Devil’s Breath Unveils New Track “Majestic March Of Elephants” as Part of Sombre Soniks Compilation Series Devil’s Breath announces the release of their latest track, Majestic March Of Elephants, marking their first release of 2026. The track is featured as part of the Sombre Soniks biannual label compilation series, appearing alongside 22 other works in Dark Ambient – Volume 31. Majestic March Of Elephants draws thematic inspiration from the powerful and symbolic presence of elephants. Their movement and character—impressive, beautiful, admirable, loveable, and ultimately majestic—serve as the conceptual backbone of the piece. The track aims to evoke these qualities through sound, translating the essence of these creatures into a sonic journey. From a musical standpoint, the composition sits firmly within the dark ambient genre. It is characterized by immersive atmospheres and layered drones, with subtle noise influences and an experimental edge that enhances its depth and texture. Rooted in influences spanning dark ambient, industrial, ritual, tribal, and elements of techno, the project embraces music as an unrestricted artistic expression. Their work is inspired by themes including the rights and liberties of indigenous peoples, mysticism, the horror of inevitable suffering and inexorable death, misanthropy, and the natural environment. Through these influences, Devil’s Breath crafts evocative soundscapes that challenge, provoke, and immerse listeners.

MALTA METAL WEEKEND IN ST. JULIANS ON NOVEMBER 13TH, 14TH & 15TH 2026  In 2025, we first unleashed a new beast upon the Mediterranean: The concept of MALTA METAL WEEKEND didn’t just debut - it detonated! With giants like DREAM THEATER, OPETH, and APOCALYPTICA leading the charge, we shattered the silence and rocked the island to its very core.   But we aren't done with you yet. In 2026, the madness returns with a vengeance. Prepare yourself for three nights of auditory devastation this November, as we reclaim the Eden Arena in the heart of St. Julians. For one long weekend, we are turning the island's nightlife capital into a true sanctuary of steel.   THREE NIGHTS. THIRTEEN BANDS. WORLD CLASS VENUE. PURE MAYHEM.   Whether you worship at the altar of Extreme Metal, live for the legends of Classic Metal, or crave the soul of Melodic Metal, we have the arsenal to satisfy your hunger. The amps are humming. The stage is set. Get ready to bang your head until you drop. MALTA METAL WEEKEND is coming for you....     DAY 1 - FRIDAY NOVEMBER 13TH :   KREATOR PARADISE LOST OMNIUM GATHERUM ANGELCRYPT     DAY 2 - SATURDAY NOVEMBER 14TH :   DORO DIRKSCHNEIDER - playing ACCEPT's Balls To The Wall CANDLEMASS ANVIL ANCHORITE     DAY 3 - SUNDAY NOVEMBER 15TH:   EUROPE - The Final Countdown 40th Anniversary Tour ADRIAN VANDENBERG - My WHITESNAKE Years GUS G . ft. RONNIE ROMERO ATOMIC FLAME   Get ready to experience the ultimate metal festival at Malta Metal Weekend, taking place from November 13th-15th 2026 at the Eden Arena, St. George’s Bay in St. Julians, Malta. Doors open at 17:00 each day, and both single-day and block tickets are available NOW from eventworks.mt   FESTIVAL WEBSITE: https://www.maltametalweekend.com     SOCIAL MEDIA PROFILES: Facebook: https://www.facebook.com/maltametalweekend Instagram: https://www.instagram.com/MaltaMetalWeekend X.com : https://x.com/MaltaMetalWkend TikTok: https://www.tiktok.com/@maltametalweekend Youtube: https://www.youtube.com/@MaltaMetalWeekend     Once again the MALTA METAL WEEKEND festival will be powered by Rock Hard. Rock Hard is one of the oldest and most significant heavy metal organizations in the world and one of the leading magazines in Europe since its inception in Germany in 1983. Rock Hard is published as a magazine in Germany, Austria, Switzerland, France and Italy, boasting hundreds of thousands of readers every month and even more followers on social media. Over the years, Rock Hard has become synonymous with impartiality, objectivity, and independence, honoring the past while simultaneously emphasizing the present and future of heavy metal music. Its interviews, album reviews, and exclusive content serve as a reference point and spark discussions among fans of Heavy Music.

The Maltese alternative music scene is gearing up for one of its most anticipated annual highlights as Rock The South Malta 13th Edition returns this spring with a bold, expanded program. Set against the vibrant seaside backdrop of Zion Bar & Restaurant, this three-day celebration of live music and underground culture will take place from May 1st to 3rd, 2026—promising its biggest edition yet. Organised by Rock The South Malta, the festival has steadily built a reputation as a cornerstone of Malta’s independent music calendar. This year’s edition raises the bar, featuring two main stages, an eclectic lineup of local and international acts, and an after-hours silent disco powered by White Noise Malta—ensuring the energy continues long after the main sets wrap up. A Weekend of Diverse Sounds The festival kicks off on Friday, May 1st, with performances starting at 4:30 PM. The opening night showcases a mix of emerging and established local talent, including Brodu, Danjeli, and Dwejn (featuring members of Djun), alongside David Schembri, Aidan Somers, Bee, Sad Pancake, and JOB (DJ). The night transitions into an electronic clash with Lithium going head-to-head with DJ Bob at the silent disco. Saturday’s lineup intensifies the experience, beginning at 5 PM. Headliners include crowd favorites BRIKKUNI and Michael Azzopardi u l-Klieb tal-Wulf, joined by acts such as Beesqueeze, Skimmed, Areola Treat, and Italy’s Bedroom Horse. The night continues with high-energy performances from Motherknives, Mauve, and Views, followed by a late-night set fro m I.YOU . Sunday offers a full-day finale starting at 1 PM, diving into heavier and punkier sounds. The lineup features veteran doom metal band Forsaken alongside BNI, Dripht, Knockturn Alley, and BILA. International flavor comes from Germany’s Fotokiller, while a diverse roster including Haine, Five Years From Now, Kodin Hill N' The Pressed Pills, Double Standard, NoHumano, Grotium, Viper Soup Complex, Bruda, and Myles rounds off the weekend. More Than Just Music Beyond the performances, Rock The South Malta continues to cultivate a full cultural experience. The festival’s signature atmosphere—blending music, art, and community—is enhanced with visuals by artist Samwel Mallia, adding a distinctive aesthetic layer to the event. With weekend and single-day tickets already available, early birds are encouraged to act quickly, as discounted passes are limited. The combination of seaside vibes, genre-spanning performances, and a loyal following ensures that this year’s edition will once again draw a diverse and passionate crowd. As anticipation builds, one thing is clear: Rock The South Malta’s 13th edition isn’t just a festival—it’s a defining moment for Malta’s alternative music culture in 2026. Links: Website - rockthesouthmalta.com Facebook event Tickets - Trackage Scheme

