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FROZEN SYLPH 2026: WHERE FROST MEETS FURY Shrouded in ice and legend, Frozen Sylph returns to Malta on Saturday, 7th February 2026, bringing together an elite line-up of international heavy metal titans for a night of unmatched intensity. Hosted at The Garage, Żebbuġ, this year’s edition promises a mythical journey through darkness, power, and raw musical energy. As the chill of February settles, the veil lifts on a storm of sound, shadow, and fury. Metalheads are invited to prepare for a night where the atmosphere is as relentless as the riffs, and the power of music becomes an elemental force. Line-up: NIGHTFALL (Greece) YOTH IRIA (Greece) GAME OVER (Italy) MURDOC 104 (Malta) (Greece) Formed in Athens in 1991, NIGHTFALL was the first Greek metal band to sign with a foreign label, releasing landmark albums such as Parade into Centuries and Macabre Sunsets. Over three decades, the band has evolved from early live crusades to studio-driven masterpieces, including their latest album, At Night We Prey (2021), which confronts mental health stigma through a relentless blackened sound. NIGHTFALL’s upcoming eleventh album, shaped by the monumental production of Jacob Hansen, promises the band’s most epic, cathartic, and powerful work yet—a musical odyssey through pain, resilience, and transcendence. (Greece) Emerging from the Hellenic black-metal tradition, Yoth Iria is led by Jim Mutilator (Rotting Christ, Varathron) and The Magus (Necromantia, Thou Art Lord), blending ancient Greek occultism with modern ritualistic intensity. From their early EP Under His Sway (2020) to the critically acclaimed Blazing Inferno (2024), Yoth Iria has forged a reputation as one of the genre’s most inspired modern forces. With a forthcoming full-length album due in May 2026 via Metal Blade Records, the band continues its relentless evolution, channeling darkness, melody, and spiritual fire on an epic scale. (Italy) Known for ear-shattering riffs, anthemic gang-vocal choruses, and adrenaline-fueled shows, Game Over has released six studio albums and toured across Europe, the U.S., Japan, and China. Sharing stages with legends like Megadeth, Exodus, Testament, and Sodom, the band delivers a live experience that forces heads to bang and hearts to race. Malta Hailing from Malta, Mur.Doc 104 channels the raw thrash energy of the 1980s Bay Area scene. Since forming in 2015, the five-piece band has become a mainstay on the local metal circuit and shared stages with international acts such as Leprous, Omnium Gatherum, and Kryptos. Their debut EP The Undying (2023) and singles Insolenza / Reign of the Dead showcase a fierce, uncompromising sound that resonates both locally and internationally. Event Details: Date: Saturday, 7th February 2026 Venue: The Garage, Żebbuġ, Malta Doors Open: 20:00 hrs Tickets: €35 Frozen Sylph 2026 is part of the Malta Metal Alliance 2026, a celebration of the island’s thriving heavy metal community and its connection to the international scene. This is more than a concert—it’s a gathering of spirits united by darkness, intensity, and the transcendent power of metal. Step into the storm. Embrace the frost. Let the fury take hold.

Damaged&Co are back After a brief hiatus from live performances in mid-to-late 2025, Damaged & Co. return in 2026 with a brand-new setlist built around fresh material as we delve deeper into concepts of the Self. The band enters this new chapter with an expanded line-up: Daniel Sammut – Guitars Peter Paul Valletta – Vocals Gwen Zammit – Drums Warren Vella – Bass Franny Schembri – Keys   Warren and Franny— replacing Alex and Keith, who stepped away for personal reasons — join the established members Daniel on guitar, Gwen on drums, and Peter on vocals and bringing in new flavours to the already established sound that marks the identity of the band. Despite the challenges of being based on the small island of Malta — with its limited population and even smaller metal scene — Damaged & Co. remain determined to get back onstage and deliver their signature Alternative Metal sound. The band now looks forward to building on their national and international experience, having performed twice in Italy (SbamFest 3 and Rock in Park 2022) and once in Israel ( we all know where that lead). Locally, they have opened for Lordi at the Aria Complex and performed twice at Dark Malta Festival, sharing the bill with acts such as Deathstars, Combichrist, and Diary of Dreams.

Tony Carr, the pioneering Maltese drummer and percussionist whose remarkable career spanned jazz, pop and international session work, died on January 2, 2026 , at the age of 98 . Born George Caruana  in Valletta in 1927 , Carr’s journey from the smoke-filled bars of Malta’s Strait Street to world-renowned studios in London made him one of Malta’s most distinguished musicians of the 20th century. Carr came of age during World War II, when Malta’s nightlife was animated by Allied servicemen and visiting musicians. Drawn to jazz at a young age, he learned his craft in local clubs and dance halls, absorbing the rhythms and improvisational styles of African-American jazz musicians passing through the island. By the late 1940s, he had become a central figure in one of Malta’s earliest jazz trios, helping to introduce modern jazz to local audiences. In 1952 , Carr left Malta for London , determined to pursue a full-time career in music. The early years were difficult, marked by financial hardship and sporadic work, but his technical precision and musical sensitivity gradually earned him recognition. His major breakthrough came when legendary American bandleader Billy Eckstine  selected him for a European tour, later praising Carr as one of the finest accompanists he had encountered in Britain. From the 1960s through the early 1980s , Carr became one of the UK’s most reliable and versatile session drummers. He worked across jazz, pop, soul and rock, performing and recording with artists such as Ella Fitzgerald, Dizzy Gillespie, Paul McCartney, Tom Jones, Cliff Richard  and many others. Among his most notable appearances was his participation in Paul McCartney’s Rockestra project , where he recorded alongside members of Led Zeppelin and other leading rock musicians of the era. Despite his international success, Carr remained relatively unknown to younger generations in Malta for many years. This began to change in the 2020s, as renewed interest in Malta’s musical heritage brought his story back into public consciousness. A significant milestone was the release of the documentary Strait Street to Abbey Road , which traced Carr’s path from Valletta’s jazz scene to London’s elite recording studios, restoring his place in Maltese cultural history. Tony Carr is remembered not only for his exceptional musicianship, but also for his quiet determination and professionalism. His death on January 2, 2026 , marked the end of a life that mirrored the evolution of modern popular music and stood as a testament to the global reach of Maltese talent. Timeline: Tony Carr – Life and Career 1927  – Born George Caruana  in Valletta, Malta. Early 1940s  – Discovers jazz during World War II; begins performing in Strait Street venues. Late 1940s  – Becomes part of one of Malta’s earliest jazz trios, helping shape the island’s jazz scene. 1952  – Moves to London to pursue a professional music career. Mid-1950s  – Gains international exposure touring Europe with Billy Eckstine. 1960s–1980s  – Establishes himself as a leading UK session drummer, working with major jazz and pop artists. Late 1970s  – Records with Paul McCartney’s Rockestra supergroup. 2024  – Life and career celebrated in the documentary Strait Street to Abbey Road . January 2, 2026  – Dies aged 98, leaving behind a lasting legacy in Maltese and international music history. Photos: Ġużè Camilleri Further reading: Tony Carr: A Forgotten Giant of Jazz Remembered in New Documentary

