An Unmissable Concert Experience: The ROCKIT Experience The St. Paul Metropolitan Orchestra, in collaboration with Oblique Visions, is thrilled to announce a groundbreaking concert that promises to be an unforgettable musical journey. The event, titled "The ROCKIT Experience," will feature a unique fusion of orchestral music and doom-death metal, drawing inspiration from Oblique Visions' latest album, "Out of Darkness." Opening the evening will be none other than Malta's own progressive rock maestros, Viper Soup Complex, known for their innovative and captivating performances. Date: 26th September 2024 Venue: Sir Temi Zammit Hall Time: 19:30 Don't miss this extraordinary blend of musical genres. Tickets are available now through showshappening.com. Zain Gauci Joins Chaos for ZABBETH/VAULDERIE Split Release Chaos (Sean Attard) has announced an exciting collaboration for the upcoming ZABBETH/VAULDERIE split release, enlisting the talents of multi-instrumentalist Zain Gauci, also known as Saint Vermin, on drums. Gauci, renowned for his versatility across guitar, bass, drums, and vocals, brings a dynamic edge to this project. Primarily a guitarist, Gauci plays with Halcyon, Pilgrimage, Horned Majesty, and his solo endeavor, Saint Vermin. Despite his primary focus on guitar, Gauci's drumming skills shine on Zabbeth's side of the split album, providing a robust backbone that elevates the music. At just 18 years old, Gauci's proficiency and energetic performance are impressive. His contribution to this release is sure to resonate with fans and newcomers alike. The ZABBETH/VAULDERIE split will be available on CD starting June 24th and on LP from July 24th via Witches Brew. Pre-orders can be made through Witches Brew's Bandcamp and webshop. Don't miss out on Gauci's diverse array of bands and projects—each one is guaranteed to get your head banging! Decline The Fall Announces Disbandment After Nearly a Decade In a heartfelt post on their social media pages, Decline The Fall has announced their decision to disband after nearly a decade of making music. The announcement, penned by band members John and Ehren, conveyed the emotional difficulty of this decision. "Time to break the silence... It's hard to put everything we're feeling into words, especially into this one post, but it's been a long time coming. There's no easy way to say this, but after a lot of thought and consideration, we've decided to put the band to rest," the post began. The band expressed that the intense effort poured into their music over the past ten years had, over the last year, begun to feel burdensome. Despite their pride in their achievements, the harsh realities of the music industry took a toll on their personal lives, prompting them to reconsider their priorities. "We feel like we were still far away from what we dreamed of achieving as the more we worked, the more we learned about the problems in the music industry and how ruthless it really is. Though we are proud of our accomplishments, we were slowly realizing that this was leaving a negative impact on our personal lives which helped us understand the need to shift our priorities," the post continued. Decline The Fall also expressed gratitude for the opportunities they had to share the stage with talented musicians, forge new friendships, and travel extensively. They thanked their supporters, stating, "We truly appreciate everyone who kept pushing and supporting us as without you, we couldn't have made it this far. We thank all of you from the bottom of our hearts and hope you understand that this was the hardest decision we've ever had to make." The band concluded with a shout-out to everyone who has been part of their journey, saying they will cherish the music and memories forever. "We hope that following us was worthwhile and that you will never forget us, as we will surely never forget you and the amazing memories you were all part of." Fans are left with a poignant farewell from John and Ehren, who signed off with "Goodbye for now." Decline The Fall's disbandment marks the end of an era for the band and their fans, leaving behind a legacy of music and cherished memories. Arts Council Malta to Provide Financial Aid to Displaced Musicians in Birkirkara In response to the recent displacement of musicians from their rehearsal spaces in Birkirkara, Arts Council Malta (ACM) has announced a comprehensive support initiative. The council confirmed that it will provide financial assistance to all affected musicians following extensive discussions with officials from the Ministry for Cultural Heritage, the Arts and Local Government (MHAL), and representatives of the displaced bands. ACM’s commitment to supporting Malta's musicians and bands is evident in its proactive approach to this crisis. The eviction from privately owned spaces in ex-Rampol, Birkirkara has disrupted rehearsal routines and imposed significant financial burdens on the musicians. Addressing these issues promptly is crucial to prevent long-term negative impacts on their careers. To alleviate immediate financial hardships, ACM will offer subsidies amounting to €1,500 for the first year, followed by an additional €600 for each of the next two years. This support package, totaling €2,700 per unit over three years, is designed to offset the increased costs associated with securing new rehearsal spaces, including rent, utilities, soundproofing, and maintenance. By reducing these financial strains, the support will enable bands to concentrate on their music, ensuring a smoother and more stable transition. ACM Executive Chairman Albert Marshall emphasized the council's swift response to the crisis, stating: “Arts Council Malta understands the importance of investing in the alternative music sector and believes that musicians in this sector should benefit from public funding schemes. Their experimentation and creativity significantly contribute to the growth of the alternative Maltese and Gozitan music scene.” The displacement has affected a substantial number of artists, with 25 bands and musicians either having received eviction notices or already vacated their spaces. The government’s decision to subsidize all affected bands is a crucial step. This financial assistance will cover the new costs for those who have found alternative spaces and ease the relocation process for those soon to be displaced. Given that bands previously paid €800-€900 per year, a €1,500 subsidy represents significant support, covering approximately two years of their original expenses. The assistance will be provided through a strategic initiative titled the Ex-Rampol, Birkirkara Bands (One-Time) Support Scheme, with two scheduled calls in June and September 2024. This support will be awarded based on eligibility, ensuring that all current space users benefit. A consultation process will also be conducted with the affected musicians in line with the principles of participatory governance outlined in Strategy 2025. An evaluation research process will follow the pilot program's release to assess its effectiveness. This initiative underscores ACM’s dedication to ensuring the longevity and sustainability of Malta’s vibrant music scene, providing much-needed stability and confidence to the displaced musicians during this challenging period.

Freddie Portelli was born on the 5th of May 1944 at St. Paul's Bay and took his education in St Paul’s Bay Primary School, and the Technical Institute(later), where Freddie got the City & Guilds of the London Institute Standard. Throughout the years, Freddie's primary occupation was as a draughtsman. Portelli's career has spanned over 40 years and began as a member and chief songwriter of the group, The Malta Bums. He toured America, Canada, and Germany with the group for 5 months, and after returning to Malta in 1966, wrote the song "Viva Malta", and later, "Mur Hallini". His recordings have been released in Australia, Canada, America, and England. Freddie was also the leader of the legendary band "Black Train" with whom he released self-penned hit records. Freddie was a national waterpolo player, involved with his hometown’s Sirens waterpolo team as well as with Neptunes and Valletta with whom he won the premier championship. He was an effective player with Malta's national team with whom he won the International Independence Tournament cup in 1964, the same year he won the premier championship with Neptunes. It was his father who encouraged him to learn the guitar, and that's where Freddie's musical journey began. He took a few lessons from Carmelo Muscat, a laid-back, happy-go-lucky genius nicknamed "Il-Kaptan." Muscat, a friend of Freddie's father from Mellieħa and a fellow music enthusiast who played the guitar and mandolin, became Freddie's first music teacher. Freddie began playing with various bands at a very young age, around 13 years old. In the early sixties he formed The Malta Bums and shared his knowledge with each member of the group. First members where two (Perronis) Mario Perrone and Paul Perrone {both passed away some years ago}, then he met Tony Camilleri, known as il-Bayzo and showed him something on bass playing and they started doing harmonies together. When Mario emigrated to Australia, he was replaced by Tony Muscat, then known as il Maduwi, who started playing rhythm guitar and at times even lead guitar. Later, Paul Perrone could not continue and was replaced by Tony Bartolo Il-Gegu, who was suggested to Freddie by his father, to play drums and that was the final lineup of the ‘originals’ known as The Malta Bums. As a singer, Freddie was initially opposed to participating in song contests of the era. However, with his band, then known simply as The Bums, they decided to enter one. Despite being the least equipped band, they made it to the finals. On the final day, after the curtain rose, one of their amps started distorting, prompting them to walk off the stage. The Boys won the festival, and the two bands celebrated together the next day. Freddie Portelli founded The Black Train in 1973 after he left The Malta Bums. The initial lineup included Freddie Portelli on lead guitar and vocals, Freddie Calleja on drums and vocals, and George Baldacchino on bass and vocals. After George moved to Australia, Joe Vella took over as the bassist. The band's name, Black Train, was chosen spontaneously when local promoter Leli Saliba urgently needed a name for publicity. The band quickly rose to prominence, consistently being voted Malta's best local band in popularity polls. The Black Train performed regularly at venues such as the Phoenicia Ballroom and Palace Hall, and they also held summer concerts across Malta and Gozo. Their hit records and rising popularity led to international invitations for concerts and TV appearances in Canada, the UK, and Italy. During their career, The Black Train released two albums and around twelve successful vinyl records. However, as their commitments increased, managing frequent gigs and appearances became challenging for Freddie Portelli, who was also still working as a draughtsman and involved in water polo, and he decided to put his career on hold. In an interview at the time, he said: “…we were singing every night beside the weekend and was preparing to get married …… so I took a few weeks off!” He found this period of respite quite pleasant as he noticed that people were beginning to pay less attention to him wherever he went. A few weeks turned into years, but music was in Freddie's veins. In 2001, he was strongly urged to make a comeback, particularly by Martin Schembri, known as Ir-Reġin, and Godwin and Mario Difesa of KTA Records. Reluctantly, Freddie began his solo comeback, performing Saturday nights at a venue in St. Paul’s Bay. The outcome exceeded all expectations, leading to the release of the double album "Ghall Dejjem," which included a new recording of the monumental "Viva Malta" and once again broke all sales records in the nation. He participated in the Malta Eurovision Song Contest three times with "Don’t Be Gone Away" (1994), "There’s a Song" (1996), and "Summer Again" (1997). All three songs were later featured on the Hospice Movement CD album released in the summer of 2015. This comeback also led him to perform abroad, with a notable concert alongside Demis Roussos, where each artist performed for an hour and fifteen minutes. Freddie continued to release numerous CD singles and albums, producing around 24 in total, including a triple album titled "Reaching Out." Over his career, he wrote approximately 400 songs. In Freddie’s words: “As long as people kept buying my releases, thus elevating my morale, I’ll keep writing and composing.” He performed internationally many times, visiting countries such as Germany, the USA, Canada, Australia, England, Italy, Greece, North Africa, and even performing on luxury ships. Freddie married Carmen (née Darmanin) on December 5, 1972, and they have two daughters. Claudette, who became a specialist in clinical psychology, recorded some songs as a little girl, including the hit single "Claudette." His other daughter, Yvette, was a presenter on television and radio before moving to Italy. “I can’t imagine what else I could have done. I’ve sold out concerts both abroad and in Malta, appeared on major international TV stations in England, the USA, Canada, Australia, and more, mainly performing live and always mentioning Malta. I’ve released many successful records and been very successful in water polo. I also achieved my wish of becoming a draughtsman and was a principal on various projects around Malta. I can’t imagine achieving more. One regret I have is missing opportunities to meet legendary people, like Elvis Presley, due to my forgetfulness.” In 2019 a smash-hit jukebox musical Il-Kbir Għadu Ġej was staged, making a return in 2022 at the Mediterranean Conference Centre with a bigger and better spectacle than the original show staged in 2019. Created and directed by Sean Buhagiar, based on the music hits of Freddie Portelli, and penned by Malcolm Galea with musical direction by Dominic Galea and choreography by Warren Bonello, the 2022 edition of the musical featured most of the original cast, with some new additions. The coveted lead role of Il-Kredu was once again be played by singer Kevin Borg. Amber, Marilena Gauci, Max Dingli, Michela Galea, Mark Tonna, Petra and Manwel Cassar are also resumed their roles, while Debbie Scerri, Julie Pomorski, Gianluca Mifsud, Sean Briffa and Daron Galea joined the cast. The musical features 30 of Portelli’s hits, including the popular Viva Malta, Flimkien, Xewqat Sbieħ, Se Jkolli Nemmen, Għal Dejjem and Ħallini but also lesser-known numbers like Bħalek Hawn Kemm Trid, Ma Taħraqni B’Xejn and Dak ir-Rock n’ Roll. The producers have also released a remix of Ħallini, by DJ Micimago, which is available on Spotify along with the original cast recording of the musical. Shows were staged between July 30 and August 15, 2022, and was supported by Arts Council Malta and Kinnie and produced by Balzunetta Productions. Freddie Portelli was honored with the Medal for Service to the Republic on Tuesday, December 13, 2016, by the then-President of Malta, the Honorable Marie-Louise Coleiro Preca. Additionally, he received the golden medal and the Ġieħ San Pawl il-Baħar. He was also awarded for being the best Maltese record seller, along with a lifetime achievement award. His upcoming biography, titled "Freddie Portelli 'il-Kbir Għadu Gej," is set to be released soon, while another book “Il-Ħajja u l-Istorja tal-Kantant Malti Freddie Portelli” was published in 2018.

