Search Results

Pawlu Curmi, popularly known as "il-Pampalun," has passed away at the age of 92 on Wednesday 8th November. Widely acknowledged as the King of Carnival, Curmi was a familiar and vibrant presence in Valletta, particularly during the carnival season. Donned in vivid colors and a broad smile, he became an iconic figure in these celebrations. Condolences and memories flooded social media on Wednesday morning as people shared their sympathies and recounted their adventures with Curmi. In 2021, the official carnival poster paid homage to him, and a carnival float was dedicated to him in the same year. Born on December 12, 1930, Curmi, the youngest of nine boys, married Doris Zarb, and they had two children, John and Carmen. In 1950, he entered the traditional Maltese Carnival celebrations, subsequently establishing his own company, now recognized as the "Paul Curmi & Christopher Caruana Carnival Dance Company." Beyond his carnival involvement, Curmi engaged in football and regattas, playing with the Valletta Vanguards and contributing to the launch of the Marsamxett Regatta Club. Culture Minister Owen Bonnici expressed his condolences on social media, describing Curmi as a humble and respectful man deeply connected to culture and the arts. Bonnici emphasized that Malta's Carnival would not be the same without "Pampalun" but highlighted the enduring artistic legacy he leaves behind. Julie Zahra, the Nationalist Party spokesperson for Culture, bid farewell to the "King of Carnival" and cherished the joyful, humble, and truthful memories she had of Curmi. Even in his later years, Curmi remained an active participant in the Carnival, making appearances in St George’s Square with dancers he had trained since their childhood. Prime Minister Robert Abela, Partit Nazzjonalista’s Leader Bernard Grech, and EP President Roberta Metsola joined others in saluting Curmi's memory, acknowledging his significant contributions to Malta’s carnival culture. As news of his passing spread, Valletta residents, Carnival enthusiasts, and public figures expressed their sadness and paid tribute to Curmi's positive impact on the Valletta community through his Carnival involvement. Malta has lost a true artistic force in the realm of Carnival, as Pawlu Curmi 'Il-Pampalun' leaves behind a legacy of creativity and joy. The funeral held on Saturday, November 11th, drew a large congregation to the Basilica of the Shrine of Our Lady of Mount Carmel. During the service, Fr. Alex Scerri O.Carm, the rector of the Basilica, delivered a poignant homily in which he characterized that Curmi, was the king of the Carnival, and yet his life was not a mere carnival but one rooted in enduring values. The church, brimming with attendees, bid a final farewell to Curmi, whose legacy is deeply intertwined with his passion for the Maltese Carnival. Fr. Scerri emphasized that despite Curmi's association with carnival revelry, his existence was grounded in steadfast principles. He shared, "If Pawlu is an icon for the city of Valletta, Pawlu is also an icon of positivity. Pawlu was always happy and made other people happy." Fr. Scerri urged the gathering to emulate Curmi's positive outlook, encouraging everyone to see the goodness within themselves and in their surroundings. As Curmi's coffin emerged from the Basilica, it was greeted with a resounding applause and the carnival anthem. Wrapped in a Valletta Football Club scarf, the coffin received a warm tribute from various carnival organizations present at the funeral. Paul Curmi's multifaceted artistic contributions, encompassing creativity, dance, and music, solidify his legacy as an artist. On social media, numerous tributes have poured in, featuring photos and videos commemorating his lively participation in the Maltese Carnival. photos: Facebook The Melodija team extends their heartfelt condolences to the family and friends.

Extreme metal pioneer Marcello Scalpello dies Earlier this week, the obituary for Marcello Scalpello was circulated across various social media platforms. Marcello passed away peacefully on September 9th at his residence in the United Kingdom. Originally hailing from Fgura, he played a pivotal role in shaping the extreme metal scene in Malta and was a driving force in the establishment of Beheaded. His unwavering commitment to the metal community, involvement in tape trading, and underground connections were instrumental. Alongside David Cachia, Chris Brincat, David Bugeja, and Tyson Fenech, Marcello co-founded Psychotic Impulse, which later evolved into Beheaded after numerous visits to the rehearsal room of X-Vandals, formerly known as Vandals, in Tarxien around 1991. He lent his vocals to the band's demo 'Souldead,' released in May 1995, and their debut full-length album 'Perpetual Mockey' in 1998. Marcello also served as the frontman for Beheaded on their very first international tour. Frank Calleja, the current frontman of Beheaded, shared on his Facebook page: "I didn't have the privilege of knowing Marcello personally, but I did engage in a significant conversation with him a few years ago. Despite the unexpected nature of the topics we discussed, I was genuinely delighted to have connected with him. As a young metal enthusiast growing up in the Maltese scene of the 90s, Beheaded always stood as a prominent figure, leading the charge and reigning supreme. In my eyes, they were idols, and I instantly became a fan after hearing 'Vae Victus' for the first time on 'The Storm has begun' compilation. Marcello's vocals, in particular, left an indelible mark on me. They were evil and demonic in a way that I had never heard before. While other vocalists have taken the helm before me, including Lorenz Wenzu Joyce and Melkior Borg, both of whom I hold in high regard, Marcello, as a vocalist, was truly unique. Performing some of those songs from our setlist, I can attest to the mind-blowing cadence, voice, lines, and lyrics he brought to the table. I genuinely regard him as one of the greatest vocalists in the genre, not only locally but globally. We carry forward a legacy that he and the founding members initiated. Rest in Power, Marcello." Marcello also left his mark on the music scene by recording, engineering, and producing Forsaken's demo 'Requiem' and producing the debut demo 'Rise Of Evil' for the Vandals, both in 1991. The Melodija team extends their heartfelt condolences to Marcello's family and friends. Muzika Muzika 2024 songs announced The Festivals Malta agency has announced the 40 songs that have passed to the next phase of Mużika Mużika 2024, which will take place between the 14th and 16th of March of the upcoming year. This comes after, in mid October, Festivals Malta opened submissions, with quite a positive responce. The 40 songs that have passed to the next phase are (in alphabetical order by song title): 3 ta’ Ġunju 2021 Bil-Jekk u bil-Jewilla Dawk l-Għajnejn Dejjem f’Għajnejja Din Għalik Dinja Oħra Fil-Qrib Ftakart Ġenna Għalija Għannaqtek Ġnien Ġrajjietna Ġranet Sbieħ Grazzi Ħolma ta’ Mument Il-Fjur Iljun Imħabba Vera Imqar għal-Lejla Inħobbok Wisq Inti Dejjem Hemm Jekk Forsi Jiena Missier Kewkba F’Tarf L-Irdum Kieku Kelli Kif Jista Jkun Lulju Meta Lilek Tajtek Fjura Meta Tridni Ħdejk Mhux tal-Aħħar Mingħajr Kliem Narak Illejla Paradoss Qtar in-Nida Tiegħek Tiegħek Biss Vjaġġ Sabiħ Waħdi Żmien Ieħor Decline The Fall unveils new single Literally hours before Decline The Fall return to our shores, where they’ll be launching their new album titled ‘Perspective’ they have released the fourth single from the album. The song ‘Agony’ hit all streaming platforms this morning (3rd November) accompanied by an exciting video, which can be seen here. In a nutshell, Decline The Fall, formed in 2015, has quite a remarkable journey. In 2017, the five-piece band made a strong mark by sharing stages with genre legends like Mayhem, Rotting Christ, and notably, Lacuna Coil. In 2019, they received their first invitation to perform at the renowned Hills of Rock festival in Plovdiv, Bulgaria, which boasted an attendance of over 50,000. Their debut album, 'Our Own Demise,' received praise both locally and internationally. Their first single, 'Nemesis,' proved to be a hit, amassing thousands of views on YouTube alone. In 2020, the band relocated to Slovenia, where they currently reside, resulting in a change in the lineup. Despite the global pandemic's hush falling over the world, the band members focused on crafting material for their second full-length album. With numerous gigs and festival appearances on the horizon, Decline The Fall is gearing up for a comeback in the live music scene, ready to make a resounding impact on the metal world with their captivating and innovative music. Their electrifying live performances have consistently left international audiences yearning for more. The album launch for 'Perspective' is scheduled for the upcoming Saturday, November 4th, at The Garage, featuring two other bands: From Sheep To Wolves and Londoners Broken Calling, who are making their second visit to our island. The album's artwork was created by Etienne Bugeja, and the project is supported by the Malta Arts Fund.

Owen Leuellen Redefines His Artistic Boundaries with New Release 'Bad' Owen Leuellen, a prominent figure in the music industry, is back with his latest single, 'Bad,' which not only showcases his evolving creativity but also marks a significant departure from his usual comfort zone. In this track, Owen embraces a unique artistic versatility by challenging himself to incorporate captivating vocals for the chorus and a slower, melodic rap flow, a departure from his typical style. But 'Bad' isn't just about a change in musical style; it's a window into Owen's personal journey. He explains, "As always, I write about life and what I’m going through. At the time I wrote this song, I was on the verge of leaving the country to embark on a journey to California. I had to detach from social links, including my girlfriend in Malta, to pursue my career without keeping her waiting on a lonely road. Fortunately, she stood by me, patiently waiting, and offering unwavering support every step of the way. This experience inspired me to create another song on the subject." 'BAD' was meticulously produced, mixed, mastered, and engineered by Edward Abela at Midnight Studios, where Owen embraced a whole new vibe, setting, and top-level equipment. Breaking out of one's comfort zone is a critical part of artistic growth, and Owen's dedication to trying new approaches has opened doors to fresh opportunities from every angle. Owen Leuellen expresses his hope that his fans will recognise the dedication and hard work that went into 'Bad' and understand just how passionately he pursued this endeavour. "I wanted this," he asserts, reflecting the commitment he poured into this dynamic track. Owen Leuellen is a highly regarded artist in the music industry, known for his innovative sound and electrifying performances. With a string of hit tracks and collaborations, he is on a remarkable journey to redefine the music landscape, leaving an indelible mark with every release. Owen's latest single, 'Bad,' is now available on all major streaming platforms, promising listeners an unforgettable experience. 'Bad' can be heard on Spotify and video can be seen here. From Strait Street to Abbey Road On Thursday, the 2nd of November, drummer Ġużè Camilleri is set to unveil the captivating history of jazz in Malta through a unique concert that seamlessly blends film and live performances. This extraordinary event will take place at the Malta Society of Arts in Valletta, titled "Anecdotes of Maltese Early Jazz." The program will showcase compositions written by pioneering Maltese jazz musicians, interspersed with video interviews that served as the foundation for Camilleri's upcoming documentary film, "Strait Street to Abbey Road." The concert will also treat the audience to a premiere of the documentary's trailer, which will be made available on the Sugu.tv website, a novel platform designed to showcase films about Maltese history and culture. Camilleri's documentary represents the culmination of months of in-depth research. It delves into the life of the legendary Maltese drummer, George Caruana, known by his stage name, Tony Carr. Carr made significant contributions to Malta's music scene before achieving international fame by performing with some of the most iconic figures in music history. However, as Camilleri emphasises, Carr's legacy, like that of many of his contemporaries, has faded into obscurity. Born in Valletta, Carr honed his percussion skills in the bars and music halls of Strait Street, a bustling hub for Allied troops during World War II. In 1953, he emigrated to the UK, where he became a fixture in London's thriving jazz scene and swiftly garnered a reputation as a skilled and engaging performer. Carr, now 96 years old, went on to work as a session musician for luminaries such as Ella Fitzgerald, Paul McCartney, Madness, The Alan Parsons Project and the surviving members of Led Zeppelin, among others. Camilleri conducted his research on Carr's life while pursuing a master's degree in musicology, with his thesis dedicated to the life and work of this accomplished Maltese drummer, whom he underscores as a vital figure in the British jazz scene of the 1950s and 1960s. Subsequently, he secured funding from Arts Council Malta to transform his research into a documentary, with the adaptation for the screen and direction being handled by Cedric Vella. The resulting documentary, "Strait Street to Abbey Road," is a pioneering endeavour that promises to introduce viewers to an uncharted segment of Malta's rich cultural history. In addition to Carr, the film features a wealth of notable musicians who left a significant mark on the local music scene. Among them is the local saxophonist legend Sammy Murgo and the skilled American multi-instrumentalist Juice Wilson, who settled in Malta in the 1940s after touring Europe for years. Thursday's concert is poised to offer a revealing behind-the-scenes look at the film's making. It will feature compositions originally written for the country's first jazz trio, now reimagined for a quintet by the band's pianist, Dominic Galea. Joining Galea and Camilleri on stage will be saxophonist and flautist Walter Vella, trumpeter Alex Bezzina, and bassist Anthony Saliba. In essence, Thursday's concert promises to be a genuine original in Malta's burgeoning jazz scene. Not only does it showcase performances by some of the country's most accomplished and active jazz musicians, but it also sheds light on an aspect of Malta's history that deserves acknowledgement. This project is supported by Arts council Malta. Serpentine Weeping Silence has released another single from their upcoming album Isles Of Lore to be launched on the 12th December at The Garage. This time, the character featured is “is-Serpentin”. Dragon-like reptiles such as “Is-Serp tas-Seba’ Rjus” (Seven-Headed Serpent), “Għaġeb tad-Dragunara” (Dragonara Serpent) or “is-Serpentin” (Serpentine) are often associated with deep waters or the underworld and are typically portrayed as manifestations of evil. In fact, the giant serpent featured in ‘Serpentine’ has the powers of a mage and the ability to shape-shift to lure its chosen victims. There seems to be a common thread about being wary of people’s promises and outward appearance in several Maltese folk tales. Perhaps they were intentioned as cautionary tales to warn about the dangers of manipulative people who “shape-shift” expediently? Artwork & caption: Julian Mallia (Julinu) (Referencing from the invaluable work of Guzi Gatt, Stephan D. Mifsud & others) The song was released on Friday 27th October and features lyrics by Dario Pace Taliana. video of the song can be viewed here. The Glorious 10th of May Maleth Crucis is delighted to introduce the music video for 'The Glorious 10th of May.' The band extends an open invitation to the public to offer their thoughts and opinions on this release, accessible here. The members of Maleth Crucis genuinely hope that the extended wait for this video has been rewarding. They have scheduled the release of their EP 'Historia Nostra' for the upcoming month and urge everyone to stay connected to their page for forthcoming updates and news.

Zain Gauci is the new guitarist of Pilgrimage! After the departure of guitarist Emanuel Portelli, Pilgrimage announced that Zain Gauci is set to be his replacement in a post on the band's Facebook page which read: "We are pleased to welcome Zain at this exciting time for Pilgrimage. He is a passionate young musician who has already shown his versatility & guitar skills on & off stage. He is both a rising local talent & a great person. Zain will join us for all live shows across Europe starting 2024. Work is progressing well on the new album set for release next year & we look forward to a string of performances with Zain in support of this record. We owe a lot to our former guitarists who have given their unbridled passion to see Pilgrimage grow to where we stand today – much deserved respect!" Horns up for Horned Majesty In the meantime it was also announced that Zain shall also play guitar in a newly formed Death Metal band titled Horned Majesty, which, is a collaboration of seasoned musicians: Clint Aquilina (ex Putrid Birth) on vocals. Mark Azzopardi (Myronath, Ragnarok, Draugul, Khaospath, ex-Martyrium, ex- X Vandals) on bass and backing vocals. Clayton Cini (Animamortua, Thy Legion, ex-Angel Blade, ex-Relicuia, ex-Shadowborne) on drums. Zain Gauci (Saint Vermin, Pilgrimage, Chaotic Remains, Halcyon) on guitars. The band's first single is titled 'Bringer Of Light', which video can be viewed here. The Hellcommander's return While all the above news was getting read, Mark Azzopardi, the Hellcommander himself, announced that a solo EP is nearing its final touches before it is launched upon the metal world. The music is now being mixed and mastered by Ihizahg at Sonus Diabolicus Studio in Norway and will consist of four original songs and a cover/tribute one. titled 'Year Of The Goat' it shall be released on vinyl by Pesttanz Klangschmiede at a date yet to be announced. Lightspeed Collision & Nate Rope The eagerly anticipated EP by Lightspeed Collision has arrived at last. The self-titled EP features five songs including the single 'Your Worth' which was released in November 2022. Melchior Busuttil produced, mixed and mastered the EP with the band which was released on all major platforms on 20th October. 'Lightspeed Collision' can be listened here. On the pop side of things Vibe Fm's own Nathan Darmanin released his follow-up to August's debut single 'Losing Myself' released under his slick alias “Nate Rope.” . The new song is titled 'Better Now' and was available on all major platforms from Wednesday 25th October. the song can be listened here.