On 26 December 2025, the M.A.D. Communal Annual Compilation  was released, marking another significant chapter in the collective’s ongoing documentation of experimental and underground sound. This year’s edition is an expansive release, featuring 104 tracks  from a diverse range of acts, each contributing to a compilation that traverses dark ambient, drone, noise, industrial, and tribal soundscapes. Accompanying the compilation download is a comprehensive PDF booklet , which includes artworks and direct links from all 104 participating acts. In most cases, the document also provides contextual information about the artists, offering listeners deeper insight into the creative identities and concepts behind the music. Together, the audio compilation and PDF form a curated archive that is as informative as it is immersive. Among the contributors to this edition are four Maltese acts , whose tracks stand out for their thematic depth and uncompromising sonic intensity. Cultura Obscura – “Lights Out” (Track 5) “Lights Out” is an experimental dark ambient piece rooted in drone and noise  elements. The track unfolds as an ominous journey, drawing the listener into an unsettling atmosphere where tension and unease are carefully sustained. Its slow-moving textures and abrasive undertones create a sense of descent, reinforcing Cultura Obscura’s exploration of darkness as both mood and narrative. Devil’s Breath – “Paradox of Tolerance” (Track 8) Devil’s Breath contributes a dark drone tribal ambient  composition infused with industrial and noise influences. “Paradox of Tolerance” takes its conceptual inspiration from Karl Popper’s philosophical idea, which gained renewed relevance amid the polarised divisions and global turmoil of 2025. The track reflects this tension sonically, layering ritualistic rhythms with harsh, confrontational textures that echo conflict, contradiction, and ideological strain. Esoteric Ethiopia – “Rather Die A Quick Death Before Another Suffering Scene” (Track 10) Also situated within the realm of dark drone tribal ambient, Esoteric Ethiopia’s track incorporates industrial and noise elements to confront a deeply existential question. The piece reflects on the limits of human endurance, asking whether an imminent, quick death is more reasonable than prolonged suffering once irreversible tolerance to agony has been reached. The sound design mirrors this dilemma, oscillating between oppressive weight and moments of stark clarity. Acheron’s Mist – “Chinon” (Track 48) “Chinon” is an atmospheric dark drone ambient track characterised by a dense, noisy soundscape. Acheron’s Mist remains an anonymous project , adding an extra layer of intrigue to the music. Notably, the act’s primary musical identity lies elsewhere, as the artist is a veteran and established techno producer. This contrast underscores the versatility and depth of experience behind the project, as well as the freedom afforded by anonymity. Taken as a whole, the M.A.D. Communal Annual Compilation 2025  functions not just as a collection of tracks, but as a snapshot of contemporary underground expression. Through its breadth of artists, carefully documented visuals, and conceptually driven works—particularly from its Maltese contributors—the compilation stands as a testament to the enduring power of experimental music to reflect uncertainty, resistance, and introspection in turbulent times. Link to listen / buy album on Bandcamp

How yesterday’s improvisers are still colouring today’s hits Hi there, If today’s hits don’t sound like jazz, does jazz still matter? I think it does, because what survives is the approach , that is, improviser habits, micro‑timing, and harmony choices that make even loop‑based music feel alive. From New Orleans to now: the “DNA” that survived Jazz began as hybrid music, African rhythm, blues sensibility, European harmony, performed by people who bent rules on purpose. The one strand of DNA that keeps surviving is improvisation, that is making something new in the moment. Neuroscience studies on jazz players suggest that during improvisation, the brain’s self‑censoring quiets while expressive networks ramp up, a neural window into flow and fearless idea‑making. That’s the same mental gear many producers chase today when they leave the grid for a fresh take. And that sense of feel, the tiny choices about playing just behind, on, or ahead of the beat, matters more than most listeners realise. Research on micro‑timing shows how these small placement shifts shape groove and listener perception. In short, how we place the note is as important as what the note is. Where it shows up now Neo‑soul / modern R&B. Extended chords, third‑related cycles, tasteful reharmonisations, colours that grew up in jazz and now live comfortably in mainstream tracks (think Robert Glasper’s world feeding back into pop/R&B). Hip‑hop. Jazz and rap have been in dialogue for decades, live bands, sampling, and the whole jazz‑rap lineage. The flow, the harmony, the social voice, there’s a clear through‑line. Pop and electronic. Even “rigid” productions borrow syncopation, chromatic side‑steps, and elastic phrasing that trace back to jazz grammar. If you’re hearing Kendrick Lamar’s jazz‑infused productions (like the 2015 album To Pimp a Butterfly ) or Jacob Collier stack unlikely chords that still resolve satisfyingly, that’s the jazz tool‑kit at work, reharm, modulation, improviser’s timing in modern clothes. What we can borrow from jazz today Improvise on purpose. Give yourself one chorus, live or in the DAW, where you must try something you didn’t plan. It reduces self‑censoring and lets ideas surface. Listen like a bandmate. Jazz is collective; the skill is responding in real time. In any genre, practise reacting to the drums/lyrics/room, not just your part. Expand the harmony (sparingly). Try a tasteful substitution (add9, 11, altered V) where the lyric can carry it. The goal is colour, not clutter. Value the unexpected. A well‑timed rest, a behind‑the‑beat phrase, a reharm, small shocks that feel human. The bassist’s connection (and why it still matters to me) Jazz gave the bass a voice, dialogue with the drums, authority over harmony, soloing, and permission to shape time . That still drives how I approach groove in any context, note length before note choice, pocket before fireworks, space before speed. Keeping jazz alive across genres You don’t need a “jazz gig” to play with a jazz mindset. Musicians can steal the curiosity, the listening, the risk. Listeners can slow down and notice how a track breathes, not just what it is. Over to you Has a jazz‑tinged song ever changed how you hear a genre? Do you bring improviser habits into non‑jazz settings? Hit reply and tell me. Stay curious, and keep it in the pocket. This is my last post for 2025 . Thank you for reading, sharing, and supporting the music this year, it means more than you know. Wishing you and yours a restful, music‑filled holiday season. I’ll be back in January with news on some new and genuinely exciting projects lined up for 2026 and 2027 . Can’t wait to share what’s coming. Simon Optional reference notes (for linking in Substack) If you like reading the science/analysis side, here are a few places to start: fMRI work on jazz improvisation and the “flow” state (Limb & Braun) Micro‑timing and swing perception studies (e.g., Datseris and colleagues) Analyses of jazz‑influenced harmony in neo‑soul and modern R&B