Strummin announces the celebratory 20th anniversary concert — 20 Years of Gold Strummin’ Foundation, during their Annual General Meeting, has unveiled the theme for their 20th anniversary concert. Named ‘20 Years of Gold’, the concert will be looking back at the past 20 editions of the concert — held since 2002 — celebrating the positive impact the experience has left in people’s lives. In the run up to the concert, the Foundation will be sharing the playlists from the past 19 concerts, highlighting the beneficiaries that Strummin’ has collaborated with during the years. The artwork, developed by DNA, brings the guitar and strings to the forefront. The 100 strings surrounding the guitar’s sound hole represent the participants’ guitar strings during the last 20 editions. The play between gold and the different colours of the light spectrum, are symbolic of the cast members’ characters, backgrounds and personalities that come together for a common good. Strummin’ 20 Years of Gold will be held at St Agatha’s Auditorium in Rabat on the 8th and 9th November 2024. All proceeds will be donated to Dr Klown. Tickets will be made available in mid-Summer 2024. ______________________________ Singer Applications open until 7 June It’s that exciting time of year again! Time to get ready and showcase your talent, because auditions for the Strummin’ 2024 concert are just around the corner! Calling all singers! Your moment to shine is coming up, so prepare to impress! Backing Vocalist registration closes on 30 May 2024. Guitarists will be called to apply in June 2024. APPLY AS A SINGER ______________________________ Upcoming Events JUNE 2024 7 June: Deadline for Singers to apply for 2024 concert 15 June: Beneficiary Night Mid-June: Call for guitarists to apply for 2024 concert 18, 20 June: Call backs for Singer soloists Copyright (C) 2024 Strummin' Foundation. All rights reserved.

Damaged & Co. Unveils New Drummer Over the Weekend During last weekend, the renowned band Damaged & Co. announced their new drummer, Ismael Bonello. This revelation followed an extensive audition process where Bonello's preparation, determination, and enthusiasm stood out, making him a natural fit for the band. Bonello's addition to Damaged & Co. marks an exciting chapter for the group. His impressive performance during the auditions left a lasting impression on the band members, solidifying his place in the Damaged & Co. family. In addition to this major announcement, the band also completed filming the remaining scenes of their music video, which had been in progress since last year. The shoot, which took place on May 20, was long-awaited but, according to previews, promises to be well worth the delay. The band expressed their pleasure in collaborating with Matthew Mercieca for this project. Fans of Damaged & Co. eagerly anticipate the release of the music video and look forward to seeing Ismael Bonello in action as the new drummer. Crowned Events - Battle of the Bands Participants Introduced With the participants for Crowned Events - Battle of the Bands now introduced, anticipation is building for their performances. The organizers expressed their gratitude for the incredible support and response from the community, emphasizing the importance of supporting local talent. The event will take place at The Garage in Żebbuġ on July 5th and 6th, and attendees are eagerly encouraged to show up and cheer for these emerging bands. Special thanks were extended to the sponsors: Farsons Blue Label, SpineSplitter Studio, and Kewn Records, for their essential contributions. The bands competing in this year's event include Notion, No Humano, Sacroment, Captain Romance and the Danger Dogs, SouthernScum, and From Sheep To Wolves. This event is a highly anticipated battle of the bands competition set to occur over two days. On the first day, July 5th, each of the six selected bands will perform a 15-minute set. The top three bands, based on points, will move on to the second day, July 6th, where they will perform 25-minute sets. The band with the highest score at the end of the second day will be crowned the winner. Judging criteria for the event include originality, musical tightness, stage performance, and crowd interaction/reaction. Additionally, each paying attendee will receive one vote upon entry, which they can cast until the end of the first night. The band with the most audience votes will receive bonus points added to their final score. The winning band will receive a prize that includes a studio recording session at SpineSplitter Studio, distribution and promotion of the recorded material by Kewn Records, and a spot to perform at the Farsons Beer Festival 2024. The final trailer for the event has been released, heightening excitement for what promises to be a thrilling showcase of local music talent. Tribali Announces Release of New Album 'ALKA' and Upcoming Performances On May 17th, the band Tribali announced the release of their new album, 'ALKA.' This marks the fifth release from the unique six-piece band hailing from the Maltese Islands. Tribali, known for their organic blend of world fusion instruments and sounds, continues to captivate audiences with their innovative music. Fans are eagerly anticipating Tribali's live performance at the Earth Garden Festival on Friday, June 7th. The band will showcase new tracks from 'ALKA' alongside their classic hits, promising an unforgettable night for attendees. Additionally, the new album will be available for purchase at the festival, with sales starting through their website's online shop on the same day. In further exciting news, Tribali announced their upcoming performance at the Dakini Festival in Romania next July. This appearance adds to their impressive list of international performances and highlights their growing influence in the world music scene. Formed 20 years ago by Antoine and Peter Paul, Tribali has carved out a distinct niche with their eclectic sound. The release of 'ALKA' and their upcoming performances are set to further solidify their reputation as pioneers of world fusion music. Fans and newcomers alike can look forward to experiencing the unique and dynamic energy that Tribali brings to every performance. St. Paul's Bay Local Council Honours Late Singer Anthony "Bayzo" Camilleri On Tuesday evening, May 28th, the St. Paul’s Bay Local Council held a memorial to honour the late singer Anthony Camilleri, affectionately known as Bayzo. This tribute celebrated his remarkable talent and majestic voice, which left an indelible mark on Maltese music. During the ceremony, St. Paul’s Bay Mayor Alfred Grima expressed his gratitude to Bayzo’s family, fellow singers, and everyone who attended. In his speech, he acknowledged the significance of Bayzo’s contributions to the local music scene and the community's shared loss. The memorial featured the unveiling of a bust of Bayzo, masterfully crafted by the talented sculptor Indri Attard. This lasting tribute stands as a testament to Bayzo’s enduring legacy. Ian J. Vella, a member of the music group CODA, reflected on the event in a heartfelt Facebook post. "It was a privilege to take part in the unveiling of the commemorative bust of the late legendary Tony Camilleri, also known as il Bayzo," he wrote. "I had the honour of performing together for some time." CODA had the opportunity to perform their latest cover of "Qalu li Raw," a song originally sung by Bayzo during the ceremony. Vella also stated: "We are grateful to everyone involved in this wonderful event, including the St. Paul's local council and the family who entrusted us to perform this gem of a song. May his soul rest in peace. The legend will always be remembered in our hearts, including his music forever." The event was a fitting homage to Bayzo, ensuring that his contributions to Maltese music and his memory will continue to inspire future generations.

