffs and commanding vocals. The band’s lineup included Karl Fiorini on vocals, Mike Rizzo on guitars, Ritchie Rizzo on drums, and Albert Bell on bass. Ritchie Rizzo, also known as Richard Rizzo, later joined Possessed Steel, further establishing his presence in the metal community. Albert Bell, a highly influential figure in the genre, went on to contribute to several prominent bands, including Forsaken, Nomad Son, X-Vandals, and his solo project, Albert Bell’s Sacro Sanctus. Although Kremation’s tenure was short-lived, Guardian of the Realm endures as a cherished relic of the 1980s underground metal scene, celebrated by collectors and genre enthusiasts alike. Covenant Covenant was a technical death metal project led by William Cauchi, known for his work with the band Spin. The project released a live demo titled Livebuzz II, 18.3.94, High School, Msida, Malta  in 1994, which was later reviewed in Script Infernal 'zine # 1 Dirt Dirt was a thrash metal band that released their demo Demo 4.98  in 1998, showcasing their raw and aggressive style. The band also made a notable appearance on the compilation The Core of Creation  (Storm, 1996), contributing the track "Fresh Blood." Their music captured the essence of thrash metal with fast-paced riffs, aggressive rhythms, and intense vocals, earning them recognition within the underground metal scene. Extremity Extremity was an active metal band from 1989 to 1993, known for their intense and dynamic sound. They released a demo in 1991 on cassette, featuring original tracks like "Hard Way of Livin'," "AfterDeath," "Despair," and "Ugly Duckling." The band also recorded at least five audio and video tracks between 1990 and 1991 at Radio City Hall in Hamrun, which were later compiled into a homemade DVD-R. The last known lineup consisted of Chris Vella on bass, Jean Pierre Gatt on drums (who later played with Purple Haze, Limestone Kick, and recently with Valiantis), Sandro Lanzon and William Attard McCarthy on guitars, and Patrick Vella on vocals. Masada Masada was a doom metal band that emerged in the mid-1990s, known for their dark and atmospheric sound. Their discography includes the demo Untrodden , released in 1995, which captured the somber and heavy essence of their style. They also contributed the track "Redemption" to the compilation The Storm Has Begun  (Storm, 1995). The lineup consisted of Mark Farrugia on bass (later a member of Bound to Prevail), Chris Osmond on drums and percussion, Kevin Aquilina and Anthony Sultana on guitars, and Ivan Borg on vocals. Metalmilitia Metalmilitia, a thrash metal band active in the late 1990s, originated from an earlier project called Thera, which contributed the track "Sin or Die" to the 1996 compilation The Core of Creation. Thera's lineup included members who did not transition to Metalmilitia, such as Stuart Zammit (bass), Michael Anastaisi (drums), David Gonzi (guitars), Andrew Tabone (bass), Nicky Morales (guitars), and Dave Lauri (guitars). Metalmilitia released the Sin or Die EP in 1999, highlighting their aggressive and energetic sound. The band’s final known lineup featured Lexy Chop on bass, Errol Sammut on lead guitars, and Paul Des handling rhythm guitars and vocals. Previous members included Andrew and Jon Corrieri on bass and drums, respectively, along with Mike Bonett on guitars. Building on the foundation laid by Thera, Metalmilitia refined their approach to create a distinctive and forceful identity within the thrash metal genre. Sanity Sanity was a metal band active in the mid-1990s, known for their contribution to the underground metal scene. Their discography includes a self-titled demo recorded in February-March 1995 at Padded Cell Studio, capturing the raw and intense energy of their sound. The band also appeared on the compilation The Storm Has Begun (1995) with the track "The Insane's Tale," further showcasing their unique style. Sanity's lineup featured Dorian Dalli on bass, Johann Portelli on drums, Jeremy Cassar on guitars, and Marc Cabourdin on vocals, blending their talents into a compelling and memorable musical project. Music producer and versatile musician Toby Farrugia spent some time as the drummer for Sanity. Trial By Fate Trial By Fate was a band that blended elements of epic heavy, power, and thrash metal, carving a distinct niche in the metal scene. Their discography includes the Glory demo, which highlighted their dynamic sound and intricate compositions. They also featured on the compilation The Storm Has Begun (1995) with the track "Once Upon a Time," further establishing their presence in the genre. The band's lineup included Konrad Borg on bass, Gianfranco Stellini on drums, Malcolm Borg on guitars, and Gavin Borg handling vocals and guitars. Unknown Serenity Unknown Serenity was a band rooted in the fusion of death, doom, and black metal, originally formed under the name Anopheles by founding members Celis, Mark, and Brian, later joined by Ryan. The band’s evolution led to the name change and the release of notable works such as the Harmless Beauty  demo in 1997 and Towards the Shores of Ancient  demo in 2000. Their music also featured on various compilations, including "Ruins" on Tomorrow's Millionaires (1998), "Evoking Past Tragedies" on Sometimes Death Is Better Vol. 5-9 (1998), and "Ode to Isis" on Atlantida Compilation.   Though these bands are not active anymore, they contributed significantly to Malta's metal scene in the 1990s, each bringing their unique style and sound to the genre. Stay tuned for…… The Evolution of the Maltese Metal Scene: (Disbanded Bands) The 2000’s

New drummer announcement! We are beyond excited to welcome the phenomenal Andrea Pro as our new drummer! Born on May 24, 1977, in Ariccia, Italy, Andrea brings over 24 years of experience in the brutal death metal scene, where he has made an indelible mark. A true powerhouse, Andrea has performed over 2,000 concerts across Europe, sharing the stage with legends like Behemoth, Obituary, and Suffocation. Andrea's dedication to mastering his craft led him to study under renowned drummers like Mauro Mercurio (Fleshgod Apocalypse, Hour Of Penance) and Titta Tani (Necrophagia). His relentless pursuit of excellence and eclectic playing style has resulted in collaborations with various bands, including Corpsefucking Art, Infernal Angels, and Martyrium, with whom he toured Asia and more. In addition to his drumming, Andrea runs a drum school in Rome, Italy, giving back to the community by providing free lessons to aspiring young musicians. His contributions to the metal scene are further solidified through endorsements with leading brands like Pearl Drums, Axis Pedals, and Centent Cymbals. Join us in giving Andrea a warm welcome to the Angelcrypt family as we gear up for our upcoming tour: “Through Blackened Waters” destroying stages across Europe and beyond. Singer and guitarist Shawn Mizzi quantified “I’m really excited to welcome Andrea as the new drummer for Angelcrypt! I have known Andrea for many years, but from the moment we started seriously talking about Angelcrypt, it was clear that his experience, talent, and passion for music make him the perfect fit for the band. I have no doubt that together, we’re going to take Angelcrypt to an even greater level. Looking forward to an amazing journey ahead. Welcome to the family, Andrea!”

Weeping Silence, the acclaimed Maltese Melodic Progressive Metal band, is thrilled to announce the addition of Daniel Aquilina to their lineup as the band's new drummer. Daniel's powerful drumming and influential style are set to usher in a new era for the band's evolving sound. Daniel Aquilina's journey in music began at a young age, starting as a guitarist with the band Blood Stain and co-founding Myopic Destiny. He later transitioned to drumming with Damaged & Co., further honing his skills and passion for music. With his dynamic drumming and dedication, Daniel has become an integral part of Weeping Silence, bringing fresh energy and creativity to the band's rhythm section. Moreover, Daniel is dedicated to sharing his knowledge and skills with others as a guitar and drums teacher. His commitment to nurturing the next generation of musicians reflects his passion for music and education. Weeping Silence is known for their haunting melodies and evocative lyrics, and Daniel's addition will undoubtedly enhance their captivating performances. His dynamic drumming and commanding influences create a haunting atmosphere and a powerful energy, enhancing the band's musical identity. Fans can expect to experience the new synergy and energy of Weeping Silence in their upcoming tours and releases. For more information about the band's latest news and projects, please follow their official social media pages or visit Weeping Silence's official website .