Never in my wildest dreams would I have ever imagined that the Damaged & Co.’s Israel Excursion would end up in us getting sandwiched between a terrorist attack and war. This was a check in with reality. An episode that brought us face to face with our inner core. War shocked us out of the system. During times of crises you must learn how to cope at a very fast pace, if you want to make it out alive. WHY ISRAEL? A legitimate question many are asking is, with all the countries you could have chosen to visit.......why Israel? Damaged & Co. do not easily shy away from unconventional opportunities. As it happened a promotor contacted us about an opportunity to perform at a festival in Israel. This was right up our alley. Exploring a new country, were there is an active and strong metal scene, and being the first Maltese band to make an appearance there. Funnily enough our only worry at the time was the situation with the national airline. We did not want to risk getting caught in flight cancellations and delays, so we opted for a low-cost airline. We promptly booked our tickets as directed by the promotor. The only problem being that this airline travels to Israel once a week, so we wanted to fill in the rest of the stay. With a lot of work and effort we managed to find interested bands and venues and in no time, we had three dates for our mini tour – Haifa, Tel Aviv (where the festival was scheduled to happen) and Jerusalem. We did our homework as regards to security and it transpired that the risk, as regards to our safety, was not much greater than visiting Paris, London or any major European city. Unfortunately, terrorist attacks have become more frequent. To cut a long story short, the promotor informed us that there was a problem with the festival and we ended up with airline tickets to Israel and two booked venues. This did not deter us, we managed to come up with another date in Tel Aviv and the tour was on. OFF TO AN INCREDIBLE START On October 4th, 2023, with a slight delay, we boarded our flight to Ben Gurion International Airport (Tel Aviv). We made it safe and sound and felt excited to embark on our tour. Waiting for us we found a pleasant surprise in the form of a tour van. We never imagined such a luxurious ride. From Tel Aviv we made our way to Haifa, a journey that took over an hour. We settled in for our first night on our adventure. Thursday 5th October was practically a summer day. Our apartment was only eleven minutes on foot from the venue, so we opted to walk. It was all pleasant down hill but soon we realised that after the gig we had to pull up all our equipment back to the apartment......not an enticing idea. We made it to the Wunderbar Club (Haifa) and waited for the stage to be set up for our soundcheck. There we met our friend from Israel Tamir Kahn, with whom we made plans for excursion on Saturday. Shlomi Manger, owner of Wunderbar Club, made us very comfortable. After the soundcheck we headed out to Haifa waterfront to grab something to eat. The night went incredibly well. We found a very warm audience that gave us all they had. First band up was Proxy. They gave a good energetic show, which the crowd enjoyed. Next up were ZedDestructive, with their bland of death and black metal. ZedDestructive are a household name at Haifa and their set went down really well. Damaged & Co. were up next. Unknown to us at the time, this was to be our first and last show in Israel. We gave it our all and finished the set with some encores. It was a night to remember. We enjoyed talking to people after the show. After the show, Shlomi and Tamir were kind enough to give us a lift to the apartment. Though it was late at night we could still make out most of the highlights along our route. On Friday, October 6th, we had a late morning and at noon made our way from Haifa to Tel Aviv. During the scenic route we could notice many infrastructure projects being carried out. Tel Aviv is very different from Haifa. It is a cosmopolitan city with a more modern feel. That night we headed out to The Wave Club, and owner Shay Daudi made us feel at home. Since on the morrow we had a rest day from the tour, we enjoyed ourselves as much as we could. The plan was to visit the Dead Sea and do some sightseeing. THE NIGHTMARE BEGINS At 5:45 of Saturday, October 7th, I received the following message from Tamir: “There is a missile attack on Israel. If you hear an alarm stay near a wall in an inner room.” In the meantime, he got through to Peter Paul (vocalist). We immediately turned on the news channels and did not take us enough time to realize if this was not one of the ‘usual’ attacks with a few rockets but a full scale operation. Rockets were being fired by the hundreds and we followed the goings on by means of an app. When the rockets were near enough to Tel Aviv the sirens sounded and we sheltered between two blast doors. Land attacks were being carried out by the terrorists, massacring all the unfortunate people who happened to be in their path. Several hostages were also taken. We put our heads together and started working on a way out of the country. All we had in hand at that moment was our flight to Malta scheduled for Wednesday. Somehow, we knew that it was not enough. Immediately we informed that Maltese Embassy in Israel and the Ministry of Foreign Affairs of our presence in Israel. We cannot state enough how grateful we are towards Malta’s Ambassador to Israel, Her Excellency Cecilia Attard Pirotta. Her Excellency was with us all through this ordeal and kept us abreast with the situation and any update about upcoming flights. At this point we were still being told to wait it out before cancelling the rest of the gigs and accommodation in Jerusalem. We had no doubt that the best way forward for us was to get out of there as soon as possible. Things could only escalate at that point. WORKING FOR A WAY OUT On Saturday evening the Government issued a couple of directives. Schools were to remain closed, public gatherings were not to exceed ten people and gatherings inside establishments were not to exceed fifty persons. We were quite surprised to see that most people were going around on their business as usual. Most shops were closed because it was a Holy Day but reopened on Sunday. There were no ques to stock up on supplies or anything of that sort. The day was spent looking for flights and booking what seemed like suitable options. We were informed by the embassy that the national airline was going to operate a flight on Monday 9th, and we booked our spot. Other bookings were made with a low-cost airline, operating to Bari (Italy). When the siren sounded, we ducked in for cover. We noticed that flights kept operating with El Al (the Israeli national carrier), never stopping their incoming and outbound flights. We managed to find and book a flight to Slovenia with EL AL, scheduled for Tuesday 10th at 5:45am. At night we took it in turns for someone to be awake and keep watch for what was going on. On Sunday 8th October Tel Aviv seemed to us in a business-as-usual mode. Some rocket fire hit the area, but shops were open, and people were walking around. Our first flight out was booked with the national airline for Monday, and we had high hopes until it was cancelled. In the meantime, we had other options by air to be hopeful for, and on a tip from the embassy we had a booking on a ship leaving from Haifa to Cyprus on Thursday. SLEEPLESS NIGHTS On Monday, 9th October we were informed that our flight to Bari was cancelled and so was our original homebound flight to Malta, scheduled for Wednesday. Now our only options were a flight by El Al on Tuesday and the ship. We left for the airport at 1600hrs with the hope of boarding the EL AL flight for Slovenia, which originally was scheduled for Tuesday at 6am. We knew that our flight was delayed by 9 hours to 1445 but opted to wait in the safety of the airport. Monday passed and another sleepless night was upon us. To our surprise the airport, though functioning only out of one terminal, was being operated in a very orderly manner. Flights were arriving and departing. With a bit of delay but still operating. We nestled down in our chosen spot and waited it out. Being inside you could not really tell if it was daylight or night. THE LONG WAY HOME On Tuesday, 10th we queued five hours before the scheduled boarding time. We noticed that they were separating Israelis from foreigners and two of us, namely the Daniels, were selected for grilling. Once the plethora of questioning was over, we were given the green light to proceed for boarding. After depositing our instruments at the bulky luggage, we made it through another security check and finally boarded the plane which was scheduled to depart at 1445hrs. After an eternity of waiting on the plane we were informed that it had a puncture in one of the wheels. After approximately 1.5hours the plane hit the runway and we were off to Slovenia. We landed in Ljubljana nearly 3.5hours later. From there we took a trip to Zagreb (Croatia) as there were no direct flights to Malta from Slovenia. When we arrived the airport was deserted as there were no flights scheduled until 6an of Wednesday, 11 October. Having another eight hours to kill before the flight. Finally we boarded on our last trip, which left Zagreb at 1300hrs and landed at MIA at approximately 1500hrs. Our Israel Excursion ordeal was finally over. Being reunited with our loved ones at the airport was one of the most emotional moments. FINAL THOUGHTS This trip was a life lesson.Things can change in a second.No matter how much research you do, life is full of surprises.It was a good team building exercise for Damaged & Co. making our bond together stronger than ever.It made us appreciate the small things in love but above all got us closer to our loved ones who had to go through a more severe ordeal than we did. Our thanks and deepest gratitude go to: Malta’s Ambassador to Israel, Her Excellency Cecila Attard Pirotta; Our families and loved ones; Our brothers in Israel – Tamir Kahn, Shlomi Manger, Shay Daudi, Proxy, ZedDestructive, Interia and all those whom we did not get to meet; Fans who turned out for the show at the Wunderbar in Haifa; Owners of Begin 19 Apartments & Hostel (Tel Aviv) and The Blue House (Jerusalem); Hades Management (Rene Farrugia); All those who showed concern, contacted us and / or offered their help during this mishap.

Damaged & Co. tour cancelled by war The weekend between the 6th and 8th of October were three days of surprises, bewilderment, and shock for many…. Nomad Son played a breathtaking show in Germany, while Angelcrypt were awing the crowds in Georgia and Damaged & Co. played for the first time in Israel, Haifa to be exact, the first date of three in this middle east country. Here in Malta the weekend was spent mainly at The Garage for the return of the Malta Deathfest which commenced on Friday. As Saturday morning dawned, the Maltese metalhead community expected a typical day. Some were recovering from the first day of the Deathfest, nursing hangovers, while others were resting their necks and feet in preparation for the moshpit later that day during the festival's second day. However, the day took an unexpected turn when many including myself received news that Israel had come under attack. Initially, I assumed it might be another routine incident that would soon pass, as had happened in the past. Nevertheless, as the news continued to pour in, it became apparent that this was evolving into a full-scale war. Our immediate concern was for Damaged & Co., who might have found themselves in the midst of this turmoil. I reached out to Keith Muscat, the band's keyboardist, and fellow correspondent for Melodija, to inquire about their safety. While I could recount the information he shared during those early moments of the conflict, which has now entered its fourth day as I write this paragraph, or the subsequent communications we had during these days, there is no better source to narrate the band's firsthand experiences than the band itself, who is now safe back at home. The band payed a visit to Noel Mifsud on Rock Moods and their chat shall be aried this Thursday 8.30pm on ONE 92.7 and Melodija Radio & Podcasts page. Guitarist Emanuel Portelli leaves Pilgrimage Guitarist Emanuel Portelli has left Pilgrimage after replacing Darryl Portelli nearly twelve months ago. This was expressed in a band's statement on their Facebook page on Thursday 12th October. The statement read: 'We have been honoured to spend 2023 in the good company of Emanuel Portelli! We have known for some time now of his decision to part ways after the last shows this year & focus on his other projects. It has been a great run, having played together in three countries including our first in Turkey, & alongside iconic bands such as Therion & Katatonia among many others. Nothing but cheer, praise & good vibes were had! We wish him well in his musical journeys & somehow know that our paths will cross so often. Forever a pilgrim of doom! So, please join us in celebrating this time we’ve had together. Total respect bro! 🤘 Meanwhile, Pilgrimage has secured a talented new guitarist who knows all the parts already & will be playing the shows being booked starting 2024. We’ll announce him next week.' New audio and video Anthony Bartolo (il Gigu) & Paul Giordimaina launched an album they recorded together on all leading music platforms on Sunday 16th October. "Its been a long time dream between two long time friends to record some favorite standards together" expressed Paul who also thanked all those involved in making this dream come true in particular Andrew Zammit of Tone Studios for plenty of jazzy patience!!!!. Sleeve art work was done by Anthony Bartolo. Spotify link here On Saturday 14th October Maltese/Slovenian band Decline The Fall presented 'Shadows' the third single from their upcoming album, 'Perspectives.' In a short statement on their Facebook page the band stated," This particular track is a tribute to our homeland, Malta, where towering walls cast shadows, leaving the majority of us in the dark. 'Shadows' serves as a symbol of the prevalence of greed our island has now become associated with". A video accompanying the song can be viewed on the band's Youtube Channel. In the meantime Decline The Fall shall launch the album on 4th November at The Garage promising a night to remember with From Sheep To Wolves and British band Broken Calling included in the line up.