Tony "Bayzo" Camilleri, born April 3, 1947, left an indelible mark on Maltese music. From his beginnings with The Malta Bums to solo ventures and international acclaim, his talent and passion continue to resonate, shaping a legacy cherished by fans worldwide. On February 1, 2018, the Maltese music scene lost one of its most iconic figures, Tony "Bayzo" Camilleri. Born on April 3, 1947, in the picturesque town of St. Paul's Bay, Bayzo's legacy extends far beyond his humble beginnings. With a career spanning over six decades, his influence on Maltese music is immeasurable, leaving an indelible mark that continues to resonate. Bayzo's journey into the world of music began in the 1960s, where he carved his path as the bass guitarist for the renowned pop group, The Malta Bums. It was during this time that his unique voice and magnetic stage presence captivated audiences both locally and abroad. One of the band's standout hits, "L-Ewwel Tfajla li Ħabbejt," penned by Alfred C. Sant and composed by Ray Agius, solidified Bayzo's reputation as a distinguished vocalist. The Malta Bums' international tour in 1966, which took them across the United States of America and Canada, showcased Bayzo's talent on a global stage. Their time in Germany resulted in the recording of the timeless anthem, "Viva Malta," a testament to Bayzo's pride in his Maltese heritage. Following Freddie Portelli's departure, Bayzo assumed the role of lead vocalist for The Malta Bums, further elevating his prominence in the music scene. Beyond his contributions to the band, Bayzo embarked on a solo career, captivating audiences with his soulful performances and distinctive style. Bayzo's involvement in various musical endeavors, including rock operas like "Dream?" and the acclaimed "Gensna," demonstrated his versatility as an artist. His portrayal of characters and his ability to convey emotion through music left a lasting impression on audiences and critics alike. Throughout his illustrious career, Bayzo represented Malta on the international stage, participating in prestigious song contests and festivals in Poland, Slovakia, and beyond. His accolades, including the coveted l-Midalja Ġieħ San Pawl il-Baħar, underscored his contributions to Maltese music and culture. Beyond his musical prowess, Bayzo was a beloved figure within the Maltese community, cherished by family, friends, and fans alike. His final public performance at Rockestra on October 1, 2017, served as a poignant reminder of his enduring legacy. As news of Bayzo's passing spread, tributes poured in from across the globe, reflecting the profound impact he had on the lives of many. From his early days with The Malta Bums to his solo endeavors and theatrical ventures, Bayzo's passion for music transcended borders, leaving an indelible imprint on the hearts of those who had the privilege of experiencing his talent. Though he may no longer grace the stage with his presence, Tony "Bayzo" Camilleri's spirit lives on through his music, continuing to inspire generations to come. As we bid farewell to a Maltese musical legend, let us remember Bayzo's legacy with gratitude and celebrate the enduring impact of his remarkable journey.

Claire Marante Releases Introspective Single "You Want Me" Claire Marante has just released a new song titled "You Want Me," influenced by artists like Tori Amos, PJ Harvey, and Fiona Apple. The song addresses themes of sexual violence and abuse and draws inspiration from Elvis Costello's "I Want You" and Michael Winterbottom's film of the same name. "You Want Me" is the first single from an upcoming EP set to be released in September. For this EP, Marante collaborated with James Baldacchino, who produced and recorded the tracks, Franco Tartaglia on guitar, and Luke Briffa on drums. Recently, Marante shared, “I mostly write about my personal experiences and events that evoke strong emotions in me. My themes range from the environment and personal struggles to motherhood, relationships, social issues like corruption, and our disconnection from nature. Being naturally introverted, my songs tend to be introspective and self-analytical.” Watch music video of 'You want Me' here. Aidan Somers Launches Fundraiser for Malta Arts Complex Following last week’s news about rehearsal spaces, many artists and bands voiced their opinions and justified complaints. However, a piece of news that should particularly interest any artist is Aidan Somers’ fundraising campaign to create the Malta Music & Performing Arts Complex. “We are launching this campaign to create a vibrant community of musicians and artists who will co-share facilities in artist residencies, memberships, and educational programs. Many musicians have recently been evicted from their current premises, leading to a high demand for practice spaces for creative practitioners of all forms," Somers explained. He continued, “All contributors to the project will enable us to gather the funding needed to rent an adequate space to host 20+ rooms, giving access to 60+ memberships for creative practitioners. Within two months, 40% of bands need a space ASAP, 30% by September 2024, and 30% by January 2025. Without any direct and immediate governmental support, there is a dire need for such a space, and we're actively seeking the community's help to build this project.” The funding breakdown is as follows: Rent: €150,000 (5-10 year agreement) Renovation and Furnishing: €50,000 Operational Costs (Utilities, Maintenance, Staff): €35,000 Marketing and Outreach: €15,000 “We are seeking to raise €250,000 to secure a rental space for a year, furnish it, and cover the operational costs. Transparency is key. Every euro you contribute will be meticulously allocated to ensure the maximum benefit for our creative community,” Somers stated on social media when introducing his campaign. More information can be found here. Unholy Alliance: Zabbeth and Vauldeire Unleash Black Thrashing Split on Witches Brew Two of Witches Brew's finest purveyors of black thrashing mayhem have formed an unholy alliance on this diabolical split! Zabbeth (Malta) kicks off with four brand new tracks paying homage to classic Bathory, while Vauldeire (USA) concludes this infernal release with three new vampiric hymns to darkness. This unholy production, BREW141, is now available for pre-order through the Brewmistress' Bandcamp page. The collaboration was released for streaming and digital download, as well as on CDs on June 24th (limited to 300 copies worldwide). The LP release is set for July 24th, available in three color variants: Black, Translucent Red, and Black and White Splatter (limited to 300 copies worldwide). "Iblis," one of Zabbeth's songs on this split, is available for streaming on Bandcamp. Berne Releases "Waves" from Debut Album "789" For fans of: London Grammar, Art School Girlfriend, The xx, RY X and Björk Berne released "Waves" on May 23, 2024. "Waves" was the second track from Berne’s debut album "789," set for release in October 2024, following "Language," which was released in March 2024. The album is inspired by how humans interact with the planet, animals, and each other. "Waves" is a creative expression of creating change and driving collective action in a metaphorically confined space with limited resources. It presents feelings of frustration, anger, and hopelessness, while taking inspiration from the natural world. The song is accompanied by a DIY music video filmed on an iPhone by Berne in Malta. Berne explained: “'Waves' started off when a flock of birds gathered on a tree outside our kitchen window one morning - they must have been getting together about something important, much like many of us were doing. Over the course of a few months, we developed the track from a bass line and a vocal melody into what you hear today. It was recorded in our studio and at Hackney Road Studios with Mercury Prize winner and Music Producer’s Guild winner Shuta Shinoda and mastered by Music Producer’s Guild Mastering Engineer of the Year 2023 Cicely Balston.” Upcoming shows: London: Creature & Machine in London on May 30 Brighton: Linden in Brighton on June 5. “A duo addressing injustice through music and beyond.” BBC Introducing "'Language' is a firm reminder of just how awe-inspiring they can be. Fresh and immersive at every turn, Berne already sound like they are entering the next phase within their musical evolution to date." Lock Magazine Contact Berne on soundslikeberne@gmail.com.

Kayati Release ‘About You’ highlights the fact that ‘’there’s nothing better than your family’’. 'About You' carries a personal meaning for Kayati as The song "About You" is dedicated to the most important person in your life who you consider to be like family. It expresses how you both share a lot of laughs, have occasional arguments, and sometimes shed tears. Despite everything, you both forgive each other quickly and continue to love each other Kayati is a sister singer-songwriter duo with a Maltese/Arabic background who have been making music together since a very young age. Over the years, they have explored different genres in their song-writing journey and have developed a passion for both Indie and Pop. Their music is mostly inspired by their personal experiences in life, which others can easily relate to and resonate with. Their songs can take you to different moments in life and evoke a range of emotions. 'About You' was written by Kayati and recorded and produced at The Insynk Collective. Kayati explain: 'About you' was written unexpectedly and, funnily enough, inspired by an argument we had literally minutes before. At the time, one of us was learning how to play the ukulele and randomly created a sweet sound, which inspired us to write 'About You'. The playful sound brought out the lyrics based on us as sisters and how we drive each other crazy at times but wouldn't want to change a single thing about one another. ‘About you ‘is our way of saying to each other that no matter what, we will always have each other's back and as our mum always says, "There's nothing better than your family." The single is scheduled for release today May 23rd and will be available on major streaming platforms, including Spotify, Apple Music, YouTube, Instagram Music, TikTok, Amazon Music, Pandora, Deezer, and more. Kayati is a sister singer-songwriter duo (Fatima and Mabs) with a Maltese/Arabic background that has been making music together for years and has honed its craft to create a unique blend of contemporary pop and soulful ballads. Their music is mostly inspired by their personal experiences, which others can resonate with and take you to different moments in life. Listen to 'About You' here.

Sicily Music Conference Returns with International Panels, Workshops Featuring Maltese Participants The Sicily Music Conference, the first international music conference in Sicily, is now in its third edition. This year, the event will take place from May 22 to 25, 2024, in Palermo and Catania. The conference will feature meetings, panels, workshops, and seminars on various aspects of the music industry, including new technologies, eco-sustainability, gender balance, and copyright, with a special emphasis on education. Experts from both national and international sectors will delve into themes of accessibility and sustainability within the music industry. The conference will also showcase live music in iconic locations across Palermo and Catania. Among the various discussions, there will be notable contributions from Maltese participants, such as: LIVING ON MUSIC IN THE SOUTH... AND LOOKING FOR IT EVERYWHERE (Saturday, May 25): This session aims to explore the challenges and opportunities that Southern musical artists face in pursuing their careers. Through personal testimonies and in-depth discussions, the panel will examine the cultural landscape of southern Italy and beyond, highlighting how music serves as a bridge between local identities and global perspectives. Panellists include Mark Dieler (Lazytime/Meraki), Nuccio La Ferlita (Puntoeacapo), Paolo Mei (Rocketta Booking), Bianca Schillaci (Pulp), Alessandro Miglietta (Sud Sonico), Clayton Gauci (AISO – Director), and Aidan Somers (MEIA – Music Board). The session will be moderated by Enrico Cantaro. “A BRIDGE” TOWARDS MUSIC TOURISM: FESTIVALS, ARTISTIC RESIDENCES, CONFERENCES… (Saturday, May 25): This discussion will explore the crucial role of festivals, artist residencies, and conferences in promoting music tourism. By discussing innovative strategies and success stories, the event aims to inspire and guide the development of music-related tourism worldwide. Panellists include Enrico Gambadoro (Ortigia Sound System APS), Nuccio La Ferlita (Puntoeacapo Concerti), AnneMarie Spiteri (Sound Art Festival Malta), Marco Palazzolo (One Day Music Festival), Wearebutik, and Bertold Wiesner (Burning Man Camps). The session will be moderated by Damir Ivic (Soundwall). AnneMarie Spiteri from SoundArt Festival Malta shared: “We don't simply want to be festival organizers! At SoundArt Festival Malta, we aim to enhance platforms for exchange, offering valuable opportunities that truly recognize and support our local scene. With a commitment to a DIY ethos and being artists for artists, we are excited to announce our participation in the Sicily Music Conference, represented by myself and Michael Spiteri, in collaboration with MEIA - Malta Entertainment Industry and Arts Association and AISO Academy.” Since 2021, the Sound Art Festival Malta has been supporting local acts. Atomic Flame Announces Line-up Change: Marco Mule Departs, James Galea Joins Atomic Flame has announced a significant change in their line-up. The band shared that due to unforeseen circumstances, they have parted ways with guitarist Marco Mule. They expressed gratitude for his contributions and wished him well in his future endeavours. In a positive turn of events, the band revealed that James Galea is joining the band as their new guitarist. Galea, returning to the Maltese music scene after several years, is eager to make his debut with the group. He used to form part of Purple Haze and Dreamscape during the 90's. The band reassured fans that they will continue to perform and create new music, expressing excitement for the future. They thanked their supporters and signed off with a message to "stay metal!" Two Artistic Weddings on May 18: Black Metal Guitarist and Soprano, Blues Bassist and Clarinettist Tie the Knot On Saturday, May 18, two weddings took place featuring artists from different musical genres. David Cutajar, a Black Metal guitarist, married soprano Michaela Spiteri. At their reception, Michaela captivated the guests by performing three arias from various composers, dedicating them to her family and friends. David Cutajar is a member of Nokturnal Void, a band previously known as Ammutseba until they changed their name in 2020. Nokturnal Void released their debut album, "Odiiu," on November 17, 2022. Meanwhile, in another part of the island, blues bassist Elton Mifsud married his long-time partner, clarinet player Daniela Cassar. The Melodija team extends heartfelt congratulations to both couples. Michaela & David photo: Justin Mamo Photography Daniela & Elton photo: Daniela Dalli