After skipping the 2024 edition, Damaged & Co. are back with their event Cirque.  The first edition, Cirque Du Damage (2022) saw the band share the stage with Valiantis and Animamortua, whilst Atomic Flame and Heathen Heretic (Switzerland) made up the rest of the line up for Cirque De L’Independance (2023).  This years edition, Cirque Du Carnival, will take place on 22 February 2025 at The Garage. Doors open at 20.00hrs and tickets can be purchased from the door. Damaged & Co. always see that the line-up is varied and this carnival edition will be no exception. Opening up the party with all their energy, and keeping a bit of international flavour, will be No Humano, followed by long-standing old-school thrash metal band Sonic Storm. During their set, Damaged & Co. will be hosting a number of guests namely, John (ex-Decline the Fall), Cedric (ex-Twenty Six Other-Worlds and sessionist with Damaged & Co.) and last but not least Marzia (from the duo Marzia u Sean). Merch and album, on the night, will be at a very discounted price. This will be the last gig at The Garage for keyboardist Keith Muscat who has announced his retirement from the band and live circuit for the foreseeable future. His last performance with the band will be at the Dark Malta Festival 2025, which will take place between the 25 and 27 April at Gianpula Village, Rabat. Damaged & Co. will perform on Friday, April 25th. So join us for a carnival of metal on February 22nd at The Garage, Zebbug for Cirque Du Carnival!

The 1990’s (first part) Lithomancy Formed in 1991 under the name Euthanasia, the band later rebranded as Lithomancy, evolving their sound into atmospheric death metal. The original lineup featured Mike Grech Sammut on guitars and vocals, Carlo Calamatta (Rising Sunset) on guitars, Rex Grech Santucci on bass, Dino Mifsud Lepre on drums, and Will Grizzly (Norm Rejection) on keyboards. Their debut performance took place at Rock The Fort in Fort Rinella in August 1994, followed by a show at The Lobotomy Festival at White Rocks Complex in February 1995. After Will’s departure, Jean Pierre (Disinterred and Eiree Obelisk) was recruited on keyboards. In 1995, Lithomancy went on hiatus following Carlo’s exit. The band was revived in 1996 by Mike and Dino, joined by Rex on bass, AJ Burd on guitar (both from Victims of Creation), and John Warslut on keyboards. Despite numerous gigs and a seemingly stable lineup, plans to record in the studio were delayed when John left, leading to the recruitment of Dave Croolis. Mike shifted from guitar to focus solely on vocals, with James Decelis stepping in as the second guitarist. AJ Burd later departed to pursue a career in his native UK (back on the island he joined Victims Of Creation). Lithomancy’s final live appearance occurred in 2011, featuring Mike as a guest vocalist on one track. Over the years, several musicians were part of the band, including James Sciberras on second vocals (Biblical Infamy), Dave Parker on guitars (Beheaded), Andrew Baldacchino (Martyrium), and Conrad Borg (oblique Visions) on keyboards. Achiral Formed in 1995, Achiral was known for their unique Thrash Black Metal style. The band's original lineup included Ray Zammit on vocals and guitar, Calcidon Camilleri on drums, and Johann Tabone on bass, with Malcolm Callus of Sceptocrypt fame on guitars. The last known lineup featured Charlie Saliba on bass and vocals, Calcidon Camilleri on drums, James Decelis and Keith Fenech on guitars, and Ray Zammit on vocals and guitars. The band released their debut EP Wander Ignite in 2001, and earlier, they had released a demo titled Dark Waters in 1998. Achiral disbanded sometime after Dark Waters was released, marking the end of their musical journey. Anhedonia Established in 1994, Anhedonia delved into Doom Metal. The band's lineup featured Steve Cachia on vocals and bass, and Jean-Pierre Sammut handling vocals, guitar, drums, and keyboards. Their discography includes the 1994 bootleg Ego Sum Mors Tua, released on cassette on April 12th. Jean-Pierre Sammut was also involved in other projects such as Gruesome Funeral and had previously played in Disinterred and Archaean Harmony. Steve Cachia was also known for his work with Realida. Arachnid Arachnid formed in 1996, diving into the Death Metal genre. The band's lineup saw several changes over the years, including members such as Oliver Grech on bass, Campos on guitar, Stefan Abela on drums, Mario Mifsud on bass, Mark A. Tagliaferro on vocals and guitar, and Edward Tagliaferro on vocals. They initially made their mark with a demo titled Weaving the Web, released in 2006, showcasing their unique blend of heavy, aggressive Death Metal. Arachnid's debut full-length album, Compelled to Distort, was released in 2007, further solidifying their place in the Death Metal scene. However, despite the success of Compelled to Distort, the band disbanded in 2008, marking the end of their brief but impactful musical journey. Over the years, the band reunited several times for special live performances. Their music, particularly Compelled to Distort, is remembered for its technical proficiency and the band's ability to blend brutality with melody. Archaean Harmony Formed in 1995, Archaean Harmony specialized in Avant-garde Progressive Black Metal, combining intense musicality with atmospheric undertones. Their discography includes the demos Resentment of an Evanesce Aeon (1998) and Promo '99 (1999). The band released their debut full-length album, Nihility Mundane Soul, in 2000, followed by the EP Nihility: The Mundane Soul on March 1, 2022. The last known lineup consisted of Steve Mulliett on bass (joined 2001), Kenneth Pace on drums (joined 2001, also with Wolven Hour), Conrad "Asmodeus" Borg on keyboards (2001) and vocals (2004, also with Oblique Visions), Adrian Camilleri on guitars (joined 2004), and Bianca Caruana on vocals (joined 2005). Past members included Jean-Pierre Sammut on drums, Lynn on keyboards, and Lord Trebor (Robert Agius), who contributed on bass, guitars, keyboards, and programming from 1995 to 2003. Biblical Infamy Active between 1988 and 1992, Biblical Infamy was a Black/Death Metal band known for its intense and raw sound. The band released their demo Holy Lust in 1992, which became a defining element of their brief but impactful career. The last known lineup featured David Cachia on bass (also associated with Beheaded), Keith Gauci on drums (formerly of Covenant), Nicky Gravino on guitars (formerly of Covenant), Neville Gafa on guitars (formerly of Amentia), and James Sciberras on vocals (formerly of Angelcrypt, Oblique Visions, Lithomancy, and Urbus Vitae). Spin Spin was an Industrial Metal band formed in 1999. Their discography includes the demos Pead  (1999), Cell 46 , and Spin  (2005). The last known lineup featured Simon on vocals (also associated with A Broken Design), Josef on guitars and programming, Andre on bass, and Mark on drums. Earlier in the band's history, Martin Ciappara, creator of Prayer of the Dying, played drums from 1999 to 2003. Ciappara has also been associated with acts such as Sarratum, Black Vulture, Lustre, and Luciferian Blood. The band was active from 1999 to 2003 under the name SPin and later continued as Core Frequency. Stench Of Necropsy Stench of Necropsy, a Brutal Death Metal/Grindcore project established in 1997, gained notoriety for its provocative themes of death, gore, perversion, and dark humor. The project was spearheaded by David K., who single-handedly managed all instruments and vocals, creating a raw, intense sound emblematic of the genre. In November 2000, the project unveiled its demo Accepting the Horrible , which featured audacious tracks like “Deranged Masturbation on Purulent Corpses” and “Postmortem Perversions.” The following year, in March 2001, Stench of Necropsy collaborated on a split cassette release with the Turkish band Drain of Impurity, further cementing its contribution to the underground metal scene. Drain of Impurity, originating in 2000 from Ankara, Türkiye, is recognized for its brutal approach to death metal, integrating themes of death, gore, and inspiration from the Dead Space  video game series. The split cassette united both bands' relentless and uncompromising styles, making a significant impact in the extreme metal subculture and highlighting their shared dedication to the genre's raw intensity. Gruesome Funeral Prospects for the Third Millenium artwork Gruesome Funeral emerged as a formidable force in the underground Doom/Death Metal scene. Known for their haunting atmosphere and raw, unrelenting sound, the project was driven by the creative prowess of Jean-Pierre Sammut, who handled all instrumental and vocal duties. Sammut, a versatile and prolific artist, also contributed to numerous other projects, including Anhedonia, Disinterred, and Archaean Harmony. The discography of Gruesome Funeral showcases a journey through dark, oppressive soundscapes, beginning with Prospects for the Third Millennium, released in 2003. In 2004, Gruesome Funeral released Eghruq, an EP that delved deeper into their distinct fusion of Doom and Death Metal. The project continued to evolve, culminating in the 2005 album Out of the Hearse... into the Pyre. Disinterred Disinterred was a solo Death Metal project helmed by Jean-Pierre Sammut, a musician also recognized for his contributions to other notable acts such as Gruesome Funeral, Anhedonia, and Archaean Harmony. In 1993, the project unveiled a live demo featuring tracks like “Oracle of Doom,” “Inhumed Alive,” and “Cascade of Blood.” Additionally, a VHS video was released, capturing performances of “Inhumed Alive,” “The Undead,” and “Blood for the Deceased.” This visual release further solidified Disinterred’s footprint within the underground metal scene, showcasing its intense and raw energy. Realida Realida was a melodic metal band that combined intricate instrumentation with powerful vocals. The lineup included Maurizio Schembri on drums (also known for his work with Rising Sunset and Sceptocrypt), Silvio Muscat on guitars and backing vocals, and Steven Cachia handling lead vocals and bass (also associated with Anhedonia). The band released the album Facing Reality , showcasing their unique style and musical prowess, further solidifying their presence in the metal scene. Stay tuned for part two……