Following a press conference held on Thursday, 26 March 2026, RockVision 2050  has been officially unveiled as an innovative concert concept that reimagines how rock music could sound in the year 2050. Opening the conference, Sigmund Mifsud welcomed attendees and introduced the project, outlining its forward-thinking artistic vision. He presented the core creative team, featuring himself as producer, Kevin Abela as Music Director, Elton Zarb in music production, and Mikaela Attard as music consultant. The project also includes collaborations with international producers connected to Berklee, further strengthening its global dimension. Mifsud highlighted the involvement of local artists alongside a 35-piece orchestra, which will blend traditional and experimental instruments to create a distinctive futuristic soundscape. Marika Mizzi spoke about her continued collaboration with Mifsud, referencing their work on Rockestra 15 years ago. She expressed her enthusiasm for being part of RockVision 2050  and emphasized her role in representing Caritas Malta, noting that part of the concert’s proceeds will be donated to the organisation. She also underscored the project’s strong social impact and commitment to inclusivity. Frans Agius, CEO of Festivals Malta, highlighted the organisation’s support for initiatives that promote rock music. He noted that RockVision 2050  provides valuable opportunities for local artists to collaborate with international musicians and producers, helping them expand their professional networks. He also expressed support for the project’s charitable contribution and inclusive message. Dr Luke Dalli, Executive Chair of Arts Council Malta, emphasized the originality and creativity behind the project, praising the strength of its artistic team. He stressed the importance of supporting innovative initiatives that encourage bold artistic expression among local talent. During the conference, it was also announced that a series of masterclasses in music production and specific musical instruments will be organised as part of the project. The public is encouraged to follow the Fusion Festival Facebook page for updates and application details. In closing, Sigmund Mifsud reiterated that RockVision 2050  is designed as a platform for creativity, collaboration, and artistic development. He reminded attendees that applications for the masterclasses can be submitted via email and noted that the concert forms part of a wider festival programme. TICKETS

After more than a decade of silence, Maltese metal band Knockturn Alley have stirred excitement among local heavy music fans with the announcement of their return to the stage. Knockturn Alley tease their return with a rehearsal room photo shared in February 2026 Formed in the mid-2000s, Knockturn Alley were active from around 2004 until 2011 and became part of the island’s growing underground extreme-metal movement of the time. The band’s sound blended aggressive death-metal riffing and blast beats with atmospheric passages, creating a dynamic style that stood out within the local scene. During their years of activity they released the EP The Dream Is Dead  and later the album Medusa  in 2009, both of which captured their mix of ferocity and dark ambience. Like many underground bands emerging from Malta’s tightly knit metal community, Knockturn Alley went through several lineup changes throughout their career. Among the musicians who passed through the band were Clint Tabone on vocals, guitarists James Bartolo and Thomas Wåhlin, bassist Daniel Cardona and drummer Dimitris Aggelidis, alongside earlier members such as Max Vassallo, Ben Aquilina, Cedric “Ched” Vella and Bruce Cauchi. Several of these musicians continued to shape the Maltese metal landscape through other projects after the band’s original run came to an end. Despite their relatively brief lifespan, Knockturn Alley remain remembered by fans of the island’s underground scene, a period in which numerous extreme-metal acts were forming, experimenting and performing regularly on local stages. Their blend of atmospheric elements with uncompromising heaviness helped them carve a niche among Malta’s metal audiences during the late 2000s. Rock The South 2026 The band’s unexpected reappearance began to take shape earlier this year. On 26 February, Knockturn Alley hinted at a return when they posted on their Facebook page that they were back in their rehearsal room, a message that was met with enthusiasm and curiosity from long-time followers of the band. The speculation was confirmed a few weeks later. On Wednesday 18 March, during the lineup announcement event for this year’s edition of Rock The South, Knockturn Alley were revealed as one of the bands set to perform at the festival. They will be appearing alongside a number of other acts during the first weekend of May, marking their first live performance in more than a decade. For many fans of Malta’s heavy music community, the announcement represents not only the comeback of a familiar name but also a reminder of the era that helped shape the local metal scene in the 2000s. With rehearsals already underway, anticipation is building to see how Knockturn Alley will bring their sound back to the stage when they perform at Rock The South this May.

Multi-instrumentalist and bassist for The Marmalades, Leander, has officially launched his debut solo release, Orthodox, a heavy instrumental track defined by its progressive structure and atmospheric depth. Built around intensity as its central driving force, Orthodox takes its name from the orthodox stance in boxing. The track was originally composed as a walkout piece for Leander’s debut boxing bout one year ago. Reflecting its origins, the composition carries a deliberate sense of build-up, tension, focus, and controlled aggression throughout. Accompanying the release is a visualizer featuring a rose set against a rundown battlefield. As the visual unfolds, the rose gradually sheds its red hue to become white, symbolizing change and transformation. This imagery mirrors the track’s underlying themes, reinforcing a progression from raw intensity toward clarity and evolution. photo: Maria Baldacchino Orthodox marks the starting point of Leander’s solo project. With additional material already in development, he is expected to expand on this foundation, exploring a broader and more dynamic, genre-blending musical direction in future releases. In a statement shared on his official Facebook page on March 23, 2026, Leander commented: “New week, new song out now on all streaming platforms! Huge thanks to David Depasquale at SpineSplitter Studio for mixing and mastering and Victor Hugo for the amazing artwork.” Links https://linktr.ee/lndrlnzn Youtube

MOTHERKNIVES ‘ZERO’ Motherknives release their new track ‘Zero’ as part of their ongoing collaboration with Kewn Records . Inspired by the concept behind Hotel California and the enigmatic tales of the Mystic in Malta, alongside with stories of parties marked by hedonism and artists, the song unfolds like a classic rock journey that turns into a maze. It begins with a figure knocking on a door out of simple curiosity, and descends into a darker path where the protagonist becomes trapped, unable to turn back. Set in a chilling, gothic atmosphere “below zero,” the narrative fades into an ambiguous ending, leaving the listener suspended in a gothic blur. LISTEN TO 'ZERO' HERE Francesca Mercieca – vocals, keys Quentin Falzon – drums Steve Shaw – bass Tony Bartolo – guitar Emerging from the basement garage, Motherknives are shaped by 90s underground influences while blending elements of 80s goth, heavy rock riffs, pop-like melodies, and trip-hop atmospheres. Their sound is both raw and cinematic, being grounded in alternative grit yet driven by melody. The track was recorded, produced, mixed and mastered by Capitol K. Artwork Photography by Francesca Schembri Artwork Design by Micaela Bogen Band Photo by Eliza Von Brockdorff Motherknives will be returning to Rock The South as part of the festival’s 13th edition this coming May! Always a special festival for the local music scene, we can’t wait to catch Motherknives bringing their goth moods and underground grit to Rock the South once again! All Our Releases Want to help both the artists and the label, plus get some killer music in return? Check out our store to purchase some limited edition cassettes, vinyl and more! Copyright (C) 2026 Kewn Records. All rights reserved.