The buildup and expectations for the festival were high. The Malta Deathfest was making its comeback after many years with fourteen bone crushing bands, four of which local and another fronted by a Maltese singer. Friday the doors opened at 8pm with one of the local bands hitting the stage around thirty minutes later. Luciferi Regnum is made up of four young emerging musicians fronted by the killer voice of 'Lilith Macabre', she was even one of the winners during the growling competition held later during the festival. But back to Luciferi Regnum’s performance: if there was any fear in the band’s minds (being the first band in a festival of this stature is not easy) this was obliterated once the first tunes of ‘Eternal Darkness’ were heard from the stage. The band was tight throughout the whole performance and the crowd who turned up early, specifically to see them, were not disappointed. Their slot was around forty minutes through which they played seven songs, namely the already mentioned ‘Eternal Darkness’ followed by ‘Initium Inferni’, ‘Vampire Lust’ ‘The Possession’, ‘In The Light Of', ‘Dysphoria' and the band's debut single ‘Banshee’. Songs which shall be on the debut release the band is getting ready to record. In the meantime, the band’s next announced appearance is at Dark Malta Festival in April. Michael Khill were up next. Hailing from Modena a city in Italy’s Emilia-Romagna region with looks like they’re not that much older than Luciferi they amused the crowd and managed also to get the first moshpit of the night with their grindcore sound for approximately the same amount of time their predecessors had. Next up was one of death metal’s supergroups Coffinbirth fronted by Beheaded’s Frank Calleja and performing for the second time on the island after their show to support their debut album ‘The Serpent Insignia’, released in 2018. The first show on the island happened on 12 September 2019. This time around, the band was heavy and tight as ever despite having the musicians stand in for those who could not make the journey. The band performed all the songs that make up their debut album but one, performing nine songs altogether. The outstanding performance by Coffinbirth made it a hard act to follow, but it was time for Hour Of Penance. Up on stage a few minutes before midnight the band performed their technical brutal Death Metal to perfection with songs from Misotheism (2019), Cast the First Stone (2017), Regicide (2014), Sedition (2012), Paradogma (2010) and The Vile Conception (2008) bringing the first successful day of the festival to an end. Saturday doors opened at 7pm with the first band on half an hour later. Extinction hails from Italy and the blend of thrash and death metal they presented gave assurance that the evening was going to be another fantastic one. The set featured eight songs, most of which were taken from the band’s latest release Cryogenesis, which was released last April on Punishment 18 Records. The band also presented two tracks from their 2019 album, The Apocalypse Mark and finished off an impeccable performance with the title track from their 2017 album The Monarch Slaves. Another Italian band followed. Indecent Excision presented nine brutal death metal songs taken mainly from their two full length albums, Deification of the Grotesque released in 2011 and their 2015 Aberration, but they also included songs from their various Eps and demos. Thy Legion were the first local band for the night with a violent set featuring songs from their second full length albums Venerato Diaboli released thirteen years ago and the 2017 World Stigmata. During the night, the band also presented two new songs taken from their upcoming album, which shall be released in early 2024. Flawless as ever, the band has been boasting a magical collaboration for the past seven years (approximately) of guitarists Elton Falzon and Emanuel Portelli (Animamortua, Hemplifier, Victims Of Creation) complimenting the rhythm section composed by Kurt Dimech on bass and drummer Clayton Cini and fronted by Mark Dimech and Tonio Spiteri on vocals. After their outstanding show last July at the Farsons Beer Festival, Abysmal Torment returned with another bone crushing show at the Malta Deathfest on Saturday, right after Thy Legion finished their set, and as they did last July they presented their new song Vermin (from their upcoming release) alongside tracks taken from their four full length albums, Epoch of Methodic Carnage (2006), Omnicide (2009), Cultivate the Apostate (2014) and The Misanthrope (2018). And this time around they were even better, heavier, and more brutal. Maybe it was because The Garage offers a more intimate atmosphere, certainly because the sound was engineered better, but credit must be given to the band for their energetic performance. Singer Melchior mentioned during their set that they are proud to be the warmup band for headliners Gutalax, and he was proven right with the energy the band transferred to the crowd in front of them. Then it was time for the toilet rolls to come out. Everyone kept any prop well out of sight till the last note of Abysmal Torment. In fact, I was thinking if this would be the first clean Gutalax gig. I was wrong of course… Now I must admit that Goregrind is not my cup of tea, but this was the third or fourth time I’m seeing this Czech band which formed in 2009 and since released three full length albums, the latest in 2021. But the previous times I have seen them in festivals with larger attendance and bigger stages, where my attention was more towards the crowd and their antics than what the band was doing on stage. This time around it was completely different, and I really enjoyed the show. I enjoyed it as much as I’m enjoying the chilli sauce the band was selling as part of the merchandise. I only regret not buying more than one bottle. The third and last day of the festival opened its doors earlier than the previous two, being on a Sunday with the first band on stage at 5.30pm. I was again proved wrong in thinking that there would be tiredness amongst those who attended for the three days. The day’s schedule consisted of one local, a British and three Dutch bands. The first one up was Putrefied Corpse who was formed in 2013 in Enschede and released their debut and only album so far Left to Rot in 2019. So, it was understandable that most of the songs presented on Sunday were taken from this album, but we were also offered some non-album songs throughout their slot. Abrupt Demise formed in Steenwijk three years before their neighbours did and as the prior band delivered a set of no-nonsense death metal. Six of the nine songs that made the set list were taken from their 2020 debut full length album The Pleasure to Kill and Grind which was released on Raw Skull Recordz. The other Dutch band was on stage later headlining the festival, but prior to them two more bands performed, the first one being Cumbria’s Repulsive Vision delivering more death metal from their two full length albums released three years apart, the 2017 Look Past the Gore and See the and Necrovictology released in 2020. 8.30pm on a Sunday evening, normally many of us will be groaning to the idea that in a few hours we have to get up and go to work. But not this Sunday. At that time locals, Bound To Prevail performed a ruthless seven song setlist. Although the band have a self-titled demo released in 2016 and an EP ‘Omen of Iniquity’ (2017) their set was made up of new tracks, all sourced from their yet-to-be-released album, 'Enthroned In Torment.' These songs were first heard during July’s Beerfest when they shared the stage with Abysmal Torment (and Drowning Sorrows). And although all the bands were so far capped under the Death Metal genre, all of them were distinct as was the fifth and last band for the night, headliners Dutch old school Severe Torture. Formed in Boxtel, Netherlands in 1997 they all but destroyed the stage. Their experience was visible from the get-go and presented a fourteen-song set taken from their five full length albums and releases they issued throughout their twenty-six-year span. And that was the end of the fourth edition of Malta’s own deathfest. Organization was immaculate, especially when considering that this was all put up by two persons, with help from a very small number of people. And this was expressed by not only those who attended any part of these three days, but from the bands that played. I spoke to many members, both Maltese and foreigners and all were of the same opinion: ‘ The sound (by Steve) and lights (by Philip) were flawless’, and some bands even expressed that this was one of the best festivals they ever played and would very much like to re-visit in the future. And although we will have gigs during the months building up to next year’s edition, I’m sure that everyone shall be on edge waiting for any for any announcements done by the organisers regarding the fifth edition of the Malta Deathfest. The dates are booked, just keep an eye out to any posts on the festival’s Facebook page.

Lord Adder Makes History as the First Maltese Band to Rock China's Legendary Midi Festival Lord Adder, the acclaimed Maltese heavy metal band, recently embarked on an exhilarating journey to the heart of China, where they made history with an electrifying performance at the prestigious Midi Festival. The Midi Festival, often dubbed "China's Woodstock," is celebrated for its eclectic mix of both local and international bands, and Lord Adder proudly joined this illustrious roster. Lord Adder stepped onto the grand stage of Midi Festival on Monday 2nd October, showcasing their unique sound and incredible talent to an audience of over 30,000 music aficionados. The band was met with an overwhelming wave of warmth and boundless energy, solidifying their place in the hearts of their newfound Chinese fans. Lord Adder's groundbreaking performance at Midi Festival marks a historic milestone, as they become the first Maltese band ever to grace this international stage. This accomplishment signifies the band's growing global recognition and solidifies their status as musical trailblazers. As they returned to Malta on Thursday 5th October, Lord Adder eagerly anticipates the promising future that lies ahead, fuelled by the success of this remarkable journey. Stay tuned for more thrilling developments from Lord Adder as they continue to conquer new horizons in the world of heavy metal music. In the meantime, one can view the songs they performed on the band’s page on Facebook, and we promise to get more details from the trio once they are back rehearsing for the next gig…. Damaged & Co. head to Israel In the meantime, on Wednesday 4th October alternative metal outfit Damaged & Co. left for Israel, where they are to perform three shows: Haifa on Tursday 5th, Tel Aviv on the 8th and Jerusalem on Tuesday 10th October. While awaiting on more details we wish the band the best of luck…. Angelcrypt hit Georgia Angelcrypt, is probably the busiest band on the island when it comes to touring. Their never-ending tour started on the 14 May 2022 and are at the moment receiving invites for festivals and gigs for 2025. This Friday (6th October) the band are in Georgia for the band’s first ever gig in this country at the intersection of Europe and Asia where they’ll be playing at Junkyard live music venue sharing the stage with Georgian bands, Angel Of Disease and Vismier. The band shall be visiting the Quantic Club in Bucharest next. Genn to tour album In the meantime British based band Genn announced their tour to promote their new album ‘Unum’ set to be released on Friday 6th October. The tour covers 10 UK dates and starts from January 6th. Till now no Maltese date has been set, but we’re hoping Genn shall include Malta in their tour at some point in time. In the meantime gigs and events around the islands are on schedule – more info can be found on our events page, but let’s take a look at what was and shall be released. We have already mentioned Genn’s debut album Unum but before it hits the shelves in record shops the band released a single on Wednesday 4th October titled ‘The Sister Of’, which is accompanied by a short film-style music video shot in Ukraine as a cross-cultural collaborative artistic project also launched on Wednesday. Other releases 13 Years Later’ are a trio formed by Jeanelle Newell and Gianni Saliba (formerly of the band 'Uncharted') and Andrew Muscat (formerly of 'Eve Ransom'). The three were active in the local music scene between 2006 and 2009, with tracks played on various local radio stations and were nominees and performed in local music award events on more than one occasion. After a 13 year absence from music they decided to give it another shot and formed this new band, and have just recorded the debut single ‘Hold On’ which is set to be released online during the second week of October. Another new song was released during the last few days of September by Jodi & Ian a duo formed by Jodi Zerafa Heckenlaible and Ian Zerafa. The song is titled ‘Tfal’ and as Jodi expressed: “I was inspired to write this song not long after the birth of our second child. We were learning to adjust to our new life as a young family of four. Coupled with joy and gratitude, we were also struggling with feelings of frustration and overwhelm as we tried to cope with new jobs, childcare and the daily challenges that come with raising young children. The words flowed out of me with ease, allowing me to channel the challenges we were facing in that period of time into a song. Ian and I sat together one evening and created this song. This one is close to my heart, and I believe many will resonate with it.” 'All Alone' written by Thomas Libreri and sung by Tessa Libreri, and released in September the Australian duo (with strong Maltese connection) and multi award-winning group, 'Destiny Band Oz'. 'All Alone' is from their 6th multi award-winning album of 10 original songs called 'Who I Might Be' produced by Damian Cafarella. It's a soulful ballad with a breezy, almost 'Hawaiin type feel' about the realisation that sometimes, people are only ever around when they want something from you, so you need to stop trying to do everything for everyone else, prioritize yourself and be okay with being 'all alone'. 'All Alone' will be the 10th and last single release from this album with the previous 9 single releases having all achieved #1s on various independent charts. 'Destiny Band Oz' have also recently won 5 more international awards at 3 different competitions to add to their cache of over 35 major independent music awards worldwide. On the 15th September Decline The Fall released ‘Suffocating’. The debut single from the album "Perspectives," scheduled to be unleashed on November 4th, 2023 at The Garage. This track offers listeners an emotional rollercoaster, traversing the spectrum from clean, melodic harmonies to intense, electrifying distortion. At its core, "Suffocating" delves into the impact those closest to us have on our lives, often unconsciously shaping our choices and molding our beliefs. This influence can inadvertently stifle our self-expression and hinder us from reaching our full potential. The song serves as a reminder of the intricate web of connections that define our existence. "Suffocating" can be interpreted in multiple ways, mirroring the diverse perspectives we encounter daily...which is precisely the driving force behind the album's title, "Perspectives." Another new single is called ‘The Painter’ by Akuma The Poet and Aidan Somers was released during the first days of October via a video on YouTube. Written and directed by Akuma the Poet with videography by Keith Dimech and a performance by Sergio Laferla the song depicts the internal battles an artist faces between himself and his art. Song was composed and produced by Aidan Somers and features Clayton Gauci on guitars. In the meantime, on Saturday 23 September 2023, Devil’s Breath have released via Sombre Soniks, a New Compilation track - Mantra Of Marching Mammoths. It is the 7th track on this compilation made up of 23 songs. Genre wise. Mantra Of Marching Mammoths, is a Dark Drone Ritual track with minor Noise and Industrial influences. Some listeners may also find the track fitting for their meditative rituals. Compilation can be listened to here.

The return of the Malta Deathfest "The phrase 'The return was inevitable' was the cornerstone of my promotional post for the special edition of my radio show, Heatstrokes, which aired on Sunday, October 1st, with a repeat broadcast on Monday, October 2nd (for those who missed the radio broadcast, it's available for listening here). This sentiment was further affirmed by David Cachia, one of the festival's founders and organizers, during the same radio show. Interestingly, the idea to resurrect the festival had been brewing in his mind for several years. However, due to his extensive touring commitments with his band, Beheaded, and other obligations, both he and his partner in this venture, Frank Calleja, were unable to pursue this aspiration. This time around, they welcomed Rene Farrugia of Hades Events to join the organizing committee, helping to alleviate the challenges associated with staging such an event. The third and final Malta Deathfest took place almost a decade ago, on September 6th and 7th, 2014. Since then, numerous developments have unfolded, not only in the realm of music. Setting aside the challenges of pandemics and conflicts, a few months ago, the individuals mentioned earlier convened and collectively decided that this year would mark the festival's return. The event is set to take place at The Garage in just a few days, starting on October 6th and concluding on October 8th, with the final band scheduled to perform on Sunday, October 8th, at 10 pm. This year's edition boasts an impressive lineup of fourteen bands, including three veteran acts deeply rooted in the local death metal scene and one of the most intriguing bands to emerge in the post-COVID era. However, before delving into the band lineup, let's explore some essential festival details: As previously mentioned, the festival will unfold at The Garage on October 6th, 7th, and 8th, with varying door opening times each day. On the first day, doors will open at 8 pm, with the first band hitting the stage just 30 minutes later. On Saturday, doors will open at 7 pm, and on Sunday, they will open at 4.30 pm. For both weekend days, live performances will commence approximately 30 minutes after the doors open. For those interested in attending, 3 Day Tickets can be acquired from The Garage and Kickstart, with the option to purchase them at the door during the event. Meanwhile, 2 Day Tickets and 1 Day Tickets will only be available at the door. Ticket prices stand at 60€ for a 3-day ticket, 45€ for a 2-day ticket, and 25€ for a 1-day ticket. Additionally, a limited quantity of festival t-shirts were available via pre-order, and, as is customary for live events, merchandise from the bands will be available for purchase throughout the festival's duration. The first band on stage for the fourth edition of the Malta Deathfest is Luciferi Regnum, Malta’s punch in the face to the dark lonely days we had to spend away from friends during those dreaded months of the pandemic. The band is a five piece female fronted extreme Gothic Metal with a pinch of melodic Black Metal who emerged on the scene circa February of last year, and their debut stage appearance happened during ‘The Advent Of Chaos’ on Friday 9th December 2022 a few weeks after releasing their debut single ‘Banshee’. At the moment the band are working on their debut demo / EP release. Following the Maltese youngsters on Friday is Italian band Michael Khill. Formed in 2019 in Modena, Emilia-Romagna by Giacomo Donati on bass, Alessandro Cavazzuti drums, Davide Guidetti guitars and Alex Roveri on vocals the grindcore band released their debut EP titled Infierire Sul Malessere last January. Third band for the first night is Coffin Birth whose core line-up hails from Italy and is made up of Hour of Penance (amongst others) bassist Marco Mastrobuono, Antropofagus and Beheaded drummer Davide Billia, Giulio Moschini on guitars (also a member of hour Of Penance) and Fleshgod Apocalypse guitarist Francesco Paoli. Completing this supergroup’s line-up on vocals one finds Malta’s own Frank Calleja, who fronts Beheaded and Slit locally. The band’s debut full length album ‘The Serpent Insignia’ was released on November 30th, 2018 on Time to Kill Records. Headliners for the first day is an automatic choice, Hour Of Penance. The band was formed in Lazio in 1999 and boast a discography of 2 demos and 8 full length albums, the latest being ‘Misotheism’ released in 2019 on Agonia Records. The second day opens with another Italian band who hails from Turin, Piedmont promising a crushing opening with their thrash death combination. Extinction formed in Lecce in 1995, but went on a hiatus two year later having only released a demo titled ‘Progress Regress’. They got back together in 2014, releasing their debut full length album ‘The Monarch Slaves’ 3 years later, followed by ‘The Apocalypse Mark’ in 2019. Their third and latest album was released last April on Punishment 18 Records and is titled ‘Cryogenesis’. They shall be followed by Indecent Excision, another Italian outfit playing Brutal Death Metal. Formed in Bolzano in 2006 the band so far released 3 demos, 1 EP and two full length albums. The band started as a one-man band by Hannes Luridus, who enlisted Matteo Bazzanella on vocals in 2008 evolving in a four-piece band during the second decade of 2000’s. Local Black Death Metal band Thy Legion were formed in 2004 with their debut full length album getting its release date 3 years later on 17th November 2007. Followed by another full length album Venerato Diaboli in 2010 and a split with local one man band Prayer of the Dying in a limited number white vinyl titled ‘Into the World's Oppression’. Their latest album was World Stigmata was released in March 2017. Thy Legion are set to be followed by another Maltese band but not before the much awaiting growling competition takes place during change over. Brutal Death Metal band Abysmal torment were formed in 2000, or rather changed their name from Molested that year and releasing their debut EP Incised Wound Suicide in 2004. This was followed by four full length albums, namely Epoch of Methodic Carnage in 2006, Omnicide 2009, Cultivate the Apostate 2014 and The Misanthrope in 2018. Headlining the second night is one of the most anticipated bands of the festival. Czech coregrinders Gutalax made a huge meteoric rise from their first appearance at Obscene Extreme in 2012, when only few people knew this quartet. 15 years and three albums later, the world is literally at their feet, and GUTALAX haven't moved an inch from their toiletries-lined path. As you all know, this is going to be a very danceable affair, a performance full of fun, the perfect blend for this double celebration. Organisers have only a few hours to clean the debauchery before the doors for the third and final day are opened at 5.30 pm with Dutch outfit Putrefied Corpse start the day at 6pm. Formed in Enschede in 2013 the band released their debut on the 19th of March 2019. Titled Left To Rot it was released on Xtreem Music. Hailing from Steenwijk, practically neighbors with Putrefied Corpse, the second band of the day formed in 2010, and are called Abrupt Demise who released Aborted from Life EP in 2013 followed by Mutual Mutilation Demo 2016 and their debut full length album The Pleasure to Kill and Grind in 2020. Cumbria based death metal band Repulsive Vision follows displaying music from their 2 full length albums, Look Past The Gore and See the Art released in 2017 and Necrovictology which was released in 2020. Also part of the band’s discography we find their debut EP Severed Alive (2012) and Six Feet Under Classics split alongside Necrosexual, Truck Flag and Mad Cow. Repulsive Vision are to be followed by the fourth Maltese band of the festival. Bound to Prevail were formed in 2014, releasing a self-titled debut demo in 2016 and the Omen of Iniquity EP one year later. Their set will unfortunately bring us to the last band of the festival, headliners Severe Torture. Another band from the Netherlands, Severe Torture formed in Boxtel in 1997. One of the most long going bands of the festival they can boast twelve releases composed of a demo, 2 splits, 2 Eps, 2 compliations and 5 full length albums, with their latest release being that from 10th June 2002 titled Fisting the Sockets EP. Separately from the bands’ merchandise during the three days of the festival Rising Nemesis Records shall hold a stall for the delight of record collectors with a wild selection of vinyls, cds and t shirts. 2023 is a year of many faces, but it shall surely be mostly remembered for the return of the Malta Deathfest. See you all there! More information about the festival can be found on the event Facebook page. Heatstrokes special Malta Deathfest can be streamed here