CHILD Releases ‘Qalbi’ Ahead of upcoming EP ‘Dyż-Lokazzjoni’ CHILD releases heartfelt ode to electronica, passion, and that irresistible, enduring beat. Announces upcoming EP ‘Dyż-Lokazzjoni’ Out 21st March Check out ‘Qalbi’ Photo Credit: La La Studio About 'Qalbi' ‘Qalbi’ isn’t your average love song. Derived from the Maltese word for “my heart” or “sweetheart,” this track marks a breakthrough moment for CHILD.  Crafted after years of searching for that perfect drum machine sound, ‘Qalbi' was born on the Elektron and built around the vibrant textures of the Microkorg, Machine Drum, and soulful vocals.  Inspired by romantic palpitations — and echoing early electronica influences like Autechre’s Tri Repetae—it transforms her personal milestone into a love letter to both passion and sound. About 'Dyż-Lokazzjoni’ EP CHILD’s upcoming EP, ‘Dyż-Lokazzjoni’, is a deeply personal sonic exploration of return, displacement, and transformation. Built primarily through analogue production—drum machines, synths, and live reverb and delay effects—it captures both the joy of homecoming and the stark reality of a land undergoing relentless change. Each track is its own universe: Touch Down radiates the innocent thrill of returning home, while Dystopian Sci-Fi channels a dystopian pulse, reflecting on greed, destruction, and political absurdity.  Inspired by Malta’s rugged landscapes, Falling Rocks // Breathe evokes both the beauty and the heartbreak of watching natural spaces disappear, while Epilogue offers a hypnotic farewell, an improvised analogue session where synthesis and creative expression dissolve into one. ‘Dyż-Lokazzjoni’ is more than just a collection of tracks by CHILD—it’s a reflection of time, place, and the emotional weight of witnessing changes unfold. Pre-order the EP here! About CHILD Malta-born, London-based, CHILD transforms the human voice into a boundless instrument of emotion. Born from an innate musical calling and nurtured by preteen years singing in a church choir, Annabelle Galea’s journey began amidst the raw energy of her Church Punk roots. Drawing inspiration from electronica pioneers like Autechre and Luke Vibert, CHILD fuses the soul of analogue warmth with the precision of today’s digital landscape. With a strong desire to sing, CHILD set off and started her solo musical journey in Brighton where she fully immersed herself in the creative process. There she spent five years in introspection and experimentation, ultimately sculpting the distinctive sound that defies easy classification. With heir first live performances lighting up Brighton’s stages in 2018, and now firmly rooted in London, CHILD invites listeners to explore a realm where the interplay of analogue nostalgia and digital innovation narrates an unspoken story her artistic evolution. Refusing to be confined by genre, CHILD’s sound is an ethereal dialogue. Her signature approach seamlessly blends emotive vocal expression woven with poignant lyrics with minimal hardware beats and vintage synthesis. This dynamic fusion creates a layered soundscape where raw, expressive energy meets her craftsmanship of electronica, embodying both the introspective qualities of dark ambient textures and the pulsating spirit of dance-inflected rhythms.  CHILD’s next gig will be at Moonlake London on 28th February. Her current live sound is more synth pop and electronica tracks in a performance described as theatrical, powerful and emotional. Copyright (C) 2025 Kewn Records. All rights reserved

It was a warm August afternoon when I found myself sitting in a radio studio, preparing to interview one of the most legendary drummers of a bygone era—Joe Camilleri, fondly known as ‘il-Peace.’ With a career spanning over 50 years, Joe was in Malta for a holiday, and I knew there were countless stories waiting to be shared. Little did I know that the two questions I asked him would spark a narrative spanning decades, continents, and some of the biggest names in the music scene. I started by asking Joe, “What, who, or when did you get the idea to become a musician, study music, and who were your early influences?” That’s all it took for Joe to dive straight into his story. 11 years old - 1st band at St Joseph Blata l-Bajda Joe smiled, settling into his story. "The beginning for me was when I was at St. Joseph’s School in Blata l-Bajda, 11 years old, back in the sixties. Me and Emilio Persiano, a schoolmate, got together one day. He said, ‘Joe, nghamlu band?’ And just like that, we started a band. I decided to play the drums because both my older sisters were dating well-known drummers at the time. One was Charlie, or Cristiano as we called him, who played with ‘We Five,’ and the other was Sonny, who was the drummer for ‘The Echoes.’ I got the bug from watching them rehearse, and that's how it all started." Joe reminisced about those early days. "Our band was made up of schoolmates, including Noel Xerri on bass and John, and we mainly played Beatles songs. We practiced at a church auditorium near Emilio’s house and managed a few gigs. But then we grew up and went our separate ways. Fast forward to when I was 15—too young to go to dances, but my sisters snuck me in one night to see Sonny and 'The Echoes' at the Phoenicia Hotel. Sonny called me up to play the last song, and I was terrified. They wanted to play ‘Wipeout,’ and I was just a kid surrounded by adults in their twenties. I almost cried, but I didn’t disappoint. That was a big moment for me." He then moved on to his first band experience. "At 15, I formed my first real band, ‘Purple Dream,’ with Winston Bugeja and Albert Buttigieg. We played Cream and Jimi Hendrix songs. One night, we invited Tanya Stevens, an English singer who was performing at the Preluna Hotel, to one of our rehearsals. She ended up opening doors for me. A few months later, I was in England, learning how to record at Tangerine Studio in London. I was only 15, but the studio owner arranged everything for me, even convincing my parents to let me stay." The Boys (1968) live at The Polytechnic Joe's voice carried the nostalgia of those early days. "I lived in an attic with Tanya Stevens on the second floor and a studio engineer below. I was paid a salary, and they even got me a tutor so my studies wouldn’t suffer. That year shaped my future, and from then on, I knew that music was what I wanted to do with my life. I never did anything else." Returning to Malta a year later, Joe's career took off. "When I came back, I joined the hottest band at the time, ‘The Boys,’ with Marc Storace, Joey Chircop, Albert Buttigieg, and Cliff D’Ugo. This was some time after Albert Bernard approached me to join his new band, ‘Stonehenge Union,’ with his brother Anthony, who is now a surgeon. Marc Storace was also part of that band, and we became close friends. Later, Joe teamed up again with Albert Bernard this time, to form ‘Slug,’ a progressive rock band with Tony Saliba, and Ray Demicoli. “We did Jethro Tull covers—Ray played the flute, so it was a no-brainier. We headlined the Aurora in Gozo, supported by ‘The Tramps’ and a young group called ‘Action.’” Another important chapter for Joe was his time with ‘Split,’ a band that recorded their own songs and opened for Marc Storace’s band, ‘Tea.’ Slug As Joe moved through his twenties, his hunger to learn more led him across the Atlantic to New York. “A friend from Gozo and I found an apartment in downtown Manhattan. I studied music at the Brooklyn Conservatory of Music.” His time in the U.S. shaped his career even further. "When I came back to Malta in 1984, I brought a container full of instruments with me. I turned a garage in Msida into a studio and started teaching at the School of Music before moving on to private lessons. I also played evenings at the Preluna Hotel. Later, I moved back to New York, got married, and started teaching music at Farmingdale High School on Long Island." 3rd Floor - the Florida based band Joe’s love for teaching and performing never wavered. "In Florida, where I live now, I continued to play and teach. I even joined a business called ‘Lessons at Home,’ run by a guy named Dennis. It was during this time that Albert Bernard and I got back together, forming a rock band called ‘Third Floor.’ We had Brenda Bowers, an amazing singer, who could sing anything from Janis Joplin to Stevie Ray Vaughan. We played gigs on the weekends, but it was part-time because we all had day jobs." In 2010, life threw Joe a curveball. “While on holiday in Malta, I had a health scare—a quadruple bypass. They told me to take three years to recover, but after three months, I was itching to play again. I joined a contemporary church band, which was a new experience for me. They played rock music with a religious twist, and it was like going to a concert every Sunday." At this point, Joe remembered another part of his story. "I should mention that I joined ‘The Malta Bums’ in the early 70s, after Freddie Portelli left. We recorded ‘L-Ewwel Tfajla Li Habbejt’ in 1973, with ‘Mr. DJ’ on the B-side. Bayzo was such a talent, and Alfred Scicluna, Tony Camilleri—we all grew up together." Our conversation had been rolling for over 90 minutes, but I had to ask one final question: “Where did you get your nickname from?” "There are two stories to that," Joe explained with a grin. "When I went to England at 15, the peace movement was big, and people used to greet each other with the peace sign. I brought that back with me, and it stuck. The other story involves a boat trip where the guy rowing kept shouting ‘Piz, on the other end!’ to balance the boat, so thinking he was talking to me I obliged, and later, I also painted a peace sign on my bass drum." Thee Blues Band Joe frequently visits his native Malta, and back in 1990, both he and Albert Bernard happened to be on the island at the same time. They reunited with John Gafa on guitar, Billy B on bass, and Mike Spiteri on vocals to form ‘The Blues Band,’ delivering a sold-out performance at the Palladium on March 16th. Manuel Busuttil also joined them, playing harmonica on two songs. Split Another significant chapter in Joe's career was his time with the band Split, which he briefly mentioned during our chat. On June 29th, 1979, Split played to a full house at The Plaza, with William Mangion as the lead vocalist. As we wrapped up the interview, Joe smiled and promised that there are many more stories to share, but those would have to wait for another time when we meet again! You can listen to the full interview with Joe 'Peace' Camilleri, along with music from his repertoire featured on Rock Moods, by visiting these links: Rock Moods - Joe 'Peace' Camilleri part one (aired Thursday 6th February 2025) Rock Moods - Joe 'Peace' Camilleri part two (aired Thursday 13th February 2025) Joe Camilleri on keyboards Drums battle at Ta' Qali Joe Tanti's article on The Times Of Malta 16/03/1990 Poster for The Blues Band's Palladium show After Hours - a Florida based band Radio interview 15/08/2024 Interview photos: Vica Mifsud All other photos: Joe Camilleri Author's note: Joe provided many more photos which shall be included in future articles concerning him or the bands mentioned.