On Saturday, five days before Christmas, Haine presented the third edition of Haine & Friends , this year titled Trinity of Chaos . It was likely the first time so many artists shared the same stage during a metal gig in Malta. In addition to the core members of Haine, twenty-four guest musicians joined the band at various points throughout a set that featured twelve songs, including two covers, which will be mentioned later. The event carried a bittersweet tone, as it marked the end of an era with Rene “Hades” Farrugia stepping down from managing the venue after eight and a half years. Rene later posted a nostalgic message on Facebook, thanking everyone who supported The Garage throughout the years: “8.5 years passed and the day to say Goodbye to The Garage  has arrived. Destiny wanted that the last few gigs were organised by great persons that also supported the venue, not for their own interest, but because they truly appreciated the sacrifices behind it. Had a lot to say, but I prefer not to put fuel on fire. Thanks for all of you that supported us during the last years (you know who you are) and wish all the luck to Jonathan, Franny and the team for taking over the venue. For sure it was a great learning experience and also a huge eye opener.” All of us at Melodija would like to thank Rene, and we wish the very best to the new management. Returning to the night itself, the event was opened by another energetic performance from Kodin Hill ’N The Pressed Pills. Since their first appearance, the band has been steadily building a strong following. They performed ten songs from their repertoire, and aside from the first couple of shows I have seen them play, this was, in my opinion, one of their strongest performances of the year and a fitting warm-up for what followed. The rotating cast of local musicians who joined Haine throughout the set included: Roderick Mifsud (Repugnance), Dario Pace Taliana (Pilgrimage/Weeping Silence), John Castiel (ex-Decline the Fall), Edward Tagliaferro (ex-Arachnid), James Byrne (Rankin), Lorenz Wenzu Joyce (ClubMurder), Sol Pearson (Align the Tide), Vincenzo Ammostr Coppola , and Kian Sullivan on vocals. Nick Morales (Bila/Dripht, amongst others), Clive Scerri (Fallen Icon), Daniel Camilleri (Grotium/The Glades), Michael Vassallo (Impertex), and Kyle Cortis (Luciferi Regnum/Sahhar) on bass. Victor Hugo Barreira (Halcyon/ClubMurder), Justin Caruana (Grotium/Marmalades/Luciferi Regnum), Gabriel Borg (Geistmaschine) and David Depasquale on drums. While on guitars : Jonathan Camilleri (Align the Tide), David Depasquale (Abysmal Torment/ClubMurder), Marta Privitera (Impertex), Emanuel Portelli (Thy Legion/Animamortua/ Hemplifier/Victims of Creation), Nick Bonello (Niket), Luke Agius (5 Years From Now), and Keith Fenech (Bound to Prevail) . Each guest brought their own interpretation of Haine’s material, delivering performances marked by near-perfect execution and professionalism. The first four songs performed with guests were taken from Haine’s debut full-length album Fertile Void , released on 24 January 2025. These began with Twisted Monuments , featuring Jonathan Camilleri on guitars and Victor Hugo Barreira on drums. For Insentient , Daniel Camilleri and Gabriel Borg joined on bass and drums respectively, while Vincenzo Ammostr Coppola joined Chris on vocals. The third song, Death Spiral , saw Emanuel Portelli on guitar and David Depasquale behind the drumkit, with Claudio returning on bass. This was followed by Blood Moon , during which Konrad handled drum duties and Sol Pearson joined Chris on vocals. The next song was taken from the band’s self-titled EP released in January 2021. Redefined  featured Jonathan Camilleri and Luke Agius on guitars, while John Castiel returned to the stage to join Chris on vocals. On bass, Clive Scerri also made a return. Many remember Clive from the Fallen Icon days, a band formed by singer Chris Bonello and drummer Konrad Saliba together with Clive. This was followed by the first of two covers performed on the night. Joined by David Depasquale on guitar and Lorenz Wenzu Joyce on vocals, the band performed ClubMurder’s Viral  from the 2019 album Massacre Masterpiece . Lorenz was a late addition to the lineup and, when spoken to after his performance, expressed his delight at being able to take part, while also praising Haine for covering a song by another Maltese band, something that is unfortunately less common than one might hope. The set then returned to material from Fertile Void with The Apparition , featuring Clive Scerri on bass and Kian Sullivan on vocals. Two songs from the Haine EP followed. A Hostile Anthem featured Marta Privitera on guitar alongside Jack Aron Pisani, Kyle Cortis on bass, Justin Caruana on drums, and Edward Tagliaferro on vocals. Hate.Illuminate followed, featuring Michael Vassallo on bass and Sol Pearson and Roderick Mifsud on vocals. The second cover of the night came next: Bila’s Bezzalart , released earlier this month, featuring Bila’s own Nick Morales on vocals. Nick remained on stage, this time on bass, for the next song, Haine’s 2018 debut single This Darkness , which also featured Nick Bonello on guitar and Kian Sullivan, along with Dario Pace Taliana on vocal duties. The final song on the setlist was the title track Fertile Void , performed solely by Haine. The crowd, however, called for more, and Blood Moon  was performed once again as a special send-off to Liam Coleiro, who was performing with Haine for the last time. With a lineup of this size, sound quality—both on stage and out front—was crucial. This was delivered to the highest standard by Steve Lombardo. The performance was a fitting tribute to both Liam and Rene and a memorable experience for everyone in attendance. There is little to criticise; perhaps the only wish is that this annual event should be recorded, at least for future generations if not released in some format, and that Christmas songs should be included. Regardless, this event remains a fantastic way to kick off the Christmas festivities, and many left already looking forward to next year’s edition. all photos property of Haine

Dean Muscat closes the year with new single “I’ll Be Fine” Following the release of his debut EP Lazarene  in May 2025, Maltese singer-songwriter Dean Muscat is rounding off the year with a new single, I’ll Be Fine .   Recorded at home and featuring contributions from his band, The Lazarenes — Jimmy Bartolo (guitars), Robert Galea (bass), and Luke Briffa (drums and percussion) — the song reflects on finding perspective and hope amid the noise of everyday life. The single artwork was illustrated by artist Christine Tong.   Speaking about the song, Dean says: “It’s been a year full of heavy headlines, and at times it’s hard to be optimistic. More than anything, this song is a reminder to myself that if I focus on what truly matters, family, friends, and those human connections that carry me forward, things will be fine.”   I’ll Be Fine is now available on all major streaming platforms and on YouTube. With more new music planned for 2026, follow Dean on social media and support his work directly via Bandcamp.   Links: Facebook: https://facebook.com/dsmuscatmusic Instagram: https://www.instagram.com/dean_muscat_music/ YouTube: https://www.youtube.com/@DeanMuscat Bandcamp: https://deanmuscat.bandcamp.com