Krishna have announced the official launch of their third studio album, Absence as Loss, set to take place on Saturday, 16 May at Tigullio Club. The event marks a new milestone for the band, whose evolving sound blends post-metal, post-rock, drone, and ambient influences into emotionally driven compositions. Their latest release continues this trajectory, offering a more expansive and immersive sonic experience, with the band set to perform the album in its entirety on the night. Joining Krishna for this special occasion are two prominent names from Malta’s underground heavy music scene: Repugnance  – A longstanding force in the local extreme metal circuit, Repugnance are known for their uncompromising approach to brutal death metal. Their aggressive sound and established presence have made them a staple of Malta’s heavier live music offerings, bringing intensity and raw energy to the lineup. Dalam  – Characterised by their abrasive and chaotic sonic textures, DALAM deliver a distinct noise rock experience. Often described as a “soundtrack to Maltese construction works,” their music embraces distortion, experimentation, and visceral performance dynamics, offering a stark contrast that complements the evening’s diverse heavy soundscape. The combination of these three acts promises a compelling and dynamic live event, showcasing different facets of Malta’s alternative and heavy music community. Krishna have built a reputation for immersive performances and conceptual releases, with previous works described as both atmospheric and emotionally resonant. Their continued evolution has positioned them as a key act within the local scene, consistently pushing sonic boundaries. Event Details Event:   Absence as Loss – Album Launch Date:  Saturday, 16 May Time:  20:00 Venue:  Tigullio Club Featuring:  Krishna, Repugnance, Dalam Live at Soundart Festival Bucharest photo: Stefan Lupascu About Krishna Krishna is an instrumental duo from Malta known for crafting expansive compositions that merge post-metal, ambient, and experimental elements. Since their formation in 2013, the band has developed a distinctive sound rooted in atmosphere, intensity, and emotional depth.

Fans of industrial and aggrotech music are preparing to bid farewell to Panzer AG. According to a statement issued by Andy LaPlegua, the performance at Dark Malta Festival 2026 will be one of the project’s final two shows in Europe before the band is permanently laid to rest. LaPlegua confirmed that after these final performances, and a small number of additional shows planned for American audiences, the Panzer AG project will officially come to an end. For fans in Malta and across Europe, the Dark Malta Festival 2026 performance represents a rare and historic opportunity to witness the project live one last time. Final Statement from Andy LaPlegua “I have decided to permanently put Panzer AG to rest. Even though nothing has been released under the Panzer AG moniker since 2006, I have always left the door open for the possibility of another album. That door is now closed. This year I will perform two final Panzer AG shows in Europe, at Wave-Gotik-Treffen and Dark Malta Festival. It feels like the proper way to bring this journey to an end. I will also be adding a couple of shows for the American fans. After that, Panzer AG will be laid to rest for good. Last transmission from the void. I may still perform some of my favorite Panzer AG songs under the “LaPlegua” banner in the future, but there are no guarantees. Thank you to everyone who has kept this project alive for all these years. -Andy LaPlegua”   The Legacy of Panzer AG Panzer AG is an aggrotech and industrial rock side-project created by Norwegian musician Andy LaPlegua, also known as the founder of the future pop group Icon of Coil and the industrial act Combichrist. Formed in 2004, Panzer AG explored a heavier and more aggressive sonic direction. While Icon of Coil focused on melodic future pop and Combichrist incorporated elements of aggrotech and industrial, Panzer AG pushed further into abrasive territory. The project fused power noise, industrial, trance, and hard rock influences, producing a harsh yet danceable sound that stood apart from LaPlegua’s other work. The debut album This Is My Battlefield , released in 2004 via Metropolis Records, established Panzer AG’s intense hybrid style. It combined pounding electronics with rock-oriented elements and aggressive lyrical themes. A follow-up album, Your World Is Burning , was released in 2006, marking a subtle stylistic shift. The record incorporated more industrial rock influences reminiscent of the early era of Pretty Hate Machine. The album achieved notable success, reaching #2 on the German Alternative Charts (DAC)  and ranking #23 in the DAC Top Albums of 2006 . With the announcement of Panzer AG’s final shows, the project closes a chapter in the industrial music scene. For fans attending the Dark Malta Festival, the performance will not only be a highlight of the event but also a historic farewell to one of Andy LaPlegua’s most intense and experimental musical ventures. Dark Malta Festival 2026 The Dark Malta Festival returns for its seventh edition between the 17 th  and 19 th  April 2026, featuring an impressive lineup of live bands and DJs from across the globe. The event will include pool parties, merchandise stalls, an Alternative Market, as well as a Pre Party and After Party, among other activities.  Grab your tickets from https://www.deinetickets.de/shop