Metal United World Wide is making a comeback Metal United World Wide is making a triumphant return in 2023! After several successful years, except for a temporary setback during the pandemic, Metal United World Wide is once again on a mission to unite metalheads worldwide. On September 30th this year, metal bands and fans from all corners of the globe will come together at venues to celebrate the extraordinary genre of music that is metal. In case you're not familiar with this incredible concept, let me bring you up to speed. Metal United World Wide is an initiative that aims to bridge the gap between diverse metal communities across the world. The event involves simultaneous shows on the same date, all under the united banner of Metal United World Wide. Back in 2014, Michael Lüders brought Metal United Down Under to life. This involved 14 shows taking place simultaneously across Australia under the Metal United banner. Nine years later, the event has become a staple in the Australian heavy music scene. Year after year, bands and fans come together on a designated date to deliver a dose of metal. If this project wasn't ambitious enough, Michael set his sights on an even grander scale. If metal could unite Australia, why not the entire world? And thus, Metal United World Wide was born. In 2018, Metal United World Wide made its debut, hosting shows in an astounding 43 countries, with 64 cities showcasing their metal scenes and nearly 400 bands participating. MUWW 2023 is gearing up to be just as monumental as its predecessors, steadfast in its mission to bridge the gap between metal communities spread across the globe. On September 30, 2023, metalheads worldwide will come together to celebrate the essence of metal, with bands representing a wide range of metal subgenres showcasing their talents. In Malta MUWW is represented by Shellshock Events, and MUWW Malta this year will feature performances by Angelcrypt (Malta), All Will Know (Germany), Desdemonia (Luxembourg), Desecrate (Italy), and Sonic Storm (Malta). Event is happening at The Garage, Zebbug, with doors opening at 7.30pm, and the first band starts promptly at 8pm. Tickets can be purchased at the door for €10. Running order: Sonic Storm 8.00 - 8.30 Desecrate 8.45 - 9.25 Desdemonia 9.40 - 10.20 All Will Know 10.35 - 11.15 Angelcrypt 11.30 - 00.10 Checkmate debuts with Royal Blood Checkmate, a band featuring three generations of musicians launched their first EP in 2021 which included their first three tracks “Tonight”, “Standing in My Way” and their first power-ballad, “Move On”, which are available to listen to on all platforms (Spotify, Apple Music, etc…) – these also included music videos which have been uploaded to the band’s Youtube channel. On the 2nd September, the band launched their debut full length album on all main platforms. The album features seven new songs alongside the three featured in their 2021 EP. Track list: 1. Genocide 2. Tonight 3. Move On 4. Standing In My Way 5. You And I 6. Checkmate 7. Cold As Ice 8. The Reaper 9. Live And Loud 10. Lost In Darkness The Creepers reunite for one night only show Established in 2010, The Creepers bring the timeless essence of vintage American blues to Malta, encompassing a wide range of styles from the early pioneers of amplified Chicago blues to contemporary acts of today. Their live performances are a sonic journey that evokes the rich tones of traditional tube amps, infusing the electrified Delta blues. They follow the historic pathways from the deep South, traversing through the South Side of Chicago, and venturing all the way to California and back. The Creepers draw inspiration from a diverse array of influences, including legendary figures like Junior Parker and Little Walter, as well as modern luminaries such as Ronnie Earl and Mark Hummel. This blend of influences culminates in a high-energy, house-rocking spectacle every time The Creepers grace the stage. Undoubtedly, they hold the distinction of being one of the first popular blues bands on the island of Malta. Their live performances are a dynamic showcase of pulsating melodies and infectious rhythmic flow that never fails to get the audience up on their feet, grooving to the music. Over the years, The Creepers have graced numerous festivals and shared the stage with various artists, including an opening act for the Blues-rock band The Brew and former Dire Straits member and co-founder, David Knopfler, during their performances in Malta. Yet, beyond all these accomplishments, it's their genuine passion for the raw, vintage American blues and the sheer excitement of creating an electrifying atmosphere during live performances that have endeared them to their audience. On the 13th of October, original members Antoine Tonna, Patrick J Camilleri, and Steven Van Der Nat will reunite on stage to celebrate the memory of their former harmonica player and vocalist, Gilberto, who passed away three years ago. Joining the band on this special occasion are Dutch harmonica virtuoso Thomas Touissaint, guitarist and vocalist Ben Bailey (known from Vinyl Paradise), and Mark Kram on keyboards. This memorable event will take place at Aria Complex in San Gwann, with doors opening at 9pm. Tickets can be purchased here

How much is the Maltese artist really appreciated? I grew up in an era when it was a common belief that if it is Maltese, it is not good enough. This was not just in music but on every product these islands produced. This is one of the reasons that got me to appreciate the local talent and product even more. But a question that pops in mind….is there any reality in this belief? When did this originate? Well, I cannot answer the second question because as I mentioned, I grew up amongst these beliefs, but I can surely say that it is not true that the local product is anywhere inferior! And living proof to that are those artists that made it big in countries away from our shores…from Hamrun born Oreste Kirkop, who moved to England in the 50’s performing in Convent Garden paving the way for a Paramount Pictures contract steering him to the leading role of François Villon in the 1956 film version of The Vagabond King, Marc Storace who moved to London in 1970 (an article featuring Marc was printed on Melodija on July 7th) and Joseph Calleja who made his operatic debut as Macduff in Verdi's Macbeth at the Astra Theatre in Gozo and went on to become a prize winner at the Belvedere Hans Gabor Competition the same year at the age of 19. Many others tasted success abroad, success that would not materialize if the product was not up to standard. How many remember The Rifffs single ‘Dance Music For The 80’s Depression’ released in April 1982 on the UK based Alternative Music Records and making it up the UK single charts, or Germany based heavy metal band High ‘N’ Dry featuring Gino Micallef on bass and Joe Mizzi on vocals, who released an album titled ‘Hands Off My Toy’ (also featured in an article on Melodija) in 1988 and earning them a spot supporting Krokus and Iron Maiden. The list of artists around the globe throughout the years is very long, but getting back locally, how much are local bands and artists appreciated here on the islands? Maybe one of the reasons that there is this lack of appreciation comes from the fact that many of these artists and musicians are relatives and friends, who we see as fellow mates, drinking buddies and friends and although we are conscious of their ability, we are more comfortable around them as friends. This is of course normal and happens all around, the only difference is that we live on a small island where everybody knows everyone else. The question asked at the beginning of this article, or rather the answer to it prompted to mind recently while attending a small festival in Germany. I was sort of surprised to see attendees with t-shirts of Maltese bands and was more surprised to see foreign bands wearing them as well. Metal On Metal owner Simone, who was wearing a Sacro Sanctus vest, was true to the point in saying: “Maltese heavy metal is all around. There is so much talent on the island”. Later on that evening, while talking to Simon from Arkham Witch he specified how much Maltese guitarist Aldo De Le Rose was important to the music the band composed and released since he joined the band. At the moment, Aldo took some time off the band, but Simon assured me he’ll be back with his famous jeans shorts and shredding as before. Aldo used to play with Manslaughter here on the island before he moved to the UK. On the same night Michi from German band Insulter wore a Hemplifier vest on stage. All this talk with these exponents reminded me of another occasion when a Maltese band triumphed during a festival. This time the band was on stage and they were by far the best band on the night. This was on Saturday 10th April 2010 at the Chapel in Göppingen, Germany. The festival was the seventh edition of Doom Shall Rise and Nomad Son were the sixth band on the bill playing after Rituals Of The Oak and right before Doomshine who asked Forsaken’s Leo Stivala to join them on stage for a couple of songs. It was the first time for me to see a Maltese band perform on a stage in another country, and it was an overwhelming experience, but when after the show you get stopped and fellow metalheads congratulate the band and ask you to pass their salutations it makes you even prouder to be Maltese. Another recent occasion like this happened during last year’s edition at Metaldays in Slovenia when Pilgrimage and Bound To Prevail awed everyone in front of the stage. One must of course mention bands like Bila, Manatapu, Martyrium, Angelcrypt and of course Beheaded and Forsaken plus many more, too many to mention, who year in year out get invited to play all around Europe. Beheaded even played in South America and Asia and in a few days’ time Lord Adder will play in China and Damaged & Co. in Israel. So once again, when comparing all this….how much is the Maltese artist really appreciated? I don’t believe that any artist should get a godlike distinction, any artist whoever he is, but every artist at whatever level his music is should get the gratitude and admiration for his product. After all, what would the world be without art? I also strongly believe that this appreciation should come from entities who are supposed to endorse arts, as governments should. And although I am against certain aid from authorities and am even more against that artists expect these authorities to step in at every hurdle they encounter, there are exceptions! While I was attending the already mentioned festival a friend of mine informed me that the bands rehearsing in the Birkirkara Garage Complex were given 3 months to evict the premises as their contracts shall not be renewed. This, might not happen to all the bands all at once and I'm not going to go into the merits of whether it's just or not. The whole building is privately owned, and it seems nothing illegal was done. But is all this ethical? Let’s explore this a little bit more. I do not know the exact number of bands who use this facility, which by the way is in an inhumane state with no restroom facilities amongst other negatives. But let’s assume that there are around sixty bands. So in three months sixty bands are out on the street with their equipment and any other stuff stored in these rehearsals rooms such as merch etc. The stuff can be stored some place else but that will also mean that bands cannot rehearse and this will affect the live scene as well, which will on the other hand also affect income for these bands, less income for the venues, which are still recuperating from the dreaded covid period and concert goers deprived from their favourite pastime. One must also consider that some of these bands are in full rehearsals for already booked gigs, some might even be abroad, or in full flight of preparing to record, or already in the process. An anonymous (for obvious reasons) band member was right when he expressed that this “just really f*****d up the local band scene here in Malta! That’s progress I guess!” It is in these parameters that I strongly believe the government or authorities should intervene. Not that they should stop the owners from exercising what’s in progress but ease any difficulties the bands are set to encounter. But let’s face it…. the last time anyone from the higher authority did something in favour of the bands in Malta’s underground scene was when Dr. Alex Sciberras Trigona, then Culture minister, upon the requests done by the late Erich il-Punk Azzopardi passed the legendary rooms inside Fort Tigné, which were disused after the British forces left the island to AST for the bands to use as rehearsal spaces. But this was in the 80’s and since the bands were ‘asked’ to leave and the area developed. Since then, the bands never received any more assistance regarding this matter from anyone. So, to conclude this article I ask once more: How much is the Maltese artist really appreciated? My humble opinion: I appreciate and respect every artist in any genre of the arts, all arts. Anything an artist or musician creates is an original piece of art that equips you with the vocabulary to understand and, while introducing you to various mediums. Music helps create understanding of the world around us. It is an essential part of cultures across the globe because it allows us to be open to new ideas and experiences. Some people might not think that is important and would not appreciate it or recognize the efforts put into it to create awe-inspiring piece. As intriguing and inspiring music can be it is not appreciated by some people who have lost their sense of creativity or fascination with sounds and colors. And maybe that is also why many of us don’t appreciate the local talent more…… Footnote: This article was already written and ready to be published until Sunday morning, when Facebook was full of posts regarding what happened to The Travellers during the EuroPride concert on Saturday when they had their microphones turned off during a rendition of ABBA’s ‘Lay All Your Love On Me’. Even Ira Losco had her set cut short, but at least she was told to not perform her final song. From information I managed to gather from different sources, the band was supposed to perform a set of thirty minutes, but the event was already behind schedule. This is something that happens very often during events with many acts, and the polite way to move forward is to ask the bands to cut short their set by a song or two. This, it seems, only happened during Losco’s set, while The Travellers were left with their mouths open (literally) with no sound coming off the stage. I do not believe that the organisers meant to humiliate the band in front in of over 30,000 people, but whoever took the decision to order the sound team to stop the set and switch off the sound acted very unprofessional and not in the best interest of the event and the bands. This decision caused an online controversy after they posted their disappointment on social media and I have tried to check if there was any statement from the organization team but to no avail. Does this mean that the local talent lacks appreciation? Well, this incident doesn’t prove it as such, but one has to ask the question: What would have happened if instead of The Travellers and Ira losco there were foreign acts performing?