Kayati Unveil Their New Single ‘Happier’ – A Heartfelt Anthem of Growth and Strength The sister duo Kayati, known for their soulful harmonies and heartfelt storytelling, is back with their latest single, Happier. This new release showcases the duo’s signature emotional depth, blending rich melodies with lyrics that resonate with listeners on a deeply personal level. Kayati, comprised of sisters Mabrouka and Fatima El Kayati , have been making music together since childhood, transforming their passion into a serious pursuit. Drawing inspiration from their own experiences and stories that touch their hearts, the duo crafts songs that aim to uplift, inspire, and connect with their audience. Followers may remember Kayati from Season 1 of The X Factor Malta, where they made it to the live shows. Since then, they have continued to build their musical repertoire, releasing previous tracks About You and Happy Birthday. With Happier, Kayati delivers a powerful message about personal growth, resilience, and the journey toward self-fulfillment. The track embodies the essence of their artistry—raw emotions wrapped in compelling melodies that linger long after the music fades. The song is a testament to their evolving sound, blending pop influences with heartfelt lyricism that speaks to anyone striving to find their happiness. Despite their busy lives, their love for storytelling through song keeps them connected to their passion, even as they balance their professional and creative pursuits. Happier which was produced by Peter Borg at Railway Studios is now available on all major streaming platforms. Stay connected with Kayati on social media for updates on upcoming releases and performances. About “Happier”: "Happier" is a track very close to us as it manages to express the essence of striving for joy while navigating life’s distractions. Our song shares the challenges of trying to stay focused on what truly matters when you’re surrounded by the opinions of others of who you should be. Happier" resonates with anyone who has felt the pressure to fit in while waiting for a deeper sense of fulfillment. It’s for those who are trying to block the opinions of others and simply want to find happiness within themselves. About Kayati: Kayati, the dynamic sister duo, who have been inseparable through their shared passion for music from a young age. Their songwriting, deeply drawn from personal experiences, captures raw, relatable emotions that resonate with listeners on a profound level. Recently, they released two singles that gained significant attention, helping them build a dedicated fanbase. Always inspired and driven, Kayati is constantly writing and working on new material, with plans to release more music throughout the year. Their authentic and heartfelt sound continues to forge a deep connection with audiences, one song at a time. Follow Kayati: Instagram: https://www.instagram.com/kayatiofficial/ Facebook: https://www.facebook.com/kayatifatimamabrouka Spotify: Kayati on Spotify

On Sunday, February 9th, Damaged & Co. took the stage as part of the inaugural night of Chaotic Playground - Metal Mayhem, a two-day event culminating on February 14th. Before their highly anticipated performance, the audience was treated to two other bands. First up were newcomers Stunt Dix, featuring Damaged & Co.'s own Alexander James on bass and James Byrne on vocals. Both Alexander James and James Byrne pulled double duty that night, with Byrne fronting Rankin shortly after Stunt Dix wrapped up their set. Their unique post-genre sound left a lasting impression and set the tone for the evening. A few hours later, fans of Damaged & Co. received bittersweet news—longtime keyboardist Keith Muscat announced his departure from the band, hopefully temporarily. His final shows with the group will include Cirque Du Carnival on February 22nd and Dark Malta, set to take place between April 25th and 27th. photo: Vica Mifsud However, the spotlight of the night was on Damaged & Co.'s newest addition—drummer Gwen Zammit. The band had only recently introduced her as their new drummer on social media, and Sunday’s performance marked her official live debut with the band. Gwen first made waves in the metal scene with Luciferi Regnum in December 2022. She also co-founded the five-piece soft rock band Poison Cherry, which has played at major events such as Notte Bianca. Fate intervened when she stepped down as drummer for Luciferi Regnum just as Damaged & Co. found themselves in need of a new drummer—leading to what now seems like the perfect match. Fans aware of this backstory were particularly keen to witness Gwen's debut, and she wasted no time proving her mettle. The band launched into Vengeance Is Mine, and any lingering doubts about the lineup change vanished instantly. Gwen's drumming injected fresh energy into the performance, electrifying both the band and the audience. Their nine-song set was so well-received that the crowd demanded more—prompting an encore of two additional songs, including a reprise of Carpe Diem, a fan favourite. The night also saw the introduction of three new songs. While it remains uncertain whether Gwen had a hand in their composition, she performed them with the confidence and intensity of a seasoned drummer, seamlessly making them her own. In total, Damaged & Co. has crafted four new tracks, which hopefully shall be recorded soon with Keith before he leaves—marking the end of a chapter and the beginning of a new era. Gwen Zammit is undeniably a powerhouse behind the drums, and her future with Damaged & Co. looks incredibly promising. If you missed Sunday’s show, you can catch the band’s next performance on February 22nd at The Garage—an opportunity to witness Gwen’s exceptional talent firsthand.