Six years ago, the world experienced an unprecedented disruption as the COVID-19 pandemic brought societies to a sudden halt. The virus drastically altered everyday life, shaking routines and systems that people had long taken for granted. In Malta, the first confirmed case of COVID-19 was reported on 7 March 2020. The case involved a 12-year-old Italian girl living in Malta who had recently travelled to northern Italy with her family, one of the regions most severely affected by the outbreak at the time. After returning to Malta, she developed symptoms and tested positive for the virus. She and her family were immediately placed in isolation, and her parents later also tested positive. This announcement marked the beginning of the pandemic on the Maltese islands. Within a few days, the government introduced a series of preventive measures aimed at controlling the spread of the virus. These included mandatory quarantines for travellers, the closure of schools, and restrictions on public gatherings. As the situation evolved, the measures expanded into wider shutdowns that affected entertainment venues, concerts, festivals, and nightlife across the country. Valletta - Pjazza Regina empty during the pandemic. photo maltatoday.com Malta has long positioned itself as a Mediterranean destination for live music, nightlife, and international festivals. Throughout the years, the island has hosted a diverse range of events that span electronic dance festivals, large open-air pop concerts, rock performances, and underground metal shows. These events attract both local audiences and international tourists, making live music an important part of Malta’s cultural identity as well as its tourism economy. However, between 2020 and 2022 the COVID-19 pandemic brought unprecedented disruption to this ecosystem. Concerts were cancelled, nightlife venues closed, and festivals across genres were suspended. The impact was felt not only in mainstream commercial festivals but also in smaller rock and metal scenes that rely heavily on live performances and independent venues. Despite the severity of the disruption, the Maltese music scene gradually recovered as restrictions were lifted, demonstrating the resilience of the island’s musical communities. Prior to the pandemic, Malta had developed a reputation as a vibrant music destination. Large international festivals, particularly those focused on electronic music, became a key part of the island’s tourism strategy. Events were often marketed toward visitors from the United Kingdom and mainland Europe, who travelled to Malta specifically for festival experiences combined with the island’s nightlife and summer climate. At the same time, a strong local music community supported genres such as rock, punk, and metal. Independent promoters regularly organised gigs for local bands and international underground artists, creating a lively alternative music culture that operated alongside the larger commercial events. Festivals such as Dark Malta, Rock the South, Earth Garden and the charity concert Rockestra illustrated the diversity of Malta’s live music environment, bringing together local musicians, international acts, and large audiences. These events were part of a broader cultural ecosystem that connected tourism, entertainment, and local creative communities. Dark Malta 2021 postponement The arrival of COVID-19 in early 2020 brought this thriving music culture to a sudden halt. In March of that year, Maltese authorities introduced strict public-health measures designed to limit the spread of the virus. Entertainment venues such as bars, nightclubs, and concert spaces were ordered to close, immediately stopping live performances and public events. The shutdown affected every aspect of the music industry, from large festivals to small local gigs. For musicians, promoters, sound engineers, and venue staff, the closure of entertainment spaces meant the loss of their primary source of income and the disappearance of live performance opportunities. Although restrictions were briefly eased during the summer of 2020, the situation remained unstable. Rising infection rates during the tourist season forced organisers and authorities to cancel several major international music festivals scheduled for late summer and early autumn. Their cancellation represented a significant loss not only for organisers but also for Malta’s tourism sector, which had increasingly relied on festival tourism to attract visitors during the summer months. The pandemic also disrupted rock-oriented events and concerts that formed an important part of Malta’s musical landscape. One of the most notable cancellations was Rockestra, an annual event that combines rock music with orchestral arrangements performed alongside the Malta Philharmonic Orchestra. The concert normally raises funds for charitable causes and attracts large audiences, making its cancellation symbolic of the broader shutdown of cultural life on the island. At the same time, numerous smaller rock and metal gigs organised by local promoters were postponed or cancelled as venues were forced to remain closed. While international festival cancellations received the most attention in the media, the effects of the pandemic were equally significant for Malta’s underground music communities. Rock and metal scenes rely heavily on live performances, particularly in smaller venues where local bands can connect directly with audiences. With gathering restrictions in place, these spaces could no longer host events, effectively dismantling the network that supports alternative music culture on the island. Bands lost opportunities to perform, promoters struggled to survive financially, and audiences were left without the regular gigs that had previously sustained the scene. The disruption also affected niche festivals that cater to specific music communities. One example was Dark Malta Festival, an event dedicated to gothic, industrial, and dark electronic music. The festival had planned to bring international underground artists to Malta but was forced to postpone its edition due to pandemic restrictions. For many fans of alternative music genres, these specialised festivals are essential cultural spaces where communities gather and international artistic exchange takes place. Their postponement illustrated how deeply the pandemic affected even the most dedicated and niche segments of Malta’s music culture. Earth Garden 2021 Beyond concerts and festivals, COVID-19 restrictions also affected traditional forms of musical expression within Maltese communities. Village festas, which are annual celebrations honouring patron saints, typically include brass-band marches, street performances, and large public gatherings. These celebrations are deeply embedded in Maltese cultural life and often serve as important opportunities for community participation in music. During the pandemic, however, many of these events were either cancelled or significantly reduced in scale. The absence of festas meant that even traditional forms of music-making were temporarily silenced, highlighting the wide cultural impact of the pandemic. Economically, the consequences extended beyond musicians and promoters. Event cancellations affected technicians, stage crews, venue staff, and businesses connected to nightlife and tourism. Because Malta’s festival scene is closely linked to international travel, the collapse of live events also contributed to wider challenges within the tourism industry. By 2021, vaccination campaigns and improved public-health conditions allowed authorities to begin cautiously reopening the events sector. However, many restrictions remained in place, including limitations on audience size and safety protocols designed to reduce the risk of infection. As a result, the recovery of the music scene was slow and uneven. Some events attempted to return but were forced to postpone again due to ongoing uncertainty. Nevertheless, promoters and artists began preparing for the eventual revival of live music, planning future festivals and concerts once restrictions could be fully lifted. Government support schemes were introduced to help the cultural and events sectors recover from the economic damage caused by the pandemic. These initiatives aimed to encourage organisers to restart festivals and performances while providing financial assistance during the transition period. Despite ongoing restrictions, Metal City/Rock City became the first festival permitted to take place. By 2022, most COVID-19 restrictions in Malta had been lifted, allowing concerts and festivals to resume on a larger scale. The revival of live music quickly became visible as festivals returned to the island’s cultural calendar. One significant symbol of this comeback was the return of Rock the South, which resumed after a two-year hiatus caused by the pandemic. The festival once again brought together local and international artists, demonstrating renewed confidence in Malta’s ability to host large music events. The reopening of venues also allowed the island’s rock and metal communities to rebuild their live-performance networks. Bands began performing again in clubs and smaller venues, while promoters gradually restarted the gig circuit that supports alternative music scenes. International organisers also renewed interest in hosting events in Malta, recognising the island’s continuing appeal as a festival destination. The COVID-19 pandemic marked one of the most challenging periods in the history of Malta’s music scene. Festivals across genres were cancelled, nightlife venues closed, and live performances disappeared almost overnight. Major international events such as Dark Malta were cancelled, while rock-based concerts like Rockestra and niche events such as Dark Malta Festival were also disrupted. At the same time, local gig circuits and traditional musical celebrations were temporarily silenced. Despite this unprecedented disruption, the recovery of the music scene after 2022 demonstrated its resilience. Festivals returned, venues reopened, and musicians once again found opportunities to perform. The revival of events such as Rock the South symbolised the broader comeback of live music on the island. Ultimately, the pandemic did not permanently weaken Malta’s music culture. Instead, it highlighted the importance of live performance to the island’s social and cultural life, and the rapid return of festivals and concerts confirmed that Malta remains a dynamic and enduring centre for music in the Mediterranean. Further reading: When the World Went Silent: Maltese Musicians During the COVID-19 Years