New releases..... So while we were away on holiday..... Devil's Breath, have had their released new EP 'AFRICAN SPIRITUAL PATHS' on Three Times Cursed. So what is AFRICAN SPIRITUAL PATHS about ? "Devil's Breath have at heart indigenous people and they also find them inspirational for making music. African Spiritual Paths is not the first release revolving around this theme, however this EP is the first to deal with the indigenous people of Africa. Each track is named after a mask used during rituals relating to funerals and secret societies. Ivory Coast, Mali, Guinea, Burkina Faso, Democratic Republic of the Congo are among the countries where such rituals are carried out. Kanaga, the first track, is very atmospheric and melancholic and its mood fits the expected environment in a funerary ritual. Kòmòkunw, the fourth and final track, is perhaps the most mystical track which goes hand in hand with the mysticism associated with ritual carried out by secret societies. The listening experience of African Spiritual Paths may be considered Dark Drone Tribal Industrial Ambient being met with Techno influences in Kponyungo and Nwatantay with the rhythm in the EP reaching its fastest pace in the latter, whilst being more experimental in Kòmòkunw." Whilst we hope the weekend is being kind to you, we hope the listening experience of African Spiritual Paths enhances the positivity !!!! Written by and produced by Devil's Breath the EP was mastered by Anatoly Tokee Grinberg with cover artwork by Cultura Obscura In the meantime Sonic Storm released their third single from their debut album ‘Keys to Your Ruin’. Titled 'Into The Pit', the song is aimed to become Malta's metal community anthem. The song was mixed and mastered by Peter Grech while artwork was done by Paul Formosa who also took care of video production and editing of the song's video. In the meantime the band's next live appearance shall be during this year's Metal United World Wide taking place at The Garage on September 30th. This will also be the first appearance of Colombian born guitarist MIGUEL ÁNGEL SARMIENTO who joined the band upon invitation after an impressive performance during the Nuts Motorcycle Club charity event in Birżebbuġa jamming along with Steve Lombardo and Francesco. Metal United World Wide is presented by Shellshock Events and this year will feature Angelcrypt, All Will Know (Germany), Desdemonia (Luxembourg), Desecrate (Italy) and Sonic Storm with doors opening at 7pm, while the first band kicks off at 8pm. Tickets cost €10 from the door. Ivan Grech, the celebrated front-man and songwriter of Winter Moods, has made a triumphant return with his latest song, '(Let's Get) High on Love,' which was unveiled on Monday, September 4th, 2023. This eagerly awaited release marks Ivan's second solo endeavour, following his highly successful debut with 'Somebody Like You' back in 2019. With a reputation for delivering unforgettable performances and captivating audiences in Malta and Gozo, Ivan once again showcases his musical prowess with this latest offering. In discussing '(Let's Get) High on Love,' Ivan reveals, "The song emerged from a sound that inspired an atmospheric backdrop, setting the stage for haunting, laid-back melodies that culminate in a catchy chorus. In terms of sound, lyrics, and melody, it conveys a heartening sense of unity and connection." This release not only highlights Ivan's distinctive voice but also explores a more contemporary sound with a subtle nod to the '80s, a style that has experienced a resurgence in recent times. '(Let's Get) High on Love' serves as a tantalising glimpse into a larger project: Ivan Grech's forthcoming solo album, scheduled for release in 2024. This release is poised to become a memorable addition to Ivan's impressive body of work. For further details about Ivan Grech, please visit www.ivangrech.com. ....upcoming festivals In recent days, the final bands participating in this year's revival of the Malta Deathfest have been revealed, bringing an end to the lineup announcement and the official poster for the event was uncovered. Artwork for the event was done by Mark Casha. Tickets available from KickStart, Santa Venera, The Garage or either from David Cachia or Rene Hades Farrugia 3 day ticket : 60€ 2 day ticket : 45€ 1 day ticket : 25€ This year's lineup: Gutalax, Severe Torture, Hour Of Penance, Coffin Birth, Repulsive Vision, Abysmal Torment, Extinction, Bound To Prevail, Putrefied Corpse, Luciferi Regnum, Abrupt Demise Michael Khill, Thy Legion, Indecent Excision. Also announced was Malta's long lasting Halloween event featuring six bands. This year celebrating 15 years of Halloween Massacre on two days with weekend tickets priced €25 and €15 for day tickets from the door. For more events visit the events page on Melodija

Summer is the time for sun, sea, and festivals, so we are shocked when we hear that a beach has been closed due to strong winds…even more bewildered when a festival suffers the rage of the weather as well. We endured this at the last day of this year’s Farsons Beer Festival, when the last day had to be cancelled due to the strong wind blowing that day. But this was not a freak incident only hitting the Maltese islands. During that week, anyone watching the news could see the devastation that storms were causing all over Europe and beyond. As we already mentioned, summer is a time when many music enthusiasts travel all around to attend to festivals of every genre. The days between the last few days of July and the first week of August were no exception, with two major festivals occurring during those days. Metaldays, in Slovenia, commenced on Sunday 30th July, while Wacken Open Air was supposed to open their gates a few days later, on the 2nd of August. This year was Metaldays first edition in a new location after it had to move from Tolmin due to road constructions. This new location, Lake Velenje in Velenje is about 108 kilometers away and boasted the same picturesque scenery Sotočjein in Tolmin offered. Wacken on the other hand was in its thirty third edition and can easily be considered the largest European metal festival. Only this year both festivals were to suffer a first…. severe weather. In previous years both festivals suffered harsh weather, in fact the motto for Wacken is rain or shine. From the first days of August posts from both festivals starting to pop up on social media regarding the weather conditions with Wacken officials asking people travelling towards the festival to be extra careful. A few hours before the wrist bands booths were to open, they announced that due to the severe weather approaching in the next few hours they are only admitting in a limited number of people. Basically, they had to cut attendance by half their normal eighty-five thousand plus attendance. On the other hand, Metaldays were experiencing some nice weather with many taking to water sports in the river in waiting for the first bands to hit the stage on Monday 31st July. This was not the first time that both festivals, or any other European festival for that matter, suffered rain, heavy rain, but it never deterred bands from performing and fans from gathering in front of the stages. This year was different. Both festivals are well known in our metal community and are attended by many each year. I had the pleasure to attend Wacken twice and Metaldays three times. This year was no exception, and, in both festivals, there were Maltese pilgrims…. or rather Gozitans in the case of Metaldays. As already mentioned, the Gozitan clan, made up of David Sultana, Andy Fava, Simone Bartolo, Edric Micallef Figallo and Jacob Buttigieg were enjoying the first few hours of their arrival by Lake Velenje with a nice cold beer. In the evening they were treated to pre festival concerts through the nights building up to Monday. Although the day was rainy our friends could still enjoy the bands playing on the day with Anthrax and Kreator headlining it. On Tuesday, the weather started to deteriorate reaching its worst during the Helloween set. In the meantime, 1300km away in Wacken, news was not as good as that of Metaldays during the first few hours of the festival. Roads were closed for travelling in or out of Wacken and people were advised to stay in hotels, with those travelling to camp advised to find other alternatives. The festival opened the gates as planned but to a diminished crowd. The festival area was flooded, and mud made it very difficult to walk on. This festival was attended by Danny Cassar and Elton Mifsud. And from where better to get more details than directly from both parties, therefore we asked our friends about their experience…… We commenced with our Gozitan friends visiting Slovenia and Metaldays not for the first time by asking them how the arrival and the settling in was at their destination? In Andy’s words, “The arrival at the new festival venue in Velenje on the 27th of July was great. The sun was shining bright, and the locals welcomed us with open arms. The only thing that bothered during our first few days at the festival area was the smell coming from the power station nearby (we named it 'Mount Doom'), which smelt similar to crabsticks that were going bad in the heat. Other than that, all was good.” David agreed, “As usual our arrival was very simple, it was easier than Tolmin ‘cause everything was close...it took us around 15 minutes to get our wristbands and follow the signs to our tents.” And as Jacob stated even the journey from the airport was good, “Arrival was standard we arrived at the airport and got our taxi as booked. What was great is the driver they assigned us was a metalhead, so the ride was full of great tunes. The destination had a stunning view and was not at all as the doubters described.” M: When did you first notice that this was not going to be a normal holiday? Jacob: “I would say it was on the second day of the actual festival when the first heavy rains came down and I was completely drenched”. David continued: “We were constantly checking the weather app and when the last 3 days were remaining it was showing it was gonna be raining the whole time but we were never sure that it was going to rain that bad so we weren't sure about the outcome until it hit us hard.” A more indulged answer was given by Andy, “On the 1st of August, we went for the second batch of bands. We saw Venom Inc. on Main Stage A, and about halfway through their performance, it started to rain a lot. So, we were forced to retreat under the bar tent (frankly, I am not complaining about that because the beer was close by, and we could still see Venom Inc. play). The rain stopped after a bit and we decided to go see I am Morbid on Main Stage B, only to find out that due to the rain (and because the sound equipment was not properly sheltered by the tents), their show got canceled. Later, we met with Surtur (vocalist from the band Ars Venificum and owner of Immortal Frost Productions) for a couple of beers, where he mentioned to us the damages the rain has caused to his products (i.e. the Vinyls and CDs). He then revealed to us that the weather would be worsening in approximately two days. Surtur described the upcoming weather as "20 times worse than that we experienced" on that day and that him and a few other stand owners would be packing their merchandise and flee the area as soon as possible. At first, we said to one another, "The weather forecast is never accurate, and this might be one of those inaccurate weather details for the upcoming days. "... how wrong we were. Two days later, - after watching half the show by Keep of Kalessin - the show got canceled, and we all retreated under the Fusion Stage tent. We waited for the rain to slow down a bit and rushed to our tents till the next day.” With the weather worsening by the minute the next question is inevitable….” What were the first steps the organizers took? Jacob: “They constantly kept us updated with the situation going one giving warnings or cancelling bands such as I Am Morbid and Keep Of Kalessin during their set.” Andy: “The first step the festival organizers took was to help those who were badly affected by the flood (eg. Those with their cars and tents were submerged by the overflowing river), and those who were at higher grounds should wait patiently in their tents until further notice and to keep an eye to the festival page on Facebook for further information. After an hour or so, we were notified about a free shuttle service that was taking festival visitors (such as ourselves) to a temporary shelter in the centre of Velenje. So, my friends, partner and myself packed our things and took the transportation offered by Boban and his associates that took us to a gym called "Red Hall," where we stayed for more than twenty-four hours. On the evening of the day we arrived to our shelter, 2 bands that were going to play on the day of the flood, played for us in a small bar, which was part of the gym - which they have my full respect for doing so.” David: “When it started raining badly some bands were cancelled at first and then the next day when the rain was still going and everything was flooded they cancelled the last day, it was then that we found out that it turned out bad everywhere and not just the festival but also the surrounding towns were getting flooded. Our first few days were paradise, a beautiful new place with an amazing view of the lake and mountains, the usual friendly metalheads although it was not the usual amount we were used to but it was still good, the new bars and new food and then meeting people from previous Metaldays...so all in all it was amazing, especially the chill weather we had at first.” “The first few days were very relaxing. We took in our surroundings as the weather was nice and sunny but not hot. “We were planning which bands we were going to be seeing on those days and taking in our surroundings,” continued Jacob. “Things started getting worse on Thursday the 3rd during the Keep Of Kalessin set when they got cancelled (mid-set). Obituary and Killswitch Engage played during a downpour that evening. This was confirmed by Andy while David added, “Things started getting worse when the heavy rain cancelled the band we were watching and the one after it. The rain never stopped not even during the night and when we woke up in the morning and saw the devastation the rain did, like flooded areas of the camp sites and cars almost under water then we got the message that the last day of the festival was cancelled.” Andy also added: “The first thing was to find shelter while still enjoying the bands playing. Reason why we chose to go to the Fusion Stage (bands, shelter and most importantly, beer). From there, we waited for the rain to calm down and when that happened, we rushed to our tents.” Andy: “(After) the first couple of days, we were kind of disappointed with regards to the bad weather, but after what occurred on the 4th of August, we understood that things had gotten worse. However, I am happy that everyone was safe and sound, and there was no damage caused to our personal belongings.” From here on the most important way forward was safety for of our Gozitan friends…..and as David said, “Our way forward was to try and keep ourselves dry and wait out the rain and keep checking the festival updates on what was gonna happen till we got the message that we had to evacuate the area by the transport they were giving to a local gym were victims of the flooding were gathering.” Andy: “I was not thinking about whatever came next after the flooding, except the safety of my friends, my partner’s, and obviously my own. When things cooled off, however, we were just living minutes after minute, waiting for details to be provided by those taking care of us. One thought I had, was to ensure that we have a food source (as the food provided at the gym was limited). David and I could barely sleep during the night. I tried to distract myself from my surroundings by reading a book, but it was not helping at all. Then at 08:05 or so, we went to Mercator (thankfully, it was opposite our locality) and bought breakfast for the 5 of us (as we had not had food since afternoon of the previous day), and waited for the info to be provided by the people at the Red Hall.” Of course, during all this apart from the thoughts of our friends’ safety, thoughts of how the organizers are dealing with all this kept popping up. Our friends at Metaldays are full of praise as how the situation was dealt with: David: “Everything was spot on, news was constant to guide us on what to do and keep everyone safe.” Jacob added: “They were very well organized and offered shelter to those who needed it and gave constant updates to said situation.” This was confirmed also by Andy. But not the same can be said regarding the Wacken Festival which as mentioned was visited by Danny Cassar and Elton Mifsud who stated: “Sadly this was the first Wacken festival (my 6th time) that was a total mess. I am deeply disappointed with the organisation. Our settling (luckily) was not troublesome as we chose Argon events and we had a hotel to sleep, transfers to wacken and back for all 4 days, but the misery we found on Wacken grounds in the first day (Wednesday) was astonishing. There was one foot deep mud everywhere, lack of signs, stewards who did not speak English, inaccessible areas, cancelled bands, no goody bag left, most of the above could have been avoided if the 70 tractors that came the 2nd day of the festival to clear the road from the mud were engaged even before the bands began in the first day. Additionally, they were informing people not to come to Wacken if they were in the middle of their journey, to go back and meanwhile we who were already on the grounds were letting us in, denying us the option of not entering the premises in the first place and apply for a refund. In other words, they let in as much people as possible in a misery ground to have enough money to refund the tickets for those who were still to come! Not to mention the overpriced food, drinks, merchandise etc.” Fortunately, unlike Slovenia, the weather in Germany got better and our friends could at least enjoy a few bands, even though maybe not those they have travelled to see. Back to the Metaldays grounds, or what was left of it. We asked our Gozitan friends how the locals reacted, help and at what point did they feel that everything will be alright: As Andy already mentioned: “The locals in Velenje were very friendly and welcoming. Even during the evacuation, they were ready to welcome us with dry clothes, towels, hot showers, and (most importantly) cold Laŝko beer in the fridge.” “The locals were very helpful from offering free clothes to food and also volunteering to keep us safe or giving us information”, agreed David, “Very helpful and amazing hosts, local restaurants and bakeries provided us with warm food. Local people donated clothes and towels for those lost in the disaster”, added Jacob, “(We felt everything will be alright) when we were told that we had a way to get to our hotel in Italy.” David: “The people at the gym/shelter kept us updated on the roads if they were still closed or when they opened and what was the best way to get out of there when the time came for us to leave.. so I guess everything was alright when we took the bus to the train station and we had a way out of Slovenia.” Andy: “I was calm the majority of the time, but knowing that there was free transportation being offered to a safe haven (and knowing that my partner and my friends would be safe also) made me feel extra safe.” Natural phenomena are unpredictable. But does this adventure dent the way both parties plan travels in the future, and now that they are all back and safe, how do they look back on this misadventure / adventure? Andy was very specific: “These are things that happen, and -as stated in the question - it is unpredictable. I would (definitely) go through this situation again, as especially now that I have experienced this, I'd be prepared and will know better how to react if similar tragedies take place. I look at this disaster as an opportunity that helped me grow. It gave me the chance to get in touch with who I am as a person (something I have not felt ever since pre pandemic), and I can also say that the bond between my Gozitan metalhead brothers and also my partner has grown even stronger than ever. So, I will consider the mishap as a blessing!” David was also adamant in his answer: “As you said, it is unpredictable, it will not stop me from going to a festival or any other vacation abroad. Shit happens even if u stay at home, so I rather enjoy life and take the risk. I look at it as an experience, any experience that u can walk from is always a good experience.” Jacob was also positive in his answer: “This was completely unprecedented and no way of knowing if this will happen in the summer, winter, autumn or spring. I look back fondly as even in such a disaster it showed me that people will help each other out and will also be a good story to look back on in the future. On the other hand, unfortunately the events that happened at Wacken, Germany left more than a bad taste on our friends Danny and Elton: “Wacken is a no go festival anymore, you have lost all your reputation and respect, I am deeply sorry to say this considering that my previous years (2004,2009,2010, 2012 and 2014) were a blast !” During this year’s edition of Metaldays Maltese/Slovenian band Decline The Fall were set to perform on the last day, which unfortunately was cancelled. We caught up with singer John Castiel and asked him a few questions as well: NM: Decline The Fall were supposed to hit the stage on Friday, the last day of the festival, but you visited the grounds earlier. How was the atmosphere at the time? JC: We had the opportunity to visit the festival for a couple of days and we loved it. Saw some of our favourite bands and the atmosphere in general was great. Tuesday was a rainy day, but we still managed to see most of the bands on the main stage. Wednesday's weather was perfect, so we got to enjoy it even more. NM: When did you start to suppose that things are getting beyond normality? JC: We couldn't attend on Thursday, but we were following the festival and saw that it was raining heavily. Friday's cancellation still came as a shock to us. NM: When were you notified that the festival is cancelled and what was the band’s reaction? JC: We were notified on Friday which was gig day for us, and we all were shocked by it. We didn't expect that it would get this bad and we were very disappointed because this festival was on our bucket list for a very long time, but we understand that this isn't anyone's fault. We are sure there will be a next year. NM: In your opinion, how was the whole situation handled by the organisers? JC: I don't think they could have done anything better in that situation. They handled the situation bravely and I can't imagine how disappointing it must have been for them to cancel a whole day from a festival, but they've done their best for everyone's safety. NM: How did the locals react and help? JC: From what we've seen, a lot of people were helping the situation. They opened up an evacuation shelter inside a sports facility and offered free food and shelter to everyone. Some had to stay longer because many of the roads were closed due to the floods. As you have just read this was an adventure few of us can relate to. Although rain (even heavy sometimes) is very much related with open air festivals, as far as I know there were never any cancellations and evacuations with the festival sites marked as disaster areas. Of course, we are more than happy that our friends and (as far as we know) all attendees to both festivals are now safe and sound back home with many stories to relate. If you, the reader, has any similar experience you wish to relate, please comment below.