GRIM REAPER FESTIVAL 2026 MARKS 25 YEARS OF MALTESE HEAVY METAL CULTURE St. Julian’s, Malta — Monday, 9 February 2026 — The GRIM REAPER FESTIVAL , Malta’s past-live celebration dedicated exclusively to local heavy metal, returns in 2026 to commemorate its 25th anniversary. Founded in 2001 by Nick Grima (Grim Reaper Organization), the festival has played a pivotal role in uniting Maltese metal bands, providing a dedicated platform for performance, collaboration, and the growth of the island’s underground music scene. The 2026 edition represents a landmark moment in the festival’s history, reaƯirming its cultural relevance within Malta’s underground arts community while honouring the artists who have sustained the scene over the past quarter century. Designed as a full day-to-night experience, the GRIM REAPER FESTIVAL 2026 will feature an expanded line-up of ten Maltese heavy metal bands, culminating in an extended afterparty with a special guest artist and a special 2026 live set. Event Details Date: Monday, 9 February 2026 (eve of a public holiday) Venue: Tigullio, St. Julian’s, Malta Doors Open: 12:00 hrs First Performance: 14:00 hrs Entrance: €30 Age Restriction: +17 P Performance Schedule: EVER OBSCURE — 14:00–14:45 SACROMENT — 15:00–15:45 FROM SHEEP TO WOLVES — 16:00–16:45 RANKIN — 17:00–17:45 DAMAGED & CO. — 18:00–18:45 ATOMIC FLAME — 19:00–19:45 VIPER SOUP COMPLEX — 20:00–20:45 REPUGNANCE — 21:00–21:45 SCEPTOCRYPT — 22:00–22:45 FORSAKEN — 23:00–24:00 ANCIENT REMAINS — 24:30–01:30 (Special 2026 live set) Beyond the live performances, the festival will conclude with an extended afterparty, offering fans and artists the opportunity to celebrate the milestone together and reinforcing the communal spirit that has defined GRIM REAPER FESTIVAL since its inception. To commemorate the 25th anniversary, a limited-edition GRIM REAPER FESTIVAL anniversary t-shirt will be released. Priced at €25, the shirt will be available exclusively by pre-order, underscoring its collector’s status for long-time supporters and new attendees alike. GRIM REAPER FESTIVAL 2026 stands not only as a celebration of heavy metal music, but as a testament to the resilience, creativity, and unity of Malta’s underground music community. This anniversary edition invites audiences, media, and cultural stakeholders to witness a defining chapter in Maltese alternative music history. Thank you so much for keep the Maltese Metal music scene alive with your support!

Musician, composer and sound artist Renzo Spiteri has added another milestone to his illustrious international career, winning a Royal Television Society (RTS) Craft & Design Award in the sound  category for his work as sound recordist on the National Geographic documentary Billy and Molly: An Otter Love Story . The film, which aired on National Geographic and Disney+, tells the touching true story of a wild otter named Molly and her human rescuer in the Scottish Highlands. Photo: Renzo Spiteri/Facebook The accolade was presented at the RTS ceremony held at the Hilton London, where Spiteri was part of a five-person sound team recognized for their contribution to the critically acclaimed production. In a heartfelt social media post, the Glasgow-based artist said he was “speechless” and thanked “the awesome team behind this wonderful project,” reflecting on what he described as “what a journey!” This latest honour follows earlier recognition for the same film: a nomination for an Emmy® Award in the category of Outstanding Sound – Documentary, while the documentary itself secured an Emmy for Outstanding Writing. Originally from Malta and now based in Glasgow, Scotland, Renzo Spiteri is one of Malta’s most internationally respected contemporary musicians. His artistic practice spans more than three decades and bridges multiple disciplines—blending performance, composition, sound design, field recording, improvisation and interdisciplinary collaboration. Photo: Renzo Spiteri/Facebook Spiteri’s work defies easy categorisation: he performs as a multi-percussionist and drummer, composes immersive soundscapes, creates sound installations, and works as a filmmaker’s sound collaborator. His compositions often weave traditional and experimental practices, integrating organic environmental sound elements that heighten narrative and emotive depth in both audio and visual media. Over the years, Spiteri’s dynamic performances have graced prestigious venues and festivals across the globe—including the Royal Festival Hall (London), United Nations Headquarters (Geneva), Kennedy Center for the Performing Arts (Washington DC), SOTA (Singapore), WOMAD, Musica Viva, PASIC, and numerous others. His work alongside dancers, visual artists, filmmakers and theatre professionals underscores his belief in sound as a fully immersive, inter-sensory art form. Photo: Renzo Spiteri/Facebook Despite his global footprint, Spiteri’s Maltese heritage remains central to his artistic vision. His projects often reflect an engagement with Maltese soundscapes and environments. For example, his solo conceptual work Silence, Sounds and Spaces —inspired by the prehistoric sites of the Maltese islands—emerged from on-site recording commissions and performances that connect ancient space with modern acoustic exploration. His sound installations and experiential works, such as Between the Heard —an auditory journey through the city of Valletta—invite listeners to reconsider how ordinary environments shape perception through sound. In addition to his performance and recording work, Spiteri has played leadership roles in Malta’s cultural scene. He was appointed Malta’s national ambassador for the EU’s Year for Intercultural Dialogue (2008) and has served as artistic director of the Malta World Music Festival, fostering artistic exchange and celebrating cultural diversity. Renzo Spiteri’s latest honor from the Royal Television Society not only celebrates his technical excellence in sound, but also underscores his ongoing commitment to pushing the boundaries of what sound art can achieve—whether in cinematic storytelling, live performance, or the spaces between. Melodija.eu congratulates Renzo Spiteri on this prestigious achievement.