During the dreaded two years of the COVID-19 pandemic the world came to an abrupt standstill. Concert halls, bars, clubs and theatres closed almost overnight, leaving musicians and artists without stages on which to perform. For many in the music industry this sudden halt meant not only the loss of income but also the disappearance of the creative environment that sustains artistic expression. The period proved difficult both physically and mentally for countless musicians around the world. Some artists and bands struggled to continue their careers, while others stepped away completely as the possibility of live performance vanished and record releases slowed dramatically. With the global entertainment industry effectively paused, musicians were forced to rethink how they could continue creating and sharing their work. The internet quickly emerged as the primary solution. From bedrooms, rehearsal rooms and home studios, artists began streaming performances and recording videos that could be shared with audiences online. What started as isolated livestreams soon developed into coordinated virtual events where musicians collaborated across borders, performing for audiences who watched from their homes. The digital space became a substitute stage, allowing music to survive despite the absence of traditional venues. In Malta one of the first artists to experiment with this new format was the black metal project Saħħar. On 20 March 2020, only days after pandemic restrictions began affecting daily life, the artist recorded a studio performance titled Nocte In Ruinis – Live In Studio. The session was filmed live from his studio and later released on Bandcamp and YouTube on 1 June 2020. The performance captured the raw intensity of the project in a stripped-down setting and featured a full live set of songs including “Introduction to Ruin,” “L-Irmied Tal-Ħaruf,” “Tibla’ L-Ostja,” “Meta Ggarfet L-Aħħar Ġebla Tal-Imnajdra,” “Agħtihom Il-Mistrieħ Li Ma Ħaqqhomx,” “Awtopsja,” “Rituale a Cornibus,” “Pjanetaċidju,” and a cover of “Desolate Funeral Chant” originally by Inquisition. The release demonstrated how musicians could continue producing content despite the absence of live audiences, using digital platforms as a means to remain active. Later that year Saħħar also participated in Slay At Home Festival, the first virtual metal and arts festival of its kind. The event was organised by Frank Godla of Metal Injection and aimed to raise funds for charitable organisations such as MusiCares and GlobalGiving. For this event Saħħar performed three songs: “Intro – Qilla tal-Qrun,” “Rituale a Cornibus,” and “Stigma Diabolicum,” bringing Maltese black metal to a global online audience. The use of online platforms was not limited to the metal scene. Musicians across different genres in Malta adopted similar approaches. In June 2020 jazz vocalist Nadine Axisa released a home-recorded performance of the classic jazz standard All or Nothing at All accompanied by double bassist Oliver Degabriele. The video, recorded during social-distancing restrictions, reflected the intimate atmosphere of musicians performing from their homes rather than concert stages. Axisa described the recording as a simple vocals-and-bass duo session, thanking Degabriele for accompanying her on double bass during those uncertain times. The timing of the video was particularly notable as it followed the release of her album Il‑Ħoss tal‑Għabex, which had been launched only a few months before the pandemic began. The album’s promotion and performances were inevitably affected by the global shutdown. Nevertheless, Axisa eventually returned to the stage in early 2023 with performances of the album’s material in cities including Vienna, Cairo and Valletta, demonstrating the eventual revival of live music. Other Maltese bands followed similar paths by creating recorded performances in rehearsal spaces. The indie rock band Divine Sinners produced a filmed 'concert' titled “The Gig No One Asked For,” recorded in the band’s rehearsal room on 19 December 2020. The performance included twelve songs such as “Vacation,” “Better Day,” “I Love You,” “Golden Rain,” “Concrete Parachute,” “Thanks for Nothing,” “Revenge of the Hedgehog,” “Sheep,” “Vinegar,” “Lost in Pompeii,” “Carry On,” and “Another Lonely Christmas.” Interestingly, two songs from this rehearsal-room concert, “Revenge of the Hedgehog” and “Sheep,” would later appear on the band’s fourth full-length album 'Count Your Blessings', released in 2025. In this way the improvised digital performances of the pandemic period became stepping stones for future studio releases. Perhaps one of the most ambitious Maltese initiatives during the pandemic was Grim Fest 2021, organised by booking agent Nick Grima. Held virtually on 14 August 2021 and streamed on YouTube, the festival brought together twenty-two bands from across the world. The event was presented by Matt Bacon, produced by Nick Grima Management and Booking, and edited by Marton Saliba of Terrier Sound Studio. Public relations were handled by Keith Morash of Infecting Cells PR and Leo Heresy of Heresy Metal Media. The lineup reflected the global nature of the online metal community, featuring bands from Europe, Latin America and beyond. Among the participating artists were Ghost on Mars, Aether, Ephemeral, Æolian, Black Therapy, Moonshade, and Re‑Armed. The festival also featured Maltese acts such as Upper Lip, Align the Tide, Forsaken, MartYriuM, and Saħħar. Additional international bands included Jet Jaguar, White Walls, Abyzz, Tortharry, Satarial, Two Face Sinner, Tableau Mort, Gorilla Monsoon, and Necronomicon. Celebrity messages from prominent figures across the metal scene accompanied each performance, reinforcing the sense of international solidarity among musicians during the pandemic. The pandemic also inspired many artists to create more personal recordings. Maltese musician Mark Tonna recorded several acoustic performances that he shared online. One notable video was his rendition of The River, performed without vocal effects or studio enhancements. In introducing the performance he explained that the song felt particularly appropriate during such difficult times and that he wished to present it in a raw and honest form. Tonna also performed the Maltese song “Poeta Bla Kliem,” written for him by Mark Scicluna and Emil Calleja Bayliss. His series of online performances continued with the song “Fl-Ort tal-Getsemani,” originally written for the musical Mill‑Jasar għall‑Qawmien, and a Maltese version of the Lord’s Prayer performed on Good Friday. The series concluded with a heartfelt rendition of Piazza Grande, shared through his Facebook page. The pandemic also produced stories of perseverance among musicians who faced the virus personally. Maltese composer Emanuel Portelli was among the early COVID-19 patients in Malta. While recovering at home he used the time to compose and record several new musical ideas. One of these compositions was later developed further by Julian Grech and eventually became part of the album Sun of Other Days by Tryst Arcane and Emanuel Portelli, released in 2023. This transformation from a lockdown demo to a finished album track illustrates how creative sparks born during isolation could later evolve into fully realised works. The COVID-19 pandemic marked one of the most challenging periods for the global music industry. With live performances suspended and venues closed, musicians were forced to adapt rapidly to a world where the stage had moved online. In Malta, artists across multiple genres responded with creativity and determination. From Saħħar’s early studio performance and participation in global virtual festivals to Nadine Axisa’s intimate jazz recordings, Divine Sinners’ rehearsal-room gig, the international GRIM FEST, and the personal acoustic videos of Mark Tonna, the Maltese music community found ways to remain active despite unprecedented obstacles. These digital performances not only helped artists maintain a connection with their audiences but also created a unique archive of music produced under extraordinary circumstances. Some of the ideas recorded during lockdown would later develop into full albums and future performances, demonstrating that creativity can thrive even during periods of isolation. When live concerts eventually returned, the music created during the pandemic remained as a testament to the resilience of artists who refused to let silence define those difficult years. Further reading: Silence and Revival: Malta’s Music Scene During and After COVID-19 Links to recording: Saħħar : Nocte In Ruins - Bandcamp Nocte In Ruins - YouTube Slay At Home Festival - Bandcamp Slay At Home Festival - YouTube Nadine Axisa & Oliver Degabriele : All Or Nothing At All - YouTube Divine Sinners : The Gig No One Asked For: YouTube Mark Tonna : Piazza Grande (Lucio Dalla) - Facebook Missierna - Facebook Fl-Ort tal-Getsemani - Facebook Poeta Bla Kliem - Facebook The River (Garth Brooks) - Facebook Tryst Arcane & Emanuel Portelli : Sun of Other Days - Spotify

WEEPING SILENCE ADDED TO ANGELCRYPT SINGLE LAUNCH LINEUP ON APRIL 25TH Following the postponement of the Malta Metal Meeting, atmospheric metal group Weeping Silence has officially joined the lineup for the Angelcrypt Where Skies Rained Iron launch. The event will proceed on Saturday, 25th April 2026, at The Garage, Żebbuġ. While the large-scale festival at Gianpula Village has been deferred to next year, this concentrated showcase ensures that the same date remains a focal point for the Maltese metal community. Hosted by Shellshock Events, the evening now features a revised four-band bill comprising local mainstays and international guests. Event Lineup: ● Angelcrypt: Official launch of the new single, Where Skies Rained Iron. ● Weeping Silence: Special guest appearance following their recent folklore-inspired releases. ● Dysangelium (CZ): International support from the Czech Republic. ● Sacrament: Opening the proceedings with a high-energy performance. Event Details: ● Date: Saturday, 25 April 2026 ● Venue: The Garage, Żebbuġ, Malta ● Doors: 8:00 PM Tickets will be available at the door. Fans previously planning to attend the Malta Metal Meeting are encouraged to attend this event in support of the local and visiting artists.