'Carnal Enslavement' recognised as best 2022 release in Malta by The Heavy Communion In the concluding months of 2022, The Heavy Communion (THC) unveiled its selection for The Best Heavy Metal Album From Every Country of that year. THC operates as an online platform dedicated to the realm of heavy metal, consistently sharing weekly posts that encompass the task of compiling the most exceptional new heavy releases, alongside other pertinent news within the genre. In accordance with the assessments of this platform, the top three releases from Malta for the previous year were as follows: 1. Morsrot’s ‘Carnal Enslavement’ demo released on 7th July (Death Metal) 2. Nokturnal Void’s debut full-length album ‘Odiiu’ released on 17th November (Black Metal) 3. Albert Bell’s Sacro Sanctus fourth full-length album ‘Sword of Fierbois’ released on Metal On Metal Records, 30th September (Blackened Heavy Doom Metal) These selections stand as a testament to Malta's contributions to the diverse landscape of heavy music, as recognized by The Heavy Communion. Animamortua reveals art work for debut full-length album A short while after Animamortua made the announcement about signing with Underground Symphony Records, they've now unveiled the artwork for their upcoming album titled 'Gods Among Us'. This album marks the band's inaugural full-length release, following their 'State of Chaos' EP that was released in 2015. The inception of Animamortua took place in 2015, with the collaborative efforts of Steven Azzopardi handling bass, Josef Bray on drums, Emanuel Portelli and Clayton Cini as guitarists, and Juan Xerri taking on vocal duties. Established in July 1994, Underground Symphony stands as an Italian record label with a specialization in metal productions. The label has gained prominence for its role in launching the careers of artists such as Labyrinth, Skylark, White Skull, Fabio Lione, and Olaf Thorsen. Francesca Mercieca's production wins monthly award The music video for Areola Treat's song "Judgement Day" secured the top spot as the finest experimental film in the monthly accolades presented by the Assurdo Film Festival—an Italian cinema event celebrating alternative, independent, and absurd genres. Crafted by Francesca Mercieca, the concise yet impactful video showcases "Judgement Day," an anthem of garage rock justice. The track resonates with distorted and crunchy guitars that mold an indie-infused melody, accompanied by commanding female vocals of Lisa Micallef Grimaud. The thematic focus centers on an individual who stands as a solitary figure, confronting a moment of reckoning. Paradoxically, this figure finds herself standing trial for a transgression she is innocent of, subjected to persecution by the very individuals who orchestrated the misdeed, along with an array of other offences.

Some Maltese wait for summer all year long and start complaining about the heat as soon as we hit June. The older I grow, the more I am convinced that perspective changes with age. As children we used to spend hours in the scorching sun, either swimming or else fooling around. Few were those who bothered with sunblock at all. Time flies and suddenly you are in adolescence and before you know it, a young ‘adult’. Time for your first lager and the occasional cigarette. Suddenly you start developing new friendships and hang out with larger mixed groups. From those endless BBQ nights or days by the sea I remember some constants like the ftira biz-zejt, cold beer and that Pink Floyd track somewhere in the background. Also, somebody would bring along an acoustic guitar, and more often than not, try to fiddle out some Floyd tunes, favorite victim being Wish You Were Here. Not to mention The Wall and Dark Side of the Moon logos, in every shape and form, pretty much everywhere you looked. The British giants have concurred the world with their music and their lyrics. They have fought on behalf of the people, so it is very easy to assimilate with the message in most of their songs, especially if you are in your rebel days. Another Brick in the Wall Part 2 (better known as We Don’t Need No Education) became an anthem for students all over the world. Pink Floyd provided you with a soundtrack for your life. The child, the youth, the adult……….literally from the cradle to the grave. They sold millions of records throughout the world and this comes as no surprise. They speak the language of the people. Their influence did not abate and is still strong coming down through to the new generations. I am not going into the history of Pink Floyd, I am sure that there are more competent persons to do that and their story is very well documented. What I will highlight is how popular Floyd still are by going through some events, related to the band, that were held in Malta since the beginning of the millennium. The radio is a very popular medium and sure enough Pink Floyd are one of the bands that hit the airwaves with a certain frequency. In the 1990’s and early 2000’s there were programs that pitted great bands against each other and have the public voting to see who emerges on top. In 2000, on Battle of the Bands, aired on Radio 101, hosted by Noel Mallia and Nigel Camileri, The Beatles triumphed as the most popular group, yet a few years before on Xalata Rock, aired on Super One Radio, Pink Floyd emerged as winners. In 2004, after much controversy, Malta was ready to officially join the European Union. Welcome Europe consortium was set up to make the night a one to remember and no expenses were spared. On the night between 30th April and 1st May, there are many things to mention but I’ll stick to the highlights. There was an architectural light performance by the world-renowned Ross Ashton, a name synonymous with many artists, especially Pink Floyd. Gert Hof was responsible for the light show and pyrotechnic that lit up the Grand Harbour. Some 40 local acts took part in a ‘music marathon’ on four stages (Ta’ Liesse, Senglea Point and two at Pinto Wharf). After the National Anthem, sung by soprano Miriam Gauci and Tenor Jospeh Calleja, Gert Hof stepped in and created a light monument, a blend of lights and fireworks. This was accompanied by the music from the new opera, Ca Ira, penned by non-other than the former Pink Floyd front man – Roger Waters. Goosebumps. This was actually, the debut for Ca Ira, and the thousands of fans waiting across many countries to listen to Roger Waters opera, were left fuming as the sound came across muted over their television. On Saturday, 25th June 2005, more than 15,000 people turned up at the Luxol Grounds (St. Andrews) to witness the incredible talent of The Australian Pink Floyd Show. In my opinion it was the closest I ever get to the real thing. This was a Floydian greatest hits feast delivered with gusto, not to mention the great visual effects. I remember the huge inflatable kangaroo they used instead of the pig. It was a greatest hits compilation delivered with gusto. No wonder that this show has been lauded by none other than Nick Mason and David Gilmour. The Australian Pink Floyd Show were back in Malta in 2007, as part of the Jazz and Rock Festival and then on July 14th, 2012, they performed at The Granaries (Floriana) as part of their Exposed to the Light world tour. Every time was a unique experience. A year later, on July 10th, 2006, the Luxol Grounds were once again packed, this time to witness the master himself, Roger Waters. During the first part of the concert Waters, accompanied by an eleven-piece band, performed Pink Floyd hits from The Wall, Animals, Wish You Were Here and a few Waters original material. During the second part, Waters and band, performed Pink Floyd’s legendary album, The Dark Side of the Moon, in its entirety. What a night. Two and a half hours of pure bliss. Through the years several Pink Floyd tribute bands performed on the islands. Not all reached the highest of standards set by The Australian Pink Floyd Show but all of them gave us an entertaining evening none the less. To mention a few the Scandinavian Pink Floyd Project delivered a three-hour set at Ghaxaq Grounds on May 28th, 2010. This event was organized by the St Joseph Band Club to raise money for charity. On May 16, 2012, Think Floyd, from the United Kingdom, participated in the Beland Music Festival in Zejtun, organized by the Beland Band Club. They were back for the fifth edition of the same festival in May 2015. In 2019, on June 10th, Pink Floyd’s drummer Nick Mason and his band – Saucerful of Secrets – performed at The Mediterranean Conference Centre, Valletta. This was a unique opportunity to experience the true psychedelic era of Floyd as Mason and band performed songs from the albums The Piper at the Gates of Dawn and A Saucerful of Secrets. Back to the local scene in 2013 the Malta Rock Movement (MRM), featuring a live band with a big cast of singers and musicians, gave us shows such as The Wall by Pink Floyd, performed at Earth Garden and the Zabbar Music Festival. On July 30th 2014, as part of the Farsons Beer Festival, they gave a performance entitled Wish You Were on the Dark Side, this time focusing on Pink Floyd’s best known albums, Wish You Were Here and the Dark Side of the Moon. We have an abundance of local talent on the rock. In 2017 the Dark Side Over Gozo, a concert in tribute to Pink Floyd was held at The Aurora Opera House in Victoria. The Gozo Youth Orchestra and the Shola Cantorum Jubilate were under the direction of Maestro Jospeh Grech. Aurora hosted another Pink Floyd themed performance with Not Just the Wall in 2019. In 2020, the Gozo Youth Orchestra, performed Not Just…. The Wall, at the Mediterranean Conference Centre in Valletta. Pink Floyd’s entertainment potential is still strong and this summer (2023) another dose was envisaged. Pink Floyd Celebration would have performed on day one of the Rock the Fort Music Festival, on June 28th, but the festival unfortunately had to be cancelled due to unforeseen circumstances. Pink Floyd Tribute – Tea Crisis – were scheduled to perform in Vittoriosa on June 16th and The Scandinavian Pink Floyd Project were back at the Ghaxaq Music Festival (now themed Summer Lust – Ghaxaq Music Events) on 20th May 2023. The connection between Pink Floyd’s music and the Maltese summer is a long and enduring one, may it continue prospering in the years to come. References: Times of Malta, Friday, April 14, 2000 – Page 30 The Sunday Times, April 25, 2004 – Front page Times of Malta, Monday, May 3, 2004 – Page 48 The Sunday Times, July 3, 2005 – Page 41 Time of Malta, Friday, June 2, 2006 – Page 13 Times of Malta, Monday, July 10. 2006 – Page 5 Times of Malta, Tuesday, July 11, 2006 – Pages 6 & 7 Times of Malta, July 21, 2007 – Weekender Page 16 The Sunday Times, May 16, 2010 – Page 47 The Time of Malta, Friday, May 4, 2012 – Page 19 Times of Malta, August 30, 2012 – www.timesofmalta.com The Times of Malta, Friday, May 22, 2015 – Page 17 The Times of Malta, Wednesday, May 29, 2019 – Page 17 The Sunday Times, July 13, 2014 – Page 8 The Sunday Times, August 25, 2013 – Page 43 The Times of Malta, Friday, March 17, 2017 - Page 30 The Sunday Times, October 27, 2019 – Page 41 The Times of Malta, Monday, February 24, 2020 – Page 15

MEDIA RELEASE Rock in the Forest 2023 on 25 August in aid of Cystic Fibrosis Malta Rock in the Forest 2022 group photo with the fans, at Chateau Buskett. After last year’s tenth anniversary edition, the annual live concert Rock in the Forest will take place on Friday 25 August 2023 at Chateau Buskett, limits of Rabat. Once again, the concert will be offering the audience and fans some of the best and favourite live songs from all ages. These include classic, modern and contemporary rock hits from bands and artists such as Coldplay, Foo Fighters, Queen, Maneskin, Kiss, Pink Floyd, Green Day, Paramore, Blondie, Muse, U2, Led Zeppelin, Elton John, Eurythmics, Bryan Adams, Alanis Morissette, Tina Turner and many more. The set list will also include a number of surprise additions. Rock in the Forest has partnered with our cause for this year’s edition, which promises to be a great success. Through such events, we will continue raising awareness on CF as well as raise funds towards research projects aimed at finding a cure to this disease. We encourage everyone, especially the CF Malta family, to attend Rock in the Forest on 25 August.” Gianni Zammit and Wayne Camilleri together with other members of the band Cystic Fibrosis is an inherited disease caused by a faulty gene. There is currently no cure for this disease even though nowadays there are several treatments which have increased the life expectancy of CF patients. Over the years, Rock in the Forest raised funds for various charities and NGOs including DAR Bjorn, Terry Time Trust, Dr Klown, Assistance to Children in Care Association (ACICA) and Wateraid. This year’s concert features the participation of 14 local singers and musicians including guest star and the event founder David Perotti. The Rock in the Forest core band features Kristina Perotti (drums), guitarists Carl Tanti, Georgius Mifsud (Checkmate MT), Mario Saliba (Bletchley Park, Explicit) and Gianni Zammit, bassist Cliff Smith (Rising Sunset) and drummer Franco Aloisio (who, together with Cliff Smith, were former members of Corkskrew) as well as keyboardist Sergio Bellizzi. David Ellul Mercer, David Perotti, Jeanelle Newell and Sarah De’Marco and other members on stage during last year’s edition of Rock in the Forest. “After last year’s special concert, which was the first one after the pandemic and our tenth anniversary edition, we look forward with great enthusiasm to the eleventh edition of Rock in the Forest. Once again, and, in line with our brand, the event will be held at the magical and unique setting of Chateau Buskett.” Perotti added: “Following last year’s success, we augur that this year will see hundreds of people attending with the aim of providing them with great entertainment whilst raising funds and awareness on Cystic Fibrosis Trust. I would like to thank our band members, singers, collaborators, partners and all those who make Rock in the Forest possible.” Georgius Mifsud rocking the stage during last year’s edition of Rock in the Forest. He will once again be part of this year’s edition. Doors open at 7.30pm. Tickets are available online from https://www.showshappening.com/Rock-in-The-Forest/Rock-in-The-Forest or at the door on the night. While general standing space is available, table bookings for diners are available, while the bar area will be open throughout the evening. Early bookings for those who would like a table is advisable. Diners can book a table by sending a private message on #RockintheForest Facebook page or via e-mail to krisper01@outlook.com Parking facilities are available at Chateau Buskett. More info and event page on https://www.facebook.com/rockintheforest