During the early hours of Monday morning, just hours after Damaged & Co. delivered a spectacular performance on the first day of MusicPlayground presents: Chaotic Playground: Metal , My True Love the band’s longtime keyboardist, Keith Muscat, took to Facebook to announce his retirement from the music scene. Reflecting on a journey that began in 1989, Keith described the difficult decision as akin to “open-heart surgery.” In his heartfelt message, he acknowledged the unwavering support of those closest to him and expressed his need to step back to dedicate his full attention to them. Despite his love for music and live performances, he emphasized that family must come first. “Life has many twists and turns, some of which are pleasant and others painful. There are special persons, who have dedicated their lives to support me, who now require my undivided attention. Therefore, with much regret, I am stepping back from what I love doing most. My time with bands, which started in 1989, will stop for the foreseeable future. Who knows? Maybe one day...” While Keith’s departure marks the end of an era for Damaged & Co., he reassured fans that the band will continue to thrive. “Damaged & Co. will go on better than before. It's hard to let go at this stage because this is a magical moment for us, but family comes first. Music, especially live performances, was my battle axe when fighting my inner demons, and I have plenty. Don't know what's coming next, but the Universe will provide.” Keith has played a pivotal role in the local metal scene, previously being a member of Improbus Atrum , a melodic black metal band that released the EP Bearing The Mark  in 2007. His contributions to Damaged & Co. have been instrumental, featuring on both their self-titled debut EP in 2022 and their full-length album Life's Grand Delusion  in 2023. The band is already working on new material, three songs of which premiered during their recent gig. His announcement sparked an outpouring of support and well wishes from friends and fans: Philip ‘Bagigu’ Camilleri (Valiantis / Rogue): “Bad news indeed, my friend. But I'm sure your decision was harder on you than anyone else. Good luck for your future. Looking forward to when you come back to live music!” Michael Bugeja (Rockna): “Sad news for the whole music scene. Wishing you and your family the best always Keith.” Charlie Busuttil: “One of the nicest guys in the local scene… pity! Good luck buddy.” Daniel Sammut (Damaged & Co.): “The guy that was always there to bounce ideas with and has always helped out with everything related to the band, from songwriting to organizing/finding gigs and everything in between, apart from being one hell of an amazing friend! You will be sorely missed to have around the practice space. Let's make the last two shows as memorable as possible!” Peter Paul Valletta (Damaged & Co.): “You'll always be our big brother bear, the knowledge and experience you passed down to us is priceless but heartwarming. Keith Muscat you will always be part of this ship. Brother love man I'm seriously going to miss you.” Despite stepping away from performing, Keith remains active in the music community and will continue to contribute articles to melodija.eu . The team at melodija.eu  expressed their gratitude for his dedication and wished him and his family the very best for the future. Keith's final performances with Damaged & Co. will take place at The Garage  on February 22nd for Cirque Du Carnival  and at Dark Malta Festival 2025 , an event he considers his favourite festival—a fitting farewell for a musician who has given so much to the scene. As Keith aptly put it: “Are you ready for a few more turns? Rock 'n Roll will outlive us all!”

Patrick Camilleri Becomes European Blues Union Representative photo: Facebook On Thursday, February 6th, Vinyl Paradise’s drummer Patrick Camilleri announced on his Facebook page that he had been appointed as Malta’s representative for the European Blues Union (EBU). The organization, which has been active since the 1960s, is dedicated to promoting blues music and its artists across Europe. Camilleri expressed his enthusiasm for this new role, stating, "I'm excited to share that I've become the representative for Malta with the European Blues Union, which has been working since the 1960s to promote blues music and its artists across Europe. This will put Malta on the European Blues map and help us connect with neighbouring countries. As a blues enthusiast, I really hope to see more people and artists in Malta getting into this music genre. It would be great to have more young musicians picking up the blues too. Those of you out there who want to contribute feel free to reach out." The European Blues Union has long been a network for professional blues activists, including festival promoters, tour organizers, agents, specialized magazines, radio DJs, labels, distributors, and clubs. The organization aims to preserve a vibrant and passionate blues scene across Europe. Historically, blues promoters in Europe have worked independently within their respective countries, unlike in the United States, where the Memphis-based Blues Foundation provides a national support system. Recognizing this gap, a project in Italy took the initiative in 2007 to create a pan-European blues network. This effort led to the first European Blues Conference in Parma, Italy, in June 2008, where over 70 participants from 18 countries gathered to establish the foundation for the European Blues Union. Since its official registration in Brussels in 2010, the EBU has expanded its influence across the continent. It has organized the European Blues Challenge, an annual band competition held in different host countries since 2013. The event has provided blues musicians from across Europe with opportunities to showcase their talents on an international stage. Currently, the EBU operates entirely through volunteer efforts, with members from 26 countries. Its chairman, Davide Grandi, is well-known for his work with the Italian blues magazine Il Blues . Camilleri’s appointment as Malta’s representative marks an important step in connecting the island’s blues scene with the wider European blues community. His new role is expected to bring greater exposure to Maltese blues artists and create opportunities for cultural exchange with other European musicians. For more details about the European Blues Union, visit https://europeanbluesunion.com/ . Melodija.eu congratulates Patrick Camilleri on achieving another significant milestone in his career. Masquerade Malta’s Young Stars Set to Rock the Stage Masquerade Malta announced its upcoming production of We Will Rock You Young@Part , set to feature over 50 young performers in a vibrant adaptation of the West End hit. The show, inspired by Queen’s legendary music, will take place at Teatru Salesjan, Sliema, on April 5th and 6th. Andre Camilleri to Release New Album ‘Hank Rules’ On February 21st, Andre Camilleri is set to officially release his second album of 2025, titled Hank Rules . The album, recorded at Greasy Pastizzi Studios in Canberra, Australia, features ten songs made famous by Hank Williams. This release follows Evil Gnome Of Doom Volume 2 , which is scheduled for official release on February 15th, though both albums are already available for streaming on Camilleri’s Bandcamp page. The previous album also included a Hank Williams song, Lost Highway . Reflecting on Hank Rules , Camilleri stated, “Back in the day, I cut my teeth busking many Hank Williams songs on the streets of Valletta. He is still one of the few artists I listen to today. I hope Hank doesn't mind me roughing these pearlers up a bit with plenty of distorted guitars and weird harmonies. Now that I am done with this, I will have to try and write some songs of my own again, arghhh...” Known as one of Australia’s most prolific songwriters, Camilleri blends Americana, Alternative, and Blues influences to craft his music. Since relocating from Malta to Australia in 2000, he has recorded 81 original studio albums with various lineups in Brisbane, Melbourne, and Canberra. Despite his vast discography, Camilleri remains dedicated to his craft and continues to chase his ultimate goal: writing the perfect song. Andre Camilleri on Bandcamp

Skald Releases Powerful New Single "Xatbet il-bieb" from Latest Album Morsa Band Continues to Address Hard-Hitting Social Issues in Their Music Local band Skald, known for blending powerful lyrics with emotive melodies, is back with their second single, "Xatbet il-bieb," from their latest album "Morsa", released in September 2024. The new track follows the success of their first release from this album, "Il-Qatra," and continues the band's exploration of dark and thought-provoking themes in Maltese language. "Morsa," meaning "vice," is a 10-track album that delves into the complex and often painful emotions associated with feeling trapped in negative cycles. Each song from the album captures the raw vulnerability and emotional turmoil of individuals dealing with life's struggles. With "Xatbet il-bieb," Skald addresses the devastating reality of human trafficking and physical abuse, shining a light on these grave issues with unapologetic honesty. Since their formation in 2017, Skald has captivated audiences with their unique sound and ability to tackle sensitive subjects through music. Their debut album Kura, which included the popular title track "Kura," helped establish them as one of the most dynamic bands in the scene, blending various styles around folk, and a touch of the melancholic into their distinct contemporary style. "Xatbet il-bieb" is a powerful continuation of Skald's commitment to using music as a platform for change and conversation. With every release, the band seeks to give voice to the marginalized and highlight the struggles that often go unnoticed. "Music has always been a way for us to express the darkest corners of human existence," says the band in a statement. The artwork of this album implies so as it shows a vice in a dark background.  "With Morsa, we wanted to explore the vice that holds people down in different forms. 'Xatbet il-bieb' is a raw and emotional look at the horrors of trafficking and abuse, and we hope it can spark important discussions." Skald's music is available for streaming on all major platforms, and "Xatbet il-bieb" is now featured in most radio stations for fans to listen to and share. Listen to Xatbet il-bieb here More about Skald: Formed in 2017, Skald is a band that fuses contemporary folk influences with poignant, socially aware lyrics. With two albums under their belt—Kura (2017) and Morsa (2024)—the band has garnered a reputation for tackling tough subjects like emotional trauma, societal issues, and personal struggles. Skald continues to engage and challenge their listeners, always striving to inspire, provoke thought, and create change through their music. listen to Morsa here YouTube Page: https://youtube.com/@skaldmalta1927?si=1mF8MnW3sffm2c9e   Facebook page: https://www.facebook.com/skaldband