Myles Azzopardi has never been one to stay confined within a single genre. Over the years he has moved between alternative, punk and rap, constantly reshaping his sound. With his latest release, Bare Bones, Azzopardi once again ventures into new musical territory—this time blending acoustic folk sensibilities with the energy of pop punk. Speaking on the Rock Moods radio show on Melodija.eu, Azzopardi described the album as something of a hybrid. “I think Bare Bones might be titled alternative punk,” he said, before clarifying his own interpretation: “I think of it as a folk pop punk record because it’s based on acoustic guitar but it’s very inspired by playing the Green Day type electric guitars as well. So the folk acoustic vibe with the pop punk mix is Bare Bones basically.” The album marks a noticeable shift from the EP Azzopardi released in 2024. According to the artist, the move was intentional and rooted in a desire to explore beyond his musical comfort zone. “Honestly, I wanted to explore different genres,” he explained. “I consider myself a creator. I write a lot and I write a lot of different things, so this was a way of putting myself more outside the comfort zone.” Fans familiar with his earlier material will notice one key difference: the absence of the heavier, aggressive vocal style he often used before. “If you’ve heard the album, you’ll notice how there is no screamo in it,” Azzopardi said. “Who knows my past music knows that I love screamo and the heavier side of music. But I just wanted to express more vulnerability through this music.” The album was written rapidly and in a focused creative burst. Rather than drawing from older material, Azzopardi composed the tracks from scratch over a few weeks. Interestingly, the songs were written in the exact order they appear on the record. “I wrote the music exactly how the track list is,” he revealed, emphasizing his desire to keep evolving creatively rather than revisiting shelved ideas. The concept behind Bare Bones also reflects a personal theme that runs through the record. “I think mostly it was to express vulnerability and to kind of release a bit the stigma that men can’t and shouldn’t be vulnerable,” Azzopardi said. “I believe it’s okay to show that side of you, and I wanted to do that through music.” Joining Azzopardi in the band is Argentine musician Julián Paco, whose journey to Malta and into the project began through the local surfing community. “I landed here by plane,” Paco joked during the interview. “Quite a far plane from Argentina.” Music has long been part of Paco’s life. Inspired by his father, he picked up the guitar as a child while listening to bands such as Iron Maiden, Metallica and Judas Priest, alongside heavy metal acts from Argentina. Punk music from his local scene also left a strong impression on him growing up. His collaboration with Azzopardi began through a gig organised by surfers who also happened to be musicians. “We did a gig once where people from the community of surfing, who were also musicians, wanted to get everyone together and do something together,” Paco recalled. “We were practicing, the vibe was on, the energy was top… sharing the stage together sparkled something.” Shortly afterwards, when Azzopardi needed an extra musician for a performance at Beerfest, he reached out to Paco. “I said, ‘Yeah, let’s do it,’” Paco said. “Since then we’ve just been constantly rehearsing and preparing and working really hard for what we’re doing now.” Paco says Azzopardi’s shift toward a folk pop punk sound feels natural to him. Both musicians grew up listening to similar bands. “We ended up listening to similar bands and that constantly starts a conversation, like Good Charlotte or Bring Me The Horizon,” he explained. “The music that he’s making, I find myself really comfortable and really eager to learn the songs and try to improve my performances.” Language has occasionally been the only barrier when performing older material written in Maltese. “My only weak point is that I don’t speak Maltese, so I cannot sing them along as well,” Paco admitted. That may soon change. The two musicians have already begun experimenting with multilingual songs, mixing Spanish, English and Maltese influences. Azzopardi has even started learning Spanish. “He sometimes calls me and speaks in Spanish and sounds natural,” Paco said. “He’s getting somewhere.” The album’s artwork is perhaps its most unusual feature. The striking cover collage is made entirely from Azzopardi’s own medical scans. “Yes,” he confirmed when asked if the images were his own. “Most of them are breakages. Some MRI scans from slipped discs.” The injuries are the result of his passion for adrenaline sports. “I’m a big fan of adrenaline sports—skateboarding, BMX, stunting on motorbikes, motocross, surfing—anything that gets you hurt seriously basically,” he joked. The idea for the artwork came spontaneously while browsing his medical records online and noticing the number of X-ray images available. He eventually selected nine images—one to correspond with each track—and assembled them into the final collage. The entire artwork, including the interior design, was created by Azzopardi himself. “There’s more,” he added with a laugh. “There’s enough for another album at least.” Bare Bones also carries sentimental value. The entire album was recorded in Azzopardi’s childhood bedroom as a way of marking the end of an era before his parents sold the house where he had lived for three decades. “I wanted a nice good memory to kind of farewell with the house,” he explained. “So I decided to produce all this album by myself in my old room.” The process took around 22 days of full-time work, with Azzopardi handling most of the production himself. Only a few drum parts were recorded in collaboration with fellow musician Melchior. The album was officially launched on February 27 during a live show that showcased the dynamic chemistry between Azzopardi, Paco and drummer Funky Monkey. Although the record could easily be performed acoustically, the trio opted for a full-band approach. According to Azzopardi, the energy that the band brings elevates the songs beyond their recorded form. “Since I met Julián and Funky Monkey, I realized how much their input uplifts the performance,” he said. “The fact that we all trust each other personally and musically is a great plus because that also transcends to the audience.” The performance blended new material with older songs and even included a Spanish-language track—Azzopardi’s first time performing one live and Paco’s first time singing in front of an audience. Despite just releasing Bare Bones, Azzopardi has already begun work on his next album. This upcoming project will focus entirely on Maltese-language material and will reinterpret well-known songs from genres such as hip-hop and grunge. Some tracks will stay close to the original themes, while others will flip the concepts entirely. “If there is one talking about drowning, I’m going to be talking about loving,” he said. “Total opposite subjects.” The project, supported by the Arts Council, is currently in development with an album launch targeted for around October. By then, the band hopes to release several singles leading up to the full record. Alongside their music, the band has gained attention for creative promotional videos on social media. Rather than relying heavily on traditional advertising, Azzopardi believes artists today should make the most of the attention that can be generated organically online. “We’re in a time where attention is free,” he explained. “You can reach people from your own pocket on your phone. Not posting is limiting yourself from the amount of people that are going to see your work.” Looking ahead, the group hopes to perform regularly following the album launch, with plans to play live shows at least once a month and possibly appear at festivals such as Rock the South. For Paco, the immediate future is simple: focus entirely on the band. “At the moment it’s pure dedication here,” he said. “Just practicing at home, meeting the guys for rehearsal, full-on focus on the Myles project and to see where we end up.” With new music already in the pipeline and a strong creative partnership forming within the band, Bare Bones may represent both a personal statement and the beginning of an exciting new chapter for Myles Azzopardi. all photos (except album cover) by d.catania Photography Myles and Julian interview on Rock Moods (including music by Myles) can be listened here . Rock Moods © Noel Mifsud