On 20 December 2026, The Garage  will be ready for the most ambitious edition of Haine ’s annual collaborative event: Haine & Friends III – Trinity of Chaos . After last year’s successful second edition, Haine returns with a night of absolute chaos. Bigger scale event, more guests and an even heavier energy. What began as a simple collaborative show has evolved into a yearly ritual where Malta’s metal and alternative community merges into one organism in Christmas spirit. This third chapter embodies a true trinity, with returning guests from the previous edition, new faces from rising bands as well as some seasoned veterans all stepping in with Haine. Prepare yourselves for a couple of surprises which were not in the previous editions!   Kodin Hill & The Pressed Pills — Raw Punk & Debauchery As per tradition, joining this year’s lineup as opening band will be Kodin Hill & The Pressed Pills , delivering raw hardcore punk in its purest form ready for debauchery. Their feral intensity and irreverent attitude are the perfect accelerant for a night revolving on intensity, tension, release and complete and utter unpredictability.   A One-of-a-Kind Visual Identity by Brimbu Art This year’s edition arrives wrapped in its most iconic visual package yet. The hilarious and violently unhinged promo video featuring the band beating Santa Claus into submission and the illustrated event poster were both created by Nicholai Brincat (from Brimbu Art ) --- link to video. Nicholai’s art captures the exact blend of humour, chaos and energy that defines all Haine & Friends events so far. The poster itself is mind blowing: a fully illustrated collage featuring every guest musician performing in Trinity of Chaos. We extend a sincere thank you to Nicholai for the passion, detail and absolute madness poured into this year’s visuals. His work didn’t just support the event, it helped define it. The Guests this Year A rotating cast of local musicians will join Haine throughout the set, each bringing their own take of Haine’s songs to the stage.   VOCALISTS · Roderick Mifsud (Repugnance) · Dario Pace Taliana (Pilgrimage/Weeping Silence) · John Castiel (ex–Decline the Fall) · Edward Tagliaferro (ex–Arachnid) · James Byrne (Rankin) · Aidan Zarb (Grotium / Halcyon) · Sol Pearson (Align the Tide) · Vincenzo Ammostr Coppol a   BASS · Nick Morales (Bila / Dripht / many more) · Clive Scerri (Fallen Icon) · Daniel Camilleri (Grotium / The Glades) · Michael Vassallo (Impertex) · Kyle Cortis (Luciferi Regnum / Sahhar)   DRUMS · Victor Hugo Barreira (Halcyon/ClubMurder) · Justin Caruana (Grotium/Marmalades/Luciferi Regnum) · Gabriel Borg (Geistmaschine) · David Depasquale (Abysmal Torment/ClubMurder)   GUITAR · Jonathan Camilleri (Align the Tide) · David Depasquale (Abysmal Torment/ClubMurder) · Marta Privitera (Impertex) · Emanuel Portelli (Thy Legion/Animamortua/Hemplifier/Victims of Creation) · Nick Bonello (Niket) · Luke Agius (5 Years From Now) · Keith Fenech (Bound to Prevail)   A Night Built to Collapse   Haine will headline with a performance custom-built for Trinity of Chaos — heavier, sharper, and more collaborative than anything the band has delivered before. Each track will be reshaped by waves of guest musicians, mixing youthful fire with the authority of Malta’s veteran performers. Every past edition showed that this is not a typical concert. It feels like a head-on collision and a convergence of the island’s loudest musicians and its most unrestrained creative force. In the end, Haine & Friends remains Malta’s most chaotic Christmas tradition, the only festive gathering where goodwill, peace and unity are expressed through blast beats, breakdowns and a suspicious amount of screaming. Trinity of Chaos once again proves that nothing brings the island’s metal and alternative community together quite like collective noise, questionable holiday behaviour and a room full of people celebrating the season by politely destroying each other in the pit. Merry Chaos! See you under the blinking red-and-green stage lights.   Event Details · Date: Saturday, 20 December 2026 · Venue: The Garage, Żebbuġ, Malta · Doors Open: 20:00 hrs · Tickets: €10 at the door

BOUND TO PREVAIL: Maltese death metallers to release "Enthroned in Torment" debut album Bound To Prevail 2025 BOUND TO PREVAIL , the death metal force from Malta, will unleash their debut full-length album, “ Enthroned in Torment ”, on January 7th, 2026 via Lethal Scissor Records . The record is a powerful rediscovery and reinterpretation of the early 2000s death metal vein, blending old-school brutality with a modern edge. Drawing on the technical ferocity of old masters like Suffocation and Monstrosity, as well as the more extreme, yet precise, pummeling approaches of Beheaded, Hour of Penance and Inveracity, the album delivers tracks that are simultaneously tense, technical and fluid, giving every riff room to breathe and strike with maximum impact. “Enthroned in Torment” fuses the relentless aggression of classic death metal with contemporary clarity and production, creating a sound that honors the past while feeling undeniably current. Crushing drumming, thunderous bass, and razor-sharp guitars intertwine with menacing vocals to forge an unrelenting wall of sound. The album explores the morbid tension between malevolence and benevolence, set in a chaotic realm shaped by false beliefs and deceitful ambitions. With this debut, BOUND TO PREVAIL stake their claim in European death metal, offering a masterful balance of old-school intensity and modern precision that will captivate fans of both eras. The first single “ Consecrated Perdition ” is now streaming HERE . Tracklist: 01. The Nevergod 02. Into the Depths 03. Defier of Empires 04. Consecrated Perdition 05. Atone in Blasphemy 06. Dawn of Emptiness 07. Tomb of the Graveless 08. Enthroned in Torment BOUND TO PREVAIL ’s brand of death metal is influenced by a wide variety of extreme music subgenres, with each band member bringing their own distinct influences to the songwriting process. BOUND TO PREVAIL ’s core sound fuses aggressive, frantic, pounding rhythmic passages with instantly recognizable melodic overtones. Founded in the fall of 2014, the Maltese band hit the ground running and quickly set their sights on staking a claim on the local underground metal scene. Their well-received debut live performance at the Malta Xtreme Metal Assault Festival in the summer of 2016 was quickly followed by a number of shows, including supporting slots for renowned international acts such as Fleshgod Apocalypse, Vader, Entombed A.D., and Mayhem. In 2017, BOUND TO PREVAIL entered XiR Studio to record their first official EP, "Omen of Iniquity", before traveling to Sweden to have it mixed and mastered by renowned producer and engineer Ronnie Björnström at Enhanced Audio Productions, known for his work with Aeon and Beheaded. The five tracks on "Omen of Iniquity" perfectly showcase the band’s trademark sound. Bound To Prevail album line-up BOUND TO PREVAIL performed at the Deathfeast Open Air 10th Anniversary Edition in Andernach, Germany, earning praise for both the EP and their performance alongside legendary acts such as Suffocation, Cryptopsy, and Vital Remains. Further shows that winter included supporting Dutch death metal legends Sinister. In March 2018, the band joined the Blood Stained Earth Tour, supporting Venom Inc., Suffocation, Nervosa, and Aeternam in Manchester, UK. In May, they performed at the first edition of SinFest alongside Hecate Enthroned, Carach Angren, and Necronomicon. Later that summer, they headlined Malta’s Farsons Beer Festival Rock Stage, becoming the first death metal band to play one of the island’s largest music festivals. In 2019, BOUND TO PREVAIL represented Malta at the first World Metal Congress in London, an international gathering endorsed by Tony Iommi (Black Sabbath) and featuring speakers and musicians including Barney Greenway (Napalm Death), Kim Kelly (Noisey), Tim Hömann (Wacken Open Air), and Dom Lawson (Metal Hammer). The year concluded with support dates for Suffocation, Belphegor, God Dethroned, and Nordjevel on the Europe Under Black Death Fire tour, as well as performances at the Antitrend and Enter The Eternal Fire festivals in the Czech Republic. The band performed at the 2022 Obscene Extreme, MetalDays, and Deathfeast Open Air festivals, and at the 2023 editions of Farsons Beer Festival and Malta Death Fest. BOUND TO PREVAIL continue to work on securing additional local and European shows. In 2024, the band entered SpineSplitter Studio to record, mix, and master their latest album, "Enthroned in Torment" , to be released via Lethal Scissor Records . Album line-up: Keith Fenech – guitars Kevin Mifsud – bass Alan Briffa – vocals Jean Vella – guitars Mark Farrugia Sant’Angelo – drums Current band line-up: Keith Fenech – guitars Kevin Mifsud – bass Alan Briffa – vocals Mark Farrugia Sant’Angelo – drums BOUND TO PREVAIL https://boundtoprevail.bandcamp.com/ https://www.instagram.com/boundtoprevail https://www.facebook.com/boundtoprevailofficial Lethal Scissor Records https://www.lethalscissor.com/ https://www.instagram.com/lethal_scissor_records https://www.facebook.com/lethalscissor/ https://lethalscissor.bandcamp.com/ Copyright © 2025 Anubi Press, All rights reserved.