In the early 1960s, the seeds of Malta's musical revolution were sown as a young Freddie Portelli embarked on a quest to form a band. What began as a humble endeavor evolved into a remarkable journey marked by serendipitous encounters, international acclaim, and the birth of two iconic Maltese bands: The Malta Bums and The Black Train. From their origins in small gatherings to electrifying performances on German television, this is the story of how Freddie Portelli and his bands carved their names into the annals of Maltese music history. In nearly 1963, a young Freddie Portelli endeavored to assemble a band. Initially comprised of Mario Perrone, Paul Perrone, and Tony Camilleri, the lineup underwent changes due to various circumstances. Mario's relocation to Australia led to Tony Muscat, known as il-Maduwi, assuming his role on rhythm and lead guitar. Meanwhile, Paul's departure prompted Tony Bartolo Il-Gegu, recommended by Freddie's father, to take up drumming duties. Thus, the new formation of the renowned Maltese band emerged: Freddie Portelli (19), Tony Muscat (18), Tony Bartolo (17), and Tony Camilleri (Bayzo) (16). An interesting anecdote surrounds the band's name. Initially dubbed "THE BUMS" in jest due to their lack of employment, the name evolved to "MALTA BUMS" after their manager, Herr Otto Alf, coined it during their tour in Germany. This name was derived from a misinterpretation in Germany, where it was understood as "Malta’s Explosion." Their journey commenced in West Germany, traversing cities like Essen West, Dusseldorf, Duisbergwen, and Koln, where they performed live on radio and television. The band's opportunity to tour abroad materialized when a German couple, regular attendees of their rehearsals in St Paul’s Bay, offered to sponsor their trip to Germany. Herr Otto Alf facilitated the arrangements, covering expenses for a contracted 20-day tour, which extended to six months. Upon their return to Malta, they were inundated with performance requests, including a documentary feature by KOLN TV titled ‘Malta of the Malta Bums.’ Their distinct sound, characterized by musical proficiency and harmonious vocals from all four members, garnered attention. A pivotal moment arrived when they were invited to perform on Germany's esteemed TV show, following the success of their Maltese-language song "VIVA MALTA." This exposure propelled their popularity in Germany. Despite opportunities in Germany and England, conflicts arose, notably during negotiations with Apple, The Beatles' record company, over the release of their song "OLD OLIVE TREE." Disputes over copyright profits led to its cancellation. The journey of Freddie Portelli and The Malta Bums concluded in 1972 due to Freddie's burgeoning commitments. However, the band continued with new members, achieving success with hits like "L-Ewwel Tfalja Li Ħabbejt" in 1973. Eventually, The Malta Bums disbanded, with Bayzo pursuing a solo career and later forming "Bayzo u Klikka" with Anthony Bartolo (Gigu), Tony Muscat (Pempel), and Freddie Scicluna. Freddie Portelli established The Black Train in 1973. Initially, the lineup comprised Freddie Portelli on lead guitar and vocals, Freddie Calleja on drums and vocals, and George Baldacchino on bass and vocals. However, George later relocated to Australia, and Joe Vella took over as the bassist. The band's name, Black Train, originated from a spur-of-the-moment decision when a local promoter, Leli Saliba, urgently needed a name for publicity purposes. The band quickly gained prominence, consistently voted as Malta's best local band in popularity polls throughout its existence. The Black Train's regular gigs included performances at venues like the Phoenicia Ballroom and Palace Hall, supplemented by summer concerts across Malta and Gozo. They also received invitations for international performances, including concerts and TV appearances in Canada, the UK, and Italy, thanks to their hit records and popularity. During their tenure, The Black Train released two albums and approximately twelve successful vinyl records. However, as their popularity grew, so did their commitments, leading to more frequent gigs and appearances, which became challenging for Freddie Portelli to manage alongside his other endeavors, such as his profession as a draughtsman and his involvement in water polo. After twelve years, Freddie decided to take a hiatus, leading to the band's split in 1985. While Freddie Calleja briefly continued playing before retiring, Joe Vella remained active as a bassist, particularly with jazz bands like the Vinny Vella Jr. Band, until recent years. Sixteen years later, Freddie Portelli made a comeback, releasing his debut solo CD album, "Għall Dejjem," which featured old recordings he composed for both The Malta Bums and The Black Train. This album, issued by KTA Records, achieved tremendous success, undergoing multiple repressings and remaining popular to this day. "Għall Dejjem" marked the beginning of Freddie's ongoing solo career. The Malta Bums Discography Singles Dinja Din / Yvette / Football Viva Malta / That's All I Know Ġej il-Milied / That Ain't A Sin Nerġa Nsir Ferħan / Do This L-Ewwel Tfalja Li Ħabbejt / Mister D.J The Black Train Discography Albums Viva Malta Black Train Singles as The Black Train Group Blue Sea Bay Konna Tfal Singles as Freddie & The Black Train Jidbiegħu / Tgħallimt Mulej / Kliem Flimkien / Ejja Lura (1975) Se Jkolli Nemmen / Joħlom Min Irid Fuqek Se Immut / Titlaqnix Viva Malta / Tilwima (1977) Ġej il-Milied / Għandek Lili hawn Hekk (1977) Wied Ta' Dmugħ / Tigħddx Le (1978) Kullħadd Jaf / Adam u Eva Ħallini / Ma Kellekx Tort Naf Għalfejn / Magħqudin

Keyboardist Holman Martinez Joins The Stents-Gozo, New Video and Songs on the Horizon The latest addition to Gozitan band The Stents is keyboardist Holman Martinez, originally from Colombia. Martinez joins existing members Denis Mezei, Terence Dutfield, Clayton Buttigieg, and band founder Frank Buhagiar. Additionally, the band revealed ongoing work on a new video, along with the mixing of fresh songs set for release. This forthcoming material, previously hinted at in November, appears to be nearing its final stages of production. OK OK OK - The New Song by Anthea Anthea, known as both a singer and a member of the popular ERBA’ group, has just unveiled her latest single, "OK OK OK". This lively R&B track, co-written with Matthew Muxu Mercieca and produced by InSynkAudio, explores themes of mental liberation and navigating complex emotions. Anthea's poignant lyrics and captivating melodies beckon audiences to embark on a journey of self-discovery and reflection. The forthcoming visualizer for the single promises to offer an immersive visual accompaniment, enhancing the emotive essence of "OK OK OK". The song is now accessible on all major streaming platforms, such as Spotify, Apple Music, and Amazon Music, ensuring that listeners worldwide can revel in her new musical offering! SOUNDSCAPES: A Fusion of Musical Worlds Forming diverse sonic environments, a group of ten musicians, including Malta's top talents and celebrated session artists from the United Kingdom, gathers under the artistic leadership of multi-instrumentalist and composer, Kyle Drakard. Their musical collage effortlessly blends Jazz, Rock, World Music, Funk, and more. Within this seamless fusion, SOUNDSCAPES offers an immersive auditory experience guided by the skill of these performers. Presented by Strada Stretta and Valletta Cultural Agency, admission is free. The event takes place on Friday, May 31st. Zain debuts live with Pilgrimage & new album news! On Saturday, May 11th, Zain Gauci made his debut on stage with Pilgrimage at the sixth installment of Little Devil Doom Day in Tilburg, The Netherlands. This marked the band's inaugural live performance for 2024, during which they premiered some of their latest compositions. The band expressed satisfaction with the progress of their upcoming album, suggesting it promises to be a worthy follow-up to their debut. Notably, this second album will include guest contributions, one of which was announced shortly after their performance: Elianne Anemaat has added some remarkable cello arrangements to one of the tracks. Elianne Anemaat is recognized by many for her work with Celestial Season, although she has also made notable contributions to various other projects and albums. Pilgrimage extends their heartfelt gratitude to her for elevating their new album with her involvement. Upcoming Malta Jazz Festival 2024 Promises Stellar Line-Up Amidst Cultural Shifts In an era marked by the dominance of social media glamour and a rise in criticism towards jazz, the Malta Jazz Festival (MJF) stands as a bastion of musical excellence and tradition. Established by Charles Gatt in 1991, the festival has been meticulously curated since 2009 by its dedicated director. Set to unfold from July 8th to 13th in Malta, this year's edition boasts an extraordinary roster of performers, showcasing a diverse range of talents. Among the featured artists are Walter Smith III, Danny Grissett, Joe Sanders, and a host of other esteemed musicians, reflecting the festival's commitment to presenting cutting-edge jazz from around the world. Tickets for the event are now available for purchase at here, offering attendees the chance to experience world-class performances against the backdrop of Malta's scenic beauty. In addition to celebrating the vibrant jazz scene, the festival director encourages support for a cause initiated by Laurent Coq, urging the removal of derogatory content about jazz from a prominent TV channel. For those interested in joining this advocacy, further information and the petition can be found at here. Let us come together to uphold the integrity and dignity of jazz music in today's cultural landscape. Sammy Murgo's Final Recordings: 'The Last Chapter' Out Now! Tone Studios is thrilled to announce the release of "THE LAST CHAPTER," featuring Sammy Murgo's final recordings. This collection comprises previously unreleased tracks recorded just months before his passing. Thanks to the support of the Arts Council Malta and Mr. A. Marshall, these recordings are now available on all major music platforms, allowing us to savor the last works of this esteemed musician. Sammy Murgo, a saxophonist, was a trailblazer in the local jazz music scene from the mid-twentieth century until his demise on February 6, 2024, at the age of 87. Hear on Spotify. Repercussions of Rehearsal Space Sales: A Call for Authorities' Attention After an article was published in a local newspaper on Tuesday, May 14th, concerning bands being asked to vacate their rehearsal spaces unless they purchase them, there was considerable commentary, especially from the musicians using these premises. Some of these spaces have already been sold to third parties. Melodija.eu previously addressed this issue in an article penned by Noel Mifsud titled 'Unraveling the Appreciation of Maltese Artists: A Local Perspective,' published on September 18th, 2023. While we acknowledge all media coverage regarding the matter, we believe Melodija.eu may not be in the best position to discuss this matter. Though we hold our own opinions, we strongly believe they should not be disclosed unless authorities or other relevant parties express a need for consultation. Our sympathies and support are with all artists during these challenging times in the local music scene, and we hope for prompt action from the concerned authorities! Read newspaper article here Read 'Unravelling the Appreciation of Maltese Artists: A Local Perspective' here