Kill The Action Captivating Sonic Landscapes Kill The Action is a quartet specialising in electro-rock, comprising musicians hailing from diverse corners of the music community. Their musical fusion involves a harmonious interplay between melodious and intense guitar tones, alongside ambient-style synthesizers, substantial synth bass reverberations, infectious rhythmic patterns, and profound vocal melodies. This amalgamation results in the creation of a distinctive and captivating sonic experience. Their discography includes an EP named 'For All You People,' which was unveiled in 2018, followed by the release of their full-length album 'Anti-Gravity' in 2020. Their most recent offering is an EP titled 'Zero / Infinity,' which became available on various media platforms on August 8th. This EP consists of six tracks, with three of them, including the title track 'Zero / Infinity,' having been released as individual singles. The latest addition to their singles roster is 'Mongol,' which coincided with the official release of the EP on the same date. Rock for Richmond: Unveiling a Spectacular Musical Affair for Mental Health Awareness Announcing the triumphant return of Rock for Richmond! In its latest edition, the annual fundraising concert orchestrated by Malta’s foremost mental health non-governmental organization, The Richmond Foundation, is poised to shine with the presence of renowned performers. Taking the stage on this vibrant evening are Joon, Brikkuni, and Kym Pepe – artists celebrated for their entrancing talents that have resonated not only locally but also on the global music stage. Scheduled for the 19th of August at the Greek Amphitheatre adjacent to Mosta’s MCAST school, this event is an unmissable occasion, boasting an exceptional lineup of musical acts and a compelling platform to illuminate the dimensions of mental health awareness. Marking its fourth iteration, this year's concert guarantees an electrifying night of music, entertainment, and meaningful exchange among attendees. This concert has firmly cemented its status as a community favorite, rallying musicians and supporters alike to rally behind the cause of the foundation, raising both funds and consciousness for its critical undertakings. At the core of The Richmond Foundation's mission is the enhancement of mental well-being in Malta, facilitated through an array of services encompassing therapy, support groups, educational initiatives, and advocacy efforts. The event receives generous sponsorship from Shoulder Compliance, Hole in the Wall, and Inkontru.app. Secure your tickets by visiting here and be part of this extraordinary event. Tryst Arcane's 'Sun Of Other Days': A Musical Voyage to Nostalgic Summers Making a highly anticipated return, Tryst Arcane unveils their second release, titled 'Sun Of Other Days,' featuring the accomplished guitarist Emanuel Portelli as a guest collaborator. This album delves into the heart of a Maltese/Mediterranean summer backdrop, where nostalgia and memories intertwine. It aims to resonate with the inner child of numerous Maltese millennials, transporting them to the cherished days of their youth spent beside the sea, upon sandy and rocky shores. The album encapsulates the essence of those bygone summer holidays – the sun's warmth during the day, the lingering heat at night, the salty sea breeze that carried the aroma of the sea and the coastline. It revives the sounds of the shore and its unique fragrances, reminiscent of traditional foods and the cheerful jingle of the ice-cream van. Beyond these sensory experiences, 'Sun Of Other Days' encapsulates the profound sense of togetherness with family and friends, the exciting adventures fueled by boundless imagination, and the unburdened spirit of innocence and liberation. 'Sun Of Other Days' is slated for release on major digital platforms on the 11th of August, 2023. Get ready to be transported to the magical tapestry of summers past with Tryst Arcane's evocative musical journey. The Travellers & Ira Losco for EuroPride Valletta 2023 Concert with Christina Aguilera The official booking system for the remarkable EuroPride Valletta 2023 concert is now open for reservations. This year's concert will be graced by the presence of internationally acclaimed American artist Christina Aguilera, who will be the focal point of the event. Scheduled to take place at the Floriana Granaries on Saturday, September 16th, this concert is open to all at no cost. However, to ensure safety measures, those intending to attend are kindly requested to secure their spots through a reservation. The organizers have outlined that each individual can reserve a maximum of four spots, categorized by age: 17 years and above, between 14 and 16 years, and all those under 14 years. Attendees aged 14 to 16 must provide a signed concert form from their parents or guardians, while those under 14 can only attend if accompanied by an adult aged 18 or older. Christina Aguilera's performance will conclude the Pride March, anticipated to draw a substantial crowd of both Maltese and international participants. This march symbolizes Malta's strides in civil rights and underscores its commitment to fostering increased equality not just locally, but across Europe and beyond. Notably, reservations are not required for the Pride March itself. However, those interested in staying for the concert afterwards are advised to book their tickets. Aguilera, a notable advocate for the LGBTIQ+ community, is set to headline the concert with her chart-topping hits like "Beautiful," "Lady Marmalade," "Genie in a Bottle," and "What a Girl Wants." Joining her on stage will be a mix of local and international supporting acts, including Greek singer and artist Katerina Stikoudi, who is no stranger to performing at gay pride concerts abroad. The lineup also features local talents Ira Losco and The Travelers. Ira Losco expressed her honor at being part of the lineup, emphasizing that music transcends barriers of age, race, and sexuality. The Travelers' Chris Gatt expressed excitement for the unique opportunity to perform on the same stage as Aguilera and highlighted the significance of showcasing Maltese music on a European stage. This much-anticipated concert featuring Aguilera will serve as the grand finale of the EuroPride Valletta 2023 event series, a pioneering celebration taking place in Malta for the first time from September 7th to 17th. Rockestra 2023: Uniting Music and Purpose for a Noble Cause Rockestra 2023, centered around the theme "More Than a Feeling," is scheduled to take place on Saturday, September 30th, at the Malta Fairs & Conventions Centre, MFCC, Ta’ Qali. This edition of Rockestra marks the concluding chapter under the leadership of President George Vella, organized in support of The Malta Community Chest Fund. Pawlu Borg Bonaci, the Artistic Director of Rockestra, emphasizes that the event, orchestrated by The Malta Community Chest Fund in collaboration with numerous dedicated volunteers, transcends the boundaries of a mere rock concert. Instead, it stands as a purposeful gathering that unites individuals from diverse walks of life, all contributing to a noble cause. In a noteworthy departure, Maestro Aurelio Belli will serve as the Musical Director for Rockestra for the first time. He reflects on his own experience of benefiting from The Malta Community Chest Fund's assistance during a challenging period marked by cancer. Through his involvement with Rockestra, Belli aims to reciprocate the support he once received. President George Vella extends his gratitude to the organizers, The Malta Philharmonic Orchestra, and the participating vocalists, highlighting their unwavering commitment to ensuring Rockestra's triumph. The event's primary objective, as articulated by the President, remains to generate funds for The Malta Community Chest Fund, a crucial pillar of support for numerous individuals, particularly those grappling with illnesses. The launch of Rockestra's fifteenth annual installment saw the presence of key figures such as John Huber, Chairman of the Board of Administrators of The Malta Community Chest Fund, Owen Bonnici, Minister for the National Heritage, the Arts, and Local Government, and Julie Zahra, the Opposition’s Spokesperson for the National Heritage, the Arts, and Culture. These leaders urge the public to attend Rockestra, an occasion that not only celebrates Maltese talent but also upholds an honorable mission. The roster of performers for this year's Rockestra includes Aidan Drakard, David Loewe, Mikaela, Moira, Martina, Kersten Graham, Kevin Paul, Kenneth, Matthew James, Klinsmann, Raquela, Chris Grech, Peter Grech, Frank Calleja, Lara Dimech, Brooke Borg, and Pawlu Borg Bonaci. Tickets for Rockestra 2023 are available for purchase on showshappening.com with early bird tickets till August 18th.

The inaugural Farsons Great Beer Festival took place in 1981 at the Farsons Brewery in Mriehel. Over the years, it found its home in different locations, including Tigne in Sliema and Ta' Xbiex Marina. However, since 2001, the festival has found its permanent residence at Ta' Qali Park, where it has flourished to become the largest summer festival in Malta. It has solidified its position as a prominent fixture in the island's summer calendar. Every night during the festival, Malta's esteemed artists and bands take the stage, showcasing their talents to the enthusiastic crowd. This musical extravaganza has been hosted on two stages since 2001, providing even more opportunities for performers to shine. One remarkable aspect of the festival is its commitment to nurturing new talent. Aspiring bands and artists are granted the chance to perform in front of a sizable audience, serving as a steppingstone for their careers. This year's edition witnessed one of these up-and-coming bands open the festival which has persisted for an impressive 42 years, with the exception of the years affected by the COVID-19 pandemic. This longevity establishes the festival as the most enduring music-related event on the islands. The purpose of this diary-style write-up is to document the performances of this year's bands on the Rock Stage. The reason for focusing on this stage is that I spend most of my time here, particularly on the days when I am responsible for playing music before and between bands. Through this diary, I aimed to create a recorded account of the musical renditions taking place on the Rock Stage. It will serve as a historical record, capturing the essence of the festival and the artists who graced this iconic platform. All too often, we take such moments for granted, and I hope this diary will preserve the memories and significance of this vibrant event for years to come. Unfortunately, due to prior commitments, I couldn't attend every night of the festival. However, in this write-up, I will cover the nights I was present, whether I attended as an audience member or participated in an official capacity. DAY ONE - 27th July Delirium MT's momentous debut on a grand stage marked the exciting commencement of this year's Farsons Beer Festival. Originally formed in 2019, the band unveiled their first album, titled 'State of Delirium,' on the 17th of September 2022. At the onset of this year, following some lineup changes, the band decided to rebrand themselves as Delirium MT. Their captivating setlist predominantly featured tracks from their album, but they also treated the audience to a new song titled 'The Deceased' and a stellar rendition of Arch Enemy's 'The Eagle Flies Alone.' After their electrifying performance, I had the opportunity to speak with members of the band. Their adrenaline was still surging, and it was evident that they were overjoyed by the resounding success of their first ever performance at the Farsons Beer Festival, leaving them elated and gratified. The subsequent band has a proud history spanning 28 years, starting their journey in 1995. During this time, they have released three demos and four studio albums, all of which were well-received between 2000 and 2015. However, after 2015, the band underwent some member changes, which temporarily disrupted their activities. With a newly stabilized lineup, the band wasted no time and began working on fresh material. Sadly, their plans to perform these new songs live were put on hold due to the outbreak of the Covid-19 pandemic, which brought the music industry to a standstill. It wasn't until February 2022, when events started to get back to normality, that they graced the stage once again. At this year's Farsons Beer Festival, they showcased six of their latest creations, leaving the audience in awe. The highlight of their set was an epic progressive metal opus inspired by the legend of Matteo Falzon. This remarkable piece was performed live on stage for the second time ever (if I’m not mistaken). This powerful song will be featured on their upcoming fifth album, which promises to center around Maltese tales and folklore themes. Anticipated to be released in early 2024, the album is eagerly awaited by their devoted fanbase. The final band to grace the stage on the first night was the esteemed doom veterans, Forsaken, celebrating their impressive thirty-second year in the music scene. Throughout their illustrious journey, they have amassed an impressive discography, including 2 demos, 2 EPs, a split with the Finnish band Fall Of The Idols, and five studio albums. Their latest offering, 'Pentateuch,' was released in 2017. This performance was highly anticipated, as it marked their first show in 13 months, since their appearance at the Haunting The Theatre Metal Fest in June 2022. From the moment they stepped on stage on Thursday, their professionalism shone through, and it was evident that they were relishing the experience of being back in the limelight. Their setlist comprised a compelling collection of songs from their various releases, tracks that the attendees knew by heart and joyously sang along to throughout the night. The atmosphere was electric, and the crowd's enthusiasm was palpable. As the night reached its pinnacle, Forsaken closed their set with the epic 'Via Crucis', but the despite of the time the crowd wanted more and the band obliged with a captivating Black Sabbath medley (featuring 'Black Sabbath' and 'Symptom Of The Universe', much to the delight of everyone present. Their remarkable performance brought the curtain down on a truly fantastic metal night at the Farsons Beer Festival, leaving attendees with lasting memories of an unforgettable musical experience. In conclusion (of the first day), the bands on the first night expressed satisfaction with the sound quality on stage, although there were some issues with the sound outside that could have been improved. Unfortunately, there were holdups between bands caused by technical problems, leading to a delay in both Weeping Silence and Forsaken sets. As a result, the performances extended into the early hours of Friday. Despite these challenges, the bands' professionalism and dedication shone through, ensuring that the audience still had an enjoyable and memorable first night of music at the Farsons Beer Festival. DAY FIVE - 31st July Gordon O’Reilly on guitars and vocals, Ray ‘Il-Bazzu’ on drums, and Dylan Ray Galea on bass make up the dynamic trio known as Drowning Sorrows. Combining elements of Heavy Metal, Punk, and Rock ‘N’ Roll, this band consistently delivers an outstanding and electrifying performance every time I have had the pleasure of witnessing them on stage. Their journey in the music scene began with a memorable debut gig at the Rock City & Metal City Festivals at City Theatre in Valletta in March 2022. From that moment on, they have been leaving their mark on the island's hard rock and heavy metal scene. During the fifth day of the Farsons Beer Festival, they once again proved their prowess opening the night with a hard-hitting show. Their setlist included their debut single 'Animal,' which was released on August 1st of the previous year thus making this appearance a sort of commemoration of the first anniversary of 'Animal’. Alongside this, they showcased six other original Drowning Sorrows songs. The audience was also treated to the band's trademark sound on two impressive covers: 'White Lightning' by J. P. Richardson (the Big Bopper) and the iconic 'Heroes' by David Bowie. It was a performance that left a lasting impression, showcasing their talent and musical diversity. Death metal outfit Bound To Prevail came together in 2014. On July 1st, 2016, the band unveiled their self-titled debut demo comprising two songs: 'Survival of the Sickest,' which gained substantial airplay on several metal radio shows on the island, and 'Contorted Divergence.' Subsequently, on August 25th, 2017, the band released their first full-length album entitled 'Omen of Iniquity', from which, they played 'The Throne Were Gods Bleed' and 'Irreverent Progeny,' during their performance at the Farsons Beer Festival. The band's set also featured eight new tracks, all sourced from their yet-to-be-released album, 'Enthroned in Torment.' In recent years, Bound To Prevail has primarily focused on participating in festivals abroad. Notably, they performed at the Death Feast Open Air in Andernach, Germany, during their 2022 tour, and they were also part of the final Tolmin edition of Metaldays. Their next scheduled performance will be at The Garage on the opening day of the Malta Death Festival, on October 6th. The brutal death metal onslaught continued as Abysmal Torment took the stage. Founded in the year 2000, the band released their debut EP, 'Incised Wound Suicide,' four years later. Their first full-length album, 'Epoch of Methodic Carnage,' followed in February 2006, released under the Brutal Bands label. Over the years, Abysmal Torment treated their fans to three more powerful full-length albums, culminating with 'The Misanthrope,' which was released on September 21, 2018. Their latest performance at The Garage on June 3rd, supported by the emerging band Halcyon and as on that day the band delivered an intense setlist on stage at the Farsons Beer Festival, comprising tracks from their four full-length albums. They kicked off the show with the title track from their latest work 'The Misanthrope,'. Throughout the night, the crowd was enthralled as they played several more songs from their impressive discography. Notably, Abysmal Torment also unveiled a new song called 'Vermin,' which is set to be included in their upcoming EP, due for release soon. Excitement builds for Abysmal Torment's next performance scheduled for October, where they will take part in the much-anticipated return of the Malta Death Festival. Fans can expect an electrifying display of their relentless and signature death metal sound. Describing the day as brutal would be an understatement; it was an extraordinary prelude to the highly anticipated Malta Death Festival. The sound quality throughout the day surpassed that of the festival's opening night, leaving all the bands delighted with their performances on stage. Although there were some timekeeping hiccups, which might impact attendance, particularly during the last band's set, overall, it was an incredible night of metal. This was evident from the enthusiastic participation of the crowd in front of the stage, as massive moshpits erupted during the performances of Bound To Prevail and Abysmal Torment. DAY 7 - 2nd August - Night Of The Classics Atomic Flame's third gig illuminated the opening of Night Of The Classics at this year's Farsons Beer Festival. They delivered a captivating performance, showcasing a dynamic set primarily comprised of original compositions that will feature on their forthcoming debut album, scheduled for release in the not-so-distant future. The group, consisting of accomplished musicians, witnessed Lawrence Baldacchino commanding the drums, Charles Buttigieg skillfully handling the bass—both stalwarts with extensive careers in Malta's rock scene spanning multiple decades. Nigel 'Noogie' Buttigieg skillfully managed both guitar and vocal duties, while the lineup was completed by the inclusion of Sicilian-born Marco Mulè. Before this memorable spectacle, the band marked their debut on stage in January, sharing the spotlight with Valiantis. This performance immediately signaled the band's seriousness and determination from the very outset. Furthermore, they also took to the stage alongside Delirium MT on the 27th of May, 2023. The band shall be back on stage on the 20th September during Damaged & Co. Present: Cirque De L'Independance alongside Swiss Melodic Black/Death Metal band Heathen Heretic and hosts Damaged & Co. Taking the stage next were the eminent figures of Prog Rock, Mirage. The group came together in the year 1977 and remained active for a decade before embarking on a hiatus that endured until 2010. Presently, the lineup consists of the twin brothers Andrew (handling guitars and vocals) and Michael (managing drums), accompanied by their father and founding members Jon Vella Zarb on bass, Denis Vella on keyboards, and guitarist Robert Longo. In my perspective, Mirage stood out as the highlight in terms of sound quality from all the occasions I have attended. Their performance showcased a distinctive setlist, notably different from their previous appearance at this year's Rock The South event in May. This time around, their repertoire leaned heavily towards original classics, including notable tracks like "Ashes," "River Of Light," "In An Empty House," and "For Absent Friends." Lord Adder remained steadfast in fulfilling their commitment: "In 2019, Lord Adder made a triumphant return, and their momentum has not waned since. Their objective is to infuse the music scene with their potent brand of heavy metal, and they have no intentions of decelerating in the foreseeable future," as stated by Mark Spiteri. This marked the band's second appearance on the Farsons Beer Festival stage. It's worth noting that Mark has graced the festival platform twice more, once with The Bristles and making a guest appearance with the Rock Troupers. Having recently graced the stage at The Garage on the 24th of June, the band's performance at the festival exuded a brilliant blend of heavy metal energy and charisma. Notably, this concert serves as their final show on the island, with their next performance scheduled for The Midi Festival in China come September. In wrapping up, I can't think of a more fitting way to sum things up than by sharing the sentiments of Lee Dorrian (known for his association with Napalm Death and Cathedral). While enjoying his holiday on the island, he made a visit to the festival grounds and when he noticed Mirage on the lineup. Fondly recalling their music from as far back as 1982 with 'For Absent Friends,' he relished the performances of all three bands. Undoubtedly, it was a night of timeless excellence! DAY 8 - 3rd August Let's rewind the clock by six years, to a scorching August evening, when Repugnance last took the stage. Back in 2019, the band had been slated to perform at Deathfest Open Air, yet circumstances forced them to cancel at the eleventh hour. Thus, this occasion marked a triumphant return for the Brutal Death Metal group, which initially formed in 2011. With nearly all the tracks performed that night stemming from their debut full-length album, "Shrouds of Deceit," released on May 24th, 2019, the set culminated with the powerful 'Priest Of Impurity,' a track hailing from the Seeds of Oppression EP, released on February 18th, 2014, via Anopsys Records. Right from the outset, it was unmistakable that the band was poised to deliver a captivating performance. Their six-year hiatus seemed like a mere handful of days, setting the stage for their upcoming gig in October (details yet to be revealed). During this interim period, the band is diligently composing and piecing together songs with the objective of releasing them next year. Revitalized by the recent addition of Zain Gauci on drums, Chaotic Remains took the stage after Repugnance, unleashing a potent dosage of Death Metal. The band's performance consisted of fresh tracks from their forthcoming album, which is now nearing its final stages of development. Among these was 'Blood And Gore,' a single released on November 20th, 2021. Hailing back to their formation in 2008, Chaotic Remains burst into the scene with their highly acclaimed debut album 'We Are Legion' on December 1st, 2017. Their most recent live appearance was in April, where they supported the Spanish Melodic Doom Death metal ensemble Evadne at The Garage. Before that, the band had a notable role on February 11th as one of two special guests during the inaugural album launch event for 'Life's Grand Delusion' by Damaged & Co. The other featured band was Viper Soup Complex. Martyrium stands out as one of the most seasoned bands within the realm of extreme music in our country. Established in 1999, the band has unveiled a total of five full-length albums. Their latest creation, 'Lamia Satanica,' emerged on March 19th, 2021, under the banner of Art Gates Records. This release marked the return of Norwegian vocalist Sandra Stensen, who had previously fronted the band in 2018. Notably, she played a significant role in crafting the compositions on 'Lamia Satanica,' from which the majority of the setlist performed at the Farsons Beer Festival was drawn. During the event, the band introduced two new tracks, 'Triad Of Stygian Fires' and 'Thrice God’s Voice Denied,' both of which will find a place in their forthcoming album. News concerning the album's launch is anticipated by year-end, with work on it already at an advanced stage. Before gracing the Farsons Beer Festival stage, Martyrium's most recent performance had been in Erba, Italy, where they shared the limelight with three other bands: Slovakia's Doomas, alongside Italy's Chronic Hate and Necroshine, on May 13th. Returning to the Thursday night show, the band delivered the exceptional performance they are renowned for. As with every previous encounter I've had the privilege to witness, they did not fail to impress. Just as Monday showcased its brutality, Thursday echoed the sentiment with three exceptional performances from the depths of the underground extreme metal scene, a facet our island can rightfully take pride in. All three bands that graced the stage that night, much like the previously mentioned acts, gave nothing short of their absolute best. Despite less-than-optimal sound conditions, the dedication and skill exhibited by every performer and musician on the Rock Stage at the Farsons Beer Festival 2023 remained unblemished. Regrettably, the festival's final day, slated for Saturday, August 5th, had to be called off due to severe winds that posed a risk of damage or injuries, rendering it impossible for the organizers to continue with the event. MY PENNY'S WORTH ON THE EVENT As with any festival, the Farsons Beer Festival, too, has its share of pros and cons that contribute to its overall experience. Fortunately, the scales tip in favor of the positive aspects, notably the commendable selection of bands. However, it's worth noting that some avoidable drawbacks did arise, underscoring the need for heightened attention and meticulous planning. These observations aren't intended as criticism towards the festival's organization, but rather as constructive suggestions to enhance future editions. Turning to the dressing room in the backstage area, there's little to fault, though one could argue that accommodating three bands simultaneously might have been a stretch due to its modest size. Each musical act prepares differently, and in the future, considering an instrument storage facility could alleviate the issue of musicians from different bands inadvertently crossing paths while retrieving their equipment. It is worth commending the efficient handling of beverages and other services towards bands and other staff backstage, a task that was flawlessly managed. Speaking of the allocated grounds in the backstage area, the challenge arises when moving equipment to and from the stage. While the space was ample, the absence of a direct exit point for vehicles posed a hurdle. Bands had to unload their gear, relocate their vehicles to the designated parking area outside the festival grounds (on the opposite side), contributing to the inconvenience of instruments obstructing the allocated dressing room already mentioned. This had to be done way before the doors were due to open for the public. And as mentioned although there was ample room backstage area for bands' vehicles, they had to wait until attendees dispersed before driving through the festival area to collect their equipment. A common complaint echoing throughout the festival was the quality of sound emanating from the stage. It is undeniable that it fell short of optimal, prompting a suggestion for organizers to inform confirmed bands about who the sound engineer shall be on the night and provide the option to bring their own. A notion that has long lingered is the absence of band merchandise during the festival. This would be one of the few occasions these bands have to sell their merch. And wouldn't it be fitting to offer attendees the chance to purchase t-shirts, hoodies, and other items adorned with the year's festival poster on the front and the list of bands and stages on the back (as is custom in other festivals)? Some might argue that it is first and foremost a beer festival. True but would it be the same without the music provided by the bands? Shifting to the topic of stages, while there was initial buzz about three stages, it came to light that there was, in fact, an additional one. It raises questions as to why this fourth stage and the artists performing on it were not adequately mentioned in the festival buildup. In conclusion, despite its imperfections, the festival remains a cherished summer tradition, consistently offering one of the most enjoyable multi-day experiences year after year. Should you, dear reader wish to comment, please feel free to do so in the comments section below. Did you visit the festival grounds during the festival? We value your opinion?