Different Strings Release Fifth Studio Album The Great Divide Different Strings have officially released their fifth studio album, The Great Divide , on March 9, 2026. The album is available in digital download and CD Digipak formats across all major digital platforms, excluding Spotify, as well as on the band’s Bandcamp page. Pre-orders for the album opened on February 23 and received a positive response from fans. For a limited time, the album remains available for streaming on the same page, allowing listeners to experience it before purchasing. At present, there are no plans to release the album on vinyl unless significant demand arises. With a runtime of over one hour, The Great Divide  features six tracks, including two epic compositions lasting 18 and 22 minutes respectively. The album also includes four additional tracks, among them the previously released “Words Unspoken,” which has been remixed for improved sound quality and remastered to ensure overall album cohesion, and “Apathy Symphony,” which has also been remastered for consistency within the album. On this release, Different Strings’ Chris Mallia collaborated with an international lineup of guest musicians. Keyboardist Derek Sherinian performs Hammond organ and all keyboard parts on “Words Unspoken.” The album also features contributions from four vocalists: Alex Granato (Naples, Italy) on “Apathy Symphony” and “Rhapsody in Grey Pt. 2 – Stranger in a Strange Land”; Chris Galen (USA) on “The Cuckoo’s Nest” and “Rhapsody in Grey Pt. 4 – Lost in the Maze”; Ilya Miroshnicenko (Belarus) on “The Jester’s Smile” and “Rhapsody in Grey Pt. 3 – Smoke and Mirrors”; and Berzan Onen, the new vocalist of Nevermore, on “In Darkness” and “Rhapsody in Grey Pt. 5 – Final Breathes.” Additional guest contributions include Nigerian vocalist Olawepo Tayo, who recorded a gospel choir featured on “The Cuckoo’s Nest” and “Rhapsody in Grey Pt. 3 – Smoke and Mirrors,” and Latvian musician Artis Locmelis, who performs tenor saxophone solos on “Rhapsody in Grey Pt. 4 – Lost in the Maze.” The Great Divide  is a concept album exploring themes such as mental illness, anachronism, and social alienation. Musically, it is geared toward listeners who appreciate 1970s progressive rock and guitar- and keyboard-driven classic rock enriched with classical influences. Fans wishing to support the band are encouraged to purchase the album directly from Different Strings. Direct purchases contribute to the band’s ability to produce future releases. For further details and discounted pricing options, contact differentstrings@hotmail.com

Upper Lip Unleash Powerful Second Album, Devil’s Ride  Produced By David Vella  Rising hard rock force Upper Lip returns with their explosive second studio album, Devil’s Ride – an eight-track powerhouse that marks a bold and darker evolution from their debut record, Deep Within. Following the success of their first release, Upper Lip ventures deeper into the shadows with Devil’s Ride, an album that explores betrayal from those meant to stand by us, the weight of internal struggles, and the eternal duality between good and evil. While the themes cut deep, the record ultimately carries a powerful message of hope – a call for unity and resilience in the face of pain, hardship, and forces that seek to divide and destroy. Drawing inspiration from the raw blues fire of Rory Gallagher, the intricate acoustic textures of Bert Jansch, and the riff-driven mastery of Jimmy Page, Upper Lip fuse classic rock authenticity with unapologetic power. The swagger and grit of Guns N’ Roses and the explosive, anthemic energy of The Who echo throughout the record, shaping an album that honors rock’s golden era while forging its own commanding identity. Notably, the track “The Castle” ventures boldly into heavier territory, with verses embracing classic heavy metal textures and dark tonal weight reminiscent of Black Sabbath, adding a brooding, ominous edge to the album’s sonic landscape. Devil’s Ride was recorded at the iconic Temple Studios in Mistra under the guidance of producer David Vella, who also produced the band’s debut album. The record captures Upper Lip’s raw energy while elevating their sound into darker, more intense territory. All the music and lyrics on the album were written by Joseph Azzopardi, showcasing his uncompromising creative vision and songwriting depth. Speaking about the new release, songwriter Joseph Azzopardi reflected on the journey behind the album: “I love this record so much. It took a lot of work to get it where it is, but I think it really shows how much we’ve matured as a band. My favourite track on the album is Won’t You Listen because it’s a very personal song for me. What I really love about Devil’s Ride is how varied it is  it merges different styles and influences, and that’s something I’ve always loved in a record.” On vocals, Christopher Portelli, often hailed as the band’s very own Bon Scott, delivers a commanding and electrifying performance that channels pure rock ‘n’ roll spirit. Reflecting on the album, Portelli highlights one track in particular: “One of the songs I love the most on the album is Goddess of the Sun. I’m a massive old-school rock fan, and that song really captures that classic vibe that I grew up loving. Recording this album was also a big step for me personally as a singer I feel like I improved a lot throughout the process and pushed myself further vocally.” Reflecting on the album, bassist Marcel Paul Grima shared his personal highlights: “My favorite riff on the album is from 'The Duel,' it really gives me that old western movie standoff vibe. The song I connect with most is 'Won’t You Listen,' because it’s about how stubbornness can create barriers between people, but also about not giving up. It was actually the most challenging song for me to get right, as it needed a very specific feel, but I ended up loving the vibe and melody it became. Looking back at our first album, Deep Within, I feel we’ve grown a lot as a band, both in songwriting and musicianship, and now we really know what we want.” The rhythm section brings thunder and groove, with Marcel Paul Grima on bass and seasoned Finnish drummer Sami Karpinnen behind the kit. Karpinnen, known for his work with Therion and his collaborations and touring with Opeth, injects the album with dynamic power and precision. The album’s striking artwork was created by local artist Peter Magro. The cover depicts an intense and symbolic scene: the devil behind the wheel, with two figures riding in the back — a powerful representation of the choices we make and the paths we choose. The imagery perfectly encapsulates the album’s title and underlying message: life itself can feel like a ride steered by temptation, but the direction remains ours to confront. Devil’s Ride is available now for purchase via Upper Lip’s official website at   www.upperlipmusic.com  and is also streaming on all major digital music platforms here:  https://album.link/s/1lMLCvv7Pj8kJE236j4oNG With this second release, Upper Lip proves they are not just riding the wave of rock ‘n’ roll, they are steering it straight through fire. Devil's Ride Track Listing Blood of Rock n’ Roll Charlie Plays Harmonica Another Kiss Goddess of the Sun Won’t You Listen The Duel The Castle Going Nowhere

Different Strings Announce 5th Studio Album The Great Divide The Great Divide album artwork Different Strings are proud to announce the release of their fifth studio album, The Great Divide , set for digital release on 9th March 2026. The album will be available on all major digital platforms (excluding Spotify) as well as via the band’s official Bandcamp page. Pre-orders commenced on 23rd February 2026. The Great Divide  will be released in digital format and as a limited CD digipak edition. The release date for the digipak format will be announced in due course. With a runtime of over one hour, the album showcases Different Strings’ signature progressive sound across six tracks. It features two epic compositions running 18 and 22 minutes respectively, alongside four shorter tracks. These include “Words Unspoken,” which has been newly re-mixed for enhanced sound quality and re-mastered for album cohesion, and “Apathy Symphony,” also re-mastered to ensure a unified sonic experience. On this release, Chris Mallia collaborates with four international vocalists, a gospel choir, and a saxophone player. The album also features acclaimed keyboardist Derek Sherinian, who performs Hammond and all keyboard parts on “Words Unspoken.” The Great Divide  is a composite concept album that explores complex themes such as mental illness, anachronism, and the experience of being a misfit. Musically, it is crafted for listeners who appreciate 1970s progressive rock and classic guitar- and keyboard-driven rock enriched with classical influences. Different Strings encourage supporters to purchase the album directly from the band, as this financial support contributes directly toward future releases. For further details, pre-orders, or inquiries, contact: differentstrings@hotmail.com

Glen and Amber have officially released their brand-new single, “Issa Naraw,” on 1st March, delivering a vibrant and feel-good anthem that encourages listeners to embrace life with confidence and positivity. “Issa Naraw” is a celebration of living life to the fullest — a song about self-belief, shutting out negativity, and choosing love for others and for life itself. Fun, energetic, and undeniably uplifting, the track captures a carefree spirit that resonates with audiences seeking optimism and light-hearted inspiration. The single is accompanied by a feel-good music video that highlights the natural chemistry and authentic personalities of Glen and Amber. The visuals perfectly complement the song’s message, portraying the duo’s genuine outlook on life and their shared passion for spreading joy through music. At its core, “Issa Naraw” reflects Glen and Amber’s real-life attitude: choosing happiness, confidence, and positivity even during challenging or uncertain times. The track was composed by Elton Zarb, Amber, and Glen, with lyrics penned by Lon Kirkop. With its infectious energy and empowering message, “Issa Naraw” is set to become a go-to anthem for anyone looking to celebrate life and focus on the brighter side of every situation.