TEATIME - Chasing Pandora’s BRAND NEW single Release date : 13th May, 2024 One day you think you need a break from the intensity of writing and focus on other things, the next thing you know it’s 14 years later and you find yourself turning 40 and the creative spark has been nagging you for a while. You realise that it is the only thing that sets you apart from every other milestone you have reached so far. ‘Teatime’ is Chasing Pandora’s comeback single in 14 years since their last release in 2010. Drawn upon the obligations of daily life, adulthood experiences whilst facing the mundane and daily grind. The song is a journal entry that enhances the fact that there are moments where you feel you become only part of this existence and so you feel this is the time to really take a good look at yourself and question if this is how you want to be in this short but fast-paced life. ‘Teatime’ is a song about self-reflection & how one finds themselves navigating life and its challenges all with the introspection that comes with age. Life really happens when you are busy making other plans. Chasing Pandora welcome writer Ismael Azzopardi who has performed with them since their concept in 2006. Keith Anthony is the producer, recording engineer, writer & also vocalist on their new album. Melissa Portelli is the lead vocalist and writer. Whilst the songwriters hailing from Gozo have come a long way from their 1st release in 2006, where they had the successful single ‘Feel the Rain’ and later released the popular and timeless ‘Memories’, Chasing Pandora haven’t strayed much further from their original sound, where previously they were mentored, produced and managed by Steve Brown who also produced and managed Elton John for 20 years. The poignancy of the lyrics and melodies that rise and fall upon the rich and warm tones of the acoustic guitar and intimacy of the notes of the piano is what really emanates with this new single. Chasing Pandora is all about the storytelling, whilst weaving intricate melodies with the instruments to create a sound that is true to them. INVITE This Thursday 9th of May, join us for an exclusive music video premiere of our 1st single 'Teatime' off our upcoming 3rd album, followed by a live performance at Zeppi's pub in Qala at 9pm Follow us on our socials: Facebook Instagram Youtube

The initial incarnation of Sceptocrypt emerged in 1992 but took a hiatus in 1999 after putting out a demo and a rehearsal tape. Fast forward to 2022, the group's founder, Malcolm, began collaborating with various musicians, revisiting songs he penned in 2014 and exploring fresh ideas. Thus, Sceptocrypt made its return. Melodija.eu recently caught up with Malcolm for a chat about the band's revival. What inspired the formation of Sceptocrypt in 1992? In 1987, I, was turned onto metal at secondary school, and by 88 I was already avidly trying to get my hand on any obscure tape some underground figures (mostly older than me) had. This led to me starting tape trading as well as learning guitar sometime in 1989. Fast forward 1 or 2 years with some riffs under my belt, I started a band with some mates called Cruxicore, but it did not go anywhere, and only bass player Marco and I survived from that line-up. Along the way we merged into a 5-piece and changed to Sceptocrypt. How did Sceptocrypt aim to differentiate itself in the extreme metal scene of the 1990s? Vocalist Conrad & I ardently into the 90's underground scene running Rancid Soup zine & radio show, and the rest of the band listening to anything we were raving about, we were always listening to what is fresh in the scene. So in turn we tried to deliver fresh ideas of our own. Being music scholars, we pushed ourselves to deliver this with the highest form of technique we then mastered. With new members bringing in more ideas, we tried to forge an own sound, merging extreme metal (at a time where the tag was not yet penned to define bands cross-bordering death, doom, black metal and more) with other non-metal styles, yet not loosing our abrasive edge. Despite disbanding in 1999, what led to the release of your unreleased CD "!26 Hrs 72 mins...the need to differ" in 2014? When we disbanded, I moved away from Malta few years later, initially to Germany and later to England. Here I became active with a jazz-world music band EthnaMorte for about a decade, but when that went into hiatus I started Sceptocrypt again. So we released the CD only online to coincide with this rebirth. Maybe eventually we will also release it on physical CD, who knows? What prompted the revival of Sceptocrypt in 2022, leading to the release of "The Unwanted Requiem" and "The Wards Outside" in 2023 and 2024 respectively? Although Sceptocrypt initially resurfaced in 2014, as we could not complete a line-up, we all went our separate ways. But I personally cannot stay away from being musically creative, and in 2022 I finally met a drummer and bassist and got working on more songs. Although we were planning to release “The Wards Outside” first, “The Unwanted Requiem” came from out of nowhere. Basically I was called to Malta as my mom was unwell, she then passed away, and in my bitter feelings of loss, I borrowed a guitar and booked a studio, and that song was born. As I wanted to release it not far from her passing in Sept 2023, the song was released 2 months later. Eventually “The Wards Outside” was released in Feb 2024. And this is actually closer to the new direction to expect from us. Although we hold the right to surprise you howsoever. How does Sceptocrypt describe their new sound, Extreme Music Research? To quote our own manifesto from our bio - Extreme – undettered by trying different forms of experimentation, from over-the-top technical riffs to the lack of same in form of time & harmonic changes that flow seamlessly, an extremity measured in the myriad of influences recalled to shape the final aural palette. Music – in a time when visual media continually compliments the music industry, we aim to present you music that evokes you the more you close your eyes, aiding you to see colours with your ears, where colour has no limit set by your visual spectrum, and thus extreme! Research – we shall be free to research past effective music templates as we merge them with/as merchants to/for future sounds Could you kindly provide an introduction to the new band members, offering some insights into each of them? Sure, we got Dip on bass. He brings to the table a touch of jazz and funk. He also adds a lot of groove to balance my harmonic dissonance. And is a good producer for recording purposes. Then we got Andrea who brings in electronic sounds & sampling. He is into EBM & industrial, so ensures it all stays abrasive. I am currently singing, but this is more till we find a decent vocalist ready to front our avant-garde ship. I would prefer that live shows are accompanied by a vocalist completely free to engage with the audience and play with his voice, and myself completely focused on the guitar. We had a drummer, but now no more, so we are looking for one. Andrea is meanwhile setting some electronic beats to keep the flow going, but wether we introduce this live (in compliment to a drummer) or on record is still to be seen. It is good to have options, but our main aim is to find a drummer, so if anyone is London based reading this, contact us via band@sceptocrypt.com When and where will Sceptocrypt perform their first live gig in 27 years? We have been invited to play the 11th anniversary of Renaissance Alt Music Fest on 26th May 2024. This has been running yearly in London for a while now, but is the 1st time it will be open air. The bands' line-up is very diverse – have a look at https://www.facebook.com/events/1071516140643831 As we still have no drummer, we have decided to do something we never done before – to present Sceptocrypt in a completely acoustic format. Probably this will be the 1st and only time we do so (our intention is to find a drummer), so be there! Where can interested individuals find more information about Sceptocrypt's biography, interviews, reviews, and contact details? At www.sceptocrypt.com, which includes links to all our socials, going by the handle of @sceptocrypt. Any famous last words? Yes. Firstly, thanks to your readers for the time to read what we have to say. And to you for crafting the questions and giving us space on Melodija.eu. All our music from the 90s to now, can be heard at www.sceptocrypt.com/lyrics-songs, and if anyone reading runs a mag you can also review any of the works. In closing, Sceptocrypt would welcome more interviews, also questioning us about our lyrics, into which a lot of work is put in. You can contact us via press@sceptocrypt.com