As December 2025 approaches, Malta and Gozo once again transform into festive landscapes filled with concerts, theatrical shows, candlelit evenings and celebrations of community spirit. The line-up is rich this year, appealing to families, classical music lovers, festive comedy fans and those seeking a more spiritual holiday mood. Below is a quick narrative guide to the Christmas events happening across the islands, with all dates and essential details woven naturally through each section. The Magical Christmas Show Family Holiday Magic City Theatre, Valletta 12, 13, 14 & 20 December 2025 The Magical Christmas Show 2025  invites families into a 90-minute festive world blending music, dance, laughter and beloved characters for a joyful Christmas experience. On the programme are colourful costumes, interactive moments, sing-alongs and a warm-hearted story designed to delight both children and grown-ups. With multiple showings across four dates (including matinee and evening options), this event remains a top pick for families seeking holiday magic and shared memories. Carols in Concert Choral Splendour for the Season Mediterranean Conference Centre (MCC), Valletta 13 December & 14 December 2025 For those who love majestic holiday music, Carols in Concert  brings together a 120-voice choir of children and adults, accompanied by a full live orchestra. This concert promises a blend of nostalgic carols and modern festive favourites, set on a magical stage — making for a heart-warming and uplifting holiday evening. The event is held in aid of the Malta Community Chest Fund Foundation, under the patronage of the President of Malta. It’s described as a “Christmas spectacle” embodying the true spirit of the season. Ticketing options are tiered — from balcony seats to stalls, boxes and dress-circle — with special pricing for children up to 8 years old. Joseph Calleja Christmas Special with Special Guest Marco Mengoni Glamorous Holiday Concert Night MFCC Malta Fairs & Conventions Centre, Attard 19 December 2025, 20:30 One of the most anticipated live music events of the season, this Christmas Special brings together Malta’s acclaimed tenor Joseph Calleja with international star Marco Mengoni. The show is billed under the holiday calendar for 2025 and promises a spectacular evening blending festive music, powerful vocals and star-quality performance. Ticket tiers range widely — with standard, silver, gold and platinum seats — reflecting the event’s high-profile nature and likely strong demand. Il-Kunċertun tal-Milied 2025 by The Travellers Maltese Christmas Classics & Nostalgia St Agatha’s Auditorium, Rabat 19, 20, 21 & 23 December 2025 This year’s edition of Il-Kunċertun tal-Milied — subtitled “L-Aħħar Prova” — offers a unique, intimate concert experience. Scheduled for four dates (with evening shows on 19, 20, 23 December and a matinee on 21 December), the concert features the band’s live performance of Christmas classics like “Last Christmas” and “Let It Snow,” infused with a Maltese twist, alongside songs from their repertoire and recent album. The show aims to offer not only music, but personal reflections, behind-the-scenes stories and a closer connection with the audience — a treat for fans or anyone looking for a warm, community-rooted holiday evening. Ticket options include Gold and Silver, as well as accessible seating for wheelchair users plus companion. A Musikidz Christmas Harmonies of the Holidays (Children’s Choir Concert) Valletta 13 December 2025 Among the festive family-oriented events, A Musikidz Christmas  offers a children’s-choir concert — ideal for families, kids, and anyone who appreciates choral music sung by youthful voices. The programme likely includes classic carols and holiday-themed songs, making it a warm and joyful way to enjoy Christmas music in a gentle and inclusive atmosphere. A Well-Rounded Holiday Season: Something for Every Taste With the mix of events above, December 2025 in Malta and Gozo offers a rich, varied festive season: from magical family shows, children’s choirs and classic carol concerts, to star-studded live music, local bands with holiday spirit, and even adult-oriented burlesque and variety nights. Whether you’re planning a Christmas outing with children, searching for a solemn or nostalgic carol evening, longing for high-calibre live music, or looking for a festive night out with friends — the season’s calendar caters to many moods and audiences. tickets to all the above events can be purchased from showsHappening.com .

Weeping Silence Returns to the Stage, headlining Aural Frost – Malta Metal Alliance 2026 After a period of creative silence spent crafting new material, Malta’s own Weeping Silence is set to return to the stage with a performance that promises intensity, atmosphere, and raw emotion. The band has been officially announced to headline the Aural Frost event this coming January, part of the Malta Metal Alliance 2026 series. Event Details • Date : Saturday, 31st January 2026 • Venue : The Garage, Żebbuġ, Malta • Doors Open : 20:00 hrs • Tickets : €20 Line-up: • Weeping Silence (Malta) • In Aevum Agere (Italy) • Sinister Ghost (Italy) • Void Moon (Sweden) A Triumphant Return to the Stage For Weeping Silence , Aural Frost represents not just another performance, but a powerful resurgence after a period of creative focus. Their last appearances were milestones in the band’s journey: • Echoes Beyond the Void – The Garage, Żebbuġ – 17th May 2025 A landmark show that marked drummer Daniel’s very first performance with Weeping Silence following his joining the band. Sharing the stage with Typhus and Niket , the night was a celebration of new beginnings and raw energy, introducing fans to the renewed force behind the band’s rhythm section. • Farsons Beer Festival – 7th July 2025 One of Malta’s largest music festivals, where Weeping Silence brought their atmospheric sound to a wider audience. Performing alongside Thy Legion and Mur.Doc 104 , the band delivered a set that fused intensity with melody, leaving a lasting impression on both loyal followers and festival-goers discovering their music for the first time.

LORD ADDER RELEASED POWERFUL ORIGINAL TRIBUTE SINGLE “OZZY FOREVER” ON DECEMBER 3RD A heartfelt homage released on what would have been Ozzy Osbourne’s 77th birthday. Lord Adder proudly announced the release of their new single “Ozzy Forever”, a moving tribute to the legendary Ozzy Osbourne — one of the figures whose influence shaped the band members’ musical identity and the wider world of heavy metal. The track was released on December 3rd, marking what would have been Ozzy’s 77th birthday. “Ozzy Forever” blended raw emotion with heavy, melodic intensity, carrying listeners through themes of legacy, grief, and gratitude. Driven by heartfelt lyrics and powerful instrumentation, the song stood as a celebration of Ozzy’s unparalleled impact on generations of musicians and fans alike. It served as both a farewell and a promise that the spirit of the Prince of Darkness lives on. The single also marked the next chapter in Lord Adder’s artistic journey, forming part of their upcoming full-length album, scheduled for release early next year. With musical depth and a dark, atmospheric aesthetic, the album will continue to explore the band’s signature blend of storytelling and heavy metal. The project, including the single and upcoming album, was recorded, mixed and mastered by Mirko Galea at Frekwenza.mt and is supported by Arts Council Malta. A lyric video for “Ozzy Forever” accompanied the release: https://youtu.be/9il6nB9_LV0 Lord Adder