MOTHERKNIVES ‘BROTHERS’ Motherknives unveil their debut single ‘ Brothers ’ releasing today via Kewn Records . A powerful anthem of unity and emotional resistance, and framed as the theme song of a united force, the army Motherknives is led by a female warrior born from a spirit of abuse and separation. Inspired by Middle Eastern, Japanese, and French female warriors throughout history, she stands as a symbolic mother of spirits bringing men together to be supportive and protective of one another, without segregation across religion, race, gender, or class. Brothers captures a constant emotional war that exists in the past, present, and future. It is a call to stand in equal, sensitive protest. To stop killing, to end division, and to move forward as a unified force. Both defiant and vulnerable, the single channels strength through solidarity. LISTEN TO THE DEBUT SINGLE HERE Francesca Mercieca – vocals, keys Quentin Falzon – drums Steve Shaw – bass Tony Bartolo – guitar Emerging from the basement garage, Motherknives are shaped by 90s underground influences while blending elements of 80s goth, heavy rock riffs, pop-like melodies, and trip-hop atmospheres. Their sound is both raw and cinematic, being grounded in alternative grit yet driven by melody. The debut single was recorded, produced, mixed and mastered by Capitol K. Artwork Photography by Francesca Schembri Artwork Design by Micaela Bogen Band Photo by Lara Facchinetti ‘ Brothers ’ marks the beginning of a bold new chapter for the band and their collaboration with Kewn Records! Copyright (C) 2026 Kewn Records. All rights reserved

The votes are in, and the 2026 Melodija Awards have officially wrapped up. Determined entirely by readers, this year’s results celebrate the very best of Malta’s local music releases from 2025. Across ten diverse categories, the awards highlight the breadth, creativity and vitality that continue to define the Maltese music scene. Alternative Albums Topping the Alternative category is Bila  with their debut full-length album Bezzalart . The release clearly struck a chord with listeners, marking an impressive breakthrough for the band. In second place came Divine Sinners  with Count Your Blessings , followed by Eyes To Argus  and their album Reboot , which secured third place. Dub, Ska and Urban The Dub, Ska and Urban category was led by Buzu  with the album Onestament , a release that resonated strongly with fans of groove-driven and rhythm-heavy sounds. Second place went to Tom Caruana  for Salsa Verde , while Manwel T  secured third with Africa . Classical Albums In the Classical category, Daniel Vella  claimed first place with Pieces Of Malta . A very close second was Charlene Farrugia  with Melita: Maltese Piano Music , reflecting how tight the competition was. Third place went to Tricia Dawn Williams  for Tiny Keys Big Sound . Folk Pop The Folk Pop category saw Kantera  take the top spot with Vjagg Sabih . Second place resulted in a remarkable four-way tie between Alexandra Alden  ( When Is It Too Late ), Dario Genovese  ( Burgundy ), David Schembri  ( Ghidli Int Ja Mara ) and Dominic Galea  ( Mara ). Third place went to the various artists compilation of the L-Għanja Tal-Poplu Festival 2025, celebrating Malta’s enduring songwriting tradition. Jazz, Fusion and World Music In Jazz, Fusion and World Music, Benji Cachia  led the category with Akshara , followed by Ray Agius  with Supernova . Third place was awarded to Kylo  for Kylo World . Mainstream Electronic The Mainstream Electronic category was won by X-Tend  with the compilation 1984–2024 Volume 2 , celebrating decades of electronic output. Second place went to Yazmin  with Vision , while Nico Jay  secured third with Ascending . Non-Mainstream Electronic First place in the Non-Mainstream Electronic category was awarded to Robert Farrugia  for Natura Maltija OST . Second went to Devil’s Breath  with Abandoned By Humans – Adopted By Wolves , and third to K.A.R.R.  with Galactic Driver 2 . Heavy Metal Albums In Heavy Metal, veteran death metal band Beheaded  claimed first place with Għadam , reaffirming their enduring impact on the scene. Second place went to Pilgrimage  for From Amber To Sun , while ClubMurder  took third with History Of Gods . Experimental Pop The Experimental Pop category resulted in a tie for first place between Claire Tonna  with Held  and Klinsmann  with Chaos & Cadence . Second place was awarded to X-Tend for L-Immigrant , while Matthew James  secured third with Ashes To Ashes . Rock & Punk Finally, in Rock & Punk, Five Years From Now  took the top honour with Bank Punk . Second place went to Djun  for L-Irxoxt , and third to Bruda  with Togħma Morra . Melodija congratulates all the artists who released music during 2025 and extends heartfelt thanks for their contribution to Malta’s ever-evolving musical landscape. The 2026 reader-voted results not only celebrate excellence but also reflect the richness, diversity and creative resilience that continue to strengthen the Maltese music scene year after year.

On 20th February, Maltese singer and television personality Malcolm Pisani took to his social media platforms to share an emotional message following his major success at the Malta Entertainment Awards 2026. Held annually, the Malta Entertainment Awards celebrate outstanding achievements across Malta’s entertainment industry, recognising artists, performers, broadcasters, and media professionals for their contributions throughout the year. The event brings together leading figures from the local music, television, and media sectors for an evening dedicated to excellence, recognition, and celebration. In his post, Pisani described the evening as “a dream” and expressed heartfelt gratitude to the organisers for delivering what he called a “wonderful and professional” event for artists within the entertainment scene. During the ceremony, Pisani received five major accolades. He was awarded Best Male Pop / Commercial Singer of the Year , Best Song of the Year  for “I Found You” , Best Music Video of the Year  for the same track, and Best TV Show Personality & Presenter of the Year . Additionally, he and his partner Kim were jointly honoured with the award for Best Media & Event Presenter of the Year . In his message, Pisani emphasised that the awards represent years of hard work, dedication, sacrifice, love, and passion for his craft. He dedicated the honours to his family, particularly his mother and his partner Kim, thanking them for their unwavering support, encouragement, and love. He also acknowledged his professional team and the businesses that support his musical and television projects, including their collaborative productions under 2806 Media Productions. Pisani extended his appreciation to the professional jury of the Malta Entertainment Awards for recognising and believing in his career, as well as to the organisers for creating a platform where artists can celebrate one another’s achievements. The 2026 ceremony holds particular significance for Pisani, as it marks his 20th year in the local entertainment scene. He described the anniversary as a milestone that will remain close to his heart and revealed that he will soon be launching a special commemorative initiative for his supporters. Closing his message, Pisani thanked his followers for their continuous encouragement, describing their support as an essential part of his journey in both music and television.