Philip Vella's OMM: A Musical Tribute to Mothers Composer Philip Vella has recently unveiled a new track titled OMM, a heartfelt tribute to all mothers, released fittingly on Mother's Day. This piece holds particular significance for him as it honors his beloved mother Esther, who passed away on October 15, 2022, transitioning into eternity. Having been deeply ingrained in the local music scene for years, Philip Vella has garnered considerable acclaim with compositions such as X’Jimpurtani, securing second place at the L-Għanja tal-Poplu festival in 1995, and Kemm Jien Beżżul, which clinched the top spot at the same festival just three years later. Yet, OMM exudes a distinct vibe, albeit resonating closely with the stylistic essence he cherishes. This resonance is evident in his album 60+, featuring tracks like Għalfejn Tħobbni Daqshekk, Allura, Ġenna u Infern, and the deeply personal Pa, where Philip reflects on his relationship with his father. Music Video: Youtube Amber unveils the official music video for 'Għanja lil Ġużi In a whirlwind of passion and dedication, last January marked a pivotal moment in Amber's life. With the joy of new motherhood still fresh, she found herself right back in the spotlight, gracing the judge's panel for the live show of X Factor Malta. Yet, amidst the glitz and glam and the tension of the finale, she unveiled a deeply personal creation alongside her trusted collaborator, Elton Zarb: 'Għanja lil Guzi', a tender lullaby straight from the heart. Her performance was nothing short of magical, leaving an indelible mark on all who witnessed it. Soon after, the song resonated far beyond the confines of the stage, becoming a cherished anthem for parents across social media platforms. Fast forward to this weekend, Amber unveiled the official music video for 'Għanja lil Ġużi'. The response? Nothing short of spectacular. In a mere 24 hours, the video soared past 5,000 views, claiming its rightful place as the #1 trending music video on YouTube. Crafted by the team at tribe. with Olwyn Jo being the artistic director, the the music video is a story being told by visuals. Set against the backdrop of Amber's heartfelt lyrics, it features a number of real-life parents and their precious children, each frame brimming with raw emotion. And if you look closely, you might just catch a glimpse of some familiar faces and even Ġużi himself which adds an extra layer of connection to this deeply moving narrative. In this mesmerizing union of music and visuals, 'Għanja lil Guzi' transcends its status as a mere lullaby, emerging as a timeless ode to the joys and challenges of parenthood. Music Video: https://www.youtube.com/watch?v=3JlXY7yXEaQ Facebook: https://www.facebook.com/imamberofficial Instagram: https://www.instagram.com/imamberofficial/ Remembering Paul Mifsud: A Legend in Malta's Music Scene Paul Mifsud's passing at the age of 76 marked the end of an era for Malta's music community. He was widely recognized for his expertise and influence, particularly within the realms of the Record Centre, Exotique, and Music Club, where he became a fixture and a respected authority. Mifsud's impact extended beyond his roles in music venues. In 1991, he took to the airwaves to host the program "Xejn Ħlief Rock" on Radio 101, a show that left an indelible mark on listeners with its eclectic mix and deep dives into rock music. His contributions to various programs alongside notable figures like Eric Montfort and Alfie Fabri underscored his versatility and passion for sharing his musical knowledge. His expertise in popular music, especially classic rock, was unparalleled. Mifsud was a veritable font of knowledge and critical appraisal, often regarded on par with the most esteemed critics. His insights into the works of icons like Bob Dylan and the Rolling Stones elevated the discourse surrounding these artists in Malta's music scene. Paul Mifsud's legacy as Malta's foremost expert on the music of Bob Dylan and the Rolling Stones is undeniable. His profound impact on the local music community, through his contributions to venues, radio programs, and critical discourse, will be felt for years to come. In this time of mourning, heartfelt condolences go out to all who knew and respected Paul Mifsud. His presence will be deeply missed, but his influence will endure, leaving an indelible mark on Malta's musical landscape. Halcyon Introduces New Member & Debuts Song at Rock The South During their performance at Rock The South on Sunday, May 5th, Halcyon introduced their newest member. Miguel Ángel Sarmiento made his debut with the band as their second guitarist, with singer Zain Gauci formally presenting him on stage. Miguel is already a familiar figure in the local metal scene, having joined thrash outfit Sonic Storm in 2023. In the lead-up to Rock The South, Halcyon also premiered a new song titled 'Submerged (In Your Own Vanity)'. This release comes three months after their debut single 'Serenity'. Both tracks are demo recordings and are available for viewing on the band's YouTube page. Facebook: https://www.youtube.com/@halcyondeathmetal

Edward Mifsud unveils his latest composition, 'Serquli'. Edward Mifsud announces the release of his new composition, ‘Serquli’, a song based on an eponymous poem by Ġorġ Peresso, performed by Dorothy Bezzina and Chris Grech, with accompaniment from a piano and a string trio. ‘Serquli’ is part of the concept album Raġġ, which is set to premiere during ‘Feel the Magic of Orchestral Progressive Rock’ on Saturday 18 th May 2024, at Teatru Astra, Gozo. Raġġ is an orchestral work inspired by the progressive rock style, which originated in the UK in the early 1970s, with lyrics derived from Maltese poetry from the same era, namely Oliver Friggieri, Marjanu Vella, Ġorġ Peresso, Achille Mizzi, Joe Friggieri, and Ġorġ Borg. Raġġ explores the dualities of hope and helplessness, secrecy and openness, individualism and collectivism, youth and old age, and life and death, which all fall within the work's overarching theme of light and darkness. The programme will also feature music by prominent progressive rock bands ELP, Yes, King Crimson, and Genesis, arranged and orchestrated by Edward Mifsud in the style of Raġġ. ‘Feel the Magic of Orchestral Progressive Rock’ forms part of the concert series ‘Feel the Magic’, produced by Chorus Urbanus Productions, and will feature the Malta Philharmonic Orchestra, under the baton of Dr Mro John Galea, and special guests Dorothy Bezzina and Chris Grech. Tickets are available online from teatruastra.org.mt. This project is generously supported by Arts Council Malta, the Ministry for Gozo and Planning, the Cultural Heritage Directorate, Melita Foundation, APS Bank, and Teatru Astra. Link to music video: https://www.youtube.com/watch?v=1F8Q2xmh14M

Zabbeth's debut rereleased on tape as an ultra-limited run via Chaos & Hell Productions To mark the one year anniversary of their highly acclaimed LP release, Zabbeth's self-titled debut album has been treated to a cassette tape re-release through Chaos & Hell Productions from Greece with a special run of only 66 copies! This time round, the album gets a new look featuring yellow cassette casing and a 5-panel gloss finished J-card printed on both sides. This 5 panel print allowed for a larger font to be used and every panel is dedicated to it's own song! Featuring 8 songs of relentless aggression sandwiched between two atmospheric instrumental intro/outro, the production was entirely taken care of by Sean "Chaos" Attard, from recording all the instruments and vocals, mixing, mastering to the artwork and layout of all pressings. Paul Formosa of Sonic Storm and Ascendor fame, played drums giving a powerfully solid performace throughout all the tracks. The mind behind this project, Sean "Chaos" Attard, stated "For those less familiar with Zabbeth, this project is pure Bathory worship, and in this specific release, Bathory's self titled release, trying to emulate that dark and evil feeling from the yellow goat album of 1984!" Zabbeth's self-titled debut was originally released in CD format on the 7th of August 2022 through Witches Brew, the renowned German underground label responsible for discovering important acts such as Toxic Holocaust, Gama Bomb, Insulter, Rapture and Deathhammer, amongst others (some of which will sound familiar as they have blessed our shores with their electrifying performances). The album was subsequently released in 2023 as a limited run of 50 cassette tapes via Rat Covenant from Germany, and later that year in LP format via Witches Brew. All formats are now available for sale from Zabbeth's Bandcamp portal alongside merchandise like T-shirts, Longsleeves and patches. Available until stocks last, get yours as soon as you can as they are already running low in stock!

The drummer of Divine Sinners ties the knot. The Melodija team extends heartfelt congratulations to Paul Saviour Spiteri, the drummer of Gozitan band Divine Sinners, and his longtime partner Matilde, on their marriage last Saturday, April 27th, in Xaghra, Gozo. The celebration was further enlivened by an impromptu performance from Paul Saviour, his bandmates and a couple of guest singers, much to the joy of all attendees. Additionally, it has been revealed that Divine Sinners are currently in the studio working on their forthcoming album, slated for release later this year. Valeriana: A Musical Journey from Past to Present Valeriana – The Titan’s Rock that started being written by the late Gozitan composer Joseph Vella, Maestro Vella did not manage to finish this work, as he passed away when he was about half-way through. The opera was concluded by Maestro Christopher Muscat, a former student of Maestro Vella, and will be performed or the first time at the Astra Theatre. It was intended to be his biggest ever work; unfortunately, he had only completed an abridged version up to half-way stage. The first two acts are the work of Maestro Vella, and the last two acts are my work. It is a great honour for me to continue a work by Professor Vella, and when I was preparing the orchestration, memories of his lessons came to mind. It was very emotional for me to be able to continue with this work. Christopher Muscat – Director and composer of Valeriana Valeriana is the story of Rosario, a Maltese fisherman who, after marrying a local girl, ends up on the tiny Italian island of Valeriana during World War II, an island then under the control of a fascist leader named Cirillo. This is a brand new piece in English set in 1943 on an Italian island right in the heart of World War II under Mussolini’s reign…..its historically very interesting as it resonates with the Maltese, that particular period the 40s was such a difficult time. The cast is amazing, a mixture of local and foreign artists who are just exceptional and taking it to new levels. Denise Mulholland The opera is a production of Festivals Malta, and will be presented at the Astra Theatre on 4 May, with the participation of the National Orchestra under the baton of Maestro Muscat. Chaotic Remains Welcomes Drummer Keiston Busuttil! In a recent announcement on their social network pages, Chaotic Remains eagerly introduced their newest member, drummer Keiston Busuttil. With a familiar presence in the Maltese metal scene, Keiston's arrival is met with excitement and anticipation. Demonstrating unwavering commitment to music, he has dedicated himself tirelessly in recent months. Fans are encouraged to stay tuned to the band's Facebook and Instagram pages for forthcoming updates on upcoming shows and new material. There, they'll have the opportunity to witness Keiston's talent in action firsthand. Prayer Of The Dying: New Logo and Upcoming Release Martin Ciapara, the mastermind behind the revived one-man band Prayer Of The Dying, recently unveiled the project's new logo on April 9th. Additionally, he recently announced that the upcoming release, which has been in progress since January, is nearing completion. Titled 'Falling,' the track features vocals by Simon Deguara and is both produced and mixed by Deguara himself. In 2006, Martin initiated this project and swiftly followed with his debut album, "Structures of a Dying Matter," released in April 2007. Since then, he has launched four additional full-length albums and six splits, in addition to various demos and EPs. His most recent release, "Banished from Death," came out on May 13th, 2017. Owen Leuellen Continues Momentum with Release of Latest Track 'Can't Be Stopped' Owen Leuellen, the dynamic and versatile artist, reaffirms his creative dynamics with the launch of his newest track 'Can't Be Stopped,' following the success of his recent album 'Out Of Darkness.' While 'Can't Be Stopped' may not boast the same commercial appeal as previous hits like 'Flavour' and 'Juice,' it shines a spotlight on Leuellen's unparalleled storytelling prowess and the authentic emotion woven into his delivery. Leuellen emphasizes the importance of maintaining a balance between commercial and less mainstream tracks, a strategy he believes resonates deeply with his dedicated fan base, keeping his artistry genuine and relatable. Shot during his time in Los Angeles last year, the accompanying music video adds another layer of depth to Leuellen's compelling storytelling. As Owen Leuellen continues to push creative boundaries, 'Can't Be Stopped' serves as a testament to his unwavering dedication to authentic expression and artistic integrity. YouTube Music Video: https://www.youtube.com/watch?v=gfZmT-0Fl24 Spotify:https://open.spotify.com/artist/6tb0r9NMt4AG98xNIE1mSZ?si=B4IET6HSR_GyS7wmXMzC1w Facebook: https://www.facebook.com/LeuellenO Instagram: https://www.instagram.com/owenleuellen4real/