Djun Announce Release of “Xifer,” First Single from Forthcoming Album L-Irxoxt Album artwork by Ed Dingli Maltese alternative group Djun proudly announce the launch of “Xifer,” the first single taken from their upcoming album L-Irxoxt . “Xifer” is an upbeat, energetic track exploring the themes of overcoming anxiety and seizing fleeting opportunities. The song features the band’s hallmark blend of melodic hooks, poetic lyricism, self-deprecating humour, rich vocal harmonies, and refined production values. Artwork for both the L-Irxoxt  LP and the single “Xifer” was created by artist Ed Dingli. L-Irxoxt  will be officially launched on 13 December with a concert at the MCAST Theatre in Corradino. Tickets for the album launch are now available for purchase at ticketline.com.mt . “The long wait is over. You did well to wait. Wertit,” the band affirmed in their announcement. The launch event on 13 December will open its doors at 19:30, with Sam Christie performing as the opening act. Djun are a Maltese musical group known for marrying catchy melodies with poetic lyrics and adventurous musical arrangements. The band consists of Justin Galea (vocals), Joseph “Bibi” Camilleri (drums), Ryen Refalo (guitar), Paul Torpiano (keyboards), and Charles Cassar (bass). Formed in 2017, Djun quickly established themselves as one of the most beloved acts on Malta’s alternative rock scene. Their debut album, Il-Ħlas  (2019), explored themes of time and endings and was launched to acclaim with a concert at the Malta Society of Arts. Following its release, the group continued to remain active through multiple live performances and the online release of the fan-favourite track “Ħdejk,” which gained significant attention and inspired numerous artistic interpretations in an online “chain post.” Djun now look ahead to unveiling L-Irxoxt , inviting listeners to join them in celebrating this next chapter.

International Metal Acts Descend on Malta for an Unforgettable 2026 Opening Event The Malta Metal Alliance proudly announces AURAL FROST, the first major event of 2026 and an explosive opening to a year of heavy, atmospheric, and immersive metal experiences. Taking place on Saturday, 31st January, this monumental night promises an unrelenting sonic assault featuring four internationally acclaimed bands known for their intensity, emotion, and atmospheric depth. Hosted at The Garage, Żebbuġ, AURAL FROST will plunge audiences into a world of cold darkness and powerful soundscapes as these exceptional acts take the stage: • IN AEVUM AGERE (Italy) – Masters of epic doom, delivering weighty riffs and haunting melodies. • SINISTER GHOST (Italy) – Dark, aggressive, and fiercely atmospheric, combining spectral energy with crushing power. • VOID MOON (Sweden) – Purveyors of traditional doom metal, known for evocative, melancholic atmospheres and commanding presence. • WEEPING SILENCE (Malta) – One of Malta’s most renowned metal acts, bringing emotional depth and immersive sound to complete this formidable lineup. Doors open at 20:00 hrs , welcoming metal fans into an immersive night where intensity meets artistry. Tickets: €20 AURAL FROST marks the beginning of the Malta Metal Alliance 2026 event series—an initiative dedicated to elevating the local metal scene while connecting Malta to the broader international metal community. This is a must-attend event for every metal enthusiast ready to embrace the cold and witness a truly unforgettable night of live music

After nearly three decades beneath the sonic soil, Malta-born extreme metal act Sceptocrypt  is clawing its way back to the live stage — and this time, it’s not creeping but erupting . The band has officially announced its return as a full five-piece lineup  for February 6th, 2026 , marking 28 years since their last full-band performance in 1997 . “Sceptocrypt return with its new sound and songs off a forthcoming full-length,” reads the statement issued on September 30th, 2025 , signalling not just a reunion but a rebirth. Earlier last year, the outfit re-emerged tentatively as a one-man acoustic teaser set at Renaissance Open-Air , but their next appearance — as part of Dark Clouds over Camden  at The Dev  — promises to be an entirely different beast. Or, as the band themselves put it: “Expect dissonance & annihilation to meet harmony & peace… We promise to disturb and relax you in (not so equal) measures!” From the Smallest Nation to the Largest Noise Sceptocrypt’s origins trace back to Malta in 1992 , when a group of underground devotees decided to sculpt a sound that — at the time — didn’t have a label. Long before “extreme metal” became a catch-all term, Sceptocrypt were “cross-bordering death, doom, black metal and more,”  while unapologetically “embracing non-metal styles, but without losing [their] abrasive edge.” Despite releasing only a demo and a rehearsal tape  before dissolving in 1999, their vision did not go unnoticed. Their early efforts were “received warmly by the leading press,”  suggesting that Sceptocrypt’s roots were not merely planted — they were fertilised . Scripts from the Crypt Tellers: A Relentless Pursuit of Uncomfort Much of the band’s modern resurrection is driven by co-founder Malcolm , who relocated to London in 2007 . There he founded EthnaMorte , an “avant-world-noir”  project that released two CDs before folding in 2014. From there, the path led inexorably back to Sceptocrypt. A music tutor by profession yet a sworn enemy of musical comfort zones , Malcolm describes his artistic creed simply: “to challenge, not conform to tradition.”  Whether through respecting Sceptocrypt’s “extreme metal heritage but not being confined by it,”  or through numerous collaborations documented on malcolmcallus.com , his philosophy has been consistent — creativity must never calcify. Beyond performance, Malcolm has also held the pen and the mic, serving as editor and DJ for the cult Rancid Soup zine and radio show , and contributing to Aussie Black Death Zine  as well as Dutch portal brutalism.com . In 2025, Malcolm welcomed Mark Andrews  as the band’s new drummer. Mark, who has been playing since his mid-teens, brings versatility and a groove-based swing, effortlessly navigating “free flow to hard hitting” styles. According to the band, he “elevates the riffs thrown his way to make the ritual of playing the songs more rewarding.” His previous and current  stints include death metal group Helestios, symphonic metal act Deity and Devilry, and even a heavy metal covers band, Entropy, giving him a uniquely varied foundation and rapid adaptability. On bass, the youngest member of the quintet, Skyler , joined earlier in the year. He plays a 5-string bass, but his contribution goes much deeper than that: Skyler does additional  programming for an upcoming release, producing, and even handling pre-mixing duties. Such multi-tasking underscores Malcolm’s willingness to break traditional band roles, encouraging members to stretch into new creative territories. Rounding out the soundscape is Jacek , who brings samples and synthesizer textures to the five-piece configuration. According to the band’s announcement, Jacek “dedicates his life to a triumvirate of passions in the form of music, writing, and cooking,” believing that “music, like literature, won’t be good unless it has flavour.” He originally played bass in Poland, then took a hiatus, but now — after resettling in London — he channels his lyrical sensibilities into sonic backdrops, enhancing the narrative depth of Sceptocrypt’s compositions. His creative sensibility is exemplified in early previews, such as the audio snippet for a forthcoming track entitled “The Clown is Dead.”   available at the band's Instagram! Do follow the band @sceptocrypt for a taste of such teasers. Finally, on vocals, Paweł , drawn “across the hills and valleys, from the cold winters of Polska to the bittersweet rumble of London town,” completes the lineup. He brings not only his voice but also theatrical stage presence, contributing to new songs with evocative titles like “Cherish the Tail that Chokes You,” “This Odometer Syndrome,”  and “A Place for Thorned Souls.”   Together, this lineup reflects Sceptocrypt’s enduring creed: to challenge, to provoke, and to refuse comfort—not just in sound, but in creative roles, geography, and personal expression. The Cryptkeeper remains restless, and the crypt is very much alive. Meanwhile, Sceptocrypt are looking for gigs. Anyone interested, contact them at sceptocryptmusic@gmail.com . Maybe some Maltese promoter is keen to invite them back to the Maltese shores? The resurrection begins February 6th at The Dev. Enter willingly. More at https://sceptocrypt.com/