Kill The Action Drops Hard-Hitting New Track "ĠAĦAN" Kill The Action , Myles , Funky Monkey , and DJ Mac have teamed up to bring you their take on the sorry state of the Maltese political divide. The hard-hitting ĠAĦAN – KTA’s first release for 2025 - leaves no stone unturned. It blends the band’s signature sound and raw energy with bold and thought-provoking lyrics to deliver a bitter pill to swallow. The music video, directed by @Bron.co.lab, gives new life to the iconic folk anti-hero by blending the raw energy of the artists’ performance with scenes which adapt the Maltese folk tale to a modern-day setting. Watch the ĠAĦAN music video here Listen to ĠAĦAN on Spotify For media inquiries or interviews, contact Kill The Action on killtheaction@gmail.com Tag Kill The Action on Instagram - @ kta.band

Toby Farrugia, a multi-talented musician, and music producer from Malta, has carved out a unique place for himself in the music industry. His journey, which began in his early years, has seen him evolve from a passionate musician into a prominent figure in electronic music production. Toby’s love for music started at the tender age of six, when he began playing the piano. This early exposure to music sparked his interest in various other instruments, including guitar, bass guitar, and drums. As a young musician, Toby performed with numerous well-established bands, including Theater , Nightwing , Sanity , and Syrup . His time spent playing with these bands was crucial in shaping his understanding of music and performance. Theatre and Nightwing promo photos Toby’s passion for music was further complemented by his educational pursuits. He studied Business Studies at Stella Maris College and Interior Design at Rhodec Design Brighton in 1998. His formal training in music production began in 2001 when he attended SAE to study Logic Pro, where he honed his technical skills and expanded his understanding of sound design and music technology. This combination of practical experience and academic knowledge laid a solid foundation for Toby's future in the music industry. In 2002, Toby took a significant step in his career by establishing his own studio. This move allowed him to not only create and produce his own music but also collaborate with other artists. The studio became the heart of his musical endeavours, and from there, Toby began releasing his own tracks while also working behind the scenes for various projects. This entrepreneurial spirit was the catalyst for his transition into the role of a producer. Toby’s talent and hard work have earned him multiple accolades throughout his career. Notably, he won the Akademia USA Best Dance Song award in both 2016 and 2018, cementing his reputation as a leading figure in dance and electronic music. As a testament to his prominence in the industry, Toby has secured publishing deals with major labels, including EMI, Sony BMG, and ATV. These partnerships have opened doors for him to collaborate with an impressive roster of artists, including Christina Novelli, Deadmau5, Bo Bruce, Sean Ensign, Karen Danzig, Taya Cade, Jill Criscuolo, Ira Losco, Matthew James, Errol Sammut, Airy Jeanine, Kurt Calleja, Kersten Graham, and Anneli. In addition to music production, Toby is an accomplished sound designer, contributing to projects across various media. His expertise extends to virtual reality experiences, television, theatre, and trailers, demonstrating his versatility and ability to adapt his skills to different creative formats. Recently, Toby showcased his sound design prowess by creating the soundtrack for a new Vikings  game. This project highlights his innovative approach to sound design and his commitment to exploring new creative avenues. As Toby’s career progressed, he became known for his versatility and ability to blend different genres into his music. Over the years, he has released three albums and over 70 personal tracks. In addition to his solo work, Toby has produced over 1,000 tracks for other artists. His productions have gained widespread acclaim, earning him top positions on music charts, and solidifying his status as one of Malta's leading producers. Toby's ability to collaborate has been a hallmark of his career. In 2021, he worked with Joseph Armani and Destiny to release a reworked version of the iconic track "Pump Up The Jam," breathing new life into the classic hit. The following year, Toby collaborated with singer-songwriter Sam Heavens, further expanding his musical repertoire. In 2022, Toby joined forces with artist Geo Debono on the track "Freedom of Love." This collaboration explored the theme of love’s liberation, and it became another significant release in Toby’s career, following the success of their earlier track "Who We Are." Toby Farrugia maintains an active online presence through various platforms where he connects with a global audience. His official website, tobymusicprod.com , serves as a hub for his latest releases and news. His music can be heard on platforms such as SoundCloud  and TIDAL , where listeners can explore his vast catalogue. Toby also engages with fans and shares insights into his creative process on Instagram  and Facebook . As of 2025, Toby Farrugia continues to be a force to be reckoned with in the music world. His dedication to innovation, his willingness to collaborate, and his passion for music ensure that he remains a prominent figure in the industry. This month, Toby has a new song released on Tilt Records called ‘Where Are You Now’ in February. Toby's work continues to resonate with listeners across the globe, and with new projects on the horizon, the future looks bright for this talented musician and producer. For those looking to stay updated on Toby’s latest work, visiting his official online platforms is the best way to follow his ever-evolving career. Whether as a musician, producer, sound designer, or collaborator, Toby Farrugia’s influence on the music industry continues to grow.

We are happy to announce our 3rd single 'Ticket to the Moon' from the album 'The Weight of it all' and would like to share our new video with you. The song is an ode to the beauty of creativity and performance. Despite life's myriad struggles and the inevitable ups and downs, the act of performing on stage or creating music offers a powerful refuge. It serves as a means to strengthen and center the mind, allowing us to navigate the chaos with clarity and purpose. The video is shot and edited by pianist and co-writer Ismael Azzopardi. You can check it out here We hope you enjoy it as much as we loved creating it. www.chasingpandora.com

A Tribute to Music and Memory by Pierre Caruana In 2009, Pierre Caruana introduced the world to My Freespirit , a personal project and pseudonym under which he released his debut solo album. This marked a new chapter in Caruana’s career, following his tenure with bands like Structure and Scar. His journey took a significant turn when he collaborated with Dave Goodman, an accomplished record producer and musician. Goodman was best known as the live sound engineer for the Sex Pistols and the producer of three of their studio demo sessions. Over his career, Goodman also worked with early punk acts such as Eater, Chelsea, The Cannibals, Maniacs, and UK Subs, and later co-produced with Darryl Read in 2002. Eventually, Goodman established Mandala Music, a studio and label based in Malta. The collaboration between Caruana and Goodman was initiated by Stefan Dimech (Fish id-Drummer), who introduced the two musicians. They conceptualized a music project titled Earth , but this endeavor was cut short when Goodman tragically passed away from a heart attack at the age of 53. Despite this loss, Caruana formed a strong bond with Goodman and his partner, Kathy Manuell, who continued to manage Mandala Music on a smaller scale. Between his commitments and composing for Earth , Caruana amassed a significant collection of songs. At Kathy's encouragement, he began recording these tracks, with her overseeing the process. Over the years, Kathy had gained production expertise while working alongside Goodman, enabling her to guide the project effectively. The resulting album, Real Life , is deeply personal, reflecting pivotal moments from Caruana’s life. Among the most significant tracks are those dedicated to his late mother, Annie, who lost her battle with cancer. The song Mother Love  features Annie’s voice, the only recording of her singing, something she did daily at home when she was engaged in her daily routines but never professionally. The album’s lyrics chronicle Caruana’s life journey, with photographs from various stages of his life adorning the CD booklet’s back cover. Caruana dedicated Real Life to two central figures in his life: his mother, for her unwavering support, and Dave Goodman, whose musical influence was transformative. All songs were written and composed by Caruana, except for Outcast , which features music composed by Jewls Verse. Verse also contributed drum programming and backing vocals. Additional musicians included George Hershey, Mark Tonna, and Liam on guitars, with Mike Hershey on bass. The album was recorded at Mandala Studios, produced by Jewls Verse and Kathy Manuell, and featured cover art by Ahmed Dgibli. Released in 2009, the album owes its completion to Kathy, whose determination brought the project to fruition. Tragically, Kathy passed away from cancer a few years later, ending a cherished friendship and delaying Caruana’s second album, which remains unreleased. Real Life  consists of 10 progressive rock tracks, influenced by Genesis (Caruana’s favorite band), Marillion, and Pink Floyd. The album also marked Caruana’s vocal debut. Despite a turbulent period following the album’s release, which led to his semi-retirement from music, Caruana has hinted at a return in 2025, expressing hopes to rekindle his passion for music and his beloved keyboard. The album Real Life  is currently available at Melodija.eu . For further insights into Pierre Caruana’s journey and the Maltese rock scene of the 1980s, readers can explore The Maltese Rock Scene in the 1980s: Structure . My Freespirit is now on sale from melodija.eu - buy here