The Amazing Ms. Lia Hide An early start on Friday, 19th April 2024, at the first day of the Dark Malta Festival – 5th Anniversary, was awarded with a superb performance by Greek artist Lia Hide, accompanied by her band featuring Dennis Morfis on guitars, bassist Aki’ Base and George Rados on drums.  Her virtuosity on the keyboard and the lyricism of her song writing shined through.  With what seemed an effortless performance Hide transmitted her message and left the crowd waiting for more. For those not familiar, Lia Hide is an Athenian singer / songwriter, producer, music educator and performer.  Her music can be described as dark, art, avant grade and a bit pop.  After a prolific recording past in the Greek Electronica, with numerous releases, albums, collaborations, and compilations.   She has collaborated and appeared with Tricky, KBHTA, Kovacs, Joseph van Wissem, Anneke van Giersberg, Keep Shelly, Molly Nilsson, Kadebostany, Robin Skouteris, Ida Nielsen, Lucy Woodward just to name a few. Lia Hide is constantly touring throughout Europe, USA and Canada to promote her music. To date Lia Hide has released 4 solo studio albums: “Home” [EMI-Universal, 2013], “Everyone Seems to Know Who I Am” [DontHideMe, 2017], “Tells no Fairytales” [DontHideMe, 2019 – vinyl by B-OtherSideRecords], “The Missing Fourth Guest” [Conch Town Records, 2022] a Remix album: “Fairytales Remixed” [Amour Records, 2019] and music for the Dance drama “ΓΕΝΟΚΤΟΝΙΑ” by Pavlos Kourtidis (2019) “GENOCIDE” by Idalgos Records. More information can be optioned from  www.liahide.com and www.facebook.com/lia.hide How was your first experience in Malta?  Did you manage to enjoy our island apart of performing at Dark Malta Festival?We absolutely loved it! We stayed at St. Paul's bay, and although at first it seemed like a ghost town, as we arrived really early on that Thursday, it didn't take long to realize that was not the case, not at all! We were also celebrating my birthday (all through the weekend..) so we made sure we wined and dined at every occasion and place (meaning pub, restaurant or our hotel room balcony!). We spent the last day in Valletta, which was beyond anything we could imagine, simply gorgeous, and Dennis had the chance to visit Mdina a little and reported how amazingly beautiful it was (I unfortunately had to stay at our merch table, but don't regret it a bit, met amazing people and made new friends, right there!) What is the first music you remember hearing whilst growing up and what where are your main influences?The very first music I heard (that I remember) was the Beatles and Simon and Garfunkel and a specific album of Greek composer Manos Hadjidakis that was recorded in New York and produced by Quincy Jones, Joconda's Smile – we used to travel a lot in Europe with my family and most of the music I remember was the ones my dad chose for the road trips. Now, my main influences is a whole different chapter. There's a lot of the 90s grunge (and not only) scene in me, and I absolutely love Faith no More, Soundgarden and NIN, grew up when the Prodigy, Massive Attack and Rage Against the Machine emerged, but at the same time I've listened to a lot of Jazz, Classical, Film Music, especially Ennio Morricone, and then again, my first vinyl album I bought was Pet Shop Boys' Behavior while I adore Cindy Lauper, and not to forget : I call myself Kate Bush's daughter and Tori Amos' sister, so you understand it's all over the place! Does a classical background training help even when writing modern tunes and electronica?I can't say it does, on the contrary, a classical background may be tricky, as electronic music tends to be rather simple in structure and harmony, so I actually have to scold myself and go back again and again and edit and take out stuff, all the time. It does however help me in particular to formulate my personal musical character, so this is more or less why I choose avant pop as a genre, it seems to be embracing what I do, more accurately (check the wikipedia article on that, I love it!). My sound engineer in Athens used to say that us classically trained singers and vocal teachers are a pain in the a$s to record, as we never let go of what we've been taught, never sing freely, and I have to agree it took me some time to go back to being a punk soul as a singer! The biggest issue though, is that studying classical music you are sooner or later imposed with a burden, the notion that you continue the legacy and are obliged in a way to be as good as your predecessors, so that makes us our worse enemies, nothing is ever good enough. That is the bigger obstacle one has to overcome. How would you describe the style of the songs on your solo albums? Each album is a different story, both as a narrative in my lyrics, as well as in musical style. My first album HOME is toooo long, and far too complicated in production, but then again, that was me back then. I moved on to a more southern-nightmare, dark-folk second album with murder ballads, whereas my third album was more alternative with more aggressiveness and I started writing more social and political songs, let the guitar go distorted and used unusual song lengths and structures, which lead to the fourth album that is, to me, the most mature to date (seems natural I suppose). It's where I let go of all biases and insecurities (lockdown can do that to you) and released all my music influences and needs, so there's jazz and trip hop and post punk and progressive and spoken word and harder themes to talk about. All of them albums are concept albums, but I think I fully elaborated and expanded the fundamentals of the idea of the concept album on the Missing Fourth Guest. Tell us a bit about your musical journey between your first solo album ‘Home’ released in 2013 and ‘The Missing Fourth Guest’ (2022).I took me a while to release my second album, after a turbulent departure from EMI-Universal (that released my 1st album) and I deeply regret that. I lost way too much time, and way too much energy struggling with that bullying I suffered there, but bounced back eventually, and decided to work only with small indie labels from then on - until the label of my dreams will knock on the door (if you have any friends at Sargent House, please let them know..). The band around me stayed more or less the same, George Rados drums, has been my best friend since we were 14 years old, and I could not imagine this without him. Aki'Base bass, joined us a decade ago, just in time for the 2nd album, and this hugely effected our style, as he brought in all this amazing dark wave, melodic bass lines and post attitude, and Dennis Morfis has been by my side since my 1st album's presentation, took but a small hiatus to work on his own projects, only to be replaced by two of Greece's most amazing and prolific guitar players, the Godess of guitar that is Irene Ketikidi, and Panos Papazoglou, and now Dennis is back to stay. We decided to add a trumpet for the 4th album, the amazing Stelios Chatzikaleas, which you did not see at Dark Malta, alas, as it tends to be rather costly to fly a 5-piece bands overseas, but I promise we will have him with, next time! Apart from working with these amazing gentlemen I also took some time to study a bit more, finished another Master’s degree, this time in Songwriting, in Bath, and started writing music for the Theater and Dance Dramas, while in the meantime I took it fully upon me to be the tour and general manager of the band as no-one else could/would fill in those shoes. We started touring overseas after the 2nd album, as we realized that there is no scene for us in Greece, and if it were not for Covid, we'd have reached half a thousand shows by now, I figure, but then again, we wouldn't have written that unique 4th album – so no regrets! It's been busy, to say the least! Prior to releasing your solo albums, you collaborated frequently with other established artists.  How did that help you in your career?When I was younger, I was always in bands, since really really young, like 13 years old. When my last teenage band broke up, I quit the idea of releasing music, as I had no band, and these two seemed inevitably bound together, to me. So, in a way, if it were not for all these collaborative projects, I would have probably have pursued an academic music career or be a musical theater performer (which doesn't sound that bad, come to think of it). Being in the recording industry kept me running so in a way I was always ready to embark on the 'Lia Hide' (Lia Hide is not my real name – it's a loooong Greek one (!) but I'd rather not share it) journey. I took the decision to start my 'solo' project however, when the producers I worked with wanted to do soulful music in Greek, and I hated that idea. I don't hate the idea of Greek as a language in music, I am actually about to release some myself. I do hate the idea of creating music aiming specifically and only for money and only that, like, cheesy, silly love songs. So, this is more or less the turning point, when I decided I was not in it for the money, rather, I wanted to make tomorrow better, I wanted to communicate and I wanted to meet other people and understand how the world turns. Apart from the fascinating soundscape your albums offer food for thought through the lyrics.  What are the subjects covered on your songs and what message do you want to get through to your listeners?In the beginning there was love. Everyone feels safe discussing the romance and breakups and wounded heart. But to be honest, I have very few love songs and they are all about stupid ex's and their manipulative nature, so there's one subject, hurt and pain when my arm's twisted. Then there are a few songs on my family, and I need to ask them to forgive me, but have not been the most easy going and healthy of families, I have to admit, and they really messed me up. So, there's abuse, and sentimental bullying and then, my biggest fear, growing up to be a mean, old, sick in the head - woman, like my grandma. And a theme that always fascinated me, serial killers! So, there you have it, the theme of psychological disorders. There's songs about death (we lost loved ones in Covid) and there's songs about birth and children than never came. And then, there's social injustice, defending the weak and shouting out for the destruction of our planet, the capitalistic consumption of all that beautiful and healthy, just for the sick sake of profit. That's quite a range of themes, I have to say! But what I want to get through once the curtain falls and you leave our show to go home, is that it's ok if you're not ok, it's ok if you are strange, and it may be ugly and hard, but we'll make it, we just have to. The world, once again, is going through a turbulent period.  Do you think that music can help by bringing people together?I honestly don't know. Music has changed into a very commercialized product more than ever. I don't know how when Tay-Tay and Queen B are flooding the information stream, other genres can survive – I feel like all others are shrunk into a niche. Yet, I realize that now, more than ever, there is a huge gap between American and European Music, and I have great faith in our culture (but not our politics) here, in Europe (90% of the American mainstream music I hear lately is really useless to me, and even worse, I've followed amazing artists that once they reach the more mainstream stats, their music quality starts to deteriorate ). It seems odd but I feel like for the first time in my life, the American market does not interest me at all. I find the Europeans more alert and thirsty for art and evolution and change, and that is optimistic – but of course, I am biased, as I have visited and performed in many showcases and festivals in Europe, post Covid, and none in the US – so I am not being very fair with them Americans, am I? Although I am a teacher and very close to the younger generation, I don't fully comprehend what young artists are doing at the moment, only in the electronica, avant-garde, experimental and jazz scenes can I follow up. Living in the Balkans, with all that Trap and Turbofolk music, you tend to lose hope, but then again there's amazing hip hop and dark wave and punk and of course Metal, and I see a huge rise of numbers in festivals and festival crowds, so maybe now, especially after the Covid lockdowns, people will be united through music, at least through live music! Any new projects in the pipeline?We are travelling to Bulgaria in the 1st of May 2024, funded by Culture Moves Europe to spend 2 weeks isolated in a house in a forest and record and create. We have sketches for 2 albums in the making, one in Greek and one in English, we will finish one of them, and in the meantime we hope we will find a new label that is more fit to what we do and who understand and love our musical identity. We love Conch Town Records and they have been treating us like royals, as all of the small indie labels we've worked with in the past, but we feel we need a big push now, so we need to find those people who understand we are magic, which kind of magic, and want the world to be charmed by our spells! Any message you may wish to impart, especially to artists struggling to make it through in the music industry?Tough question. What is there to say? Right now, as I am typing these words, I am sleepless for a week, my head's filled with ideas, and in the same time I have to work (I teach at a Conservatory, have 20+ very demanding students) to fund what we do, go through contracts and agreements and edit some videos, but will also go to a few much anticipated concerts these days (Electric Litany, Sevdaliza) in Athens. What I am trying to say is, work hard, but really hard, work as hard as you can, learn how to do more than just sing or play an instrument, be very good at your instrument, rehearse, study and listen and join other musicians, try to find the people to help you, but at the same time try not to wear yourself out, listen to new music, perform as much and as best as you can and go see other artists, be out there. And most importantly, respect others, be kind and be honest, be yourself – and take the time to figure out who you are. The audience will always tell a lie, always. Would you consider performing in Malta again if the opportunity arises?Of course I would (I already miss it.. it was WOW!) please let me know when!!!