Carols by Candlelight – special edition To mark the end of a year filled with celebrations for its 25th anniversary, Schola Cantorum Jubilate (SCJ) is proud to present Carols by Candlelight – Special Edition , a cherished event returning in all its festive splendour. This event will be held on Friday 12th and Saturday 13th December. Held fifteen times in past years, Carols by Candlelight  has long been a highlight of the Christmas season for music and Christmas enthusiasts. The event has earned international recognition when in 2010, The Guardian listed it among the top ten Christmas events in Europe. As in previous editions, the evening will begin with a concert at St Augustine’s Church in Victoria, followed by a dinner in the friary’s cloister. Guests will be treated to a magical atmosphere filled with enchanting carols, evocative literature and beautiful lighting effects, leading into an exquisite dining experience in the historic cloister, specially decorated for the occasion. The concert repertoire will include classical and lesser-known Christmas carols, featuring works by Tallis, Adam, Gruber, Berlioz, Labaky, Rutter and arrangements by Willcocks and the choir’s resident composer Paul Portelli, along with some delightful surprises that add the exclusive signature of SCJ. The concert will be under the direction of Marouska Attard. Following the concert, guests will enjoy a banquet-style dinner prepared by Ogygia Caterers by Vini e Capricci. Chef Luke promises a culinary experience rich in festive flavours and crafted with care to complement the evening’s ambience. Entrance is by ticket only , available through ShowsHappening.com . Seating is limited, so early booking is highly recommended. For more information: visit scjchoir.com , email: info@scjchoir.com or call +356 7945 0950. Join Schola Cantorum Jubilate for Carols by Candlelight - Special Edition  for an exclusive night to remember and a celebration of music, tradition and Christmas spirit.

On the 19th of November Malta's very own singer-songwriter, Chellcy Reitsma, was nominated for The World Entertainment Awards in Hollywood for her song titled 'Dark Times' in the Best Alternative Song category.  The World Entertainment Awards are the premier event in recognizing and celebrating excellence in the global entertainment industry. From music, to film,  and beyond the World Entertainment Awards honor the exceptional talent and contributions of those who shape our culture and inspire us all. The awards are the culmination of a year's worth of hard work, dedication and creativity from some of the biggest names in the industry. Malta's very own singer-songwriter, Chellcy Reitsma, has been officially nominated for The World Entertainment Awards in Hollywood for her song titled 'Dark Times' in the Best Alternative Song category.  What is the WEA: World Entertainment Awards - The World Entertainment Awards is the ultimate recognition for creators in entertainment and the only award to bring the full scale of entertainment to a united award where the world's top talents gather for a night of glamour, recognition, networking and celebration of excellence in the entertainment industry. The WEA brings together the biggest and brightest from film, music, television, and other creative fields to celebrate the best and most creative of the year. The event is known for its glamorous star-studded Hollywood red carpet arrivals, and spectacular live performances.  About Chellcy's nominated song - ‘Dark Times’ the first song on her album, 'Momento Mori' released 1st Nov 2024.   Dark Times - Written by the Chellcy Reitsma Band as a full band collaboration during Covid after their first UK tour was cancelled twice in 2020 and 2021 due to the pandemic. They originally wrote it to form the opening act of a mini musical they performed for a local festival in Malta. Each band member contributed their parts.  The lyrics are written by Chellcy Reitsma with compositions by Alan Degabriele on bass, Simon Cutajar and Edward Mifsud on guitars, Adam Cutajar on drums, and backing vocals by Julie Pomorski and Kristijan Volchev all from Malta.  This song and project really helped them to stay focused and hopeful about their music during such a dark time.  The production is by The Animal Farm Music of London with the vocals recorded by the late Kristijan Volchev of Sw4er Lab of Macedonia and Malta, and mastering by Hafod of Wales. Photo by Federico Peltretti Best friends , Chellcy Reitsma and Lyndsay Pace, of Malta have both been nominated for this prestigious award in different categories and will be traveling together in January 2026 to Hollywood, California to attend the awards ceremony where the winners will be announced for the World Entertainment Awards. They will also be attending the Grammy Awards the following night in Los Angeles because Chellcy was appointed to the Grammy voting board earlier this year and her music was also accepted officially for consideration in the Grammy Awards in 6 categories as well.  Right, Chellcy performing her nominated song, 'Dark Times' , at her album release concert at Sala San Duminku in Valletta, Malta. More about Chellcy and to hear her music:  https://linktr.ee/ChellcyReitsma Chellcy performing her nominated song, 'Dark Times', at her album release concert at Sala San Duminku in Valletta, Malta. - Photo by Keith Muscat (A.K.A Kiko)

Malta is set to unleash its first-ever camping metal festival on 24–25 April 2026 at Gianpula Village, marking a new chapter in the island’s heavy music scene. Blending the power of international metal with the raw energy of Malta’s own underground, the event promises a completely new festival experience for local and visiting fans alike. Headlining the inaugural edition are In Extremo , the legendary German medieval metal band known for their theatrical fusion of folk instruments and crushing riffs, alongside their compatriots,  Orden Ogan , with their inimitable folk infused power metal.   Septicflesh , the Greek titans of symphonic death metal whose massive sound is built for open-air stages, are joined by Dysangelium from Czechia, delivering ice-cold death metal intensity. Supporting the international lineup is a fierce selection of Maltese acts that will showcase the island’s diverse metal identity: Angelcrypt with their melodic death metal assault, Clubmurder bringing their signature twisted metal chaos, the occult darkness of  Saħħar , the melodic black metal force  Luciferi Regnum , and newcomers  Sacroment , ready to make their mark.   With two days of music, camping, and community, Malta’s first camping metal festival is primed to become a landmark event—an immersive celebration of heavy music in one of the Mediterranean’s most unique settings. More bands and info to be announced soon!