Teatru Salesjan, established in 1908, is the oldest existing theatre in Sliema and one of Malta's cherished cultural landmarks. Originally founded by the Salesians of Don Bosco, the theatre, then known as Juventutis Domus, served as a hub for young intellectuals to engage in cultural and educational pursuits. Over the years, Teatru Salesjan has evolved into a vibrant space dedicated to the arts, with a strong emphasis on music. Original facade The Salesian Co-operators in Malta The Salesian presence in Malta began in the late 19th century, driven by the vision of Don Bosco. Although the first Maltese Salesian Co-operators formed in the 1870s, it wasn't until the 1880s that requests were made for Salesian missionaries to come to Malta. The Salesians focused on youth education and charitable works, continuing Don Bosco’s legacy after his death in 1888. Today, the Salesians remain dedicated to improving the lives of young people through education and service in Malta. A Rich History of Artistic Endeavors During the 1930s, Carmelo Galea, a Maltese Salesian Brother with a profound love for music, spearheaded efforts to enrich the theatre’s artistic output. After returning to Malta from Modica, Sicily, in 1931, Galea dedicated much of his life to the oratory in Sliema, focusing particularly on enhancing the theatre's artistic offerings. His passion for music led to a significant increase in the theatre's musical productions. Notably, on November 11, 1934, he composed both the music and lyrics for "La Canzone Internazionale," a piece presented at the Salesian Theatre. Galea's contributions established a strong foundation for Teatru Salesjan’s musical traditions, many of which continue to influence the theatre’s programming today. Teatru Salesjan 1925 Another notable historical feature of Teatru Salesjan is the proscenium fresco created by Giuseppe Calì in 1910, two years after the theatre’s inauguration. Titled "The Virtues of Mankind," this oil-on-stone lunette adorns the theatre's proscenium arch and is surrounded by rich bas-relief, pre-art deco The Virtues of Mankind by Giuseppe Cali' stucco decorations filled with symbolism. Recently, the fresco underwent meticulous restoration to reveal its original vibrant colors, ensuring its preservation for future generations. Calì’s contribution to Teatru Salesjan remains a testament to his significant impact on Maltese art and culture. Recent and Upcoming Events Teatru Salesjan continues to shine as a beacon for cultural and musical events. Recently, the theatre celebrated its grand reopening on May 31, 2024, with a concert featuring popular Maltese acts such as Red Electrick, The New Victorians, Claire Tonna, and Auntie’s Yellow Sofa. Renovation work began in 2019, and aimed to modernise the venue, bringing it up to current standards while ensuring it remains a professional space for performers. With support from the Planning Authority’s Development Planning Fund, the theatre underwent significant upgrades to enhance its accessibility, creating a comfortable and welcoming environment for audiences of all abilities, ages, and mobility levels. The newly-contemporary theatre, seats around 450 people. The renovation reflects the community's commitment to preserving the theatre’s legacy while making it a more inclusive space for future generations. During the summer months of 2024, the Harlem Starlight Series brought jazz and dance performances to the stage, captivating audiences with its vibrant energy and artistry. Teatru Salesjan's Reopening Concert 31-05-24 Steve Rothery’s concert in Malta, part of the celebrations marking 45 years of making music, took place at Teatru Salesjan in Sliema on October 4th and 5th. The performances featured two different setlists, combining Rothery’s solo material with iconic tracks from Marillion. Organized by Rock 'N Malta and NnG Promotions, the event offered fans a unique opportunity to experience Rothery’s legendary guitar work live at this historic venue, further cementing Teatru Salesjan’s reputation as a premier cultural and musical hub in Malta. Restoration in progress: Workers diligently refurbish a historic site between 2019 and 2024, preserving intricate architectural details and structural integrity. Looking ahead, February 2025 is packed with exciting events. "Tipsy Tunes," a series of musical evenings, will take place on February 6, 13, and 20, offering a relaxed yet engaging atmosphere for music lovers. From February 10 to 16, the theatre will present "The Love Letters I Never Sent," a poignant theatrical performance exploring untold stories of love and missed connections. On February 28, "Speakeasy Swing: A Carnival Cabaret" will transport audiences back to the roaring 1920s with a jazz-infused carnival celebration. In March, the theatre will host "The Coarse Acting Show" from March 14 to 16, a comedic production that humorously embraces the art of "bad acting" in an endearing way. A Hub for Creativity Teatru Salesjan remains steadfast in its mission to support young creatives and foster a cohesive community. Through workshops, performances, and collaborative projects, the theatre provides an invaluable platform for emerging artists to hone their craft and share their talents. As it embarks on its next chapter, Teatru Salesjan continues to uphold its legacy as a cultural cornerstone in Malta. Whether it’s through the timeless art of music, theatre, or dance, this historic venue is sure to inspire and entertain for generations to come. References: Teatru Salesjan GuideMalta.com

Different Strings, led by the visionary Chris Mallia, is a progressive rock band hailing from the Maltese Islands. Known for its intricate compositions, conceptual depth, and the ability to merge progressive rock’s classic ethos with contemporary elements, the band has carved a distinct niche in the global prog-rock scene. Despite not being a mainstream commercial entity, Different Strings has consistently delivered music that resonates deeply with fans of the genre, earning international acclaim and recognition in esteemed music publications. The genesis of Different Strings dates back to 2000, when Chris Mallia embarked on a solo project to bring his compositions to life. Driven by a passion for progressive rock icons such as Pink Floyd, Genesis, Yes, Rush, Dream Theater, and Spock’s Beard, Mallia envisioned a project that could honour these influences while presenting a unique artistic voice. In November 2004, Different Strings debuted with the single Dead Man Walking. This marked the beginning of a journey that would see the release of multiple albums, EPs, and singles, each exploring new creative territories. The debut album, ...It’s Only the Beginning, was released in February 2007, featuring Alan Mayo on vocals. This album was a testament to Mallia’s compositional prowess and his ability to craft intricate arrangements. The music blended symphonic elements with progressive structures, making it a compelling introduction to the band’s sound. Shortly after, in 2008, the ambitious concept album The Sounds of Silence began taking shape. Initially conceived as a double album, it was divided into two parts due to logistical and financial constraints. The first instalment was released in 2011, solidifying Different Strings' reputation as a band unafraid to tackle expansive and thought-provoking themes. Throughout its history, Different Strings has seen numerous lineup changes, with Mallia remaining the creative anchor. Notable collaborators include Kurt Aquilina on guitar, Errol Cutajar and Alan Mayo on vocals, Julian Mallia and Karl Dingli – drums, Trevor Tabone and Johann Tabone on bass plus various other musicians who contributed to the band’s evolving sound. Aquilina, an award-winning guitarist recognized as Malta’s Young Musician, brought youthful energy and technical brilliance to the project. The band’s discography grew with the release of the Victims of Love EP in 2010, featuring alternate versions of tracks from The Sounds of Silence and unique instrumental pieces. This release included a poignant tribute to the late artist Noel Cauchi, showcasing Mallia’s ability to imbue his music with personal and emotional depth. Over the years, the band has reissued key works, such as a re-recorded version of Dead Man Walking in 2014 and released significant albums like The Sands of Time in 2021. The latter is widely regarded as a pinnacle in the band’s career, blending conceptual storytelling with masterful musicianship and featuring an international ensemble of guest artists. Different Strings has also made its mark in live performances. The band participated in various festivals, including Simon’s Music Fest, the Farsons Beer Festival, and Notte Bianca. In 2014, they achieved a milestone by winning the Hard Rock Rising Global Battle of the Bands and earning a top-ten placement in the international competition. Despite the challenges posed by lineup changes and logistical difficulties, live events have remained an integral part of the band’s identity. International recognition has been a defining feature of Different Strings’ journey. The band has been featured in prominent magazines like Classic Rock – Prog, Fireworks, and Big Bang. In 2012, their track was included in a special edition distributed at the inaugural Prog Rock Music Awards in the UK, placing them alongside legendary figures such as Steve Hackett and Steven Wilson. These accolades underscore the band’s influence and its ability to connect with a global audience. The Sands of Time released in 2021 by Progdome Records, is a concept album featuring a compelling mix of tracks that explore themes of time, struggle, and self-awareness. Notable songs include the energetic "Out of Time", the expansive title track "The Sands of Time", and the haunting "Broken Childhood". The album also includes reprises of "The Hourglass Overture" and "Out of Time" , adding a cyclical thematic layer to the project. Chris Mallia serves as the creative force behind the album, performing all instruments and providing backing vocals. Supporting the project are Andrea Casali (lead vocals), known for his work with Astra, Iced Fish, and No Gravity, and AnneMarie Spiteri (vocals on track 8), from Viper Soup Complex. Additional contributions include Kurt Aquilina (guitar solo on track 11), Jeanpierre Zammit (guitar solo on track 10), and Arthem Zhulyev (tenor saxophone solo on track 4). The diverse instrumentation and collaborative effort make The Sands of Time a standout release in progressive music. The band’s rich discography includes albums like The Sounds of Silence – Part I & II (2008), The Sands of Time (2021), and remastered editions of earlier works. Singles such as Legacy of War (2012) and Ten Dollar Love (2021) further illustrate the diversity and depth of Different Strings’ output. Today, Different Strings continues its evolution under the leadership of Chris Mallia. In 2024, Mallia unveiled the single Words Unspoken, showcasing his unwavering commitment to expanding the horizons of progressive rock. Through perseverance, innovation, and a commitment to artistic integrity, Different Strings has established itself as a cornerstone of progressive rock. The band’s journey is a testament to the power of music to transcend borders and touch hearts, making it a cherished name not only in Malta but in the global prog-rock community. References and Bibliography Prog Archives: Different Strings Artist Profile 92006) Classic Rock – Prog Magazine, Issue Nov. 2012 Fireworks Magazine, June 2012 Big Bang Magazine (France) This is Rock (Spain) Melodija.eu : Different Strings Progdome Records: Album Releases and Artist Information