Dolls for Idols emerged onto Malta's music scene in 2009, a product of the creative minds of Clint Spiteri, Erick Saliba, and Aaron Sammut. With a distinctive blend of electronic synths and punk-infused hooks, the trio quickly garnered attention for their infectious energy and captivating performances. Their breakthrough came with the release of their debut album, "Cut, Paste & Rave'n'Roll," in 2011. Produced by David Vella at Temple Studio, this album marked a significant milestone for the band, propelling them onto the European stage. The album's success saw Dolls for Idols embarking on a tour across Europe, with notable gigs in the Czech Republic, Belgium, France, England, and Scotland. Sharing the spotlight with illustrious acts like The Hives, Django Django, and Agoria at the prestigious Europa Vox festival further solidified their presence in the international music scene. "Cut, Paste & Rave'n'Roll" was lauded for its seamless blending of indie, electronic, and punk elements. Each track on the album offers listeners a unique sonic journey, from intricate melodies to infectious beats, showcasing Dolls for Idols' versatility and musical prowess. Kewn Records are proud to announce it's finally coming to digital streaming services today! With their unique sound and undeniable stage presence, after a decade long hiatus Dolls for Idols are set to once again captivate audiences worldwide, continuing to push the boundaries of electronic punk music. Catch them on the 4th of May at the 11th edition of Rock The South Festival! 'Cut, Paste, Rave 'N' Roll' KEWN Records 1. Yeah You 2. Rave 'N' Roll 3. Run 4. Tik Tok 5. Faking Love 6. Don't Look Back 7. In Modern Times 8. When I Walk 9. Heroes Nowadays 10. Tonight

Chorus Urbanus Productions has announced its latest concert from the ‘Feel the Magic’ programme: ‘Feel the Magic of Orchestral Progressive Rock’. This concert will feature the première of Edward Mifsud’s concept album Raġġ, an orchestral work inspired by the progressive rock style that originated in the UK in the early 1970s, with lyrics derived from Maltese poetry from the same era, namely Oliver Friggieri, Marjanu Vella, Ġorġ Peresso, Achille Mizzi, Joe Friggieri, and Ġorġ Borg. Raġġ explores the dualities of hope and helplessness, secrecy and openness, individualism and collectivism, youth and old age, and life and death, which all fall within the work's overarching theme of light and darkness. These dichotomies are resolved in the work’s final piece, which discusses harmony and connectedness. Such themes echo the juxtaposition of “masculine” and “feminine” traits, a common characteristic of progressive rock music. The programme will also feature music by prominent progressive rock bands ELP, Yes, King Crimson, and Genesis, arranged and orchestrated by Edward Mifsud in the style of Raġġ. ‘Feel the Magic of Orchestral Progressive Rock’ will be held on Saturday 18 th May 2024 at Teatru Astra, featuring the Malta Philharmonic Orchestra, under the baton of Dr Mro John Galea, and special guests Dorothy Bezzina and Chris Grech. Tickets are available online from teatruastra.org.mt. This project is generously supported by Arts Council Malta, the Ministry for Gozo and Planning, the Cultural Heritage Directorate, Melita Foundation, APS Bank, and Teatru Astra.

Morsrot's EP SEPTICEMIA out now Morsrot's EP "Septicemia" marks a significant evolution for the young death metal outfit. Born from the creative minds of four musicians, aged 15 to 17, this sophomore release reflects a period of growth and exploration for the band. Penned during the summer of 2021, "Septicemia" showcases a departure from Morsrot's earlier sound. While still rooted in the raw energy of old school death metal, the EP embraces a more technical and somewhat progressive approach. This shift in style demonstrates the band's willingness to push boundaries and expand their musical horizons. Despite this evolution, traces of the band's primal origins remain evident throughout the EP. The spirit of OSDM (old school death metal) still pulses strongly within the tracks, serving as a reminder of Morsrot's humble beginnings. "Septicemia" stands as a testament to Morsrot's journey as a young band finding their voice in the metal scene. With each track, they boldly carve out their place, proving themselves as a force to be reckoned with. As they continue to evolve and refine their sound, Morsrot promises to deliver even more groundbreaking music in the future. The band shall be performing on Sunday 5th May during the eleventh edition of Rock The South, while the EP can be listened here. Skorch Announces New Drummer Ahead of Rock The South Malta Gig After a period of silence, Skorch, the renowned rock band, recently broke the news of their latest lineup change via their official Facebook page. On the morning of Monday, April 15th, the band shared the eagerly awaited update with their fans. The announcement unveiled Jake Zammit as their newest addition to the ensemble, taking on the role of drummer. In their social media post, Skorch expressed their excitement about integrating Zammit into the group, stating, "The Skorch boys were cookin', welcome to the Fray, Our new Drummer Jake Zammit!" This announcement signifies a fresh chapter for the band, as they prepare to embark on their upcoming performances. Acknowledging the significance of this transition, the band disclosed that they have been diligently rehearsing with Zammit to ensure a seamless transition and to elevate their performance for their next gig. Skorch is set to take the stage at the esteemed Rock The South Malta festival scheduled for May 3rd, 4th, and 5th. This event promises to be a highlight for both the band and their fans, showcasing their renewed energy and musical prowess. Amidst the excitement of this announcement, Skorch also took a moment to express their gratitude to Alan Darmanin, their former drummer, for his contributions and unwavering friendship. The band's heartfelt acknowledgment underscores the camaraderie within the music community and the importance of acknowledging past endeavors while embracing new beginnings. As Skorch gears up for their forthcoming performances with Jake Zammit behind the drum kit, fans eagerly anticipate witnessing the band's dynamic evolution and continued musical excellence on stage. Ritmu Roots Festival: Celebrating Tradition and Unity The Ritmu Roots Festival is an international celebration of music, spotlighting contemporary renditions of traditional melodies aimed at inspiring and uniting people. It serves as a platform for traditional performing arts, with a particular focus on Malta’s folk singing tradition, għana, as a cultural cornerstone. The festival emphasizes the importance of supporting local practitioners and communities for the continued evolution of these art forms. To achieve this, it incorporates a robust educational and awareness program designed to attract new audiences and introduce younger generations to the tradition, its performers, and its essence. Organized by Festivals Malta and backed by VisitMalta and the Ministry for Cultural Heritage, the Arts, and Local Government (Kultura), in collaboration with Magna Żmien, The Splendid, the Ambassade de France à Malte, and Alliance Française, this year's festival is part of maltabiennale.art and sponsored by GSD Markelting Ltd. Highlighted events in the Ritmu program include: Għana Għand tal-Iżgej on May 17th at Minżel E. Attard Bezzina, Żejtun. "Il-Qagħda tal-Mument - A Homage" audio-visual installation on May 19th at The Splendid, Valletta. "Niftakar Fik, Frans 'il-Budaj' - Concert I" paying tribute to Frans Baldacchino on May 19th at The Splendid, Valletta. Presentations on Traditional Maltese instruments and the Maltese Tambourine and Percussion Instruments on May 20th at The Splendid, Valletta. "Daqq tal-Prejjem" introduction to the traditional guitar in Maltese għana on May 21st at The Splendid, Valletta. Ethnographic Films Screening on May 22nd at Spazju Kreattiv Cinema, Valletta. "An Encounter with Traditional Sicilian Instruments" on May 23rd at The Splendid, Valletta. "Laboratorio di Ballo Siciliano" on May 23rd at The Splendid, Valletta. Presentations on Cretan Laouto and the Chitarra Battente on May 24th at The Splendid, Valletta. "Prejjem u Għana ma' Ta' Nofsillejl - Session I" on May 24th at Argotti Gardens, Floriana. "Loccisano & DeCarolis" performance on May 24th at Argotti Gardens, Floriana. "The Nefalo Project" blending traditional Cretan music with jazz on May 24th at Argotti Gardens, Floriana. "Prejjem u Għana ma' Ta' Nofsillejl - Session 2" on May 25th at Argotti Gardens, Floriana. "I Casentuli" offering traditional Sicilian music on May 25th at Argotti Gardens, Floriana. "DUO RUUT" presenting Estonian heritage through zither and vocals on May 25th at Argotti Gardens, Floriana. For further details, visit www.ritmu.mt. Tribali Announces 5th Album Release at Earth Garden Festival Tribali, the Maltese fusion band known for their captivating blend of world music, recently took to their Facebook page to unveil some thrilling news for their fans. After much anticipation, they announced the upcoming release of their fifth album. With palpable excitement, the band revealed that the official launch of their new album will coincide with their performance at the renowned Earth Garden festival on Friday, June 7th. What sets this release apart is that it will be available on vinyl, a format cherished by music enthusiasts for its warm sound and nostalgic appeal. In their announcement, Tribali expressed heartfelt gratitude to their dedicated fan base, acknowledging the unwavering support they've received over the years. As the anticipation builds, the band encouraged followers to stay tuned for further updates and details regarding the album release. For fans of Tribali and lovers of eclectic music alike, this announcement marks a significant moment, promising a new musical journey to embark upon. Keep an eye on Tribali's social media channels for the latest news, and mark your calendars for what is sure to be an unforgettable album launch at the Earth Garden festival.