In a few days' time, Jon Lukas would have turned 75 years old, affectionately recognised as another Maltese artist who succeeded abroad. This is his story... Jon Lukas, also known as Woodenman and born as Frank Agius on August 4, 1948, in Paola, Malta, was a renowned musician from Malta. In the 1970s, he achieved a groundbreaking milestone for Maltese music with the release of his hit single "Can't Afford to Lose," becoming the first Maltese artist to achieve international success. This iconic achievement was acknowledged 40 years later when his handprint was included in Bay Street's Walk of Fame on November 28, 2010. Additionally, he received a Lifetime Achievement award at the Malta Music Awards, presented to him by Freddie Portelli and featured on the TVM news on the same day. Jon Lukas will forever be etched in Maltese music history for being the first Maltese pop artist to sign with a major international record company, not just for his ground-breaking chart success in various foreign territories. The 1970s were a challenging time in Malta when pop music access was limited to Rediffusion, and concepts like FM radio, the internet, or making overseas phone calls were practically unheard of. Consequently, aspiring to become a pop star seemed nearly impossible. Jon Lukas defied the odds by securing a contract with EMI Columbia, which was a momentous achievement. During its peak, "Can't Afford to Lose" received regular airplay on Radio Luxembourg, which was equivalent to today's MTV. The song's extensive exposure on the station, with twice nightly plays for a month and occasional inclusion on playlists over the following year, propelled its popularity in various territories. Revered as a timeless classic by his fans, the song continues to enjoy regular airplay, particularly in Malta. Notably, "Can't Afford to Lose" was recorded at the legendary Abbey Road studios in London, using the same microphones and session musicians as The Beatles during their tumultuous period near their breakup. The B-side of the single, "Can't Make You Mine," was written by Mike McGear of the UK act The Scaffold, who, in reality, is Peter McCartney, the brother of Sir Paul McCartney. Aside from reaching the Top 40 charts in the UK and several European territories, "Can't Afford to Lose" secured the top position on the pop charts in Lebanon for an entire month, preventing The Beatles' "The Long and Winding Road" from reaching the No. 1 spot. This success led to Lukas embarking on tours in Lebanon, Abu Dhabi, Damascus, Iran, and other Emirates, sharing the spotlight with esteemed names such as Googoosh, Gilbert Bécaud, Johnny Halliday, Michel Legrand, Mal, Domenico Modugno, Patti Pravo, Bob Geldof, Midge Ure, Bananarama, Lisa Stansfield, Level 42, and various other international and Arabic music stars. In the early 1980s, Jon Lukas formed a close bond with the legendary US soul artist and Grammy Award winner Marvin Gaye, who was residing in London at the time and facing personal challenges. They collaborated on several ideas and productions, although most remained unfinished. Lukas did release a track titled "Love Hurts" shortly before Gaye's tragic death in 1984. In 1993, accompanied by Marita, Jon Lukas placed second in the Malta Song Contest with the song "Żommni u Għannaqni." This marked another significant milestone in his career as it was the first time he sang in Maltese, an experience that evoked a deep sense of belonging. The English version of the song, titled "Love We Share," was produced by renowned Indian-British music producer Biddu, known for hits like Carl Douglas' "Kung Fu Fighting," Tina Charles, Jimmy James, and The Real Thing. In 1994, Jon Lukas broke the HIV/AIDS taboo in Malta by establishing the Jon Lukas AIDS Awareness Campaign, aimed at promoting awareness and education about the emerging disease. That same year, Lukas organized and participated in a Rock Mass dedicated to his brother Ray, who had passed away from HIV+ related complications in 1987. In 1998, under the name Woodenman, Jon Lukas and his band made a significant impact by topping the Peoplesound.com indie music web charts for the entire month of August with their song "My Time." However, later that year, Lukas faced a near-fatal cardiac arrest, which necessitated a break from music for rest and recovery. Although less visible in the public eye, Lukas continued his involvement in music behind the scenes. In 2007, he received an Effigy Award in Marbella, Spain, where he spent considerable time when not in the UK. The award was presented by ONDA CERO Radio/ABC Network Radio USA in recognition of Lukas's radio airplay in these territories for his 2007 release, "Far Away." He continued recording under the moniker Jon Lukas Woodenman. Later that year, he released another song titled "Better Man," showcasing a revitalized passion for music that captured his soulful essence from a fresh perspective. In the summer of 2008, Marc Storace of Krokus paid tribute to Lukas' 'Can't Afford to Lose'. During Krokus’ concert, on the island of Gozo, Lukas surprised the audience as he emerged to sing the last half of the song in duet with Storace. Throughout most of his career, Lukas made rare visits to Malta, mostly for brief breaks. However, in early 2009, he returned for a six-month period to care for his ailing mother. During his time in Malta, he actively engaged in the local scene, serving as a judge on ONE TV's talent show ID and hosting his distinctive cutting-edge radio show called "Woodenman's Jukebox." The show aimed to present uninterrupted credible music without excessive talk. The radio show continues to be broadcast to this day, streaming live on Fridays at 2045hrs CET (1945hrs UK) on ONE Radio and at CHANNEL RADIO UK on Wednesdays at 1900hrs CET (1800hrs UK), with a repeat airing on Fridays at 2200hrs CET (2100hrs UK). Detailed show information and links to listen on-demand are available on the dedicated Facebook page. Around the same time, jonlukaswoodenman was approached by Adrian Saliba of Rewind Productions to write a song titled "ONE 4 U" for the 2010 Malta Eurosong Contest. In 2010, Jon Lukas Woodenman was diagnosed with lung cancer, resulting in the partial removal of one of his lungs. He subsequently underwent a grueling four-month chemotherapy course, sharing his cancer treatment experience with friends and fans through online posts on his Facebook page. In August 2010, during a Winter Moods concert attended by a record-breaking audience of 10,000 people, a personal tribute was paid to Woodenman, highlighting his significant contributions to Maltese music. In May 2011, he made his first post-cancer live appearance in a tribute concert organized by Winter Moods. He also featured in a TVM biography about Winter Moods. Through his involvement and connections with key figures in the Maltese music scene, Jon Lukas became acquainted with the abundant talent and vibrant music scene on the island. Apart from recording his radio shows, his visits to Malta became more frequent, allowing him to attend numerous live music events held on the island. Sadly, Jon Lukas, the first Maltese artist to break into the UK's Top 40 charts passed away at the age of 72 after battling cancer for 13 years. photos from Jon Lukas Woodenman Facebook page

Remembering Ray Mahoney: Malta's Melodic Wordsmith and Poetic Visionary On the evening of Tuesday, 25th July, news of the passing of one of Malta's most prolific lyricists began to circulate on social media. This artist, whose career spanned over 60 years, was well-known for his melodic and nostalgic writing style, touching the hearts of many with his intimate poetry. Born on 1st June 1949 in San Ġiljan, Ray Mahoney was a founding member of the Moviment Qawmien Letterarju and started his journey in poetry back in 1963. Throughout his illustrious career, Mahoney's literary works appeared in various books and anthologies, showcasing a modernised romanticism. Notably, at the age of 19, he co-authored the book "Antenni," and subsequently penned several other books, including "Dawl fil-Persjani," "Għoxrin Rebbiegħa," "il-Muża Maltija," "Linji Ġodda," "Orizzonte Senza Fine," "Cross Winds" (published in England), "il-Poeżija Maltija," "Turġien," "Ħodon Qronfol," "Il-Miġra," "Ward mal-Mogħdija," "Qawsalla," "Disgħa Għal Disgħa," "Mwieġ," and others. Apart from his poetry, Ray Mahoney also ventured into writing novels and plays, many of which were brought to life on stage by Politeatru. One of his most remarkable achievements was providing the lyrics for the famous rock opera "Ġensna" in 1982. Set to music by Paul Abela, this rock opera held a significant place in Malta's history, taking audiences on a powerful and emotional journey through the island's past. Following the success of "Ġensna," Mahoney continued to write lyrics for ten more musicals, each showcasing his talent for storytelling and poetic expression. These musicals include "Bastilja" (1989), "Ulied in-Nanna Venut fl-Amerika" (1991), "Il-Gwerra ta’ Spiru Cefai" (1992), "Ali Baba" (1994), "Żeża tal-Flagship" (1996), "It-Tfalja tal-Palazz" (1997), "It-Tieġ ta’ Karmena Abdilla" (1999), "Rita (ta’ Cascia)" (2000), "Manuel! Manuel! Il-Bandiera tal-Maltin" (2000), and "Jien Ġużeppi" (2006). Throughout his remarkable career, Mahoney penned numerous songs, some of which gained international recognition. Notably, his lyrics for the songs "Could it Be," performed by Paul Giordimaina and Georgina Abela, and "Little Child," sung by Mary Spiteri, achieved sixth and third place, respectively, in the Eurovision Song Festival in 1991 and 1992. Another notable song he contributed lyrics to was "Here Comes My Lover," performed by Karen Polidano. Beyond his accomplishments as a lyricist, Ray Mahoney was a prominent news broadcaster on television and hosted various radio programs, including the notable "Intaqgħu Hemm." He also lent his voice to reading novels and romances on One Radio for an extended period, in addition to making other valuable contributions to the station. For his outstanding contributions to the arts, in 1979, Raymond Mahoney received the Best Author Award at the Malta Music Awards. He was also honoured with the Diploma of Associazione Dio Pan Culturale di Firenze, further acknowledging his significant impact on Maltese culture and literature. Melodija.eu extends heartfelt condolences to Ray Mahoney's family and friends.