Luciferi Regnum Seeks New Drummer and Releases Live Gig Video On January 20, the melodic black metal band Luciferi Regnum announced via their social media platforms that they are actively searching for a dedicated drummer to join their ranks. The band emphasized the need for a drummer proficient in playing blast beats and handling fast tempos, essential for their intense musical style. Interested musicians are encouraged to reach out through the band’s Facebook page ( Facebook Link ) or Instagram profile ( Instagram Link ). In addition, Luciferi Regnum shared exciting news for their fans by releasing a video of their live performance at last year’s Farsons Beer Festival on YouTube. Fans can now relive the high-energy set through the link: Watch Here . Luciferi Regnum, a five-member metal band, was founded in 2021 by Kyle Cortis. Their distinctive style blends elements of Black Metal, Extreme Gothic Metal, and Symphonic Blackened Death Metal. Drawing inspiration from iconic bands like Mayhem, Cradle of Filth, Venom, Emperor, and MartYriuM, among others, they craft a sound that pays homage to the genre's pioneers while retaining its unique identity. Malta Spring Festival to Host International Strings Academy in April 2025 The Malta Spring Festival is set to feature the Malta Spring Festival International Strings Academy, a week-long intensive program running from April 21 to 26, 2025. Open to string players enrolled in music institutions or universities, the Academy offers a comprehensive package including free tuition and accommodation. Participants will benefit from masterclasses, chamber music collaboration, and orchestral training led by esteemed European musicians and educators. Each student will receive a minimum of three individual lessons and engage in carefully curated chamber ensembles featuring faculty members. Classes will be held in prestigious venues across Valletta, such as the Malta Society of Arts, the Manoel Theatre’s Nicolò Isouard Music Room, and the National Library. Afternoons will focus on rehearsals for the string orchestra, culminating in a final concert on April 26. The program includes performances of Shostakovich’s Chamber Symphony, Op. 110a , Tchaikovsky’s Serenade , and Arvo Pärt’s Fratres , featuring renowned soloist Dmitry Sitkovetsky. Participants will also enjoy evening concerts programmed during the festival, offering exposure to exceptional international artistry. About the Malta Spring Festival Founded in 2005 by composer Karl Fiorini, the Malta Spring Festival is a premier classical and contemporary music event held annually in Valletta. Known for its innovative programming and focus on new works, the festival combines classic repertoire with cutting-edge compositions. Past themes have included “From Zappa to Beethoven” (2017) and “Fighting for Hope” (2024). The festival also features the Rising Stars Concert Series, providing local talent a platform to develop and pursue their musical careers internationally. For more information, visit maltaspringfestival.com . Teatru Salesjan Hosts Thursday Music Nights in February This February, Teatru Salesjan in Sliema invites music lovers to enjoy a series of Thursday evening performances featuring Stjanu Debono alongside Aleandro Spiteri Monsigneur and Bruno Monteiro on piano. Audiences can look forward to a delightful mix of timeless classics, modern hits, and the vibrant rhythms of Brazilian music. The events will take place on February 6th, 13th, and 20th, with doors opening at 7 PM and music starting at 8 PM. Guests are encouraged to grab a drink, relax, and immerse themselves in an evening of exceptional live music. Teatru Salesjan, established in 1908, is more than just a theatre—it’s a historic and cultural landmark in the heart of Sliema. Renowned for its commitment to artistic expression and community engagement, the venue continues to celebrate shared heritage and global culture with every performance. Thea Aquilina and Giorgio Anici Camilleri Triumph at Sixth Kantamagħna Festival The sixth edition of the Kantamagħna Festival took place on Saturday, January 18, 2025, at the Astra Theatre in Victoria, Gozo. The event, hosted by Keane Cutajar, showcased the talents of 30 singers divided into two categories: Kantamagħna Junior for ages 11-15 and Kantamagħna Festival for ages 16-35. Thea Aquilina emerged as the winner of the main festival with a stunning performance of I Will Survive. Nicole Hammett and Ema claimed second and third places, respectively. Aquilina’s victory includes a one-year contract with the DCapitals Big Band, offering her the chance to perform in numerous concerts locally and abroad. In the junior category, Giorgio Anici Camilleri won with his rendition of What a Wonderful World, followed by Aaliyah Grech in second place and Joy Xerri in third. All finalists were accompanied by the DCapitals Big Band, an 18-piece live ensemble directed by Maestro George Apap. The festival, held with the support of the Cultural Heritage Directorate within the Ministry for Gozo and Planning, highlighted local talent and provided a platform for emerging singers. Melodija.eu , extends its congratulations to both winners for their remarkable achievements. Admission to the festival was free, and it remains a celebrated event in Gozo’s cultural calendar. ĦOLMASONIKA 3 Set to Take Over Liquid Club Malta on February 15 Music lovers are gearing up for ĦOLMASONIKA 3, a highly anticipated event set to transform Liquid Club Malta into a vibrant dreamscape on Saturday, February 15, 2025. Presented by ĦOLMASONIKA, the night promises an eclectic mix of live performances and DJ sets, featuring a lineup of cutting-edge local and international talent. The event will showcase performances by Hunters Palace, The SHH, Skimmed, Capitol K, Ghstt, Naqara, Bennie Blue, and Mauve, with DJ Cardona spinning tracks to keep the energy high throughout the night. Known for its immersive and otherworldly atmosphere, ĦOLMASONIKA has become a must-attend event for fans of alternative and experimental music. Tickets are available now at shop.trackagescheme.com/event/holmasonika-2025 . Don’t miss the chance to experience this unique blend of sounds and visuals at one of Malta’s premier venues. Liquid Club Malta is set to open its doors to this unforgettable event, where “the dreamscape has never been more real.”